Sentences with phrase «for film treatment»

Since being announced for film treatment back in 2010, this was a project on the radars of both the public and the press.

The ramifications of killing for art's sake have long been fair game for film treatment, especially in movies that tap the horror - comedy vein, whether the target of the humor is the reception of the resultant artworks (Roger Corman's A Bucket of Blood gives it in the neck to Beatnik poseurs) or else their inspiration (Herschell Gordon Lewis's sanguinary variation on the theme, Color Me Blood Red).

(Especially now, as Marvel is currently developing more than two dozen properties for film treatment.)

Not exact matches

Patric, a star of films including «The Lost Boys,» donated sperm in 2009 as part of a fertility treatment that resulted in pregnancy for a former girlfriend, Danielle Schreiber.

When the State Kills is the model for such an approach, with fascinating and accessible chapters on such topics as the never - ending quest for «painless» executions, the role of and pressures on the jury in capital cases, the portrayal of executions in contemporary films, and the increasingly desperate efforts of death - penalty lawyers to ensure that those who are condemned to die have received something approximating fair treatment under the law.

Typical consumptions per kg evaporated water for falling - film tubular evaporators with thermal recompression in the dairy industry (excluding heat treatment)

«One of the most disturbing aspects of this investigation was to clearly witness again that local people are happy for «tourists» to watch and film their cruel treatment of animals.

In the film Toback, who has known the fighter for 23 years, intersperses footage from the days when Tyson seemed scared of nothing with clips from an emotional interview done while Tyson was undergoing drug and alcohol treatment last year.

Tim, who has co-written over 400 commercial treatments and music videos with directors including: Wim Wenders, Richard Ayoade and Jonas Ackerlund, for clients and artists such as: Lady Gaga, Honda, and Louis Vuitton, opined that, though he haven't watched Ghanaian movies before, he likes African stories and since he's in Ghana to learn and see how to assist both the needy through Obiba Foundation and people in film - making, he has started watching Ghanaian films.

The researchers have found a way to record the earliest stages of an embryo's growth and have filmed for the first time ever, the moment of implantation, opening new possibilities for improved methods of IVF treatment and regenerative medicine.

Braun believes their results «may aid in the development of better treatments for dry eye, and also add valuable context and understanding for current imaging techniques used to observe tear film dynamics.»

This, in turn, may lead to better treatments or a cure for the tear film disease known as «dry eye.»

The treatment everyone wants to believe in doesn't work, say ALD researchers, many of whom now condemn the film for raising false hopes.

It's really good, deserves respect for its treatment of the subject matter, and is a great example of what I love about 70s cinema, but I just didn't get blown away by it, Maybe I just wasn't quite in the right frame of mind, or maybe I've just seen too many films like this already, but I don't think it's quite as good as everyone else does.

Keeping with the film's insistence upon equal treatment for everyone, Merrick himself is permitted a romance in the person of Elizabeth Ellis (Spring Byington).

The Strangers» pared - down style makes it particularly unsuited for the sequel treatment: Absent some Aliens - style conceptual twist, the best a 10 - years - later follow - up could hope to do is ably copy the original, and it doesn't take long for the new film to indicate it's incapable of doing even that.

In fact, the film is already raising ire of protest groups for its treatment of taboo subjects, including animal cruelty and mental illness.

The Nashville Metro airport is a scene awash with marching bands, live newcasters, security police, twirlers, the Chamber of Commerce and an adoring crowd of fans for the arrival of Barbara Jean (Ronee Blakely in her film debut), the reigning lady of country - western music, who «has been away for special treatment at the Baltimore Burn Center» following an accident.

Whilst such an approach offers a departure from other recent films on the topic, the decision is amiably apt for the emotive effort, with the tender treatment of its fragile protagonists and their burgeoning bond not only sweet and affectionate, but littered with amusing and astute moments.

It's a big deal for a video game to get that kind of serious treatment, so the trailer goes all out in presenting itself as a serious film.

What might have worked as a 10 - minute segment on Funny or Die, is instead unnecessarily given the feature film treatment, hurdling towards a limited release for audiences at theaters where beer is served so they can have an excuse to laugh.

Director Colm McCarthy's The Girl With All the Gifts is one of the best zombie films ever made, and this Blu - ray release from Lionsgate is a solid treatment for this relatively low - budget marvel.

Using the greatest hits blueprint, one would think any big - time film treatment about Thurgood Marshall, an American hero for racial equality, has to include Brown vs. Board of Education and his ascension to become the first black U.S. Supreme Court justice.

Press release: Debbie Reynolds — actor, singer, dancer, author, champion for the preservation of the artifacts of film history and for the understanding and treatment of mental illness — has been named the 51st recipient of...

C The Organizer: Criterion Collection Unrated Italian with English Subtitles Getting the Criterion treatment here is a relatively little - known 1963 Italian film about a group of textile workers in Turin, Italy at the turn of the century that join forces under the leadership of a traveling professor in order to fight for better working conditions.

Overall, the film has received great treatment in both areas, leaving little room for complaint.

For a film which features the word «irony» so prominently, it's suitably ironic that Reality Bites features a documentary given the commercial television treatment, as the movie as a whole has an underlying compelling story that feels like it has been drained of all uniqueness by the corporate interests handling the film.

People for the Ethical Treatment of Animals is demanding that a scene be cut from an upcoming film starring Matthew Morrison («Glee»), alleging that a German Shepherd was abused on its Chinese set.

Perhaps the most startling and disturbing moment in the film comes when a doctor tells Adam Schumann (Miles Teller) that thousands of men and women are waiting for access to PTSD treatment in special centers around the U.S..

Like the Harry Potter films, Matthew Vaughn's (Layer Cake) treatment does spend an inordinate amount of time on secondary characters and superfluous side stories, to the point where it's hard to discern there being a main story for long durations.

The whole of it, though, is held to the point of absurdity for an extra beat — I'm thinking of LaBeouf's open - mouthed gape (enhanced by a film - manufactured mouth injury after a wonderfully - botched ambush), of Rooster's dispassionate treatment of two wayward boys, even of the final, signature showdown involving teeth - held reins and two - fisted gunslinging — so that the picture has about it an almost sarcastic air.

As it turns out, they found Gonzalez while auditioning young actors to lay down the scratch voice for Miguel, the track they use to mock up the film with crude storyboards and temp soundtracks before they finalize its script and overall treatment.

It's a good week for new releases with plenty of the best, most acclaimed films of 2015 finally receiving the Blu - ray treatment.

Part of that challenge for some is the film's seemingly glib treatment of today's profound racial issues, particularly police brutality.

But returning collaborator Rachel Weisz promises that, despite hewing to English history fairly closely, the film is another bleakly funny trip into a «Yorgosian dystopia,» a phrase so immediately evocative it proves the director is ready for the adjective treatment.

The other voice actors aren't given as much to do, and the film has a habit of oversimplifying its treatment of Riley's emotions (which were clearly inspired by the work of Robert Plutchik), including some manufactured conflict that's a bit flimsy, but it makes up for those minor blemishes with boundless levels of creativity that win out every time.

In the film Lily Collins plays Ellen, a promising young artist who has been in and out of treatment for her eating disorders.

THE DISC: Rarely has a film cried out more for the Blu - Ray treatment, and Warners takes full advantage of the opportunity.

It can easily be argued that in many of the films being made today, there is no place or room for respectful treatment of belief.

The highlight of the «2 - Disc Special Edition» DVD and Blu - ray editions is 30 - minute video interview with Quentin Tarantino and Brad Pitt (conducted by Elvis Mitchell for his radio series «The Treatment») that brings out a calmer (yet still enthusiastic) QT to discuss the creative ideas behind his film, with Pitt in full support of his vision and his collaborative engagement with actors.

It also encouraged the company to explore other recognizable brands for live - action film treatment, something they would do voraciously over the next few years.

It is educational, heartfelt, and adds immeasurably to the enjoyment of the film, although as with New Line's excellent Infinifilm format, my wish is for the studios to reserve such treatment for films that actually deserve it instead of formula dreck with questionable scholarly value like Driven and Blow.

The film's director / co - writer / producer Alejandro G. Iñárritu took home three trophies, capping the night off with a plea for better treatment of immigrants in America.

It's almost mandatory that every landmark horror film be remade and modernized for a new generation; A Nightmare on Elm Street, The Thing, The Omen, The Texas Chain Saw Massacre and countless others have been given the remake treatment.

Fiennes's aggressive militarization of the material extends to hiring the great DP Barry Ackroyd, fresh from lensing combat films for Kathryn Bigelow and Paul Greengrass, to lend the film a vérité texture that, ironically enough, comes over a little dated; on another note, it's hard to gauge how aware Fiennes's is of tonal resemblances between his treatment and Richard Loncraine's Third Reich - flavored «Richard III.»

And at one point, there was at least some movement on a film, with Guardians of the Galaxy co-writer Nicole Perlman produced a script treatment for a potential Black Widow project as far back as 2010.

Genius - level cinematographer Vittorio Storaro receives due treatment from not only Harlin (who implies that the chance to work with Storaro was one of his main reasons for agreeing to do the film), but also the folks in mastering: The 2.36:1 anamorphic widescreen transfer * is incredibly rich from beginning to end, with shadow detail occasionally collapsing into inky pools of black on purpose, if I'm to parse Harlin's notes on the digital grading correctly.

Cruz started laughing as she described a director so devoted to his film that he asked for another take from an actress who'd just required medical treatment.

But once you've seen it for yourself, and realized it's no less shallow and much more troubling than similar films that got harsher treatment, you may wonder what, exactly, happened.

After all, the near - plotless film about the Edinburgh drug scene wasn't really crying out for the sequel treatment.