Sentences with phrase «for erotic art»

Shunga, which is the Japanese term for erotic art, literally meaning spring pictures, is a selection 170 works from collections around the world, in the form of paintings, prints and illustrated books.

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But among you there must not be even A HINT (emphasis mine and my response to erotic art) of sexual immorality, or of any kind of impurity, or of greed, because these are improper for God's holy people.

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While she would never consider a potential film franchise shouldering a reported $ 40 million budget and a frightfully ardent fan base as anything akin to her art, Taylor - Johnson does manage to use her eye for the slow burn, honed in work like her 2004 video portrait of the soccer star David Beckham sleeping, to great erotic effect.

An impressionistic barrage of sexually frustrated prisoners grasping for each other and at themselves, their musculature bathed in chiaroscuro light as they lovingly move their hands down their bodies while they're watched by drooling, baton - wielding guards, Un chant d'amour is an all - consuming work of art that aims to liberate the viewer through erotic fantasy.

Ushering in the mucky - minded art - house crowd like the Pied Piper lining up kids for the snatching, Thou Wast Mild and Lovely describes itself as an erotic thriller set amidst the Kentucky wilds, while its fluid, meadow - fresh depiction of forbidden...

His other books include U.S. CONSTITUTION FOR BEGINNERS (Writers and Readers Press, 1987), illustrated by Pulitzer prize winner Joel Pett; PREACH LIBERTY (Four Walls Eight Windows, 1990); NONPROFIT LITIGATION (John Wiley and Sons, 1992); and two books of art criticism, titled SIMULATING SEX: AESTHETIC REPRESENTATIONS OF EROTIC ACTIVITY (2002) and BEYOND NOLA: NEW ORLEANS REVIEWS OF ART (with Terrington Calas, 2002), both published by UP in conjunction with The New Orleans Art Reviart criticism, titled SIMULATING SEX: AESTHETIC REPRESENTATIONS OF EROTIC ACTIVITY (2002) and BEYOND NOLA: NEW ORLEANS REVIEWS OF ART (with Terrington Calas, 2002), both published by UP in conjunction with The New Orleans Art Reviart criticism, titled SIMULATING SEX: AESTHETIC REPRESENTATIONS OF EROTIC ACTIVITY (2002) and BEYOND NOLA: NEW ORLEANS REVIEWS OF ART (with Terrington Calas, 2002), both published by UP in conjunction with The New Orleans Art ReviART (with Terrington Calas, 2002), both published by UP in conjunction with The New Orleans Art ReviART (with Terrington Calas, 2002), both published by UP in conjunction with The New Orleans Art ReviArt ReviArt Review.

As a member of the original Team Silent, his distinctive, erotic art style is synonymous with the look of Silent Hill; he is best known for creating «Red Pyramid Thing,» aka Pyramid Head.

Hideo Kojima seemingly admitted that he'd ordered his art director to make Metal Gear Solid V characters «more erotic» for the specific purpose of selling figurines and encouraging cosplay in a truly bizarre sequence of tweets.

For over three decades, Marilyn Minter art explores beauty and femininity in the American culture through sensual, erotic paintings, photographs and videos

Visions for Himeros features erotic art of the 21st century.

Their work over the past year has included erotic artbook images with the smutty bits sandpapered out, exploring the commodification of art through the medium of dance, telling circuitous personal stories live to an appreciative but perhaps baffled audience and, for the more old school - minded, screen printing.

On the occasion of Hans Schärer: Madonnas and Erotic Watercolors and the 2016 edition of Outsider Art Fair New York, Swiss Institute and Outsider Art Fair invite you to join us for a panel discussion of how institutions collect and exhibit outsider aArt Fair New York, Swiss Institute and Outsider Art Fair invite you to join us for a panel discussion of how institutions collect and exhibit outsider aArt Fair invite you to join us for a panel discussion of how institutions collect and exhibit outsider artart.

Perhaps it was the fact I couldn't relate to the many titillating stories about her personal life — a sugar daddy, model looks, spliffs, a fancy New York apartment, erotic dancing, posing for Richard Prince — that overwhelmed any reflection on her art.

1998 Modern American Realism: The Sara Roby Foundation Collection from the National Museum of American Art, Cornell Fine Arts Museum, Rollins College, Winter Park, FL; Madison Art Center, Madison, WI; Columbus Museum, Columbus, GA; Heckscher Museum of Art, Huntington, NY; Everson Museum of Art, Syracuse, NY The «60's in the Seventies, Ubu Gallery, New York, NY Peep Show, Exhibition of Erotic Fact and Fantasy, Luise Ross Gallery, New York, NY Twentieth Century American Drawings, Arkansas Arts Center, Little Rock, AK; Sunrise Museums, Charleston, WV; Philharmonic Center for the Arts, Naples, FL; Fort Wayne Museum of Art, Fort Wayne, IN; Knoxville Museum of Art, Knoxville, TN; Boise Art Museum, Boise, ID

From 2002 to 2007 she was the Chief Curator of Exhibitions at the Wexner Center for the Arts where she organized the first US retrospectives of Louise Lawler and Luc Tuymans, as well as Part Object Part Sculpture, which examined sculpture in the wake of Marcel Duchamp's erotic objects and hand made readymades of the 1960s.

The exhibition creates both the historical context for female erotic work, and a contemporary forum for further sexual art by women.

From 2002 to 2007 she was the Chief Curator of Exhibitions at the Wexner Center for the Arts where she organized the first US retrospectives of Louise Lawler and Luc Tuymans, as well as Part Object Part Sculpture which examined sculpture produced in the wake of Marcel Duchamp's erotic objects and hand made readymades of the 1960s.

Since the climate for purchasing sexy art has never been better, we present you with eight erotic pieces that are just a mere click away from becoming yours.

Using a broad formal language inspired by Byzantine icons, Nineties - era Eastern European drug culture, the psychedelic - revolutionary aesthetics of the Seventies, minimalism, and art brut, the towels and drawings function as Trojan horses for a wide range of subtle, complex, and quietly rebellious erotic motives.

Martha Nilsson Edelheit (born September 3, 1931, in New York City), [1] also known as Martha Ross Edelheit, is an American - born artist currently living in Sweden who is known for her feminist art of the 1960s and 1970s, which focuses on erotic nudes.

The curatorial scaffolding created by Alison Gingeras and legitimized by A.I.R. Gallery's inclusion is mere table - dressing for other galleries wanting to exhibit erotic art.

In addition to its practical function as a source of light, its use is also replete with symbolism: candles can stand for transience and death, illustrate biblical scenes and charge them with emotion, express feelings such as grief or melancholy, illuminate portrayals of science and the arts in the true sense of the word or subtly add an erotic layer to the scenes depicted.

sculpture has assumed a central position in contemporary art and has followed the patterns of the various postmodern art movements, for example, the three - dimensional pop icons of Claes Oldenburg, Koons's purposely banal, often erotic figures, and the minimalist constructions of such artists as Carl Andre, Donald Judd, and Robert Morris.

Her Body Art is imbued with political significance, undermining the traditional erotic representations of women by male artists, and often exposes the inner biological systems of females as a metaphor for hidden social issues.

Slightly erotic art for bedroom.

1991 Fashion Photography Since 1945, Victoria and Albert Museum, London, England Twentieth Century Collage, Margo Leavin Gallery, Los Angeles, USA, travelled to Centro Cultural Arte Contemporaneo, Mexico City, and Musee D'Arte Moderne et D' Arte Contemporain, Nice, France 7 Women, Andrea Rosen Gallery, New York, USA The Body in question, Aperture Foundation, New York, USA The Power of Theatrical Madness, Fotografie Forum Frankfurt, Frankfurt, Germany Modern Botanical, ICAC Weston Gallery, Carmel, USA National Gallery of Victoria, Melbourne, Australia Erotic Desire, Perspektief, Rotterdam, Netherlands La Revanche de L'Image, Galerie Pierre Huber, Geneve, Switzerland, Framed, Stephen Wirtz Gallery, San Francisco, USA Cruciformed: Images of the Cross since 1980, Cleveland Center for Contemporary Art, Cleveland, travelled to the Museum of Contemporary Art at Wright State University, Dayton, USA Photography From 1980 to 1990, Ginny Williams Gallery, Denver, USA Galerie Nikolaus Sonne, Berlin, Germany

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

Certainly, the aspiration for erotic imagery presented in an art setting is that it would stimulate reflections on desire, sexism and human rights.

At 80 years old, Iannone is still a poster woman for the depths and possibilities of erotic art.

She discovered Surrealism at MoMa's seminal exhibition Fantastic Art, Dada and Surrealism in 1936 and is celebrated for her meticulous depictions of surreal scenes mingling animals with erotic objects and people.

A part of the fabled Vollard Suite — a group of 100 prints the artist created for the Paris art dealer in Ambroise Vollard in the 1930s that mingle the artist's erotic preoccupations and newfound obsession with classical forms — this piece functions as one of Picasso's many self - portraits - by - proxy, in which he imagines himself in the guise of a (usually priapic) artist from a different era, such as Degas or Raphael, often dallying with a model.

But there's also Modern art at TEFAF — Alexej von Jawlensky's colorful 1913 canvasHead of a Woman, painted in a colorful expressionistic style, was on offer for $ 3.4 million at Galerie Thomas, from Munich; Surrealist Paul Delvaux's erotic rendition of female nudes in a dreamlike setting is at Salzburg's Thomas Salis Art & Design; Piet Mondrian's landscape painting of a house surrounded by trees from 1902, before the Dutch modernist discovered his signature style of geometric abstraction, is at Düsseldorf «s Beck & Eggeling; and Impressionist painter Pierre - Auguste Renoir's enchanting 1885 canvas Au Bord de L'eau (At the Water's Edge), which beautifully captures a woman rowing a boat on a rural lake, is priced at $ 12 million at Dickinson, of London and New Yoart at TEFAF — Alexej von Jawlensky's colorful 1913 canvasHead of a Woman, painted in a colorful expressionistic style, was on offer for $ 3.4 million at Galerie Thomas, from Munich; Surrealist Paul Delvaux's erotic rendition of female nudes in a dreamlike setting is at Salzburg's Thomas Salis Art & Design; Piet Mondrian's landscape painting of a house surrounded by trees from 1902, before the Dutch modernist discovered his signature style of geometric abstraction, is at Düsseldorf «s Beck & Eggeling; and Impressionist painter Pierre - Auguste Renoir's enchanting 1885 canvas Au Bord de L'eau (At the Water's Edge), which beautifully captures a woman rowing a boat on a rural lake, is priced at $ 12 million at Dickinson, of London and New YoArt & Design; Piet Mondrian's landscape painting of a house surrounded by trees from 1902, before the Dutch modernist discovered his signature style of geometric abstraction, is at Düsseldorf «s Beck & Eggeling; and Impressionist painter Pierre - Auguste Renoir's enchanting 1885 canvas Au Bord de L'eau (At the Water's Edge), which beautifully captures a woman rowing a boat on a rural lake, is priced at $ 12 million at Dickinson, of London and New York.

«The curatorial scaffolding created by Alison Gingeras and legitimized by A.I.R. Gallery's inclusion is mere table - dressing for other galleries wanting to exhibit erotic art... [W] e sense the dilution of feminist rhetoric for commercial ends.

The Umbrellas (ca. 1881 — 85) sets aside the overtly erotic and returns to art for art's sake.

From 2002 to 2007 she was the Chief Curator of Exhibitions at the Wexner Center for the Arts where she organized the first US retrospectives of Louise Lawler and Luc Tuymans, as well as Part Object Part Sculpture, which examined the influence of Marcel Duchamp's erotic objects.