Sentences with phrase «for engaging exhibitions»

The Kirkland Arts Center Gallery supports local artists and curators by providing a space for engaging exhibitions.

The Kirkland Arts Center Gallery supports local artists and curators by providing a platform for engaging exhibitions which inspire art appreciation and creativity in the Kirkland arts community.

Not exact matches

Our opinion editor Amanda Gefter recently visited an exhibition entitled The Sex Lives of Animals, which seeks to overturn the idea that animals engage in sex purely for procreation.

Drawing on the exhibition fight motif of Rocky's sixth cinematic outing, much of the film details the arduous preparation that the two elder statesman have to engage in as they aim to be in tip - top shape for their elongated return to the ring.

Art exhibitions, creative workshops, music and drama performances all provide low risk invitations to families, which can encourage many parents to engage with teachers and schools for the first time.

Sony has unrivalled expertise when it comes to AV technology solutions and understands how to create a state of the art solution that will fulfil every industry's requirements, let it be creating an engaging learning environment through rich multimedia platforms or providing the most advanced technologies for corporate and exhibition spaces.

The striking 10K images produced have engaged the students, academics and event visitors alike, enabling the University not only to provide an inspiring learning environment, but also to compete with the most modern corporate venues for high profile events and exhibitions.

Because we had already focused heavily on project - based learning for many years and frequently recruited public audiences for student exhibitions, we had a track record of engaging with the community.

«We understand that today's education and care professionals are extremely time - poor so we've combined the best of an exhibition with high - quality engaging speakers and activities that we hope people will find interesting and inspiring as well as contributing to their professional development needs, and all for free.»

«Transforming our ballroom into an innovative and engaging art exhibition sets the venue for our chefs to create dishes that are sure to inspire the senses.»

Organized by Catherine Morris, curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, this exhibition takes stock of feminism's enduring influence on contemporary art with a selection of works engaging themes of gender, equality, and empowerment.

Beatriz Cortez and Rafa Esparza's collaborative exhibition at Commonwealth and Council engages with immigrant labor as a metaphor for the construction of a future where multiple imaginaries of gender, race, class, and culture are made possible.

For his first solo exhibition at the gallery, Sterling Ruby engages with the photography of Robert Mapplethorpe.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

«What makes «The Sea is the Limit» a unique exhibition is the fact that each participating artist has been addressing the theme of refugees and engaging with migration, immigration, dispossession and rootlessness for some years, and in some cases, for example as in the case of the renown Irish artist Brian Maguire, for some decades.

Engaging with contemporary concepts and approaches, Brunswick Street Gallery provides curated exhibition spaces for emerging creative arts practices.

Join ArtTable for a tour of L.A. landmark exhibition conducted by Jens Daehner in which leading contemporary artists engage with ancient philosopher Plato's legacy.

He has also organized large topical group exhibitions that have engaged subjects including surveillance, the September 11 terrorist attacks, and nostalgia in an evolving New York City, leading the curatorial team for the most recent edition of Greater New York.

Since then, the gallery has continued to forge an academically rigorous, ambitious program of historic exhibitions, providing a natural home for a number of major 20th - century European and American artist estates, and encouraging a continued and engaging discourse around their oeuvres.

A worthy tribute, the exhibition and book demonstrate that while the movement was propelled by the revered and unnamed who fought and often died to advance the struggle for racial justice, an impressive panoply of artists was also engaged, enraged and motivated.

The SCAD Museum of Art is a premier contemporary art museum that features emerging and established international artists through commissioned works and rotating exhibitions; engages local communities with special initiatives of an international scope; and serves as a resource for SCAD students and alumni during their academic careers and beyond.

Girls» Club engages Miami artist team TM Sisters — sisters Monica and Natasha Lopez de Victoria — to collaborate with the collection of contemporary art by women amassed by Fort Lauderdale collectors Francie Bishop Good and David Horvitz, for the this exhibition.

As a response to the current social and political climate in the United States, the Strange Fire Collective is looking for work made by women, people of color, and LGBTQ artists that engages with issues of social justice and critically questions the dominant social hierarchy for our upcoming exhibition Call and Response: Art as Resistance.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

Center, in turn, exists as an independent exhibition space founded by artist Lin May and home to coeval.gen.in, an internet - based platform for artists, writers and curators engaging with a critical use of technology and digital economy.

October 8, 2013 - Fort Lauderdale - For its 2013 - 2014 exhibition, Girls» Club engaged Miami artist team TM Sisters (Sisters Monica and Nathasha Lopez de Victoria) to collaborate with the collection of contemporary art by women owned by Fort Lauderdale collectors Francie Bishop Good and David Horvitz.

Bailey is from Australia and recently curated exhibitions for the AIDS 2014 conference including the exhibition Vital Signs - Interpreting the Archive at the Blindside Gallery in Melbourne which featured contemporary artists engaging with the collection of the Australian Lesbian and Gay Archives.

His role at the Lunder Institute for American Art will be a three - year appointment, where Gates will convene artists and thinkers from around the world for retreats, provide opportunities for students and faculty to engage in his practice, and identify opportunities for additional artist residencies, projects, and exhibitions at the Institute, founded in 2017 at the Colby College Museum of Art.

Sim Smith Gallery works closely with collaborators to inspire multidisciplinary projects aiming to engage new audiences for the work and changing the viewer experience through exhibition design, curation and by taking art outside of the traditional gallery setting.

From that point on, the Brazilian forces were fully engaged in the war and interestingly so, an exact number of 70 artists decided to run the first Brazilian group exhibition in London in order to raise funds for the British troops.

Whitney Teaching Fellows, PhD candidates in art history, lead engaging tours of current exhibitions for new moms and dads when the Museum is closed to the public.

Curated by Sara Reisman, Executive and Artistic Director of The Shelley & Donald Rubin Foundation, The Supper Club is comprised of three components: an ongoing series of socially - engaged dinners, an exhibition of 60 photographic portraits of the artists who participated in the dinner conversations, and a book scheduled for publication in 2018.

is an opportunity for local educators to explore OCMA's latest exhibition, engage in gallery dialogues, and take part in the creative process through hands - on art projects designed to take back to the classroom.

Belying the precision and stakes of the obscure engineering principle for which it is titled, the artists» open - ended approaches and the loose associations in their works engage the viewers» individual experience of touch, making it a very personal — and subjective — exhibition.

To illustrate their ongoing relevance in contemporary dialogues, MOCA Jacksonville invited a handful of artists to engage with the collection and participate by either the creation a new work of art or presenting an existing piece for inclusion in the exhibition.

For her current solo exhibition «Caerulea» at Gallery Paule Anglim, Clare Rojas engages audiences with a new series of large abstract works.

Given Müller's investment in content (which, it should be stated out front, never overwhelms the paintings» interlocking Cubist framework but rather engages it in a kind of communion), it is impossible to look at this exhibition of late paintings — almost all of them completed in the two years before the artist's death — without meditating on the extra 24 years of life (in Christopher Marlowe's version) that Faust received in exchange for his soul.

For her 2017 Perlmutter residency, Jones will create new work in response to the rich cultural history of the Rose Art Museum and of Brandeis, engaging the university community in the creation of a score inspired by Louise Nevelson's 1967 retrospective exhibition at the Rose.

It seeks to engage the community through exhibitions, publications, and public programs, and welcomes members of the public, academic institutions, and museum groups for self - guided tours that last up to two hours.

Current exhibition: Janet Cardiff and George Bures Miller, «The Marionette Maker» Through June 11 Janet Cardiff and George Bures Miller are internationally recognized for their immersive multimedia works that often engage viewers in mysterious and dreamlike narratives.

The opportunity to present an exhibition in the dynamic Minnesota Street Project space aligns with the gallery's mission as it looks towards its next phase, when it will continue its tradition of exhibiting major works of historic significance international in scope alongside prominent local Bay Area artists, while also providing a platform for promoting and nurturing young artists with engaging new exhibitions and programming.

An Exhibition engaging the viewers directly with the artworks in such a way that memory, the unexpected, the possible provocation, the new and the different can stimulate their visions, their minds and their emotions, and offer them the opportunity for a direct experience.»

The inaugural temporary exhibition for the gallery goes to the Irish sculptor Eva Rothschild, whose show of mostly new works engages in a dialogue of form with the permanent collection of the institution's titular inspiration, English modernist sculptor Barbara Hepworth.

is an exhibition that creates critical spaces for viewers to consider and engage with a number of environmental concerns such as sustainability, water remediation, drought, etc..

Fifteen years on, their Dear Art exhibition, originally conceived for and shown at the Museum of Modern Art Ljubljana / Museum of Contemporary Art Metelkova, is a response to Stilinović's text in the form of a snapshot of art's relationship to politically and critically engaged practice in the present day.

These commissioned pieces complement the second part of the exhibition that showcases the work of artists in residence at Dieu Donné, a New York - based nonprofit paper workshop that has been providing opportunities for artists to engage with the process of handmade paper since 1976.

Acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space, Gormley's fifth solo exhibition with Sean Kelly engages the grid to evoke the experience of inhabiting a human body at «the other side of appearance.»

To speak more about the selection process for this show, it is also interesting to note that as we narrowed our focus there were a number of directions this exhibition could have taken and while it became clear that we could have, for instance, created an entire exhibition strictly of triangular shapes in corners (with pieces by Benglis, Morris, Smithson, and Turrell, for example), we chose to mount an exhibition where each work engages the corner in its own unique and distinctive way.

Of the last group of works in the exhibition, John Cannaday wrote in the New York Times, October 14, 1972: «The Cityscape is apparently an inexhaustible source of motifs for Mr. Inokuma, whose new abstract inventions are even more engaging than those in his previous shows....

Established in 1903, the Museum today welcomes more than 600,000 visitors annually and acts as a catalyst for community creativity, engaging people of all ages and backgrounds with a diverse spectrum of programming, from exhibitions and lectures to concerts, literary readings and dramatic and dance presentations.