Sentences with phrase «for empty walls»

Your wall is now my latest inspiration for an empty wall (in traffic flow area) we have that so desperately needs so love.
Walmart right now has comparable rugs on sale for $ 39.99... They even have a grey chevron patten... I'm doing my office in Aqua, white and grey... I love love love the house number wall and I am totally consider in stealing the idea for empty wall in our den!!

Not exact matches

To do that, one must brew mate in the gourd for 24 hours, empty it, and scrape the inside walls, repeating the process once more.
The man searching for pro football talent spends his days in empty stands, stalking prospects at scrimmages, and his nights projecting gray, flickering game films on bed sheets that he has tacked to motel walls
Bayley is still hanging up on the wall just in time for Sasha Banks to enter the Elimination Chamber — Mandy Rose goes head first into an empty chamber pod, and Sonya's attempts at saving her teammate earns her double knees to the face.
The empty seats tell their own story; once they had begun to spread through the stadium like a virus, illustrated by the increasing visibility of the white cannon in the East Stand's lower tier, the writing had to be on the wall for the boss.
Former New York governor Mario Cuomo has, for some reason, long declined to sit for an official portrait, resulting in a sad, empty space on the wall of Albany's Hall of Governors.
Schalk is sitting in front of an oversize computer screen, surrounded by empty metal bookshelves and white cinder - block walls, bare except for a single photograph of his young family and a poster of the human brain.
Look for red or reddish - brown fecal spots on your mattress or walls (we know, sorry), white eggs or empty eggshells, and bed bug skins.
Save the corks from your favorite bottles to fill up each letter or leave it empty for a cool and distinctive wall accent over your home bar.
Transform empty wall space into a gallery for your favorite family memories.
Looking for an easy way to fill a large area on your empty walls?
I needed something massive for my empty dining room wall so I took a natural grapevine wreath I had stored away from a Fall Shoot and created this wreath using an assortment of evergreens and similar to how I decorated the fireplace mantel, I inserted a few roses and football mums along the bottom of the wreath.
It is the perfect piece for the big empty dining room / kitchen wall.
This look is absolutely perfect for hallways or to add some life to an empty wall in your house.
The Wolf of Wall Street star was up for an Oscar at this year's Academy Awards but was left empty handed when the best actor prize went to Dallas Buyers Club's Matthew McConaughey.
You constantly have to jump over and around obstacles, fly over empty chasms, and climb up walls; before learning the double jump and drift techniques that are essential for actually winning.
The Center for Character Development shares a lesson called Building Trustworthiness that uses a wall built of empty shoeboxes to represent the aspects of character and illustrate the value of each pillar.
Or, construct doors and viewing windows in the walls for that empty classroom to be used by adjacent classrooms as a lab / studio, or remove two walls to create one large learning studio.
The singing voices grew louder as we entered the church and Mom searched the large, white - walled room for empty seats.
There is an open closet for your clothes, a bench for your luggage, as well as a wall - mounted TV, an empty mini-fridge, a laptop size safe and tea / coffee facilities.
For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&raWall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&rawall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&rawall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»
In one of the rooms, two gallerists competed to sell a work by Tino Seghal; Dominique Gonzales - Foerster's room was empty save for a patterned carpet and a small blue - framed mirror on the wall; and Jordan Wolfson's witchy female robot was back in action after her debut at David Zwirner in New York earlier this spring.
In a 1992 letter to Rosen, he described one of his stack works as «a chance to alter one's life and future, an empty passport for life... A simple white object against a white wall, waiting.»
Or what if it was wall text for a piece - so that people were looking into empty space.
The artist realized a monochromatic wall - drawing (almost a sinopia for a fresco) of non-intersecting lines interspersed with empty areas implying displaced paintings.
The rest are reduced to an «installation view» of wall - hung paintings by the likes of Max Brand, Claudia Comte, Thomas Jeppe, Jan Kiefer and more, while a link to Pauline Beaudemont «s concurrent L'Age D'or exhibition next door comes in two square concrete «chairs», designed for the almost empty garage cubicles outside.
The ever - inventive David Shrigley, in addition to a couple of animations in the film series described below, is represented in BQ Gallery «s booth by a white room, empty but for a sign saying «Empty Room» and the wall text identifying the piece's unsurprising title, Empty empty but for a sign saying «Empty Room» and the wall text identifying the piece's unsurprising title, Empty Empty Room» and the wall text identifying the piece's unsurprising title, Empty Empty Room.
An example of this is his performance Car Wash, 2014, for which the artist drew a car on an empty black wall, and then, «unfazed by the enthralled audience... pushed people aside and treated them as props, later letting them participate by encouraging them to clean the drawing,» Cristina Sanchez - Kozyreva wrote in a Critic's Pick for artforum.com.
The ramps and ordinary exhibition spaces lie empty, except for wall text at the start and a few hard but elegant benches.
Legs III's empty nylons, hung high on the wall, can be seen as shriveled stand - ins for the reduced human body, while in Window Piece, fluid - blurred kitchen knives are directed at a cut - out figure of an entertainer, suggesting violence, albeit one tinged with absurdity.
He left the last large gallery in the Hirshhorn's circling sequence empty but for one element: a floor - to - ceiling white scrim that stretches the length of one wall and gives the illusion of straightening its curve.
The big thing, though, is that that the show leaves the Armory's vast drill hall space empty but for projections on the wall.
For his Innenprojektionen black - and - white photographs, he started using empty slide projections, creating empty squares of light, projected on a wall or in a darkened, closed - off room.
The creation of the exhibition space itself is similarly deliberate: For each of the last six years in which Mr. Jetzer has led Unlimited, he has begun with an empty hall and created roughly a mile of wall space to accommodate the artworks.
As Linda Norden writes in Parkett # 62: «The «Bumstead» paintings — whether detailing scenes of domestic misunderstanding, zooming in on off - camera moments of bafflement or simply scanning empty halls and walls for private memories — are excruciatingly specific representations of the gulfs between feeling and comprehension... smart, funny, startling, irreverently empathetic, and often heartbreaking, they are a welcome antidote to more laborious discourse.»
The long wall opposite the series is empty, covered in the same neutral gray tone, except for a small tray which holds the laminated placard that identifies each photo and sitter by name.
But in this large Chelsea gallery The Hellfire Club was set up with black walls, broken chandeliers, photocopied images, quiet sound accompaniment — and a lot of empty space, which allowed visitors to drift back and forth, tapping into their nostalgia for the British television series, while perusing Kilimnik's recent photographs and paintings, crafted with her signature loose, colorful, thrift - shop style.
Though they were walled off behind partitions, their shouts — that Tate «would be empty without art schools» and that education «should be free for all, not a product for purchase» — virtually drowned out the live, televised proceedings.
The next room was empty except for some blue lettering on the wall with more specifications.
The first room was empty except for some blue lettering on the wall that gave the dimensions of the space, its network facilities, person capacity, etc. — in other words, the specifications given to help an artist plan a show there.
Placed in the otherwise empty room for which it was conceived, Take Over first manifests as a contained architectural structure consisting of a central wall with angled glass panels.
Galleery - goers — for minimalism took time to make its way inside museum walls — felt that rather than clearing the air, such objects merely emptied art experience of everything pleasing and meaningful.
When the show began, the gallery was empty except for a flat color monitor that displayed the image of the day and a handful of high - resolution prints on the wall.
One of his first works, at the San Francisco Art Institute in 1969, involved simply rearranging the institute's movable interior walls that were used for exhibitions but leaving the walls empty, to make evident to visitors that while the walls «appear to be architectural surfaces,» as he wrote, «they are really planar objects.»
David Campany; «A Theoretical Diagram in an Empty Classroom»: Jeff Wall's Picture for Women, Oxford Art Journal, Volume 30, Issue 1, 1 March 2007, Pages 7 — 25, https://doi.org/10.1093/oxartj/kcl033
A Real Time Piece (1995), was a live video link that showed his studio, empty but for an industrial flip - clock on the wall that amplified the passing of each minute.
A beer garden made out of freight containers on an empty plot turns out to be a lot more popular and better for a city than a sad corporate atrium with a few cafe tables and a long list of don'ts on the wall.
And, with no items to focus on, potential buyers will be on the lookout for imperfections, such as scratches on the floor, nail holes in the wall or dirty grout in the kitchen — things that stand out in an empty structure.
Caged, bubbled, modern, antique — there are myriad styles for hanging accent lights, which can be clustered, paired or used solo to fill up an empty corner or decorate a blank wall.
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