Sentences with phrase «for film direction»

The first - time DGA nominee, 54, won the Golden Globe for film direction Sunday night.

Not exact matches

The direction of the «Ant - Man» film should cause some concern since Wright — who was so passionately involved in the project for nearly a decade, teasing it at Comic Con conventions for years — left when the film is due out in almost a year's time.

But even as his films went in different directions, at the heart of each was a single thread: Martin Scorsese was looking for something.

Plantic ™ R's on - pack communication provides easy - to - understand directions for disposing the tray and the film, since both are recyclable.

SEE ALSO: One Direction star lined up for lead role in Jamie Vardy film, but these five actors would be MUCH better!

One Direction star lined up for lead role in Jamie Vardy film, but these five actors would be MUCH better!

SEE MORE: One Direction star lined up for lead role in Jamie Vardy film, but these five actors would be MUCH better!

Netflix has commissioned 10 episodes from the 2018 season, and the production team will film and reveal the intense fight for the heart, soul, and direction for the future of this multibillion - dollar business.»

Nowadays we do everything online — pay bills, search maps for driving directions, buy products, get news, book hotels and flights, read books, watch films, and even get our education distantly via the Internet.

A GREAT FILM jonathan demme chance a concert for a film great direction by demme and great performance by Justin Timberlake 10 from 10 grammy 2018 for best music film plFILM jonathan demme chance a concert for a film great direction by demme and great performance by Justin Timberlake 10 from 10 grammy 2018 for best music film plfilm great direction by demme and great performance by Justin Timberlake 10 from 10 grammy 2018 for best music film plfilm please

The unanimously - praised film with a modest budget of $ 23 million deservedly won seven Academy Awards, including Best Picture, Best Director (the first for Spielberg), Best Cinematography (Janusz Kaminski), Best Adapted Screenplay, Best Original Score (John Williams), Best Editing (Michael Kahn), and Best Art Direction.

A Bob Rafelson film about a young antihero struggling to make sense out of his life and find a new direction for it

I was not one of A Beautiful Mind's historical accuracy Nazis, who used the film's marginalization of the real John Nash as a way to bash the film (for my money, it was the horrid screenplay and direction that made it such a painful film to watch, not its artistic rewriting of history), though the erasing of Turing in Enigma is rather distressing.

Their meeting is not an accident, and it takes the storyline in a new, surprising direction, one involving another science - fiction trope that's only very lightly hinted at in advertisements for the film.

Dax Shepard, who serves as co-director, one of the several producers, writer, and star of Hit and Run, appears to be heading in the right direction for actors - turned - directors with his off - kilter debut film.

If the title character, Machuca, was given more of a reason for his name to be the title than the film could have been better, or have reached a different direction, but it is still a well made film, and I learned about some Chilean history that I was not aware of before hand.

Wonderful performances and assured and audacious direction make for one of the best films of the year.

Although Steven Spielberg certainly deserves accolades for his direction (especially having to put up with an uncooperative mechanical shark named Bruce), in addition, Verna Fields received an Oscar for her excellent film editing work on the film.

Tomb Raider, by merely being an OK video - game film, is a great step in the right direction for the struggling genre.

All in all, the film is plenty conventional, even in a portrayal of Ancient Rome that is about as thin as a lot of the characterization, and as contrived as the melodramatics which slow down the impact of momentum almost as much as dull and draggy spells, thus making for a script whose shortcomings are challenged well enough by a powerful score, immersively beautiful visual style, solid direction, and strong lead acting for Henry Koster's «The Robe» to stand as an adequately rewarding and very intriguing study on the impact Christ had even on those who brought about his demise.

Too much effort went towards giving Chucky life in this film, while other things like the writing, acting, and direction were left for dead.

Well, Koster's direction is far from consistently subtle, or at least graceful in its subtlety, for there are times in which thoughtfulness leads to a blandness that is among the last things a film this problematically written needs, but can not avoid, due to limp touches to the - you guessed it - writing, which I was expecting to be tighter in this ambitious epic of only about 135 minutes.

This film was awarded the prestigious Golden Palm for best direction at the 2000 Cannes Film Festival.

I think where the problems for the film comes up is in the direction and rhythm of the storytellng.

Terrible plot, lackluster effects, a trainwreck sense of direction, and an absolute lack of an epic scope that the first two delivered on so well makes Superman IV: The Quest for Peace not only the worst Superman film, but one of the worst comic book movies in general

What separates «Gosford Park» from films like «Nashville» and «Short Cuts,» however, is the lush set direction and costume design, which helps build the completely immersive period setting for the audience to get to know the characters in.

I could plead a case for Under The Skin in any number of directions, but the thing I found most impressive about Glazer's film was the sustained sense of alienness that it delivered.

But the film takes a nosedive into overbaked melodramatics when it dusts off the history books and veers in all directions to tell its crooked tale (blurring fact and fiction) of the iron - clad will of the strong monarch (voicing that the good fight was for God and country) and how she defeated the Spanish Armada and brought a long and fruitful time of peace and prosperity to her country.

Nonetheless, «The Interpreter» has a political inertia, however tentative, that points toward a more aggressive direction for Hollywood films to comment on the nature of corruption dominating our globe.

Writer Laurence Coriat fails to come up with any fresh ideas for developing characters or storylines, and the film never has enough sense of pace or direction.

A second and perhaps more significant bonus feature is found inside the side - snapped case (which per the studio is fitted with nice double - sided artwork): an insert with directions and a unique code for accessing the complimentary UltraViolet stream and download of the film, which promises at least two years for you to redeem this.

Allen is notorious for offering his actors little to no direction, which often produces films where every one in the cast seems to be acting in a different movie, but it could be liberating for an actor as organic and instinctual as Phoenix.

Recognition for Best Cinematography and Best Art Direction went to «The Last Family,» a particular favorite of the jury and one that had them specifically staying for the Q&A to see from director Jan P. Matuszyński how he pulled off making the film.

For those who enjoyed Radnor's first effort, this is leaps and bounds better in writing and direction while still retaining what made his Audience Award Winning film from Sundance 2010 such a beloved festival film.

However, the idea with slow direction and pace is that we have to enjoy the actual story and I am sad to say that I did not connect with the actual script at all, meaning that this entire film became a long and arduous journey for me.

We'll have the Patrick DeWitt book to film adaptation of Jacques Audiard's The Sisters Brothers drop at Cannes in May, and then we wouldn't be surprised if Kelly Reichardt begins lensing on her eight feature film — and not unlike Claire Denis, moves into the direction of comedy — a first for the helmer.

This leads the film in a direction that many will have a tough time dealing with and a subject matter that's not typical for a rom - com.

I wrote at the time that his music for Dawn of the Planet of the Apes — while a very fine film score — wasn't one of his most engaging albums, with its dark tone and great length; and while he uses that score as a springboard (and reprises some of its material), Giacchino takes War off in different directions and in doing so solves the problems that led to its predecessor being better within the film than without it.

However, everything is done so well between the direction of Anthony and Joe Russo, a screenplay by Christopher Markus and Stephen McFeely with James Gunn, and music by Alan Silvestri for the first time since the first Avengers film.

Under Taylor's direction, that film was one of the top box office success stories of 2011, scoring four Oscar nominations including Best Picture, though none for Taylor's own direction or writing of the film.

While the subject matter is the stuff that good films are made of, and the quality of the direction and acting are worthy of admiration, where The East fails is in the contrivances involved in the farfetched plotline and the unevenness in the thriller elements (such as a scene in which the cell dresses up to the nines to infiltrate a party for pharmaceutical bigwigs that would feel more at home in a Mission Impossible movie) that undermine what could have been a chilling and realistic story of corporations run amok.

With his first film Home for Life (1966) Gordon established the direction he would take for the next five decades, making cinéma vérité films that investigate and critique society via the unfolding lives of real people.

His work with Barry Sonnenfeld two years ago in Men in Black was right for the work, but Sonnenfeld took a very slight direction to the film and it somewhat tanked in the realm of enjoyability (I'm sorry, with the exception of Full Metal Jacket, Vincent D'Onofrio has never been able to fit in a film with out screwing it up).

The amazing film based on a true story — of which the children Rys and Teresa are still alive — and with a wonderful cast to portray it is highlighted by the flawless direction of Niki Caro, «hired not because she was a woman, but she was the right person for this movie, being both pragmatic and creative» Levin said.

The 11th Cinema Eye Honors Awards Ceremony occured on January 11 and saw Yance Ford's STRONG ISLAND make history as the first film to win the awards for Outstanding Feature, Outstanding Direction and Outstanding Debut.

The other films sacrificed character for action, this one almost goes in the opposite direction sacrificing action for character work.

While Whedon's responsible for a lot of the film's problems — the lousy first act, the utter absence of character development, some of the least ambitious direction in motion picture history — some of the problems came with the project.

I have no doubt that this is the best that could be done with this film and that they are the best people for the task, it's just that it could not pan out in the direction that I would have liked.

Admittedly the backgrounds of the four major fantasy sequences that anchor the film look impressive for a couple of seconds but like every other element in this film, the art direction is so conceptually underdeveloped it fails to sustain interest.

I respect his artistic decision to go in that direction, but that makes it difficult for the casual viewer and even for the serious film buff to recognize all of the out - of - sight artistic talking heads from novelist Italo Calvino to screenwriter Tullio Pinelli.