Using Ai Weiwei and Pussy Riot as examples, Paul Klee as a guiding spirit, and Shepard Fairey as the cover artist, Ambrosio calls
for creative response to generate inventive actions in every area of society.
The fact that Rinzai hoped
for a creative response is itself exemplary of the fact that, in Zen, the true self includes volition as well as awareness.
Campaigns like #LoveMyDQ allow Dairy Queen to leverage a unique, targeted hashtag
for creative responses from their target audience.
Cultural competence is established through the therapist's capacity to be self - aware in regards to their own identities and cultural norms, the therapist's abilities to be sensitive to the nuances of the realities of human difference, and the therapist's capacity to hold and value a philosophy of difference, allowing
for creative responses to the client.
Not exact matches
The classic yellow cream - filled cake is a «true institution in the pre-packaged dessert world, representing sweet convenience and soft, tasty decadence
for all,» came the
response from Toronto's Petite & Sweet bakery, helmed by
creative director Elle Daftarian.
This means engaging on social media, posting to a company blog, sending an email to loyal customers, and coming up with other
creative responses that make sense
for your market and your brand.
True creativity needs time and space — shortcircuit the
creative process with constant quick rational
responses and you eliminate the space
for the really innovative.
«While I agree with Dove's
response to unequivocally apologise
for any offense caused, they could have also defended their
creative vision, and their choice to include me, an unequivocally dark - skinned black woman, as a face of their campaign.»
Creative Direct
Response would pay Squire
for the $ 3 million stock purchase, acquiring the company as a wholly owned subsidiary.
When direct marketing agency
Creative Direct
Response Inc. decided to expand its nonprofit fund - raising business, the Crofton, Maryland, firm began looking
for a company to acquire.
Her empathy
for others and her
response to suffering became acts of
creative resistance against a life - denying political order.
David, good to see the honest and frank
responses above — I note that the majority are sensitive to your need to provide
for yourself using your
creative talents, time and resources.
For such process theists, there is only one «divine entity» and the key to transformation is our willingness to respond to the
creative -
response love of this entity — to respond to the ideal options of which God continuously makes us aware.
This
response was continuous, although the resurrection marked the crisis in its development — the moment when loyalty to the person reached its climax and when faith in the meaning of the event as an act of God became
for the first time clear and sure — but at every stage this
response was a constituent and
creative element in the event itself, and the event had not fully happened until this
response of faith had been fully made.
Reverence
for the courageous intelligent
response of human beings to the problems and demands of life, the patient discipline of the scientist, the integrity and
creative expression of the artist, is a valid theme of Christian theology.
The most
creative intellectual
response to these questions, I believe, will produce a theology which focuses on the human future in the light of the Christian past, which searches the revelation of God in Christ
for the clues to the intention and goal of the Spirit of God
for the future of mankind.
If there is, then perhaps fundamental desire to live and enjoy life may function to moderate the nationalistic frenzies, the absurd struggles
for power, the long ingrained historical hatreds, and the blind ideological fanaticisms that now stand in the way of
creative, effective
responses to the present crisis.
«
Creative broadcasting scheduling» in October accounted
for the higher - than - usual
response (the topics included the killing of homosexual student Matthew Shepard, Y2K, and Frank Peretti).
There is room
for flexibility and meandering in its
response to the persuasion of its
creative ground.
You won't believe the difference in your sexual and
creative energy, not to mention your capacity
for healing and appropriate stress
response.
Instead, descriptors such as «
creative», «happy», «outgoing» and «optimistic» all saw an increase in
responses for the profiles that used them.
Creative dating profile headlines
for women are sure to catch more attention and your chances of getting interesting
responses will go up!
May 8 The Best and Worst of Dating Profile Headlines 27 Examples of Good and Unique (ish) Dating of dating site profiles and headlines
for Creative dating profile headlines
for women are sure to catch more attention and your chances of getting interesting
responses will go up!
Incumbent president after spending hell still
creative taglines
for dating sites a weekend while the judge is Funny taglines
for dating sites examples You can leave a
response, or trackback from your own site.
At
Creative Assembly we are very pleased with the
response to ROME II, with hundreds of thousands of players enjoying the game so far; but we do know that, as with all large PC releases, the variety of hardware and general system specifications can cause issues
for some people and we are urgently working to
During the meeting, Mrs. Cecile Guidote - Alvarez accepted to become honorary membership at Global Education Magazine and she also made a speech about her experience as Director of the Philippine Center of International Theater Institute / Earthsavers UNESCO DREAM Center and Interdisciplinary
Creative Arts Therapeutic Emergency
Response for the area affected by earthquake and super Typhoon Haiyan in Bohol, as she had made in a previous interview with Global Education Magazine.
This is because the nature of any work involving a personal
response, whether
creative or analytical, is to some extent subjective and I want to avoid the danger of short - circuiting this
creative process
for my students.
It is not enough to expose students to information — deep learning happens when we make space
for students to do
creative, challenging work in
response to meaningful content.
I hope to publish eventually but do use it as a basis
for discussion or
creative response.
The unique suitcase graphic organizers and
creative writing
responses that are required
for this project will make your students think about their main characters in a whole new way!
In the past pupils have produced identical products in
response to closed briefs, such as «design a chocolate bar wrapper», that leave little room
for creative thought.
For more information about Lynch Hummer's
creative response to the recession, visit http://gunsandhummers.com/.
We appreciate your interest in
Creative Nonfiction, as well as your patience during the long review process, and apologize
for how long it took to provide a
response.
Debra was kind enough to invite me to be interviewed
for her blog, and I really enjoyed the
creative questions and the interesting
responses they evoked.
Through
creative innovation and an energetic
response to any challenge, we will continue to forge new pathways to provide only the best in product choices
for the marketplace.
«In
response to the Presidio Trust's requests
for additional specificity on PX public programming, our
creative team has crafted a robust vision
for what the PX would bring to this and future generations of park users,» said Parks Conservancy President and CEO Greg Moore.
In
response to many people telling them that their game is either too hard or too easy
Creative Assembly have decided to add 2 new difficulty modes in the newest update
for Alien Isolation.
• A round - up of the besttools
for mobile development • A look at developing games
for Google Glass • A studio tour of Aardamn Digital, and a look at its iconic parent company • We visit the German dev hub that is Frankfurt • How Lionhead harnessed the power of Unreal Engine 4 • The results of September's close fought Develop Quiz • Geomerics details its work with Arm's Mali platform • Unity's new 2D elements are profiled in detail • A farewell to Blitz, with
response from the industry • Autodesk tells all about its indie - friendly middleware Maya LT • Microsoft maestro Paul Lipson shares his thoughts on game audio and composing • The Tizen OS opportunity explored, and why Marmalade matters there •
Creative England and Microsoft's Greenshoots initiative under the microscope • Our expert columnist Nick Gibson offers advise on attracting and impressing external funders
We'd like to thanks our sponsors Facebook, Fourth Floor
Creative, Splash Damage, Riot Games, Amiqus, OPM
Response, Sumo Digital and Ukie
for making this night a huge success, as well as our incredible host Dr Jo Twist OBE, CEO of Ukie.
Curated specifically in
response to recent events, «Parrish Perspectives» exhibitions offers the chance to reconsider art, artists, and the
creative process in a new way by including current times as a factor
for viewers.
For 2016, Frieze Education has focused on students»
creative responses to the art they encounter in museums and galleries and the similarities and differences from their own art - making and education.
Taking this approach allows us to consider how the role of self - portraiture has shifted over time from producing likenesses as keepsakes
for friends or as public statements of
creative identity, to more recent conceptual
responses to self - portraiture such as Felix Gonzales - Torres» text portrait (Untitled, 1989), the content of which is added to each time it is shown in a new location.
9-11/9 -11, Chile / USA premiered
for Creative Time on the 2007 anniversary of 9 - 11, screening simultaneously in New York City and Santiago and was accompanied by a live simulcast Q&A between the artist, filmmakers and members of both audiences, folding Chin's own artistic
response back into the real life public arena.
Here's my
response to being nominated
for the «Around The World
Creative Blog Hop, find out who and what inspires my creativity...
With a backdrop of Baltimore smoldering, and nationwide furor continuing to escalate over police misconduct, MANIFEST: JUSTICE is a
creative response, a call to action, a demand
for justice.
Upstairs in the Sackler Galleries comes America After the Fall: Painting in the 1930s, an exhibition reflecting the
creative response to the turmoil of the Depression, as American artists searched
for ways of reflecting their rapidly - changing world.
The exhibit, created in
response to Woolf's conclusion that «a room of one's own» is implicitly needed
for creative production, co-curators, uses contemporary art to explore ideas of an artist's
creative space in contemporary practice.
ROYAL DANISH ACADEMY OF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL
FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with
response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «
Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outside?
The idea of the art collective - a social and
creative unit formed as a catalyst
for change - emerged in the 1960s partly in
response to imperialism and moralism and, to a lesser extent, war and destruction wrought by technology.
Mining Josef Herman will enable new audiences to engage with digitised local and national archives, and create opportunities
for members of the public to work with artists in making their own
creative responses for publication online.