Sentences with phrase «for cultural engagement»

At Tate, Paul creates platforms for cultural engagement with contemporary art by programming talks, symposia, workshops and live art events including The Status of Difference (ideas / debate series, 2008 - 2010), Conversation Pieces (ongoing artist talks series), Global Modernities (Tate Triennial conference, March 2009) and Afrodizzia (Late at Tate, Feb 2010).

Named the Moody Pavilions in honor of a $ 3 million grant from The Moody Foundation, the new visitor amenities will shape Laguna Gloria into a destination for cultural engagement that is unparalleled in the region.

Not exact matches

Ursula Adams, director of employee engagement at United Way for Southeastern Michigan, says using the daily - engagement app Niko Niko — which tracks employees» mood data with its mobile «happiness meter» — has helped her avoid sinking money into fixing the wrong cultural problems.

It struck me that was there was something new going on in the combination of LaHaye's theology of cultural pessimism and his forming of a coalition for active cultural engagement.

For many Christians, however, this is still a semi-accurate caricature of what cultural engagement looks like.

While Biblical hermeneutics provided the key to an understanding of the role of women in the church and family, dialogue between those whose traditions have heard the Word of God differently in other times and places held the key for the discussion of social ethics, and engagement with the full range of cultural activity (from psychotherapy to radical protest, from personal testimony to scientific statement) was the locus for theological evaluation concerning homosexuality.

There really ought to be little wonder that the Catholic Church would, for the better part of two centuries, see great caution where possible, and open resistance where necessary, as the rule for her engagement with modernity — political, cultural, intellectual, and otherwise.

Reporting on the recent Barna study on Gen Z attitudes and behaviors, Jonathan Morrow, director of cultural engagement at Impact 360 Institute, writes: «With the best of intentions, we bubble wrap our kids and create Disney World - like environments for them in our churches, and then wonder why they have no resilience in faith or life... In short, teenagers need a grown - up worldview not coloring book Jesus.»

For me this engagement and reflection take place within the context of a Christian perspective which, guided by the insights of H. Richard Niebuhr, seeks a responsible and transforming relationship between the Christian gospel and cultural life.

Just as kingship symbolism functioned for 1,500 years both as a language of cultural engagement and as a critical tool against all earthly kings, so republican symbolism can provide us with a language of transcendence as well as immanence for our own time.

Henry rejected liberal versions of the social gospel which tended to be all social and no gospel, but he appealed to an earlier evangelical consensus of cultural engagement that included the work of William Wilberforce in campaigning for the abolition of the slave trade in England, the revivalist impulses of Charles G. Finney against slavery in this country, as well as evangelical concerns for suffrage, temperance, child labor laws, fair wages for workers, and many other progressive issues to which many theologically conservative Christians were once committed» before what David Moberg has called «the great reversal,» an evangelical withdrawal from such concerns.

It was a tract for the times and a trumpet call which set the direction of evangelical social and cultural engagement for the next half - century.

Prioritized program areas, designed for youths ages 6 - 18, include academic enrichment; cultural enrichment (arts, music, science); career enrichment; youth leadership, community service and civic engagement; and gang and violence prevention.

Through our open call for submissions, we hope to engage with filmmakers on the forefront of cinematic innovation and experimentation in both content and form, presenting access - driven stories with journalistic integrity that demand an engagement with our political and cultural environments.

It is concerned with making critical judgements based on a sound knowledge of a variety of contexts; judgements about cultural values, cultural history, aesthetics, quality, craftsmanship and fitness for purpose, and provides an opportunity for and engagement in leisure pursuits that can yield lifelong benefits in health, well ‑ being and life satisfaction.

As a result of shifting demographics, it's important for schools to consider classroom strategies, family engagement practices, and how to best navigate cultural divides, said Associate Professor Natasha Kumar Warikoo, program chair for EIS

As a result of shifting demographics, it's important for schools to consider classroom strategies, family engagement practices, and how to best navigate cultural divides, said Associate Professor Natasha Kumar Warikoo, program chair for EIS «Even though one out of every...

I believe that gamification is very useful for increasing employee engagement, developing leadership skills, and encouraging cultural changes.

We have new cultural and global problems to solve and educators agree that there is room for improvement in engagement levels; this is where education and games diverge.

For example, Head Start has been and continues to be a leader in its focus on family engagement and comprehensive services, on children with disabilities, and on children from diverse cultural and linguistic backgrounds; in its commitments to accountability for program quality; in its investments in the professional development of the early childhood education workforce that led to the development of the Child Development Associate (CDA) credential; and in its commitment to and investment in research and evaluation to strengthen quality, improve child outcomes, and reduce the achievement gFor example, Head Start has been and continues to be a leader in its focus on family engagement and comprehensive services, on children with disabilities, and on children from diverse cultural and linguistic backgrounds; in its commitments to accountability for program quality; in its investments in the professional development of the early childhood education workforce that led to the development of the Child Development Associate (CDA) credential; and in its commitment to and investment in research and evaluation to strengthen quality, improve child outcomes, and reduce the achievement gfor program quality; in its investments in the professional development of the early childhood education workforce that led to the development of the Child Development Associate (CDA) credential; and in its commitment to and investment in research and evaluation to strengthen quality, improve child outcomes, and reduce the achievement gap.

Usually it's students lacking in cultural knowledge who have trouble with engagement and understanding; they sometimes struggle to clear hurdles because they don't get some of the countless allusions many of us take for granted.

By strengthening relationships, developing social and emotional skills, using restorative interventions, and increasing cultural awareness, we aim to create a positive climate for learning and address the root causes of suspensions and discipline disparities, leading to greater student engagement and success in school.

He also said school leaders have increased community engagement work, stepped up cultural competency efforts and invested more heavily in programs for students learning English.

It fundamentally lacks social and cultural relevance for the most disadvantaged children, impacting on their confidence and engagement in learning.

Prior to her work with Project Zero, for ten years Andrea led educational programs at Le Laboratoire Cambridge (Le Lab), a cultural center focused on cross-disciplinary idea development and public engagement.

His work provides a timely addition to the growing research on boys of color and calls for a critical and intersectional engagement with the cultural politics of specifically Latino masculinity.

Implementing YALSA's «Teen Services Competencies for Library Staff» in Your Library Location: Colorado Convention Center, Rm 501/502 YALSA's new «Teen Services Competencies for Library Staff» (http://www.ala.org/yalsa/guidelines/yacompetencies) outlines the skills all library staff need to effectively serve teens - from interaction with teens and families to learning environments and experiences, community and family engagement, cultural competency, and outcomes and assessment.

The mission of the Media Awareness Project is to empower youth to use media for community engagement, cultural expression & social change.

Dawoud Bey was selected by the MacArthur Foundation Grants committee for his «expansive approach to photography that creates new spaces of engagement within cultural institutions, making them more meaningful to and representative of the communities in which they are situated.»

Exhibition curators Lowery Stokes Sims and Ana Elena Mallet discuss how the border serves as a catalyst for initiating social engagement and cultural dialogue for artists and designers working today.

This innovative collaboration with the city was designed to bring art into the community, activating public engagement with contemporary art through curated exhibitions and programs, and revive underutilized properties in the city of Waltham, supporting the city's long - term goals for economic growth and cultural vibrancy.

With a focus upon contemporary art since the 1960s, MUMA seeks to establish the museum as a dynamic site for cultural production, pedagogy and participation — through exhibitions, collection development, curatorial research, publishing, and academic and community engagement.

Pierre Chareau: Modern Architecture and Design proposes a fresh look at the internationally recognized designer and examines his work in the Parisian cultural context between the wars to highlight his circle of influential patrons, engagement with the period's foremost artists, and designs for the film industry.

As BOLT Residency enters its fifth year, the BOLT Alumni Exhibition & Dialogue is a continuation of the CAC's mission as a site for linking artists and audiences through community, education, and cultural engagement; and demonstrating the lasting significance and reverberating energy of its residency program.

Art League Houston (ALH) adds to the unique creative identity of Houston by serving as a hub for the appreciation of and participation in contemporary visual art - uniting a variety of audiences across cultural, gender, and sexual identities, age, level of engagement in the art community, professional success, and socioeconomic status.

For this site - specific project, Rios Ferreira initiated the work through community engagement, conducting workshops with teenagers in youth programs at Wave Hill and at Casita Maria, two Bronx - based cultural institutions.

He works as an artist, curator, urbanist and facilitator, and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change.

Next to this core engagement for female artists, BROADWAY 1602 also represents other cultural agents and outstanding personalities of the New York postwar avant - garde, such as The Archive of Experiments in Art and Technology (E.A.T.), David Tudor & Composers Inside Electronics (CIE), and collaborations with the The George and Helen Segal Foundation, Robert Whitman and the Robert Anton collection.

Bridges — who previously served as Curatorial Assistant at the Museum of Contemporary Art Chicago (MCA Chicago)-- will work with Broad MSU staff to build upon the museum's international exhibitions program and expand its role as an educational resource for the university, a center for community engagement, and a cultural hub for the state of Michigan and beyond.

As part of the Gul & Arzu collective, Kosar conducted a two - year social engagement project for the Istanbul 2010 Cultural Capital events.

after 11p St Leroy II and Ali Coyote after 12a Oxnylia after 1 am and more all night Open Studios with Maggie Knox Jon Davis / 55BelleChase Bhakti Baxter Michael Vasquez Federico Cattaneo Ernesto Kunde Nina Surel Deft Union Inside Maggie Knox Candle Making workshop starting at 5 pm Open Studio and engagement with resident artist Rondell Crier (in partnership and support with Diaspora Vibe Cultural Arts Incubator, Inc, Adeline Edwards Foundation, Visual Art Network) Exhibition with works by Eurydice Kamvyselli, Deming King Harriman Art, Nicole Salcedo, Elizabeth Newberry, Francesca Lalanne, Magdalena Goudie and all the vibes with ABA Jewels «My Queen before you go tell my horse» a Performance by Jamilah Sabur, 9:30 pm (details below) Candle Vigil for all lost to the current violence of our time If you want a full experience with us take the 11 am boxing class at SolBox FC, 7101 North Miami Avenue (with shower) Please park in the back parking lot, entrance at 7101 North Miami Avenue, in the streets around or take a LYFT CODE FOR 5 FREE RIDES UP TO $ 10 EACH >> > SUPERFINERIDE Special thanks and love to Marlee's Green Tea, Miami Spaces, Gummdrops, Naomi's Garden, Gramps, Diaspora Vibe Cultural Arts Incubator (just to name a few) for their ongoing love and support and Thanks to Superfine - The Fairest Fair for their effort and support in bringing this evening to ligfor all lost to the current violence of our time If you want a full experience with us take the 11 am boxing class at SolBox FC, 7101 North Miami Avenue (with shower) Please park in the back parking lot, entrance at 7101 North Miami Avenue, in the streets around or take a LYFT CODE FOR 5 FREE RIDES UP TO $ 10 EACH >> > SUPERFINERIDE Special thanks and love to Marlee's Green Tea, Miami Spaces, Gummdrops, Naomi's Garden, Gramps, Diaspora Vibe Cultural Arts Incubator (just to name a few) for their ongoing love and support and Thanks to Superfine - The Fairest Fair for their effort and support in bringing this evening to ligFOR 5 FREE RIDES UP TO $ 10 EACH >> > SUPERFINERIDE Special thanks and love to Marlee's Green Tea, Miami Spaces, Gummdrops, Naomi's Garden, Gramps, Diaspora Vibe Cultural Arts Incubator (just to name a few) for their ongoing love and support and Thanks to Superfine - The Fairest Fair for their effort and support in bringing this evening to ligfor their ongoing love and support and Thanks to Superfine - The Fairest Fair for their effort and support in bringing this evening to ligfor their effort and support in bringing this evening to light.

As we strive to be a site for thought - provoking contexts for artistic engagement, we now enter a phase of evaluation, asking how we - as a non-profit contemporary art space in Manhattan - can create the most considerate and compelling cultural impact.

«With this long - term support, the museum can continue its work and realize bold new enterprises that position the Parrish as an internationally recognized museum and a locus for cultural and community engagement on the East End of Long Island,» stated Parrish Art Museum Director Terrie Sultan in a press release.

The journal is intended to provide a high - caliber international forum for disseminating original research and scholarship and for sustaining a lively engagement with intellectual developments and methodological debates in art history, visual and material cultural studies, and curatorial work.

Through editions, conferences, workshops, discussions, screenings and collaborations, the York - based independent publishing imprint will create a space for a poetic and critical engagement with issues such as «undesigning», anti-expressionism and cultural piracy.

In her text for the exhibition's catalogue, Brito informs us that the concept of cosmopolitanism was in fact introduced by Socrates, who saw himself as «a citizen of the world», and then further refined by the Stoics who saw it as «an aesthetic engagement with cultural differences.»

Her projects such as «Awakening from Your Skin» that ran from 2000 to 2004, and «Art and Environment — A Cultural Action along the Tropic of Cancer» that was organized in 2006, advocated for communal engagement to mobilize the public and push for social change.

Since 2014 ICI has also organized special itinerary of events for our International Forum members, drawing on ICI's engagement with our cultural partners in the city.

Informed by Ringgold's legacy as well as the current political climate, the exhibition poses questions about how to reconceptualize cultural representation, engagement, and critique: What spaces for agency are available to black artists today, and by what means have they produced spaces for themselves?

Centering on common conceptual threads across their practices, Amanda Curreri and the Guerrilla Girls will consider visual strategies, how social justice and cultural topics inform their work, and invoking social activism as a methodology for engagement.