Sentences with phrase «for generations of artists in»

I think that for the generation of artists in Mexico which I'm part of, it was very important to reject the academic idea of the artist.

Not exact matches

2015.02.11 Emerging visual artists wanted to participate in RBC Canadian Painting Competition Next generation of Canadian painters are invited to submit work for 17th annual competition...

For centuries, the Catholic Church and generations of artists have understood how to satisfy that hunger in ways that nourished both the body and the soul.

«Bowie represented, to my generation, in a way that is hard to explain, this kind of model for what it meant to be an artist or creative person,» says Evan Ziporyn, who will also present a novel arrangement of Satie's Gymnopédies.

With its continued efforts to assist up - and - coming artists in completing and presenting their work, NBR honors its commitment to not just identifying the best that current cinema has to offer, but also ensuring the quality of films for future generations to come.

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

As it currently stands, it will jeopardise the future success of our creative industries by significantly reducing opportunities for the next generation of musicians, technicians, designers, artists, actors and all the other vital roles in the industry.

A graduate of the University of Virginia, Sara is a 2016 Stevie Award Winner for «Female Innovator of the Year;» a Global Shaper with the World Economic Forum; an American Express Ashoka Emerging Innovator; a Cordes Fellow with the Opportunity Collaboration; a Peace X Peace 2012 Women, Power, & Peace Award Winner (Generation Peace Award); the only U.S. recipient of the Youth Leader Award in the Americas by the Inter-American Development Bank Annual Board of Governors Meeting; an Ashoka Activating Empathy Award Winner; a three - time Beyond Sport Award Finalist; named a «Woman Entrepreneur» by World Resources Institute New Ventures Mexico; a Creative Community Fellow with National Arts Strategies; a StartingBloc Fellow; a Finalist Nominee Social Entrepreneur / Innovator for the Women's Information Network 18th Annual Young Women of Achievement Award; 1 of 3 Artists Transforming the World by the Arts and Healing Network; Global Good Fund Fellow; honored among The Jewish Week NY's «36 Under 36»; and a Susan Schiffer Stautberg Leadership Fellow.

«Twenty years from now, when a new generation of more tolerant and inclusive artists finds themselves in the position to organize events like this, let's not be dicks like our forefathers... There's room enough for everyone.

Philadelphia born and raised, Jerry Pinkney is one of the most beloved artists in children's literature, illustrating more than 100 books that have delighted children — and adults — for generations.

Now, to share his remarkable story with new generations, Lewis presents March, a graphic novel trilogy, in collaboration with co-writer Andrew Aydin and New York Times best - selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me Whole).

As the most visited art museum in the state of New Mexico and the first museum in the United States that is dedicated to a single woman artist, we work hard every day to ensure the preservation of these treasures for the enjoyment of generations to come.

Listed in the National Register for Historic Places, this landmark Key West resort has attracted generations of business tycoons, artists, and dignitaries for nearly a century.

Ubud is about an hour's drive from the airport and once you reach De Munut Balinese Resort you will be in an oasis of the fascinating Balinese culture at its strongest and the incredible landscapes that surround you and has inspired the painters» and artists communities for generations.

At least 2 years of experience as a Level Artist in a current generation console or a PC game project or at least one shipped title for any of the following platforms: PS4, Xbox One, Wii U, PC

Little also fell in with a group of SoHo artists, white for the most part and also a generation ahead of him, including Thornton Willis, Peter Pinchbeck, Stewart Hitch, Richard Mock, and Tom Evans.

The Bronx Council on the Arts is one of four nationally funded organizations partnering with the Joan Mitchell Foundation, working locally and nationally to create sound systems for advancing artists, and committed to enabling creators in preserving their legacies for future generations.

1951 was also a critical year for constructivism in Brazil, with the first São Paulo Biennale, which asserted its modern foundations in concrete art and concrete poetry, and with the figure of the Swiss artist, Max Bill, who was to exert great influence on this new generation of artists.

Barbara Rose said in 1989, «These paintings represent a unique synthesis of the diverse concerns of the artists of his generation, (he was born in 1937) in sustaining modernist painting as a viable vehicle for experiment and innovation».

In his catalogue essay for the Hodler retrospective that was held at the Guggenheim Museum, New York, in 1973, Peter Selz describes the artist's hardscrabble roots, far removed from the comfortably bourgeois childhood homes of Édouard Manet (1832 — 1883) and Paul Cézanne (1839 — 1906), the revolutionary French painters of the previous generatioIn his catalogue essay for the Hodler retrospective that was held at the Guggenheim Museum, New York, in 1973, Peter Selz describes the artist's hardscrabble roots, far removed from the comfortably bourgeois childhood homes of Édouard Manet (1832 — 1883) and Paul Cézanne (1839 — 1906), the revolutionary French painters of the previous generatioin 1973, Peter Selz describes the artist's hardscrabble roots, far removed from the comfortably bourgeois childhood homes of Édouard Manet (1832 — 1883) and Paul Cézanne (1839 — 1906), the revolutionary French painters of the previous generation:

It has been an exciting year for contemporary art, with a young generation of artists pushing the boundaries both in terms of materials and subject matters.

By chance, I was afforded a ringside seat on this burgeoning scene when I went to work as a cook for Mickey Ruskin, founder of Max's Kansas City in the 1960s, the favorite watering hole of both the denizens of Warhol's Factory and the generation of Minimalists and older artists that included John Chamberlain, Carl Andre, Richard Serra and Brice Marden.

Noland's provocative exploration of the more nefarious aspects of American culture paved the way for a generation of artists who also use methods of appropriation in their critique of culture, including Anne Collier, Leslie Hewitt, and Lorna Simpson.

panning several generations of artists, born in every decade from the 1930s to the 1980s, and making a convincing case for the growing relevance of abstract art in the UK.

It's an impressive line up, spanning several generations of artists, born in every decade from the 1930s to the 1980s, and making a convincing case for the growing relevance of abstract art in the UK.

COVER ART April 7: Work by Chicago - based artist Hebru Brantley appears on cover of «The BreakBeat Poets: New American Poetry in the Age of Hip - Hop,» which the publisher describes as «the first poetry anthology by and for the hip - hop generation.»

Unlimited: Presenting 78 ambitious and large - scale artworks from five generations of artists Unlimited, Art Basel's unique exhibition platform for artworks that transcend the traditional art fair stand, will this year present 78 projects from galleries participating in the show.

Smith, who is director of the museum, has commissioned «My Generation: Young Chinese Artists,» a special exhibition that would assemble a large group of emerging Chinese artists in a U.S. museum for the firsArtists,» a special exhibition that would assemble a large group of emerging Chinese artists in a U.S. museum for the firsartists in a U.S. museum for the first time.

It was in 1982, a time when a new generation of American artists, and a generation concerned with painting — which had not been the case with young artists for years — was coming to the fore.

Presented in conjunction with Blues For Smoke, this weekend - long festival showcases an emerging generation of younger artists working in the rap, hip - hop, and soul genres.

The initiators behind MELK want to showcase the new generation of photographic artists in Norway and Scandinavia and discuss photography as art in an exhibition context in an intricate time for the media.

In opening up the medium of photography for experimentation, his work has influenced an entire generation of artists and photographers.

In this obscure and fascinating tale of how an Italian artistic dynasty intertwined with Hollywood history and influenced the imaginary of different generations and distant cultural environments, the real statue featured in the movie was executed in 1933 by Salvatore Cartaino Scarpitta, the first Italian artist who officially worked for Hollywood studioIn this obscure and fascinating tale of how an Italian artistic dynasty intertwined with Hollywood history and influenced the imaginary of different generations and distant cultural environments, the real statue featured in the movie was executed in 1933 by Salvatore Cartaino Scarpitta, the first Italian artist who officially worked for Hollywood studioin the movie was executed in 1933 by Salvatore Cartaino Scarpitta, the first Italian artist who officially worked for Hollywood studioin 1933 by Salvatore Cartaino Scarpitta, the first Italian artist who officially worked for Hollywood studios.

The American sculptor John Chamberlain, known for using parts of wrecked automobiles in his volumetric, abstract work, is widely considered one of the most important artists of the 60s generation.

This summer The Venice Biennale will showcase an emerging generation of young British artists who, according to the Biennale's curator, Massimiliano Gioni — noting an «exciting time for art in London over the past year» — are «dealing with media culture in an innovative and unusual way».

Bopape has the distinct voice of a new generation of South African artists, coming of age in the immediate post-apartheid era, and the issues she addresses in her work about our relationship with the earth are urgent for us all.»

«I feel like a lackey of the contemporary art establishment forced to repeatedly apologise to my board for failing to beat the Chisenhale Gallery in showcasing an entire younger generation of post-Internet artists who jokily yet unnervingly use a cut - and - paste, horizontally - dispersed aesthetic in a dilettante fashion.»

Born in West Bengal and now living and working in New Delhi, for more than two decades Mithy Sen has been at the forefront of a generation of contemporary female artists questioning and negotiating feminist issues in South Asia.

The artist and philosopher Adrian Piper's direct and subtly intellectual approach to unpacking the tangled issues of race, gender, identity, and belonging has inspired a generation of socially - conscious artists across all media, although her impact is just now being fully recognized: she was the recipient of the Golden Lion for best artist at this year's Venice Biennale, and MoMA has recently announced plans for, in the words of Robin Pogrebin in the New York Times, «the most comprehensive exhibition to date on the conceptual artist,» set to open in 2018.

Jonas» works were first performed in the 1960s and»70s for some of the most influential artists of her generation, including Richard Serra, Robert Smithson, Dan Graham and Laurie Anderson.

The late conceptual photographer was a member of what critic Douglass Crimp called the «Pictures Generation» — a group of artists in the late»70s who rejected the predominant values of object - based Minimalism in favor for a return to imagery, or more specifically, commercial imagery related to advertisements and film / television.

Redolent of everyday devices in certain communities and populations such as a hut or a wheel, the artist focuses not just on ideas around personal or interpersonal identity, but he also emphasizes on how memory can be the vehicle for transmitting certain typologies of quotidian practices from generation to generation.

A member of the so - called Pictures Generation of artists that emerged in the 1980s, known for their appropriation of mass media imagery, the work of Richard Prince has consistently grappled with such issues as authorship, reproduction, and context.

In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016In recent years, Thompson's work has also been exhibited regularly in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016in group exhibitions worldwide, including Il Secolo del Jazz: Arte, Cinema, Musica e Fotografia da Picasso a Basquiat (The Jazz Century: Art, Cinema, Music and Photography from Picasso to Basquiat) at the Museo di Arte Moderna e Contemporanea in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016in Rovereto, Italy, which traveled to the Musée du Quai Branly in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016in Paris France and the Centre de Cultura Contemporània in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016in Barcelona, Spain (2009); Blues for Smoke at the Museum of Contemporary Art in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016in Los Angeles, CA, which traveled to the Whitney Museum of American Art and Wexner Center for the Arts of the Ohio State University in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016in Columbus, OH (2012); Witness: Art and Civil Rights in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016in the Sixties at the Brooklyn Museum, Brooklyn, NY, which traveled to the Hood Museum of Art, Dartmouth College, Hanover, NH and the Blanton Museum of Art, Austin, TX (2014); Beat Generation at the Centre Pompidou in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016in Paris, France (2016); and The Color Line: African American Artists and Segregation at the Musée du Quai Branly (2016).

Annet Gelink Gallery, «What's New», Amsterdam, Netherlands Boutique Céline, Avenue Montaigne, «Les Années Fatales», Paris, France Gallery Thaddaeus Ropac, «Next Generation: Heavenly Creatures», Salzburg, Austria The Dreamland Artist Club, «Creative Time in conjunction with a public project for Coney Island redevelopment», New York NY Kunsthaus Baselland, «Strategies of Desire», Basel, Switzerland Le Confort Moderne, «Out of Bounds», Poitiers, France Annet Gelink Gallery, «The Human Face is an Empty Force, a Field of Death», Amsterdam, Netherlands

Particularly important to the new generations of artists in Russia, V - A-C's focus is on practically supporting and expanding the platform for home - grown talent, challenging artists to experience, engage with and interrogate international cultural practices whilst developing an authentic and autonomous artistic language.

In opening up the medium of photography for experimentation, Welling's practice has influenced an entire generation of artists and photographers.

In the context of the exhibition ``... and yet one more world,» presented by Kunsthaus Hamburg, the oeuvre of the seminal German Conceptual artist Hanne Darboven (1941 — 2009) serves as a starting point for an exploration of its present - day impact and relevance from the perspective of a younger generation of international artists.

In November, when the German government gave Haus der Kunst $ 23 million for renovations, Enwezor said the funding «affirms and strengthens our core mission to serve old and new audiences, and provide them a lively forum and strong access for the encounter and appreciation of the art and ideas of different generations of contemporary artists.»

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York