Sentences with phrase «for first print runs»

But consider this, numbers for first print runs for most books — also small - 5000 library run.

Plant Costs Initial costs incurred by a traditional printer in preparation for the first printing run of a given title.

They think an editor will work for a share of their royalties, because their book is such a wonder, movie producers will be lining up for the rights, and publishers will be printing hundreds of thousands of hardbacks for the first print run for an unknown novelist.

I will still print at least 3,000 to 5,000 copies for the first print run and generate the sales through creative marketing.

It makes sense to me that for the first print run publishers stick largely with the current model but use POD on the backlist; that could have tremendous benefits to author and pub house both if done correctly (not to mention readers, who'd be able to order older books by a favourite writer and not face the flipping frustrating «out of print» or «no stock available» options.

Not exact matches

Fortunately for the samurai - in - training, pre-orders and a limited run of first prints of the game will include a strategy guide to help endure the trials of combat.

The Center of Artificial Imagination, Inc., a leading publisher based in San Francisco, is running a kindle ebook promotion that is the first of its kind — they are giving everyone who purchases the Kindle edition of the Amazon memoir Inside the Giant Machine: An Amazon.com Story the print version of the book for free.

«The marriage of colour inkjet book manufacturing with our proven, single copy print - on - demand (POD) selling model is going to be a first for the UK market, as to date, inkjet colour options have almost exclusively been limited to short run printing,» said David Taylor, Senior Vice President, Content Acquisition International, Ingram Content Group.

A lot of the traditional publishers are going with a digital first line before they commit to the full print run for a new author.

(It's a good bet Marvel made far more on the licensing for the first Spiderman film than they had for the entire printed run of the comic.)

Whereas in traditional publishing the first book costs hundreds of thousands because there's a whole print run, and then on every single book there are margins for the retailer, distribution, publisher, agent, and so on — and if the book doesn't sell out, there are further transport, warehouse, and pulping costs.

I did decided to publish years worth of work and get them in print versions, which I'm still working on, and after doing a free run for Castle Juliet, I had three 5 star reviews and several sales within the first few days.

Based on initial reaction from the Ingram Publisher Services sales force, we'll probably be at print runs of 3,000 to 5,000 for our first eight titles.

When print - on - demand was first introduced, the the unit cost (the cost per book) of printing just one book at a time was far higher with print - on - demand than it was for a print run of thousands.

Like when I discovered, just as I was about to order my first major print run of FOUND for my first book launch event, that one of my characters changed his bike from a Harley Davidson to a Triumph.

You may have heard by now that the first print run for Senator Ted Kennedy's posthumous memoir is — are you sitting down?

We work achingly hard for our reputations; we have first rate distribution, can handle very large print runs, and promote the heck out of our books, so it singes the soul to be looked at with suspicion.

Do that, and your new children's book will be published by Random House; enjoy a first print run of half a million copies; garner as much media attention as it can handle; and rake in the cash (in this case, I'm glad to report, the cash will be donated to a scholarship fund for children of disabled war veterans).

To know the right number of copies for a print run, the publisher would need to estimate future demand for the book — even if the book was being sold for the first time.

Publishing houses tend to take books out of print as soon as the first print run is completed, unless there's a huge demand for a second run.

First of all, publishers justify giving authors only 8 - 15 % royalties in the print world because publishing a novel includes a lot of financial risk: to get those low per - book printing costs requires large print runs, and that involves up - front capital and the risk of paying for a bunch of books that never sell or get returned.

Publishing has a long track record of books being contracted for, huge advances being paid and then the book flopping and not coming anywhere close to selling out the first print run.

The days of $ 1 million advances, auctions, and 500,000 print runs for first - time authors are over.

Your success of 30,000 + books in the first year is actually quite outstanding when compared to traditional print runs for debut authors.

Our P&L is for paperback and ebook sales; we'll pay our author, G. Scott Fitzgerald, an advance that's roughly equivalent to royalties earned from sales of the first print run.

Amazon gets to have its wholesale price for first run bestselling hardcovers — even though e-books isn't a wholesale market, that's print mass market paperback — and raise prices for others in the market and control the price for e-books in the market, as they do with the self - published authors.

On the national front, Digital Manga Publishing — which already has successfully Kickstarted a reprint of Osamu Tezuka's Swallowing the Earth and the first run of Tezuka's Barbara — is going back to the Tezuka well for its latest project: a full - color print run of Unico.

5,000 sales is respectable but no where near selling out her first print run and it's unlikely they will keep that title in print for long.

JUST BILL, my first self - published book was done the old - fashioned way: I hired a book designer, arranged for a print run, etc..

Dark Horse's anthology series Dark Horse Presents has been through a number of incarnations at this point: First as a print comic that ran from 1986 to 2000 and premiered some of the most outstanding work around; then as a digital comic at MySpace (yes, it's still there) that ran online for free and was collected into trade paperbacks.

For those who miss out on the Limited Edition, the first print run of the standard edition will include a limited reversible coversheet featuring artwork by Akihiko Yoshida.

Now Tactics can easily be found for about $ 25 or about $ 10 more for the first non-Greatest Hits print run.

As a first print run bonus for the game, Square Enix will include an AR card.

Square Enix Ltd., publishers of SQUARE ENIX ® interactive entertainment products across Australia & New Zealand, today announces that downloadable content for LIGHTNING RETURNS ™: FINAL FANTASY ® XIII will be available across PAL territories to anyone purchasing a first print run version of FINAL FANTASY X / X -2 HD Remaster on the PlayStation ® 3 computer entertainment system.

At this point, af Klint's appeal must be assumed; the catalogue for Hilma af Klint: A Pioneer of Abstraction sold out its first print run prior to the on - sale date, and a display of her paintings in the Central Pavilion at the Venice Biennale through November is consistently highly trafficked.5

That first issue — which was printed on a Xerox machine in a run of less than 1,000 — is not quite as elusive as Hammons, but it's close: One of the only copies publicly available is in a bound black volume in the basement of the Schomburg Center for Research in Black Culture in Harlem.

The video — the only work in Rose's first show at Pilar Corrias — runs for roughly eight minutes and is a feast for the eyes, layering cut - out imagery from illustrated children's stories in a profusion of media and textures: there are clippings of half - tone printing, paintings, pencil sketches and digital pen drawings.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

The publisher printed 5,000 copies for the first run, and it's doing pretty well.