Sentences with phrase «for creative synthesis»

For each creative synthesis furnishes materials for a novel and richer synthesis.36

For Hua - yen, therefore, there is no room for creative synthesis, the many can not become one and are increased by one, for whatever is has achieved is «complete ontological cohesiveness and solidarity, but at the expense of creative advance, emergent newness and the production of novelty» (p. 71).

Not exact matches

In the preface to Creative Synthesis and Philosophic Method, Hartshorne celebrates «our English inheritance of critical caution and concern for clarity»; he seeks to learn more from Leibniz, «the most lucid metaphysician in the early modern period,» as well as from Bergson, Peirce, James, Dewey, and Whitehead, «five philosophers of process of great genius and immense knowledge of the intellectual and spiritual resources of this century.

In such books as Beyond Humanism, Man's Vision of God, A Natural Theology for Our Time, Creative Synthesis and Philosophic Method, and The Logic of Perfection, Hartshorne has been indefatigable in the presentation of this «di - polar» position.

For Hartshorne, to be actual at all is to be an instance of creative synthesis, and this means to have power to be partially determinative of self and others, as well as to have the capacity to be partly determined by other selves.

In these circumstances the possibilities for creative novelty in the synthesis of feeling which constitutes the satisfaction of the concrescing actual entity are great indeed.

Wieman variously referred to God with such terms as Growth, Creative Synthesis, Creativity, Creative Event and Creative Interchange, for much the same reasons as Kaplan.

Still, the idea of «God» is the one most frequently invoked by process thinkers to account for the general trajectory» of creative synthesis.

Someday we may be able to write a history of twentieth - century theology in the United States in which the many creative strands of Christian thinking during the period are displayed as shared sources for the emerging synthesis.

This method of creative synthesis has two particularly important features for the future.

In Creative Synthesis and Philosophical Method Charles Hartshorne writes: God «Can not absolutely conceal himself from any creature, for the omnipresent can never be more than relatively inaccessible» (CSPM 156, italics added.

For the categories to be illustrated with each new divine feeling, there must obviously be those efficient causes (or there must have been others in place of them) to provide the content for the new creative synthesis; that all preceding efficient causes, divine and subdivine, will always have been required to provide that content will be argued belFor the categories to be illustrated with each new divine feeling, there must obviously be those efficient causes (or there must have been others in place of them) to provide the content for the new creative synthesis; that all preceding efficient causes, divine and subdivine, will always have been required to provide that content will be argued belfor the new creative synthesis; that all preceding efficient causes, divine and subdivine, will always have been required to provide that content will be argued below.

See, for instance, Whitehead's RM; Hartshorne's Creative Synthesis and Philosophic Method (La Salle, Ill.: Open Court, 1970); John B. Cobb, Jr.'s «Buddhist Emptiness and the Christian Cod,» Journal of the American Academy of Religion 45/1 (March, 1977), 11 - 26; and Christ in a Pluralistic Age (Philadelphia: Westminster, 1975); for several critical dialogues on this issue, see John Cobb's Theology in Process, edited by David Ray Griffin and Thomas J. J. Altizer (Philadelphia: Westminster, 1977).

According to Hartshorne, no amount of explanation in terms of efficient causality can account for the precise eventual character of a new creative synthesis; such historical explanations are valuable only in explaining the general outline and predictability of the future and the necessity of each new feeling having had its own specific causal

My six theistic arguments are said to form a system stronger than its separate parts, and the chapter in which I expound them is imbedded in a book (Creative Synthesis and Philosophic Method) which attempts to give the Wider context for them.

Well, according to Nobo, it is sufficient for any actual entity to be «any complete synthesis of all the existential data available for the creative activity of an experiencing subject» in order to be a superject (GEI 178).

Another creative way to help your child gain a complete understanding of the textbook chapter for that big test coming up, is with synthesis — creating something new from obtained knowledge.

The new model is a synthesis of style, creative flair, passion and cutting - edge technology, characteristics for which Italy as a nation is well - known.

Having experience with sound design and audio post-production through various projects for companies including Cedar Fair, 3D Live, and Comhear, as well as teaching advanced synthesis and sound design classes at the Art Institute of California, Daniel has been able to not only hone his skills but develop new creative tools to assist him in his artistic endeavors.

It's as if the mineral quality of the paint, the pigment, has been carefully weighed and allotted to each area, and could be accounted for, tabulated, as a mineral just as much as it could be considered a form or even part of a representation... Just as the picture balances paint's physicality with its depictive utility, it achieves a synthesis between seemingly opposed ideas of creative work: it attracts without beckoning; it presents a woman who turns to us but does not need our presence for her self - definition, who is naked but not sexualized, and for whom creative expression comes through a medium of repetitive work.»

Like Goldberg's, Pollock's path to an individual creative language involved a synthesis of past and present, taking from each what was appropriate for his purposes.

[I] t is only through learning communities of the type proposed for A.E.S.S. that we can achieve «whole system» environmental education and the creative synthesis of new knowledge that promotes a healthier Earth.