Sentences with phrase «for global contemporary art»

Opening the fall art season each September, EXPO CHICAGO hosts leading international art galleries presented alongside one of the highest quality platforms for global contemporary art and culture.

Initiating the beginning of the international fall art season each September, EXPO CHICAGO, the International Exposition of Contemporary & Modern Art, takes place at historic Navy Pier, whose vast vaulted architecture hosts leading international exhibitors presented alongside one of the highest quality platforms for global contemporary art and culture.

In 2017, EXPO CHICAGO and the Chicago Architecture Biennial (September 16 — January 7, 2018) will align, establishing the city as a preeminent destination for global contemporary art and architecture, intersecting across a wide variety of programs including panels, international residencies, exhibitions and citywide events.

Initiating the beginning of the international fall art season each September, EXPO CHICAGO takes place at historic Navy Pier, whose vast vaulted architecture hosts leading international exhibitors presented alongside one of the highest quality platforms for global contemporary art and culture.

Kathmandu Triennale is Nepal's premier international platform for global contemporary arts.

Kathmandu Triennale is Nepal's premier platform for global contemporary arts.

Not exact matches

Dwight Furrow examines the contemporary fascination with food and culinary arts not only as global spectacle, but also as an expression of control, authenticity, and playful creation for individuals in a homogenized, and increasingly public, world.

In addition to the 1988 Courbet retrospective, Nochlin organized other seminal shows, like «Women Artists: 1550 to 1950» at the Los Angeles County Museum of Art, which she curated with Ann Sutherland Harris in 1976, and «Global Feminisms: New Directions in Contemporary Art,» which she curated with Reilly for the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art in 2007.

She has participated in global exhibitions at Vizcaya Museum and Gardens, Miami, FL; 2014 La Biennale de Montreal, Montreal, QC; Young Art Museum, Davie, FL; Farnsworth Art Museum, Rockland, ME; Museum of Contemporary Photography, Chicago, IL; National Center for Contemporary Art, Russia among others.

The sales so far this week have demonstrated the growing appetite for contemporary art across the global marketplace.

Her curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art Faart in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art FaArt Fair.

Allison Schulnik, Arin Rungjang, art fair, artist studio, Australian Centre for the Moving Image, Boyd Webb, Callum Innes, Charles Lim, collectors, commercial, contemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jinart fair, artist studio, Australian Centre for the Moving Image, Boyd Webb, Callum Innes, Charles Lim, collectors, commercial, contemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbecontemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jinart, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu JinArt, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu JinArt Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare MbeContemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jinart, Yinka Shonibare Mbe, Zhu Jinshi

2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA

It is also invaluable artistic material for academics redefining art history by integrating these pieces into the canons of British and global contemporary art.

Over the past few decades, German artist Thomas Bayrle has quietly laid the seeds for much of what fascinates us about contemporary art's engagement with the worlds of popular culture, standardisation and global culture today.

This publication introduces and presents the work of a global cast of painters selected by an international panel featuring some of the most prominent names in contemporary art (including the painter Cecily Brown, curators Tony Godfrey, Yuko Hasegawa and Gregor Muir, and writer - critics Suzanne Hudson, Barry Schwabsky and Philip Tinari) offering an intelligent snapshot of the best new talent in painting from across the world, gathered through an open call for submission that drew over 4,300 entries.

She was a staff writer for Rhizome and her other writings on contemporary art and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery ancontemporary art and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT Preart and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT PreArt Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery anContemporary Art series published by Whitechapel Gallery and MIT PreArt series published by Whitechapel Gallery and MIT Press.

Tags: accola griefen, aqua art miami, Arteria Gallery, contemporary collective, context art fair, Cynthia Corbett Gallery, INK miami, Miami Art Week, scope, susan eley fine art, tag fine arts Posted in Art Fair, Art for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art Wart miami, Arteria Gallery, contemporary collective, context art fair, Cynthia Corbett Gallery, INK miami, Miami Art Week, scope, susan eley fine art, tag fine arts Posted in Art Fair, Art for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art Wart fair, Cynthia Corbett Gallery, INK miami, Miami Art Week, scope, susan eley fine art, tag fine arts Posted in Art Fair, Art for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art WArt Week, scope, susan eley fine art, tag fine arts Posted in Art Fair, Art for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art Wart, tag fine arts Posted in Art Fair, Art for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art WArt Fair, Art for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art WArt for Sale, Collecting Art, Global Chapter, London, NYC Comments Off on AWAD at Miami Art WArt, Global Chapter, London, NYC Comments Off on AWAD at Miami Art WArt Week

Our support for contemporary art in Asia through the Prudential Eye Programme has helped many emerging artists to gain recognition on a global stage.

2010 Hide / Seek: Difference and Desire in American Portraiture, Smithsonian National Portrait Gallery, Washington, DC Off the Wall, Whitney Museum, New York, NY The Global Africa Project, Museum of Arts and Design, New York, NY Traveling 2010 — 2013 to Reginald Lewis Museum, Baltimore, ME; High Museum, Atlanta, GA; Seattle Art Museum, Seattle, WA; Tacoma Art Museum, Tacoma, WA; Bellevue Art Museum, Bellevue, WA Ghana: Who Knows Tomorrow, Dei Centre for the Study of Contemporary African Art, Accra, Ghana

Artist residencies include the Hayward Gallery as part of Wide Open School, in 2012, and at ZKM Center for Art and Media, Germany as part of The Global Contemporary in 2011.

A global bellwether for contemporary art trends, the event held at the Italian city's huge and leafy Giardini invites dozens of countries to exhibit art in national pavilions, some of which have been standing for more than a century.

Porter's SCAD Museum of Art exhibition is listed as an art - world highlight of 2017, according to Omar Kholeif, senior curator and director of global initiatives for the Museum of Contemporary Art ChicaArt exhibition is listed as an art - world highlight of 2017, according to Omar Kholeif, senior curator and director of global initiatives for the Museum of Contemporary Art Chicaart - world highlight of 2017, according to Omar Kholeif, senior curator and director of global initiatives for the Museum of Contemporary Art ChicaArt Chicago.

Again, the volume's uncanny foresight was born from its all - star lineup of global nominators, which counted among its experts two future dOCUMENTA curators, the two future Venice Biennale curators, and the heads of the Serpentine Galleries, the Stedelijk, the Studio Museum in Harlem, the Ullens Center for Contemporary Art, and other far - flung luminaries.

The market for Lucio Fontana, the prolific Argentine artist who spent the most important part of his career in Italy, peaked last year during the October Italian sales when 26 works were offered and 21 sold for a combined total of # 36.6 m. With a large body of work — the slashes — that is both easily recognizable and was created in a seemingly endless variation of color and slashes, Fontana looked to be riding a wave of interest in Italian abstract artists to become a market - driving figure, a bellwether of the global Contemporary art market.

Formerly chief curator of the Museum of Contemporary Art, Los Angeles (MOCA), and recently a co-director of the Mike Kelley Foundation for the Arts, Schimmel is credited with playing a pivotal role in establishing southern California's unique contemporary art scene as a potent force on the global culContemporary Art, Los Angeles (MOCA), and recently a co-director of the Mike Kelley Foundation for the Arts, Schimmel is credited with playing a pivotal role in establishing southern California's unique contemporary art scene as a potent force on the global cultural staArt, Los Angeles (MOCA), and recently a co-director of the Mike Kelley Foundation for the Arts, Schimmel is credited with playing a pivotal role in establishing southern California's unique contemporary art scene as a potent force on the global culcontemporary art scene as a potent force on the global cultural staart scene as a potent force on the global cultural stage.

Group exhibitions include Prospect.4, the US Biennial in New Orleans (2017 - 2018); In Context: Africans in America, at the Goodman Gallery and the Johannesburg Art Gallery, Johannesburg, South Africa (2016); Represent: 200 Years of African American Art, at The Philadelphia Museum of Art (2015); The Geometric Unconscious: A Century of Abstraction, at the Sheldon Museum of Art, University of Nebraska (2012); ARS 11, Kiasma Museum of Contemporary Art, Helsinki (2011); The Global Africa Project, Museum of Arts and Design, New York (2010); and Wallworks, Yerba Buena Center for the Arts, San Francisco (2009).

Her scholarly and curatorial work focuses on artists of the African Diaspora and the Global South, including the Blackness in Abstraction exhibition and catalogue for Pace Gallery and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.

«There is great ambition for new [Chinese] institutions to position themselves in the global conversation of contemporary art.»

Though «Doris Salcedo» was organized by the Museum of Contemporary Art Chicago, where it was first exhibited, Damian said, «I think it puts PAMM on the map for doing something this sophisticated and global.

Koji Inoue is a Senior Vice President of Christie's responsible for global private sales and an international director for Post-War & Contemporary Art.

She has participated in global exhibitions at Vizcaya Museum and Gardens, Miami, FL; Girls» Club Collection, Fort Lauderdale, FL; 2014 La Biennale de Montreal, Montreal, QC; Miami Dade College's Museum of Art + Design, Miami, FL; Young Art Museum, Davie, FL; Farnsworth Art Museum, Rockland, ME; Museum of Contemporary Photography, Chicago, IL; National Center for Contemporary Art, Russia among others.

The Andy Warhol Museum will be a global destination for scholarship and learning about Warhol's life, art, and relevance to contemporary culture.

Building on the Hollywood Hills House history as the first private Los Angeles residency program, ltd los angeles continues to foster the opportunity for artists, writers and curators to interface with Los Angeles» diverse cultural landscape through the contemporary gallery system by collapsing the boundaries between local and global arts practices.

«ART ASIA has busied itself with establishing a reputation as the unchallenged focal point for contemporary Asian Art collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqART ASIA has busied itself with establishing a reputation as the unchallenged focal point for contemporary Asian Art collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqART ASIA has busied itself with establishing a reputation as the unchallenged focal point for contemporary Asian Art collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asiancontemporary Asian Art collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqArt collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqArt collectors in the U.S. Sundaram Tagore Gallery's curated show «SIGNS: Contemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of AsianContemporary Arab Art» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqArt» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqArt» was well received by both visitors and collectors and was cited by Yolande Whitcomb, ART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqART ASIA's global relations representative, as an example of «ART ASIA's commitment to representing a broad range of Asian art.&raqART ASIA's commitment to representing a broad range of Asian art.&raqART ASIA's commitment to representing a broad range of Asian art.&raqart.&raqart.»

Registered bidders from 47 countries across five continents demonstrated the continued strength of the global contemporary art market, with 22 lots selling for over # 1 million and 33 for over $ 1 million.

The «tropical» has helped to increase visibility in the global art market for contemporary art produced in Latin America (particularly from the Caribbean, Central America, and Brazil)...

A specialist in modern and contemporary art Lowery Stokes Sims is known for her particular interest in a diverse and inclusive global art world and has supported a variety of artists whose identities and work reflect those values.

The first of a three - part series devoted to cross-cultural identity, «Global Vision: New Art from the 90's» inaugurated Athens's new Centre for Contemporary Art, the pet project of Greek Cypriot collector Dakis Joannou, whose Deste Foundation was behind a number of high - profile exhibitions in the late»80s and early»90s.

At the Brooklyn Museum, timed to coincide with the institution's inauguration of the Elizabeth A. Sackler Center for Feminist Art, there will be an international survey of contemporary art called «Global Feminisms,» curated by the Sackler's Maura Reilly and art historian Linda NochlArt, there will be an international survey of contemporary art called «Global Feminisms,» curated by the Sackler's Maura Reilly and art historian Linda Nochlart called «Global Feminisms,» curated by the Sackler's Maura Reilly and art historian Linda Nochlart historian Linda Nochlin.

While contemporary African art has existed alongside its Western counterparts for decades, global institutions seldom paid attention to the talent emerging from the continent.

At Tate, Paul creates platforms for cultural engagement with contemporary art by programming talks, symposia, workshops and live art events including The Status of Difference (ideas / debate series, 2008 - 2010), Conversation Pieces (ongoing artist talks series), Global Modernities (Tate Triennial conference, March 2009) and Afrodizzia (Late at Tate, Feb 2010).

His most recent exhibition, Material Information, spans three venues in Bergen (Norway), and looks for a renewed critical approach to the contemporary global distribution of labour from the perspective of arts and crafts.

learn more... June 2017 - First Public Art Project Unveiled Sandra DeLucca Developmental Center - Miami May 25, 2017 - Mermaid Performance Vizcaya Museum and Gardens - Miami April 22 - June 25, 2017 - Group Exhibition Aesthetics & Values - Frost Art Museum - Miami March 9, 2017 - Performance Along the Shadow of the River - Girls Club Collection - Fort Lauderdale Empty Kingdom Interview Drawings at PAMM, part of «Global Positioning Systems» Exhibition My first edition, available thru Girls Club Collection New Video at the Art Center / Miami Beach Group Show - Museum of Contemporary Art - Miami Recent performances at MOCA and Pinecrest Gardens Art Slant Review New Times Review Recent Interview - OPP Website Update - Select videos now available for viewing New York Show - launchf18

It would have been interesting to have evaluated the work of the Georgia - based artists in terms of global trends in abstraction — but that would have been a task for someone far more versed in the contemporary global art world than I am, since we in Atlanta rarely see more than a few examples of the types of abstraction that dominate global discourse.

The main gallery on this level presents works created after 1950, including a section for the display of global contemporary art.

Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?

«Project 35» showcases a new exhibition concept for ICI, with an eclectic compilation of works that reveal the global reach that video have achieved as a contemporary art medium.

Acts, solo show at Kunst Werke Institute for Contemporary Art, 2013, Berlin; Construire, Déconstruire, Reconstruire: Le Corps Utopique, solo show at Musée d'Art Moderne de la Ville de Paris, 2013, Paris; dOCUMENTA (13), 2012, Kassel; Performing Histories (1), Museum of Modern Art, 2012, New York; 10 ans du Projet pour l'Art Contemporain, Centre Pompidou, 2012, Paris; 4th Moscow Biennale, 2011, Moscow; The Global Contemporary.

She previously worked as founding curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum where she organized, among other exhibitions, the critically acclaimed Global Feminisms: New Directions in Contemporary Art (2007), co-curated with Linda Nochlin.