Sentences with phrase «for cultural objects»

With a penchant for non-heroic, «anti-art» materials such as spray foam and aluminum, and a keen eye for cultural objects bemired in symbolic notions of power, Bäckström's deeply tactile works create a rich interplay between association, meaning, and materials.

Part 6 of the Tribunals, Courts and Enforcements Act 2007 provides immunity from seizure for cultural objects which are loaned from overseas to temporary public exhibitions in approved museums or galleries in the UK where conditions are met when the object enters the UK.

Not exact matches

@ David, So am I correct to assume that you would also object to the cultural practice of teaching that women should cover their faces or else they are should be considered showing no respect for god or disrespect for their religion.

For example, Harvard theologian Ronald Thiemann, who studied under Frei, objects that the cultural - linguistic model makes talk about the «text» stand in place of Christian talk about God; Yale biblical scholar Brevard Childs rejects Lindbeck's talk about the text creating its own world.

In simpler language, we may state that primordial objects in the universe (grounded in an ineffable reality) are causally transformed into a limited set of cosmological, biological and cultural entities, which at the same time, allows for an endless number of creative outcomes and novel possibilities.

«There is already reason to suspect that infants» attention to objects and events in dynamic scenes might already be influenced by cultural - specific patterns of attention,» said the study's lead author Sandra Waxman, the Louis W. Menk Chair in Psychology in the Weinberg College of Arts and Sciences at Northwestern and faculty fellow in the University's Institute for Policy Research.

This test consists of 20 items (with an associated answer key for the teacher) that assess the vocabulary, grammar, and cultural concepts listed below: Vocabulary Themes: History; Countries and cities; Communities Grammar Themes: Prepositions: Preterite tense in regular - ar, - er, and - ir verbs; Direct object pronouns Culture Themes: The Mayas and The Incas; Independence Age; Latin American and US Writing in Spanish: Punctuation and accents An alternate version of the test is also provided to the teacher, in case a student needs to re-take the assessment or for use in large classrooms.

Participants will understand the value of using art and objects for increasing cultural competencies and critical thinking; experience pre - and post-museum trip activities that can be used to develop observation, deduction, and language skills, explore themes, and reinforce program learning objectives; and share their own ideas / resources for effective museum - based learning.

Gift books for history buffs A History of the World in 100 Objects, Rome: A Cultural, Visual, and Personal History, The Library of Congress Illustrated Timeline of the Civil War and Life Upon These Shores

Bernafaskan Tour is purely cultural and religious objects for the general visited the Temple.

He is the editor and creator of the videogames and architecture zine Heterotopias and for the past 5 years he has worked as a games critic, specialising in virtual architecture and games as cultural objects.

The cultural cues the designer puts into the game can have a huge effect — designing a testosterone - drenched game with scads of violence and / or women as sex objects (say, a Bulletstorm or a Duke Nukem Forever) is going to attract a very different audience, and have very different griefing thresholds, than online components for, say, the Settlers of Catan Xbox Live game or a more casual MMO like Maple Story or Free Realms.

But hey hey, my my no cultural object ever dies and in the mid-aughts I had just been looking in the wrong places for my turn - based fix.

Fine Art Registry (FAR) is a U.S. patented identification numbering system and database, realized, engineered and specially developed as a Web - based, permanent standard registration system and globally networked database for fine art, which is based on the Getty's Object ID, the core world standard for the identification of art and cultural objects.

Before Nonas began making objects, he worked for ten years as a cultural anthropologist, studying the way native cultures conceptualize space.

Sure, they're great social objects, but they have another purpose: They're amazingly powerful tools for a company trying to engage in what many call «Cultural Transformation».

The Acceptance in Lieu (AIL) Scheme allows those who have a bill for Inheritance Tax to pay the tax by transferring important cultural, scientific or historic objects to the nation.

Known for his founding role in the Conceptual Art movement in the 1960's, his radical art practice continues to challenge the cultural status quo by exploring propositions about our relationships to objects and places.

Organized around the concept that inanimate objects and inert cultural artifacts are conduits for narrative histories, the program considers how artists use moving images to extend the life of things and materials that would otherwise appear to be stable and resolute.

VMFA also participates with the American Association of Museum Directors (AAMD) Object Registry: AAMD Object Registry which lists new acquisitions of archaeological material and works of ancient art and tracks resolutions of claims for Nazi - era cultural assets.

Sietsema is not interested in trompe - l'oeil for the sake of showing off; at the end of the day, his paintings and works on paper are a highly considered critique of the production of cultural objects and the roles that they play as they circulate.

Keith Haring: Journey of the Radiant Baby — Reading Public Museum, Reading, Pennsylvania, United StatesEditions on Paper — University of Valencia, Valencia, SpainKeith Haring: Art and Commerce — Tampa Museum of Art, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, Hungary

2011 El Placer es mas Importante que la Victoria, curated by Miguel Lopez, Tasneem Gallery, Barcelona Community Without Propinquity, curated by Inheritance Projects, Milton Keynes Gallery, Milton Keynes, UK The Peripatetic School: Itinerant drawing from Latin America, curated by Tanya Barson, The Drawing Room, London Dublin Contemporary, curated by Jota Castro and Christian Viveros Faune, Dublin Contain, Maintain, Sustain, curated by Welmoed Laanstra, Sara Reisman, and Ernesto Santalla, Washington Project for the Arts, Artisphere, Washington Voglio Soltanto Essere Amato, Maga Museum of Art, Gallarte, Italy Anonymous Presence, curated by Yoab Vera, Y Gallery, New Cork Fronteras en Mutacion, curated by Sigismond de Vajay, Centro Cultural de España, Buenos Aires Bruma, organized by Alexander Dellal and Revolver Gallery, 20 Hoxton Square Projects, London S - Files Bienal, curated by Elvis Fuentes, Trinidad Carillo, and Rocio Arranda, Museo del Barrio, New York Heterogénea, Centro Cultural Juan Parra del Riego, Lima Tracing the Unseen Border, curated by Omar Lopez - Chahoud and Ian L. Cofré, La MaMa la Galeria, New York Objects of Devotion and Desire: Medieval Relic to Contemporary Art, curated by Cynthia Hahn, Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York Glossolalia 5.0, film screening curated by Cauleen Smith, The Kitchen, New York

For more than four decades, Haim Steinbach has explored the psychological, aesthetic, cultural and ritualistic aspects of collecting and arranging already existing objects.

He participated in the recent Stop Asking: We Exist exhibition of African - American craft art at the Society for Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforce, OH.

These artists have had great significance for the development of international contemporary art, either because they have created visual languages, objects and pictures of originality and quality, or because they have reinvented important aspects of cultural production.

Over the past three decades, Steinbach has become known for his sculptures that place ordinary objects on display — some purchased, others borrowed — to explore the intersection of our personal desires, memories, and cultural values.

On the occasion of this presentation, Biggers will create a large site - specific installation of a floor rug composed of loose sand poured unaffixed to the floor in colorful patterns that evoke prayer rugs or quilts — objects frequently referenced in Biggers's works for their aesthetic and cultural associations.

For artists practicing in city centers such as New York, Los Angeles, Berlin, Paris, etc there are insurmountable financial restrictions forcing cultural practitioners into a complicated relationship with objects, one that more often than not results in an immaterial object that transcends spatio - temporality.

There is an interest in defining a period of our collective history and cultural understanding through objects of symbolic meaning used for ritual and cultural identity.

His exhibitions highlights include: «The Third AIM Biennial,» Bronx Museum of Art, Bronx, NY, FIAC International Art Fair, Galerie du jour, Agnes b., Paris France, Cindy Rucker Gallery, «What Becomes of a Broken Heart,» New York, NY, Rush Arts Gallery, «The Happening: Kinesics as Art Object» New York, NY, Powerhouse Memphis, Everywhere, Nowhere, Somewhere, Memphis TN, Bronx Art Space, «BEAT,» Bronx, NY, Aljira A Center for Contemporary Art «Dreamtime overtones from a fantastic brown planet,» Newark, NJ, Chicago Cultural Center, Chicago, IL.

Objects are selected for their cultural resonance and are then subjected to a process of masking with synthetic rubber.

All his works hint at a critical, analytical consideration of the concept of sculpture and its media: he straddles the boundaries between object and performance, architecture and design, sculpture and photography, artist and public, meaning that his work also provides a broad basis for reflection on social and cultural questions.

By investigating the cultural significance in objects and images, and their history within our culture, Cruzvillegas creates new dialogues for what would normally be discarded or useless.

Objects in dOCUMENTA (13)-- the majority of which are the work of artists — are primarily valued for their encoded social, political and cultural relations, even when they are singularly authored.

1989 The Appropriate Object, Albright - Knox Art Gallery, New York, NY; Detroit Institute of Arts, Detroit, MI; San Jose Museum of Art, San Jose, CA; J.B. Speed Museum, Louisville, KY The 1960s: A Cultural Awakening, Afro - American Museum, Los Angeles, CA Forty Years of California Assemblage, Wight Art Gallery, UCLA, Los Angeles, CA; San Jose Museum of Art, San Jose, CA; Fresno Art Museum, Fresno, CA; Josyln Museum of Art, Omaha, NE Secrets and Shadows, California State University, San Luis Obispo, CA Women's Caucus for Art 10th Annual Exhibition, Vorpal Gallery, San Francisco, CA Making Their Mark: Women Artists Move into the Mainstream, Cincinnati Art Museum, Cincinnati, OH; New Orleans Museum of Art, New Orleans, LA; Denver Art Museum, Denver, CO; Pennsylvania Academy of Fine Art, Philadelphia, PA African American Artists 1880 - 1987: Selections from the Evans - Tibbs Collection, Smithsonian Museum of American Art, Washington, DC; Terra Museum of American Art, Chicago, IL

She has authored and contributed to publications for the Guggenheim Museum, Vancouver Art Gallery, Walker Art Center, and Yale University Art Gallery, as well as journals such as Afterimage: The Journal of Media Arts and Cultural Criticism and Object Magazine.

As he articulated in the press preview, this desire for escape follows a long trajectory of Black American cultural objects.

For his exhibition at the Frye Art Museum — Aranda's first in a museum setting — the artist will continue this line of inquiry and present a new body of work that explores the ways in which common objects and imported products become emblems of dual cultural identity.

Vivid free interpretation of situations, objects, figures and a complex sign language in pop culture and extended cultural exchanges as they move through historical motifs and compositions, posing notions of an expressive self, this is the general starting point for the artistic work of Korean artist Sinae Yoo (* 1985).

The project pursues Beier and Lund's interest in cultural heritage, authorship, ownership and mediation: Calling... fills gaps in history with objects that can be understood as makeshift props or conservation models for an utopian archive of everything, or as artifacts in a growing museum of destruction, loss and entropy.

For several years, Rolf Sachs has been focusing in his works on language and speech and the objects of his cultural origins that touch him and reflect his ideas about freedom and openness.

In these times of diversity and multicultural experience, the artist's image is both a cypher for the human condition as well as the foundation for complex iconography in which the cultural object stands to reflect the impact of societal norms on the individual.

Based in Berlin, Nevin Aladağ uses everyday objects and situations as a starting point for her artworks, in which she deals with cultural and political codes, as well as their origins and histories.

He is known for his sculptural re-contextualization of everyday objects exploring concepts of sculptural, cultural, and historical hybridity.

Julia Stoschek belongs to an exclusive group of people who have put together idiosyncratic collections with great dedication, have made these accessible to the public in their museums and who do not shy away from raising significant private funds for the preservation of cultural objects and the running of their exhibition institutions.

An artist, historian and curator from Detroit, Dabls is known for his extensive collection of African beads, textiles and other cultural objects.

A center of cultural and intellectual life on campus, the museum serves as a living textbook for object - based learning, a home and resource for artists, and a catalyst for artistic expression, scholarly innovation, and the production of new knowledge through art.

The Whitechapel Gallery has published this list of objects, which are being loaned to the gallery for a forthcoming exhibition, as information under The Protection of Cultural Objects on Loan (Publication and Provision of Information) Regulations 2008 and that by publishing this information the Gallery makes no representations that any of these objects fulfill all the requirements of the section 134 of the Tribunals, Courts and Enforcement Acobjects, which are being loaned to the gallery for a forthcoming exhibition, as information under The Protection of Cultural Objects on Loan (Publication and Provision of Information) Regulations 2008 and that by publishing this information the Gallery makes no representations that any of these objects fulfill all the requirements of the section 134 of the Tribunals, Courts and Enforcement AcObjects on Loan (Publication and Provision of Information) Regulations 2008 and that by publishing this information the Gallery makes no representations that any of these objects fulfill all the requirements of the section 134 of the Tribunals, Courts and Enforcement Acobjects fulfill all the requirements of the section 134 of the Tribunals, Courts and Enforcement Act 2007.

Working primarily in welded steel, Edwards is perhaps best known for his Lynch Fragments, an ongoing series of abstract yet evocative reliefs that incorporate tools and other familiar objects to summon a range of artistic, social, and cultural references.