Joanna Penn has created two definitive brands for her two types of writing: one
for her fiction work (thrillers), and one for her nonfiction work.
Not exact matches
Writing
for Fast Company, she explains that there are multiple ways
fiction can improve your performance at
work.
At the time, O'Connell was
working on a poster
for a science -
fiction and horror film festival featuring John Carpenter's 1988 cult classic «They Live» about aliens living incognito among humans.
Part of my rationale
for speaking so strongly here is that Kevin called into question the integrity of the Tax Policy Center, a group staffed by highly respected former civil servants, by calling their
work «scientifically indefensible» and «
fiction».
In the end Gallienus decides to pay
for the celebrations using direct theft (by confiscating and then selling the estates of his enemies and those of their families), but the final sentence of the above excerpt from a
work of historical
fiction reveals more knowledge of how monetary inflation
works than is found in the writings of most Keynesian economists.
The proprietor of the shop obviously has the right to offer this type of discount, but it's sad that in this backwards, demon - haunted country we're still treating a
work of
fiction supposedly handed down by an magical, omnipotent being as a framework
for a moral life, rather than embracing an objective, secular view of morality.
For example, the «keystone» of Mormonism, The Book of Mormon, has been proven by science to be a
work of
fiction.
It's just a
work of
fiction written
for bronze age sheep herders.
This makes
fiction based upon Scripture peculiarly problematic, at least
for those who regard the
work's underlying source as more than mere raw material: Is the novel, play, movie to be judged to some degree in accordance with its piety?
Suzanne Collins» trilogy was the first foray into
fiction I enjoyed after a year of research and writing
for «A Year of Biblical Womanhood», so I surrendered myself totally to the unfolding stories and, like so many others, lost a lot of sleep as I
worked my way through The Hunger Games, Catching Fire, and The Mockingjay.
His seven novels, compulsive reading
for their adepts, fail all the normal tests by which one would judge the merits of a
work of
fiction.
There are other good
works for fiction out there if you just look
for them.
A
work of
fiction,
for instance, operates differently from a
work of history.
In his book The Art of the Deal (Random House)-- Trump's autobiography which has been described by his ghostwriter as a «nonfiction
work of
fiction» — he claims his first wife, Ivana, was an alternate
for the Czech ski team, yet the Czech Olympic committee says they have no record of this.
The Communist Manifesto, Mein Kempf and Happy Halloween Charley Brown are also quite clear.So who are we to believe?That bible of yours means nothing except that through the ages a bunch of liars
for their own purposes edited and re-edited a
work of
fiction so that morons would fill the coffers of their churches every Sunday, Saturday or other holy day they proclaimed.Now we all have to listen to this nonsense.Enough is enough!
Her
work as an academic philosopher has dealt extensively with the figures and issues of that period, and in her discussions of
fiction she has expressed particular admiration
for the great novelists of that century, including Jane Austen, George Eliot and Leo Tolstoy.
For the first time in quite some time I managed to pry myself away from the non fictional category, and knock out a major
work of
fiction, and it turned out to be one of the more influential things I read all year.
And if «
fiction» and «art» are shorthand
for all
works of human culture, then the connections between all human cultural life and the physical life of nature are also unknowable.
How idiotic
for the news to ask such a stupid question when the
work of
fiction called «the bible» clearly describes jesus with woolen hair and dark skin.
Authors and publishers would also testify to her golden touch, Of the 46
works of
fiction picked by Oprah
for her book club (which she recently closed down), sales averaged 1.5 million in 1999, the club's biggest year.
However defined, Updike's religious consciousness informs all of his
work; a close reading of his
fiction supports the claim that he is seriously involved in enfleshing that marginal belief which underlies life
for an increasing number of Americans.
Even THEN it is still a
work of
fiction, edited by humans
for readability as well as content (how many «lost books of the Bible» were left out on the whim of the «church» who was threatened by them?????????) Since this is likely boring folks I will not start on the Church (capital C, not lowercase C)!!!!!! My 2 cents is all —
for what it is worth.
This great book is basically two
works for the price of one, providing not only an engaging
fiction story
for your child; but a cognitive behavioral guide
for parents to use with their children to alleviate feelings of anxiety as well.
Obviously this is a pretty broad question, and I don't care if these are primary sources, to collaborative
works by modern historians, to historical
fictions (as I'm sure much of this detail will be left to the imagination as not much evidence will remain), but I'm looking
for how humans ran societies, and the issue they dealt with, on a day to day basis, because people live on a day to day basis, and don't, like historians, summarize a decade in a couple of pages of writing.
In a list of fifty - two books there are only four
works of
fiction, «
for those seeking relief from the more challenging recommendations».
Amadi is best regarded
for his 1966 first novel, The Concubine, which has been called «an outstanding
work of pure
fiction».
They could have been
working tirelessly to ensure jobs, livelihoods and the economy were protected by cooperating with our European friends and neighbours, not trying to blame them
for our difficulty, and maintaining the
fiction that this would all be so easy.
Interactive 3D holograms are a staple of science
fiction — from Star Wars to Avatar — but the challenge
for scientists trying to turn them into reality is developing holograms that are thin enough to
work with modern electronics.
Scientific American spoke with Benford about the factual basis
for his book, the appeal of «alternate history» and the surprising origins of some real - world nuclear tactics in
works of science
fiction.
Two years ago he and other entomologists went to
work on what sounded like the scenario
for rip - roaring
fiction: widespread, unexplained disappearances of honey bee workers that left the youngsters and queen behind
for no obvious reason.
The basic message is this: everyone in the mental health profession knows full well that the DSM is a
work of
fiction — that the hundreds of «disorders» described therein are just labels
for fuzzy, overlapping clusters of symptoms and that we have never found a definitive biological marker
for even one of those disorders.
For example, he says, Honoré de Balzac's The Human Comedy was released in serial form as a
work of «popular»
fiction, but has since attained the status of a classic.
Lasers are the preferred weapons
for interplanetary warfare in countless
works of science
fiction.
As a control, they also mapped the social networks
for modern
works of
fiction: Les Misérables, Shakespeare's Richard III, The Fellowship of the Ring, and the first book in the Harry Potter series.
It's just
fiction for now, but a company called Orbital Outfitters is
working on the technology
for a real space - dive suit.
As it happened, I'd written a science
fiction story that seemed like it might fit — it was about a couple of researchers
working in a dusty lab who stumble upon a universal cure
for cancer (you remember I said science
fiction, right?)
«As a scientist researching passenger pigeons, I routinely search
for new books on the subject, usually overlooking
works of
fiction.
Now that's a chewy science
fiction scenario
for the writers who frequent these pages to
work on.
The supposed mayo clinic diet that isn't real is the only diet that has ever
worked for me so how can it be
fiction.
Not only was Pelle the Conqueror August's most popular international film to date, but it also marked the beginning of the director's growing interest in adapting popular
works of
fiction for the screen.
It hardly ever
works in
fiction, and it does not seem the best vehicle
for his movies at all.
Surprisingly enough, Jack's motive
for hating Christian and Ana is not that Ana became a
fiction editor at a publisher and her major contributions, as seen in this film, are finding an author named «Boyce Fox» (could've sworn my accountant
worked at Boyce Fox) and increasing a font size by two points.
As a
fiction editor at a publishing house, we are treated to scenes where Ana is scolded by her husband
for not changing her
work email address to her newly married name, and her editorial notes consist of «make the font size two points bigger.»
The script clearly strives
for Beckett-esque absurdity, defining Crick's life as an apparent
work of
fiction that he is helpless to alter or avoid.
Working about as far as possible from the commercial mainstream of the movie business, Costa has again made a singular docu -
fiction hybrid that defies classification as readily as it reimagines the possibilities of cinema
for the post-spectacle, post-theatrical era.
More than that, the
work of Sam Barlow could be an illuminating beacon
for future games that aim at offering innovative gameplay in police
fiction games.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award
for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends,
works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science -
fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema
for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's
for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
So while I do know of his science
fiction work, I almost like to praise him more
for his dramatic films, i.e..
A hit at the London Film Festival, the film encouraged an assessment of the director's
fiction and film
work, and gave notice of a cinema with time
for naturalistic performance and authentic space years before the indie directors» apparent invention of «quirky» American representations.
So while Vernon, Florida has become something of a Medium Cool
for a new generation of film brats (All the Real Girls director David Gordon Green cites the
work as one of his all - timers), The Thin Blue Line has become the moment that many point to as the definitive modern reintroduction to the debate about the matter of degrees that separates
fiction from non-
fiction cinema.