Sentences with phrase «for genre»

With the home vid sector providing a hunger for genre product, David exhibited a commitment to stylishly executed horror works, including two from director Jean - Claude Lord, the hospital horror cult classic Visiting Hours (1982) and sci - fi / horror of The Vindicator (1986); George Pan Cosmatos» paranoid infestation thriller Of Unknown Origin (1983), with Peter Weller; Sandor Stern's body - horror shocker Pin (1988); and, VHS hit The Dentist (1996) and its sequel (1998), from horror icon Brian Yuzna.

You don't have to wish for good revenge movies; they already exist as this decade alone has seen a bevy of well - made ones, more than enough for genre fans to revisit time and time again.

There's no book you have to read first or goodwill you have to hold for the genre.

He not only scripted the thriller that held its audience straight through the weekend (unusual for a genre film) but also produced the film with Blumhouse.

Between Noah, God's Not Dead, Son of God, and now Heaven is for Real, there is a market for this genre as they seem to be doing well at the box office.

Good performances keep the film buoyant, and there are some killings late in the movie that are delivered with impact, enough to garner the meekest of recommendations for genre fans, especially those who love the ones from the 1970s.

The race may have already begun in the technical categories since those categories have longer memories and more tolerance for genre fare.

It looks familiar for the genre but could be surprising it's set for release on March 20th, so get pumped for it!

KW: I think the best festival out there for this genre would be Fantastic Fest.

Last minute scores, broken down school buses, and music montages full of bonding moments with increasing achievements, are the rules de rigueur for this genre.

Nonetheless, it's quite a unique art - style but works particularly well for this genre.

Leave it to cutting edge director Denis Villeneuve (Sicario, Prisoners, Incendies) to find a new, more head - and - soul approach for the genre.

It's already shaping up to be another fantastic year for the genre, and one such film that will no doubt leave a mark on 2016 is Jeremy Saulnier's Green Room, which is said to be a brilliantly crafted and wickedly fun horror - thriller about a diabolical club owner who squares off against an unsuspecting but resilient young -LSB-...]

Wong said «In my conversations with Yoda - san and his team, I came to recognise the tremendous appreciation and passion that they had for my work and for this genre, we are pleased to have them introducing the film to the Japanese audience.»

While it feels perhaps too familiar in its topic for genre fanatics to rave about, for an old - fashioned chiller, it's not half bad for most of the first hour.

It must be time for a genre victory lap, because once more, survivor - thrillers have just crowned themselves king.

This is rarely an inherently bad thing, particularly for genre cinema, but the trick to overcoming redundancy is to at least bring some unique flourishes to the proceedings, whether via creative direction, a memorable scare that's not like everything you've seen before, or at least some sort of palpably creepy atmosphere.

Feeling outdated and lacking genuine frights for genre aficionados, this is an easy choice to unfriend.

For a genre that sometimes fails to produce enough titles to make a yearly awards list, it's fantastic to see so much renewed interest in the genre of fireballs, uppercuts, and hurricane kicks.

This 1953 classic from director William Wyler is a beautiful blueprint for a genre that seems to struggle with making quality movies these days.

There's a lot of room for this genre of defense game to grow and Townrs has brought all the major elements for future games to build on.

Although they haven't been popular since the»80s, this new title looks very promising for the genre's future.

With many horror scores just turning to plain old dissonance, how important has it been to keep a sense of melody for your genre efforts?

Spanish filmmaker Vigalondo has a talent for genre mash - ups, creating fresh takes on familiar science - fiction tropes, and this film (his English language debut) is his smartest, edgiest, and most accomplished to date.

Although at times it's uncomfortable to watch, the film works as a distinguished, forceful statement on integrity, authority, and bigotry and is a strong entry for the genre.

As with 28 Days Later, Garland and Boyle here provide for a genre essentially dormant a most exciting return.

Counting the Weinstein brothers among its producers, Army of One utilizes the Dimension Films banner once reserved for genre fare.

You can hear more about his love for genre flicks and superheroes on his weekly podcast Random Movie Roulette.

The Good, the Bad and the Ugly (11/11 9:30 p.m., TCL Chinese Theatre) The pinnacle of Sergio Leone and Clint Eastwood's Man With No Name trilogy (and considering how great the preceding «Dollar» movies were, that's quite a height), this 1966 Western blazed new trails in cynicism, dark humor and cussed violence for the genre.

It even seems as if all of the good ones never really consider the console as a viable market for the genre.

Herrmann set the bar for the genre with his work in «Psycho» and «The Twilight Zone,» and Levi's work here is a smart, loving tribute.

It might also be considered fantasy, but it lacks the imagination needed for that genre.

The result features the requisite technical grit, yet lacks enough gore for genre aficionados and series completists — likely the only folks who will bother.

«Blockers is a hilarious take on the teen sex comedy thanks to its game cast and surprisingly deep focus (for the genre) on its characters.»

It stands just behind 28 Days Later as the second best horror film in a year that has turned out pretty darned well for the genre.

Most of all though, it's a interesting, engaging watch for genre fans.

The movie also grossed nine figures overseas, an impressive feat for the genre; international earnings were more than double those of the comparable Date Night and The Other Guys.

Pacing issues aside — the filmmaker's love of long, dialogue - heavy scenes isn't ideal for the genre — the cackling, crackling madness of «Tusk» is the perfect antidote to a wayward career.

Easter eggs — One cool thing about SPIFFING, which is uncommon for this genre, is the amount of Easter eggs.

Co-writer and director Julian Richards clearly has a flair for the genre and it's hard not to commend him for trying something different, but the bottom line is that The Last Horror Movie ultimately feels like a decent short unnaturally stretched out to a feature.

Shā Pò Láng Èr (SPL II: A Time for Consequences, Soi Cheang, 2015) Kurîpî (Creepy, Kiyoshi Kurosawa, 2016) The Shallows (Jaume Collet - Serra, 2016) Shin Gojira (Shin Godzilla, Hideaki Anno, 2016) Four great arguments for genre filmmaking, all executed with brutal precision and their share of thrilling highs and only slightly less amazing lows.

I really wanted to like WRC 3 much more than I did, due to the fact that I am a sucker for the genre, but sadly it is nearly impossible to recommend to anyone without mentioning competitors in the process.

As such, players must pick the right tool for the right job in a way that has never been a true concern for the genre before.

The fringe abstractions and inherent creepiness of cults make them a popular hook for genre thrills.

There are a few instances where he wanted to amp up the drama or do some fancy camera or editing maneuver, but in the end he quashed those more ambitious, perhaps even pretentious, instincts to respect the all - important (especially for this genre) bottom line.

«Out of the Furnace» and «Black Mass» director Scott Cooper's gritty tendencies are a swell fit for the genre.

It does at least feature an intriguing cast of characters and a well - structured plot for genre fans looking for 20 hours to kill, though with so many better options floating around in the digital ether I'm not entirely sure it's worth booting your Wii U back up for.

The film's strengths lie on the surface — it is a visually striking film that is aesthetically very on point for its genre.

It has romantic elements in it and comedic elements in but I'm not even sure if it would qualify for the genre that we call «Romantic - comedy» today.

The details are murky, but that's hardly a problem for a genre all about betrayals and greed.