An international trailer has arrived online
for cult filmmaker Takashi Miike's new gangster - vampire mash - up Yakuza Apocalypse: The Great War of the Underworld, which you can watch below... Akira (Hayato Ichihara) admires Genyo Kamiura who is the most powerful yakuza.
Not exact matches
One of the foremost American
filmmakers of our time, Richard Linklater achieved
cult immortality with the «90s classic Dazed and Confused, won critical respect
for the sublime Before trilogy, and redefined cinematic storytelling with the groundbreaking Boyhood.
It risks a late detour into magic realism and comes out the other end as an even stronger and more idiosyncratic piece of work — and, thanks to Mortensen's presence, a possible international breakthrough
for a
filmmaker whose
cult could stand to grow a little going forward.
It's an instant
cult classic that I can see a lot of people discovering on the home video front and not so much theatrically, which is a shame, because films like this need audiences support to help fund future projects
for talented
filmmakers like Martin McDonagh.
Refn clearly has a love
for the likes of Walter Hill and John Carpenter, as well as
cult classics like Silent Running and Logan's Run, a film he was looking to remake
for some time; von Trier has grander aspirations as a
filmmaker, a compulsive need to make the audience feel something, anything, at the end of his works.
The
filmmaker is also producing and co-wrote the script
for Robert Rodriguez» Alita: Battle Angel, which is based on the
cult manga of the same name.
A series based on the
filmmaker's 1994
cult classic is the first scripted program to be announced
for the network, which launches in December.
Mary Harron: A Canadian
filmmaker and screenwriter, known
for her socially - conscious independent films such as I Shot Andy Warhol (1996) about Valerie Solanas» life that led up to her failed assassination attempt of Warhol, and The Notorious Bettie Page (2005), a film about the 1950s pinup model who became a
cult icon of sexuality and helped popularize pornography.
Perhaps the most widely polarizing film in recent memory, Kill List, a kitchen - sink drama meets surreal
cult horror hybrid, confirmed at least one thing
for everyone who walked out of the theater, both awed and annoyed alike: Whether
for good or
for ill, Ben Wheatley is one of Britain's most interesting contemporary
filmmakers.
The Scorecard Review news News:
Cult filmmaker, Kevin Smith, is currently holding an open call
for comic book lovers
for a reality show on AMC.
Out doing press
for «Solo: A Star Wars Story» this week,
filmmaker Ron Howard has surprisingly revealed that his previous collaboration with Lucasfilm, 1988's
cult fantasy feature «Willow,» may be coming back in the near future.
In Halloween 5: The Revenge of Michael Myers, Michael finishes the job he started in the previous film by killing his niece, so to fill the narrative void of no more family members, the
filmmakers introduce the concept of the «
Cult of Thorn,» who are supposedly the ones responsible
for Michael's evil behavior all along.
For those of us who came to the Japanese
filmmaker (and nearly never returned) via his hyper - violent,
cult horror films Audition and Ichi the Killer, the barrage of comedies, musicals, even children's films can be as disorienting as the grisly sights of his alienating breakthroughs.
Working with some of Hollywood's greatest
filmmakers in both independent and studio films, Gyllenhaal starred in Ang Lee's classic «Brokeback Mountain,»
for which he received an Oscar ® nomination and won a BAFTA
for Best Supporting Actor; Bong Joon - ho's «Okja;» David Ayer's «End of Watch;» Antoine Fuqua's boxing drama «Southpaw;» Dennis Villeneuve's highly acclaimed films «Prisoners» and «Enemy;» Richard Kelly's
cult hit «Donnie Darko;» David Fincher's «Zodiac;» Sam Mendes» «Jarhead;» Nicole Holofcener's «Lovely and Amazing;» Ed Zwick's «Love and Other Drugs,»
for which he received a Golden Globe nomination, and Tom Ford's «Nocturnal Animals,»
for which he earned a BAFTA nomination.
For the die - hard fans of the
cult classic, the
filmmakers have also laced this tale about male camaraderie with subtle, loving nods and nuances.
A better Alex Cox film
for Criterion Collection enshrinement than his dismal 1987 dud Walker (reviewed here), this debut feature from the radical
filmmaker became an immediate
cult hit but also the high point of a career that failed to distinguish itself much after the one - two punch of this and 1986's Sid & Nancy.
The clear precedent
for Franco's project is Tim «Speaking of Bad Movies» Burton's Ed Wood (1994), about the cheapo 1950s
cult filmmaker Ed Wood (played by Johnny Depp), whose ingenious sense of trash was a source of inspiration
for Burton himself.
Cult filmmaker Tommy Wiseau («The Room») explains why he agreed to give actor - director James Franco his life rights
for «The Disaster Artist» and critiques what Franco got right — and wrong — in his performance as Tommy.
Based on the best - selling tell - all book about the making of the
cult - classic disasterpiece The Room, «The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made», by Greg Sestero and Tom Bissell, and written
for the screen by Scott Neustadter & Michael H. Weber, The Disaster Artist tells the hilarious true story of aspiring
filmmaker and infamous Hollywood outsider Tommy Wiseau — an artist whose passion was as sincere as his methods were questionable — into a celebration of friendship, artistic expression, and dreams pursued against insurmountable odds.
Neon has unveiled a new official US trailer
for the wacky sci - fi thriller from eccentric Spanish
filmmaker Nacho Vigalondo, of the
cult hit Timecrimes previously.
Here's a neat little nugget featuring
filmmaker Alex Cox giving an introduction to Robin Hardy's 1973
cult horror classic The Wicker Man
for BBC2's weekly
cult movie series Moviedrome, the original incarnation of which ran from 1988 to 1994 with Cox as its host.
Citing the work of Austrian
filmmaker Michael Haneke, Japanese horror movies and indie
cult film «Martha Marcy May Marlene,» he purposefully created a still, watchful visual style
for the film.
A postmodern and critical
cult began with the likes of Godard, Truffaut and Rohmer, who soon paved the way
for American
filmmakers such as Scorsese, Spielberg and De Palma.
by Walter Chaw Genre poetry from B - movies» poet laureate, Quentin Tarantino's conclusion to Kill Bill is marked by the
filmmaker's carefully - calibrated celluloid insanity, as well as a deceptive maturity that allows a few powerfully - struck grace notes
for the
cult of femininity and the sanctity of motherhood.
The New York artist's «Garbage Gods,» cybernetic samurai reunited
for the first time, will loom large at this Red Bull show, along with oral history stations featuring recollections of the artist by luminaries like fellow artist and
filmmaker Charlie Ahearn and director Jim Jarmusch, who gave him a cameo in his
cult classic Stranger Than Paradise.
Those include two exhibitions set
for 2014: A survey of Utah
cult filmmaker Trent Harris, and a large - scale group exhibition looking at Danish migration in Utah.