Sentences with phrase «for dramatic shots»

Residential agents use drones for dramatic shots of listings in their marketing campaigns.

Sure, the game is a weird three - way between Ubisoft's Rabbids, Nintendo's characters, and XCOM's tactical turn - based combat (complete with zoom - in views for dramatic shots) but with Miyamoto chuckling along it looks like a good time.

That being said, we would like to congratulate Kimondo as this month's winner, for the dramatic shot titled: «Thirsty Elephants.»

As soon as the sun starts setting, grab a cocktail to watch the sky change hues while the triangular silhouettes of boats make for a dramatic shot.

Not exact matches

Ulyana Sergeenko's dramatic, eye - catching clothes are the perfect pieces for this dreamy Moscow - based photo shoot in the most recent Carine Roitfeld Fashion Book issue — Moscow Walk.

For everybody else, we've probably got a decent shot at getting one or two of those tense, spiteful, dramatic, thoroughly enjoyable England - on - England ties that used to come round regularly.

Derided at first as a gimmick, the dramatic tiebreaker has been a shot in the arm for the resurgent league

In 1987 Augusta native Larry Mize won the Masters by draining a 140 - foot chip shot for birdie on the second hole of a sudden - death playoff, and the air is filled with anticipation of a dramatic 10th - anniversary finish.

Of the many dramatic and championship - twisting shots that were struck and misstruck all last week on the Monterey Peninsula, and in all of the 81 Opens that came before this one, Watson's chip - in at the 17th on Sunday will be remembered for as long as men sew leather patches on the elbows of their tweed jackets.

On June 8, 2015, the NCAA formally voted to reduce the shot clock from 35 - seconds to 30 - seconds, and it became obvious that this change would have dramatic ramifications for college basketball bettors.

Oxlade - Chamberlain, Emre Can and Firmino all had speculative efforts from distance go high or wide, and Salah dragged a shot off target when in some space down the right, but the dramatic moments were few and far between, with both sides waiting for the other to make a mistake, rather than press the action.

Well, for one it's a great word, for two, Saponara has seen a dramatic decline in his play from last season, one in which he seemed like Italy's next great # 10, scoring five goals and dishing out an impressive 11 assists, all while averaging over two key passes, two dribbles and two shots per match, a feat no one on Roma managed last season.

Grab Falsies Push Up Angel mascara, Loaded Bolds lip color, Shine Shot Lip Topcoat and The Rock Nudes Palette for a dramatic, daring look.

One of the first dating shows to embrace fluid sexuality, A Shot at Love filled a house with guys and girls — offering former TV personality (and current An overly dramatic church lady named Claire, who has a propensity for wearing to much cheap cologne owns and operates a popular speed dating service called

It is truly something to see; for among all the lives to be ruined it is a visual rhapsody, attentive to every nuance in the spectacular land and foliage around the family home, following the lives within as meticulously as it traces the dramatic changes in weather — from clear day to torrential showers — in one of the longest, most intricate and beautiful tracking shots in cinema.

The film does have a striking, period piece look and feel, though many shots are held for an overly - dramatic effect.

It's almost as if director Ron Howard used the novel as a shooting script, with a majority of the scenes remaining intact, and only a few minor changes made for pacing and dramatic effect.

Let's be clear: the characters of The Big Short are constructs with no dimension beyond their surface quirks and McKay, who has the chops for ensemble comedy and visual humor, hasn't any idea how to stage or shoot a dramatic scene.

Very much a kitchen - sink drama — the family kitchen is the dramatic hub for much of the film — shot in a more or less documentary style and featuring terrific performances by nonprofessionals, the film takes a no - frills dramatic approach that could be roughly located on a Cassavetes - Dardennes spectrum, and uses it to intensely revealing and moving effect.

With over a hundred films in his C.V. (including silents), King remained one of the studio's leading directors for decades, and though he worked with superb cinematographers, his films consistently show a dramatic visual style that maximizes elements within a single shot, plus a knack for crafting kinetic action scenes — particularly the storming of the fortress at the end of the film.

Stressing the need for long shots and deliberate pacing for effective comic gags, Spielberg underestimates the innovative spirit of his own visual style in dramatic situations.

If going to Spain to shoot Vicky Cristina Barcelona fired up his love for metropolitan architecture and dramatic passion, then London has snuffed it out.

It begins with an all too familiar aerial shot that is, of course, accompanied with a dramatic orchestral score, but the Dowdles try to mix it up and flip the image upside down for no apparent reason.

The close - ups of animals or plants, or the pastoral images of trees or streams are «very, very inserty - type shots, and yet they have the same kind of dramatic impact» as the spectacular wide shots — or, for that matter, the scenes involving the lead actors.

The suspension of disbelief needed to sell the dramatic parts of the story is undermined somewhat when characters react in a blasé fashion to, for example, being shot.

Based on David Ebershoff's 2000 novel of the same name, Hooper's beautifully shot dramatic biography plays like an extended PBS special for art history buffs.

Gertrud renounces external eventfulness in order to cultivate internal or imaginative eventfulness» — and using the (constant - and - never - moving as a way to allow viewers to focus on acting and the body rather than on technical formalist tricks, in fact, the shots are the longest technically allowable before the invention of digital shooting) camera merely as a functional recording - device rather than as an originator of instant meaning and knowledge as in Hollywood, this film remains the best summation of the truism that a longwinded presentation of several actors merely speaking for ten - minutes - a-scene while the camera does not move and no artificial and manipulative «cinematic language» is involved, in other words, the dreaded «merely filmed non-cinematic literature and theatre,» not only has a much greater capacity to teach than any Hollywood mode of filmmaking but is more dramatic than any car chase.

It helps that the technique is saved for moments so dramatic you're not necessarily looking for the cut (though you should be, because goddamn does «Mr. Robot» find fresh approaches to the single shot).

Craig Gillespie's rollicking retelling of infamous figure skater Tonya Harding's rise and fall might take several dramatic liberties (peep the new trailer for a bloody - faced Margot Robbie mugging for the camera in one shot while brandishing a shotgun in pursuit of Harding's ex-husband, Jeff Gillooly, in another), but, at its core, I, Tonya is a film rooted in the rich, real - life story of a deeply troubled athlete fighting for her place in the world.

Pay Teachers More and Reach All Students with Excellence — Aug 30, 2012 District RTTT — Meet the Absolute Priority for Great - Teacher Access — Aug 14, 2012 Pay Teachers More — Within Budget, Without Class - Size Increases — Jul 24, 2012 Building Support for Breakthrough Schools — Jul 10, 2012 New Toolkit: Expand the Impact of Excellent Teachers — Selection, Development, and More — May 31, 2012 New Teacher Career Paths: Financially Sustainable Advancement — May 17, 2012 Charlotte, N.C.'s Project L.I.F.T. to be Initial Opportunity Culture Site — May 10, 2012 10 Financially Sustainable Models to Reach More Students with Excellence — May 01, 2012 Excellent Teaching Within Budget: New Infographic and Website — Apr 17, 2012 Incubating Great New Schools — Mar 15, 2012 Public Impact Releases Models to Extend Reach of Top Teachers, Seeks Sites — Dec 14, 2011 New Report: Teachers in the Age of Digital Instruction — Nov 17, 2011 City - Based Charter Strategies: New White Papers and Webinar from Public Impact — Oct 25, 2011 How to Reach Every Child with Top Teachers (Really)-- Oct 11, 2011 Charter Philanthropy in Four Cities — Aug 04, 2011 School Turnaround Leaders: New Ideas about How to Find More of Them — Jul 21, 2011 Fixing Failing Schools: Building Family and Community Demand for Dramatic Change — May 17, 2011 New Resources to Boost School Turnaround Success — May 10, 2011 New Report on Making Teacher Tenure Meaningful — Mar 15, 2011 Going Exponential: Growing the Charter School Sector's Best — Feb 17, 2011 New Reports and Upcoming Release Event — Feb 10, 2011 Picky Parent Guide — Nov 17, 2010 Measuring Teacher and Leader Performance: Cross-Sector Lessons for Excellent Evaluations — Nov 02, 2010 New Teacher Quality Publication from the Joyce Foundation — Sept 27, 2010 Charter School Research from Public Impact — Jul 13, 2010 Lessons from Singapore & Shooting for Stars — Jun 17, 2010 Opportunity at the Top — Jun 02, 2010 Public Impact's latest on Education Reform Topics — Dec 02, 2009 3X for All: Extending the Reach of Education's Best — Oct 23, 2009 New Research on Dramatically Improving Failing Schools — Oct 06, 2009 Try, Try Again to Fix Failing Schools — Sep 09, 2009 Innovation in Education and Charter Philanthropy — Jun 24, 2009 Reconnecting Youth and Designing PD That Works — May 29.

Every great video builds towards a natural climax, and the iconic Corkscrew provides a fitting dramatic centerpiece for any video or hot lap we shoot at Mazda Raceway Laguna Seca.

This car is a signal, kind of a shot over the bow that Toyota has returned to dramatic styling, has return for the kind of sports cars that they had with the Celica.

The Modern Combat series is also known for its dramatic set pieces at key points in the story, including things like «on - rails» car chase sections where you have to shoot pursuing enemies.

Go ahead. Shoot your dog. Or your cat. Or your horse. Representative Dan Moul, (R) Adams County, thinks a bullet to the head is a befitting and humane death for beloved companion animals and, as most Pennsylvanians recently learned, it's even possible to mow down 80 dogs with bullets and experience no dramatic criminal repercussions.

The Absolutely Green in the lush high heartland of Bali at an altitude of 1.142 meters above the sea level which surrounded by rolling mountain, crater lakes and ancient forest, the course design is meant to blend the fairways and create a dramatic backdrop for tea shots and approaches.The deep blue sky, the air fresh, clear and the temperature average between 14 - 20 Celsius degrees.It is rights comfortable golfing destination in Bali.It features tall trees and flowers of riotous colour separating the fairway of this 18 holes championship course.Designed by Peter Thompson, Michael Wolferidge & Associates, Bali Handara Kosaido Country Club will make you feel a part of the rich, sporty, and exotic nature.

Photographer Christopher Payne visited 30 states to shoot 70 mental hospitals for his dramatic and intriguing series «Asylum.»

The first (borrowing the name for the tech term for «discrete cosine transform») comprises abstract images made by way of distorting JPEG files, and the latter features staged photographs shot by Douglas in high - dramatic fashion to evoke an imaginary blackout in New York City.

Think of Vito Acconci's 1971 Seedbed, performed at the Sonnabend Gallery, then in SoHo, where the artist masturbated under a wooden platform, or West Coast artist Chris Burden's arrangement to have himself shot in the arm; Benglis's 1974 advertisement in Artforum, in which she is naked except for a giant, strategically placed dildo, or her dramatic, vibrantly pigmented urethane pours on gallery floors; Martha Rosler's famous performance video Semiotics of the Kitchen (1975); and Judy Chicago's The Dinner Party (1974 — 79).

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforfor Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London ArtforFor the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Technical prowess, imaginative shot composing and a flair for the dramatic all work in concert to engage and entice the viewer, both in subdued monochromatics and in sparkling color.

Bokaer's Platform project will feature a two - channel projection of a new choreographic work for film, shot within the dramatic vistas of the Parrish Art Museum.

Whatever the real reason for the dramatic missile shot, the good news, I guess, is that the Pentagon didn't destroy the satellite in high orbit, as China did with another such move last year, generating an expanding cloud of orbiting debris — the one kind of pollution that, in space, may someday greatly limit the ability to deploy more satellites, for good or ill.

The task of assembling the graph, so dubbed because of the dramatic shape of the temperature curve, which rose slowly for centuries then shot upward in recent decades, was a monumental challenge.

The former VP's film shows dramatic shots of massive chunks of ice breaking off glaciers, but this «calving» of icebergs is a normal, natural process, which has been creating our valleys for millions of years.

Matt Skof, president of the Ottawa Police Association, blamed the «crippling» carding regulations for the «dramatic increase» in the number of shootings.»

One week after the dramatic events unfolded on Yonge St., the Ontario Court of Appeal released its judgment in the Forcillo shooting case, upholding the conviction for attempted murder.

A second, 120 ° wide - angle 5MP camera lets your fit more scenery and people in the frame for dramatic landscape shots, better group photos, and a more convenient photography experience in confined indoor spaces.

You can also shoot in true black - and - white, which can make for pretty dramatic results.

When in wide aperture mode or portrait mode you'll find a quick floating 1x / 2x zoom button that appears on side of the middle of the viewfinder, which helps to crop the frame to someone's head for better portrait shots, or just more dramatic «bokeh style» effect on objects.

The 2x lens, while hardly ever used for Live Focus, still found its place for more dramatic shots with a tighter field of view.