Sentences with phrase «for curatorial practice»

She is a key figure in analysing socio - historical and generational trends within Japanese and Asian art and is renowned internationally for her curatorial practice, having engaged in many projects including as co-artistic director of ROUNDTABLE: 9th Gwangju Biennale (2012) and guest curator of Phantoms of Asia: Contemporary Awakens the Past (2012) at the Asian Art Museum, San Francisco.

He is Founder and Director of the Institute for Curatorial Practice in Performance (ICPP) at Wesleyan University, and he serves on the Board of Danspace Project, the Board of Amrita Performing Arts in Phnom Penh, and the Advisory Board of ODC / San Francisco.

She is a faculty member at the Institute for Curatorial Practice in Performance at Wesleyan University and was appointed Chevalier de l'Ordre des Arts et des Lettres by the French Government in 2014.

She is visiting professor for the Curatorial Practice Program at the California College of the Arts, San Francisco, as well as an adjunct professor at York University, Toronto, and University of British Columbia, Vancouver.

The late Sam Miller was director of the Institute for Curatorial Practice in Performance, which he founded in 2011 at Wesleyan University, and president of the Lower Manhattan Cultural Council from 2010 to 2016.

Steinwald is a board member of the Visual Artists Network / National Performance Network and Movement Research and is a graduate of the Institute for Curatorial Practice in Performance at Wesleyan University.

These MHCAM Journeys were created by Naomi Romm (Hampshire College» 16), the summer 2016 Institute for Curatorial Practice Intern.

Lax is a faculty member at the Institute for Curatorial Practice in Performance at Wesleyan University's Center for the Arts; on the Advisory Committee Vera List Center for Arts and Politics; on the Arts Advisory Committee of the Lower Manhattan Cultural Council; a member of the Catalyst Circle at The Laundromat Project; and on the Advisory Board of Recess.

ICI's Kate Fowle will be conducting research on what «international» means for curatorial practice today.

Lax is a faculty member at the Institute for Curatorial Practice in Performance at Wesleyan University's Center for the Arts and serves on the Advisory Committee of the Vera List Center for Art and Politics and on the Advisory Board of Contemporary And.

Edwards» 5 - week internship followed his participation in Hampshire College's Institute for Curatorial Practice, an intensive summer program focused on curatorial issues and the development of digital exhibitions.

Consequently, LAGE EGAL is a continually developing experimental ground for curatorial practice and critical exchange.

Off to Wesleyan University for a convening of the Institute for Curatorial Practice in Performance.

Thomas is a faculty member at the Institute for Curatorial Practice in Performance at Wesleyan University's Center for the Arts.

Kevorkian holds an MFA in visual arts from the Institute for Curatorial Practice in Performance at Wesleyan University.

Thomas writes regularly for a variety of publications, is on the board of Danspace Project, and is a faculty member at the Institute for Curatorial Practice in Performance at Wesleyan University's Center for the Arts.

She is currently attending the school for curatorial practices and critical writing under the Centre of Contemporary Arts, SCCA - Ljubljana.

Not exact matches

Her practice also has included curatorial projects with Pratt Center for Community Development and Bedford - Stuyvesant Restoration Corporation, and at the Ice Box Gallery in Philadelphia.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

is vital reading for arts professionals, art and curatorial studies students, art historians, practicing artists, and anyone curious about exhibition - making today.

Concurrent with the artists» open call, there was also an open call for a Curatorial Fellow, a hands - on mentoring program for emerging curators who serve as advisors for In Practice.

The new series of discussions with curators at the New York at fair held in March is envisioned as a «unique opportunity to facilitate dialogue among international thought leaders in the curatorial profession» and further develop the Armory Show's «role as an incubator for new ideas and practices among the world's top curators.»

Summer Guthery, Assistant Curator Laura McLean - Ferris, Curatorial Fellow Mike Skinner, Technical Director Randi Grov Berger, Curatorial Fellow and Coordinator for Norwegian Pavilion Monika Rendzner, Production Fellow and Coordinator for Polish Pavilion Robert Wuss, Lighting Designer Elizabeth Feidelson, Production Manager Cara Stewart, Curatorial Assistant and Artists Liaison Kristina Valberg, Performa 13 Hub Coordinator Debbie Huang, Production Assistant and Website Coordinator Melissa Negro, Website Coordinator Cora Walters, Communications Intern Amanda Ryan, Curatorial Assistant Paula Court, Archival Photographer Pierce Jackson, Director Performa TV A Practice for Everyday Life, Design Fitz & Co, Public Relations Perry Garvin Studio, Website Design Yeju Choi, Designer in Residence Darling Green, Logistics and Construction Studio Miessen, Performa Hub Design

For this presentation, Christine will introduce her latest exhibitions and discuss how her research and curatorial practice challenges instances of under - representation within mainstream arts and cultures.

Pavilion and the School of Fine Art History of Art and Cultural Studies, University of Leeds, welcome Christine Eyene for a talk on her curatorial and research practice.

The Curator - in - Residence program provides an opportunity for emerging local and national curatorial talent to develop and expand the scope of their practice.

Founded in 2013 by art critic and curator iLiana Fokianaki and based in the neighbourhood of Koukaki at the centre of Athens, it is an independent platform aiming to foster the appreciation for local and international contemporary art and the growth of artistic and curatorial practice.

Daniel F. Hermann, Eisler Curator and Head of Curatorial Studies said: «Since 2005, artist commissions have been a core part of the Whitechapel Gallery's programme that provides a vital forum for the development of artists» practice.

Hunt graduated from the Curatorial Practice program at the California College of the Arts in San Francisco, and has worked at various galleries and institutions since 2002, including Whitechapel Gallery, London; Friedrich Petzel Gallery, New York; the Wattis Institute for Contemporary Arts, San Francisco; and the Philadelphia Museum of Art.

Rejoicing in the constantly evolving landscape of today's art industry and with a considerable knack for finding the gems, Bray maintains her curatorial practice at Mercer Contemporary while contributing regularly to several publications, including this one.

Since Katrib joined SculptureCenter's curatorial team in 2012, her program has served as a launching pad for countless artists working across sculptural practices.

Previously she was the inaugural international curator at the Ullens Center for Contemporary Art in Beijing (2007 - 08) and chair of the Master's Program in Curatorial Practice, which she co-founded in 2002 for California College of the Arts in San Francisco.

Vikram has guest curated exhibitions for the Craft and Folk Art Museum, Shulamit Nazarian Gallery, Mills College Art Museum, ProArts Gallery, and the DeYoung Museum Artist Studio, and held curatorial positions at UC Berkeley Department of Art Practice, Headlands Center for the Arts, Aicon Gallery, and Richmond Art Center.

She regularly contributes for «Kaleidoscope», «L'Officiel», and «Voxpop», and has recently led seminars on curatorial practices at Université Paris VIII and Parsons Paris.

Graduate Public Practice faculty Karen Moss is currently consulting curator for Talking to Action, at the Ben Maltz Gallery, Otis» participation part of the Getty's Pacific Standard Time Los Angeles / Latin America initiative and is also on the curatorial team for CURRENT: LA.

Mussai lectures internationally on curatorial practice, photography, and cultural politics, and has been a regular guest curator and non-resident fellow at the Hutchins Center for African and African American Research at Harvard University since 2009, where she also serves on the Exhibitions and Acquisitions Committee of the newly established Cooper Gallery.

At Zeitz MOCAA, there will be an entire floor for educational programmes, a centre for curatorial studies, a centre for the moving image with six cinemas, and a centre for performative practice.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Burns has a particular interest in socially engaged arts practice and past projects commissioned through Fire Station include Troubling Ireland — a think tank for socially engaged artists in collaboration with the Danish curatorial collective Kuratorisk Aktion.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Vikram has guest - curated exhibitions for the Craft and Folk Art Museum, Shulamit Nazarian Gallery, Mills College Art Museum, ProArts Gallery, and the DeYoung Museum Artist Studio, and held curatorial positions at UC Berkeley Department of Art Practice, Headlands Center for the Arts, Aicon Gallery, and Richmond Art Center, and in the studio of artists Claes Oldenburg and Coosje van Bruggen.

The Center for Curatorial Studies and Hessel Museum of Art The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition and research center dedicated to the study of art and exhibition practices from the 1960s to the present day.

As part of this process, we are considering what kind of things, images, information, display structures, events, discussions, archives, attention, temporalities, works, and practices should make up the Center for Curatorial Studies.

The Center for Curatorial Studies The Center for Curatorial Studies at Bard College (CCS Bard) is an art, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the prCuratorial Studies The Center for Curatorial Studies at Bard College (CCS Bard) is an art, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the prCuratorial Studies at Bard College (CCS Bard) is an art, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the prcuratorial practices from the 1960s to the present day.

With the CONTACT Festival as the current site of contemplation, issues around curatorial practice, photography and lens - based media will be a focal point to usurp spaces of agency primed for decolonization.

The Center for Curatorial Studies and Hessel Museum of Art The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the prCuratorial Studies and Hessel Museum of Art The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the prCuratorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the prcuratorial practices from the 1960s to the present day.

Students who wish to focus on social practice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial Practicepractice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial PracticePractice (CURP).

The Archives at the Center for Curatorial Studies at Bard College serve as the institutional repository for the Center, and the Hessel Museum of Art and as a collecting repository which actively acquires, preserves, and provides access to a wide range of primary materials documenting the history of the contemporary visual arts and the institutions and practices of exhibition - making since the 1960s.

Louise's curatorial practice draws on architectural influences, using a cross-disciplinary approach to create propositions for new patterns of exchange.

Copiously illustrated, the book offers a timely re-evaluation of Takamatsu's practice following a significant resurgence of appreciation for the Japanese avant - garde, and features essays by Hiroyuki Nakanishi, Curator of the National Museum of Art, Osaka, Jordan Carter, Curatorial Fellow for the Visual Arts, Walker Art Center, and the late Takamatsu.