Additional support is provided by the Dr. Kira and Mr. Neil Flanzraich Fund
for Curatorial Research at ICA Miami, Judd Foundation, and David Zwirner, New York / London / Hong Kong.
Lowave is a platform
for curatorial research based in Singapore and Paris.
The Texas Fund
for Curatorial Research, administered by Richard Brettell, The Margaret McDermott Distinguished Chair, Art and Aesthetics, at the UT Dallas — based Center for the Interdisciplinary Study of Museums [CISM], was established to promote, support, and sustain advanced curatorial scholarship in North Texas.
Major support is provided by the Arlene H. & Laurans A. Mendelson Charitable Foundation; the Ray Ellen and Allan Yarkin Fund for Exhibitions at ICA Miami; and the Dr. Kira and Mr. Neil Flanzraich Fund
for Curatorial Research at ICA Miami.
Additional support for the exhibition is provided by the Contemporary Art Initiative, TWO X TWO for AIDS and Art, The Texas Fund
for Curatorial Research at The University of Texas at Dallas, and The Wilhelm Harrison Family Fund.
I am collaborating with a couple of partners to launch an international program
for curatorial research as well as to initiate a new international art prize celebrating cultural sustainability of artistic practices.
Major support is provided by: A. Lange & Söhne; the Arlene H. & Laurans A. Mendelson Charitable Foundation; the Ray Ellen and Allan Yarkin Fund for Exhibitions at ICA Miami; and the Dr. Kira and Mr. Neil Flanzraich Fund
for Curatorial Research at ICA Miami.
Following her move to Islamabad in 2008, she worked for Rohtas Gallery as Assistant Curator and was also selected
for a Curatorial Research Internship at the Freer & Sackler Galleries, Smithsonian Institution, Washington D.C. that same year.
As a test bed and laboratory
for curatorial research, the faculty and students of the Center for Curatorial Studies increasingly require access to more flexible and adaptive spaces for non-exhibition driven forms of research and practice.
Not exact matches
Her
curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African
curatorial work focuses on artists of the African Diaspora and the Global South, including a recent
Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African
Curatorial Fellowship awarded
for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS
for the 1:54 Contemporary African Art Fair.
To see selections from the Fales Library and Special Collections at New York University and the Library and Archives at Bard College's Center
for Curatorial Studies, visit the
Research section of this digital archive.
Research for this exhibition was made possible by Ann and Jim Goodnight / The Andrew W. Mellon Foundation Fund
for Curatorial and Conservation
Research and Travel.
2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation
for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative
Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and
Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany
Call
For Proposals, Journal Of
Curatorial Studies: original
research articles on the subject of curating, exhibitions and display culture.
For this presentation, Christine will introduce her latest exhibitions and discuss how her
research and
curatorial practice challenges instances of under - representation within mainstream arts and cultures.
The
curatorial team, led by Whitney curator Barbara Haskell, includes Barbara Buhler Lynes, curator of the Georgia O'Keeffe Museum and the Emily Fisher Landau Director of the Georgia O'Keeffe Museum
Research Center; Bruce Robertson, professor of the history of art and architecture at the University of California, Santa Barbara; Elizabeth Hutton Turner, professor and vice provost
for the arts at the University of Virginia and guest curator at the Phillips Collection; and Sasha Nicholas, Whitney
curatorial assistant.
With a focus upon contemporary art since the 1960s, MUMA seeks to establish the museum as a dynamic site
for cultural production, pedagogy and participation — through exhibitions, collection development,
curatorial research, publishing, and academic and community engagement.
Pavilion and the School of Fine Art History of Art and Cultural Studies, University of Leeds, welcome Christine Eyene
for a talk on her
curatorial and
research practice.
On the banks of New York's Hudson River, about two hours north of Manhattan, Bard College's Center
for Curatorial Studies is one of the oldest focused curatorial researc
Curatorial Studies is one of the oldest focused
curatorial researc
curatorial research centers.
As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct
for - and not -
for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the
curatorial research conducted
for the 2010 exhibition, Alternative Histories.
In addition, the UB Art Galleries provides professional training
for graduate and undergraduate students through internships and
curatorial opportunities, and support faculty and student
research.
Kelly has published widely and organized dozens of exhibitions, including Nobody's Property: Art, Land, Space 2000 - 2010, Felix Gonzalez - Torres: Untitled; and most recently New Jersey as Non-Site,
for which she received a Warhol
Curatorial Research Fellowship.
There she founded the first graduate level
curatorial studies program in Latin America; RIM, a residency program
for curators and critics; and el instituto, an organization dedicated to culture, politics, activism and
research, generating exhibitions and events such as Spatial Practices in Revolution and Talk Show.
Research and Viewing: Fine Art, Archives, and Special Collections: The following guidelines
for class access have been developed to facilitate the use of collections while maintaining the safety and security of the irreplaceable objects and material culture owned and entrusted to the Center
for Curatorial Studies and Hessel Museum of Art.
Carrying the accolades of a Masters of Contemporary Art (with honors) from Sotheby's, recognized by the Robert Rauschenberg Foundation with an Emerging Curator Fellowship in 2015, and recently awarded a Curator - In - Residence Fellowship with the
Curatorial Program
for Research in Mexico City, Nicole Bray comes to the industry with a wealth of knowledge and the quick wits and intelligence to know how to use it.
At SBC she initiated the long - term
research - based Focus Program on the topic of Sovereignty, research supported by her Andy Warhol Foundation Curatorial Research Fellowship for Not I: The Performative Speech Act and the Sovereign
research - based Focus Program on the topic of Sovereignty,
research supported by her Andy Warhol Foundation Curatorial Research Fellowship for Not I: The Performative Speech Act and the Sovereign
research supported by her Andy Warhol Foundation
Curatorial Research Fellowship for Not I: The Performative Speech Act and the Sovereign
Research Fellowship
for Not I: The Performative Speech Act and the Sovereign Subject.
Tagged as: Alex Gulla, Alfredo Jaar, alice aycock, and Feminist Curators United, Annabel Daou, Annie Lapin, Antonio Lopez, artcritical, Avelino Sala, Ayana Evans, barbara hammer, Brooklyn Bridge Park, Brooklyn Institute
for Social
Research, Brooklyn Public Library, Carlos Aires, Celia Eslamieh Shomal, Chris Jones, Christophe Thompson, Cleverson De Oliviera,
Curatorial Activism: Toward an Ethics of Curating, cyborgs, Dalia Amara, Damián Ontiveros, David Cohen, David Humphrey, Decolonize this Place, Dread Scott, Dune Studios, Dweck Cultural Center, e-flux, El Museo Del Barrio, Ellie Ga, Emily Roysdon, Enrique Jezek, Federico Solmi, Ferran Martin, Filip Noterdaeme, Florencia Escudero, GALA Committee, Gitte Sætre, Grand Arts, Hector Madera, Isaac Julien, Ivaylo Hristov, Jasa Mrevlje, Jersey City, Jim Costanzo / Aaron Burr Society, Joaquín Segura, Johan Wahlstrom, John Salvest, Jorge Tacla, Josechu Davila, Julia San Martin, Julie Mehretu, kader attia, Kai Altoff, Kathy Caraccio, Kendell Geers, Kyle Goen, Laurel Nakadate, Marc Straus, MARC STRAUS Gallery, Marco Maggi, Maria Buszek, Marian Goodman, Marisa Jahn, Martha Rosler, martin creed, Maura Reilly, Mel Chin, Michael Jones McKean, Miguel Rodríguez Sepúlveda, moma, moma ps1, Mona Saeed Kamal, Norma Vila Rivero, Paddy Johnson, Paolo Cirio, Pasha Radetzki, Patrice Renee Washington, Patricia Cronin, Patrick Hamilton, printmaking, red bull studios, Regina José Galindo, Riiko Sakkinen, Roberto Visani, Rosemarie Fiore, Ruben Verdu, S & P Stanikas, Salon 94, Sascha Braunig, Selena Gallery, Shahram Entekhabi, Stefano Cagol, Stephen Lichty, Stony Brook, tania bruguera, Tavares Strachan, Terence Trouillot, Teresa Margolles, The Feminist Art Project, The Propeller Group, the Women's Action Coalition, Tim Rollins & K.O.S., Tyler Coburn, underdonk, Wafaa Bilal, Whitebox, William Pope L, Wojtek Ulrich, Word Bookstore
Prior to entering Columbia's PhD program, she was a 2012 - 13 Helena Rubinstein
Curatorial Fellow in the Whitney Museum's Independent Study Program,
for which she co-curated Maintenance Required at The Kitchen, and she also worked as
Research Assistant
for Gutai: Splendid Playground at the Solomon R. Guggenheim Museum.
This generous award comes at a critical time
for this ambitious undertaking by the Nasher, a small university art museum that seeks to transform
curatorial research by forward - looking faculty into groundbreaking exhibitions.
In 2007, she received a Getty
Curatorial Research Fellowship for initial research for the exhibition on Benjamin Patterson and was a fellow at the Center for Curatorial Leadership
Research Fellowship
for initial
research for the exhibition on Benjamin Patterson and was a fellow at the Center for Curatorial Leadership
research for the exhibition on Benjamin Patterson and was a fellow at the Center
for Curatorial Leadership in 2009.
For this, an artist is invited to spend several months here in our San Francisco apartment, and is given a budget to do
curatorial programming based on his or her current
research interests.
Research for the exhibition was supported by an Art Fund Jonathan Ruffer
curatorial grant.
It is part of the Exhibition Histories
research and publication project, developed by Afterall and published in association with the Center
for Curatorial Studies, Bard College.
Research for the show was supported by an Art Fund Jonathan Ruffer
curatorial grant.
Mussai lectures internationally on
curatorial practice, photography, and cultural politics, and has been a regular guest curator and non-resident fellow at the Hutchins Center
for African and African American
Research at Harvard University since 2009, where she also serves on the Exhibitions and Acquisitions Committee of the newly established Cooper Gallery.
Sanromán has been awarded the 2012 Warhol Foundation
Curatorial Fellowship
for Citizen Culture: Art and Architecture Shape Policy, an exhibition and
research project organized by the Santa Monica Museum of Art
for September 2014.
Of particular interest
for this presentation is Jaskey's
curatorial innovations and experiences in her position at the Artist's Institute, a
research institution and experimental
curatorial platform
for contemporary art in New York City.
The Center
for Curatorial Studies and Hessel Museum of Art The Center
for Curatorial Studies at Bard College (CCS Bard) is an exhibition and
research center dedicated to the study of art and exhibition practices from the 1960s to the present day.
Living Under the Same Roof: The Marieluise Hessel Collection and the Center
for Curatorial Studies is the result of an intensive
research and teaching program organized by Ana Paula Cohen during her time as curator - in - residence at CCS Bard.
The Center
for Curatorial Studies The Center for Curatorial Studies at Bard College (CCS Bard) is an art, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the pr
Curatorial Studies The Center
for Curatorial Studies at Bard College (CCS Bard) is an art, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the pr
Curatorial Studies at Bard College (CCS Bard) is an art, education, and
research center dedicated to the study of art and
curatorial practices from the 1960s to the pr
curatorial practices from the 1960s to the present day.
The Center
for Curatorial Studies and Hessel Museum of Art The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the pr
Curatorial Studies and Hessel Museum of Art The Center
for Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the pr
Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and
research center dedicated to the study of art and
curatorial practices from the 1960s to the pr
curatorial practices from the 1960s to the present day.
Some of the earliest seeds
for NMWA's current exhibition, A World Apart: Anna Ancher and the Skagen Art Colony, were planted nearly a decade ago when
curatorial staff members visited Scandinavia to
research Nordic Cool: Hot Women Designers.
Minisymposium: The Headless Conference FRIDAY, MARCH 19, 7 — 9 P.M. NEW MUSEUM, 235 BOWERY, NEW YORK Featuring Angus Cameron, lecturer in human geography at the University of Leicester and emissary
for Goldin + Senneby; Brian Droitcour, Rhizome staff writer; Keller Easterling, associate professor of architecture at Yale University; Ginny Kollak, director of the Office
for Parafictional
Research and second - year graduate student at the Center
for Curatorial Studies, Bard College; and Allan Stoekl, professor of French at Penn State University
Join List Center
curatorial research assistant Emily Watlington
for a guided tour through An Inventory of Shimmers: Objects of Intimacy in Contemporary Art.
Presenters are Mark Dean Johnson, professor of art at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts
Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work
for them; Sergio Bessa, director of
curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personally.
The Center
for Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the pr
Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and
research center dedicated to the study of art and
curatorial practices from the 1960s to the pr
curatorial practices from the 1960s to the present day.
Center
for Curatorial Studies and Hessel Museum of Art The Center
for Curatorial Studies at Bard College (CCS Bard) is an exhibition and
research center dedicated to the study of art and exhibition practices from the 1960s to the present day.
She developed a particular interest in working
for non-profit contemporary art institutions after interning at the Wattis Institute of Contemporary Art in San Francisco, as well as from experience as a
curatorial research intern at Art21.
Invited by former museum director Lynn Zelevansky, Schaffner is a
curatorial innovator — and Pittsburgh native — known
for her intensely
researched and widely accessible exhibitions.
The Center
for Curatorial Studies and Hessel Museum of Art at Bard College The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the pr
Curatorial Studies and Hessel Museum of Art at Bard College The Center
for Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the pr
Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and
research center dedicated to the study of art and
curatorial practices from the 1960s to the pr
curatorial practices from the 1960s to the present day.