Sentences with phrase «for film preservation»

The cinematography was gorgeous and well deserving of the Oscar and no other director around today could have made this as special as Marty did with his love for film preservation.

Not exact matches

Characters in zombie films are willing to do terrible things to each other because of the fear of zombies and the urge for self preservation, while, in the real world, things like the use of torture (or «advanced interrogation»), preemptive war and drone strikes were being debated as options to fight a threat even scarier than zombies: terrorism.
He served two terms as President of the Los Angeles Film Critics Association, votes for films to be selected for the National Film Registry, and was appointed by the Librarian of Congress to sit on the Board of Directors of the National Film Preservation Foundation.
Christmas, giant monsters, rock and roll, talking animals, toys coming to life, magic; it's pretty much everything I would want in a film if my head was cracked open and pure into a cinematic jar for preservation.
Press release: Debbie Reynolds — actor, singer, dancer, author, champion for the preservation of the artifacts of film history and for the understanding and treatment of mental illness — has been named the 51st recipient of...
SPECIAL CITATION «to the UCLA Film and Television Archives for its long - lived and heroic work in film preservation, restoration, and resurrection, including its recent rehabilitation of rehearsal and test footage from Charles Laughton's Night of the Hunter.
DVD Extras A great range of features for a film so old — including an audio commentary, deleted scenes, three documentaries (The Great Idea, The Self Preservation Society and Get A Bloomin Move On) and a theatrical trailer.
I am as passionate about film history and preservation as I am about the need for a third Crank movie.
The For the Love of Film Blogathon is now in its third year, with bloggers focusing on a specific aspect of film preservation, with the intent to raise awareness and funds for the National Film Preservation FoundatiFor the Love of Film Blogathon is now in its third year, with bloggers focusing on a specific aspect of film preservation, with the intent to raise awareness and funds for the National Film Preservationpreservation, with the intent to raise awareness and funds for the National Film Preservation Foundatifor the National Film PreservationPreservation Foundation.
A new video introduction not only touches upon details of the film and its influence on Scorsese but memories of how impossible it was to see back in the day, reemphasizing the need for its preservation.
Ironically, if you watch the film first as intended and have any bestial instinct for self - preservation, you won't have the slightest inclination to watch the documentary.
«Hugo,» director Martin Scorsese's lavishly staged fantasy set in 1930s Paris and a reminder of the importance of film preservation, tied with «The Artist» for five wins.
She is cofounder of For the Love of Film: The Film Preservation Blogathon, which has raised money to help fund the preservation, restoration, and accessibility of our fiPreservation Blogathon, which has raised money to help fund the preservation, restoration, and accessibility of our fipreservation, restoration, and accessibility of our film heritage.
Besides responding to specific issues, such as imprisoned directors, film preservation, or the ratings system, the Society regularly meets early in January to vote on the Society's awards for the finest film achievements of the year.
Scorsese has long been a champion of film preservation and with his love letter to the cinema this year, «Hugo», he continues to show his admiration for film history and the many pursuits to keeping those records alive.
He is also noted for his documentary films and his leading stance on the preservation of film history through his organization, the Film Foundation.
For those who don't know, The Sundance Collection at UCLA (The Collection) is a film preservation partnership established in 1997.
For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked on as screenwriter, production designer, editor, and assistant director, for all to enjFor the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked on as screenwriter, production designer, editor, and assistant director, for all to enjfor all to enjoy.
Annie Hall has earned practically every honor a film can hope to get in its afterlife, being selected for preservation in the Library of Congress» National Film Registry in 1992, ranking highly on comedy movie countdowns from Bravo to Zagat, and turning up on every conceivable AFI list («100 Laughs», «100 Quotes», «100 Passions», the overall «100 Films» where dramas outnumber comedies four to one, even «100 Songs» and most recently being designated the # 2 Romantic Comedy behind City Lights in 2008).
Benefits include alumni ticket packages for the Sundance Film Festival, events throughout the year, film preservation, consultation and support on Kickstarter campaigns, and access to digital distribution.
In 2000, the Library of Congress selected Parks» film Shaft for National Film Registry preservation, and awarded Parks the «Living Legend» accolade.
Tacita Dean, in the book accompanying her recent Turbine Hall installation at London's Tate Modern [1], essentially campaigns for the preservation of celluloid film by rallying film makers, writers and artists to speak out against the immediate threat of obliteration of her (and their) medium.
Preserved by Anthology Film Archives, with support from the National Film Preservation Foundation and the Andy Warhol Foundation for the Visual Arts, KIDNAPPED — Eric Mitchell's 1978 remake of Warhol's Vinyl — is a downtown saga starring Anya Phillips, Patti Astor, Duncan Smith, Gordon Stevenson, and the director, and screens in conjunction with the MoMA exhibition CLUB 57: FILM, PERFORMANCE, AND -LSB-...]
After the screenings, a panel conversation moderated by TMR Executive & Artistic Director Cesar Garcia will bring together curators Erin Cristovale and Alma Ruiz and Ana Mendieta's niece Raquel Cecilia to explore the artist's defiant acts of self - archiving, her portrayal of the landscape and the female body in new media, and the processes through which she produced her lesser seen experimental films that have recently been digitized for preservation.
Plans for the preservation of Brown's papers, film and video archive, sets, and costumes have also been announced.
While working under Ceausescu's regime, Bratescu focused on the studio as a space for self - preservation and the protection of identity: see her filmed performance Atelierul (The Studio, 1978), in which she defines the studio with gestures even as it circumscribes her movements.
Of late, Dean has been a high - profile campaigner for the preservation of photochemical film, which she calls the 20th century's «most important form of artistic expression».
Murray's early super-8 films were selected for a National Film Preservation Foundation Award in 2014.
The Anthology Film Archives, the internationally renowned center for experimental film studies and preservation that you founded in 1970, is undergoing some major renovations soon.
Below you can see the film, narrated by Mark Doty, Historic Preservation Officer for the City of Dallas.
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