In the last few years, discussions of the Anthropocene (the new geological epoch shaped by human activities that we are living in) have begun to re-evaluate some cherished beliefs of modernity, not least the assumption that planetary geography is the given context
for the human drama.
Instead, the discussions generally begin as nourishing meetings of the mind, transform into indignant sparring sessions, and resolve as apologetic declarations of mutual respect — each a microcosmic demonstration of Davies's refined feel
for human drama.
But the knack
for human drama that's helped lift Morgan from TV to the big screen (The Queen, The Last King of Scotland) shines through here, as does his apparent interest in political biopics of any age.
Not that I have anything against DDL or Charlize's magnificent performances... I just have a soft - spot
for human drama that doesn't feel this need to go all out on the «transforming into the character» stuff... but maybe that's more a flaw with me (it's certainly not a flaw with those performances!).
It plays more for humor, as well as
for the human drama, but it never manages to step out of the shadow of its predecessor to distinguish itself as anything other than a retread.
I've been writing about animals for many years, and I've become really curious about how often animal characters are simply vehicles
for human dramas or desires.
Texas - based artist Melissa Miller is widely known for her expressionistic paintings that use animals as metaphors
for human dramas and dilemmas.
Not exact matches
«It was pretty obvious to see if you look closely that people were obsessed with these events because they represented hope
for the future and
human drama,» he says.
The decline of BB is perhaps a more familiar story, but «Losing the Signal» enhances the
drama with personal
human stories: how the founders» genius and strengths ultimately became their downfall: the reliance on efficiency of network and battery use ignored the groundswell of desire
for an always - with - me computer.
I just know the character of
human beings in general and logic dictates we have a world of
drama queens ready to have the spotlight on them
for their victimhood.
And what if, instead, there's a supreme being who says, «let me reward those who have used their
human faculties, reasoning and intellect,» and to add the
drama that you so love, «and let me punish
for eternity those with weak will who blindly adopted the fantasties and fairy tales pushed upon them without ever questioning...» What do you do then???
Serious social scientists have no professional vocabulary to deal with the mystery of death, the
human search
for meaning, the moral struggle, the primacy oflove or the
drama of salvation.
For the church to be pastoral it must be willing to engage in the real
human drama of people's lives.
The Coen's common tack of forcing the audience to confront the possibility of nihilism being true, of
human life being essentially meaningless, which
for them has usually played out within a crime
drama, here occurs in a mundane set of events.
Ours, however, is the massive
drama that saturates the In Between Time and inflates everyday life and
human interaction to cosmic proportions; it searches with a loving gaze
for the «inscapes» of the visible world.
It is a
drama that unfolds in several contexts at once: within the historical context of a «great cloud of witnesses», that is, in relationship to all of those who speak (and have spoken) as «Christian preachers»; within the context of the speaker's own
human existence in relation to other statements of faith collected as «Christian theology» within the time and space set aside
for the performance of Christian liturgy.
The study of history thus provides opportunities
for the practice of freedom, by participating imaginatively in the decisions of persons who have acted in the past, thereby transcending the narrow confines of one's own existence, and by engaging in the activity of constructing and reconstructing a picture of the past, in the search
for an ever more adequate account of the
human drama.
For the first time on the stage of world history, we
humans can envisage the possibility — some would say, the probability — of a self - inflicted, abrupt, and apocalyptic nuclear end of the
drama as we have lived it till now.
And if our children disappear, the untold potential
for insight,
for creativity, and
for love and compassion of which the
human spirit is capable, would vanish from the stage of the unfolding cosmic
drama.
the possibility and necessity of living in a dimension of meaning in which the urgencies of the struggle are subordinated to a sense of awe before the vastness of the historical
drama in which we are jointly involved; to a sense of modesty about the virtue, wisdom, and power available to us
for the resolution of its perplexities; to a sense of contrition about the common
human frailties and foibles which lie at the foundation of... our vanities; and to a sense of gratitude
for the divine mercies which are promised to those who humble themselves.
However, I do believe that ideas of biblical eschatology, of a final consummation of the
human drama, of heaven and hell, have primary relevance
for history itself.
Second, they should remember that cultural and political life is always subordinate to the deeper
drama of God's quest
for the
human heart and the
human heart's quest
for God.
To compromise that transcendence was,
for Bernanos, to let the principalities and powers write the script of the
human drama.
Only, because it is always a joy to me to thank him to whom I am indebted, I would thank Lessing
for the one solitary hint of a Christian
drama which is found in his Hamturg ~ Drama ~ urgieA» He, however, fixed his glance upon the purely divine side of the Christian life (the consummated victory) and hence he had misgivings; perhaps he would have expressed a different judgment if he had paid more attention to the purely human side (theologia viato
drama which is found in his Hamturg ~
Drama ~ urgieA» He, however, fixed his glance upon the purely divine side of the Christian life (the consummated victory) and hence he had misgivings; perhaps he would have expressed a different judgment if he had paid more attention to the purely human side (theologia viato
Drama ~ urgieA» He, however, fixed his glance upon the purely divine side of the Christian life (the consummated victory) and hence he had misgivings; perhaps he would have expressed a different judgment if he had paid more attention to the purely
human side (theologia viatorum).
God withdraws and blends in, setting the stage
for a free and historical encounter of
humans with God as a single «Thou» in the
drama of history.
The world becomes the impersonal stage
for the
drama of
human life, if not an object to be exploited
for man's benefit.
And it is traditional free will theists who have implied, and sometimes explicitly said, that the whole universe was created
for evoking moral and spiritual virtue in free
human (and perhaps, on other planets, humanlike) souls, so that it is only this divine -
human drama that contains intrinsic value.
If the project moves forward (the script is still being written), the
drama will center on a scientist and her former mentor as they battle
for control over the
human genome, the culmination of which could mean life or death
for the entire
human race.
I have been devouring this paradigm - changing book, sitting on my bedside table
for several months - a riveting combination of scientific thriller / biochemistry metabolic revision /
human and global scientific /
drama of gargantuan pharmaceutical and scientific jealousy which posits and convincingly documents how cancer is not a genetic but a metabolic disease.
Hello I am who I am it is what it is but I'm nt what u c I'm what u want me to be dnt take me
for granted I have a heart I'm
human every one is nt perfect dnt like
drama been there done that I'm just looking
for happienes ask me more and u can fined out I dnt like to hide nothing just be the same t
Like Benjamin Button, this
drama plays around with the
human lifespan, is slickly produced and feels far too serious
for its own good.
Being Mary Jane, the BET
drama staring ageless vampire and beautiful
human being, Gabrielle Union, will not be renewed
for a fifth season.
Despite pretending to be an intimate
drama about
human relationships
for a generous portion of the snooze - inducing running time, The Amazing Spider - Man 2 reveals an altogether more sinister purpose in its final throes.
Cuse, of course, helped deliver Lost, Bates Motel, and FX's campy vampire
drama The Strain in recent years, while Graham is known
for his work on Fringe and Almost
Human.
Asghar Farhadi's devastating
drama, the recent Oscar winner
for Best Foreign Language Film, expertly measures the slow drip of
human weakness.
Drama, tension, unexpected humor... Characters who you feel empathy
for, but who can frustrate you at the same time... It's messy, harsh, all too
human stuff, and this is what makes «Rabbit Hole» such a compelling watch.
It is unusual
for characters in a Holocaust
drama to have sexual lives, but in the long days and months living underground,
human impulses are bound to surface, and «In Darkness» they do.
Gattaca director Andrew Niccol reunites with Ethan Hawke
for this timely
drama about the
human costs of advanced war technology.
• «War
for the Planet of the Apes,» directed by Matt Reeves, which expands the science - fiction franchise to an emotionally resonant war
drama, as the reclusive ape leader Caesar (Andy Serkis) faces off against an enigmatic
human colonel (Woody Harrelson).
Resembling a children's movie
for grown - ups while reining in Del Toro's worst tendencies, its hybrid form holds clear appeal
for another year when the highest - grossing films replace
humans with costumed superheroes and animated creatures, our postmodern costume
dramas.
It becomes the object of a legal battle, but moreover, it's the stage
for a sad
human drama about these two people.
The other new worth watching trailer is
for Paddy Considine's Tyrannosaur, yet another
drama about violent
human beings, but this one seems to have a bit more emotion to it than the Vincent Cassel one.
By its quietly satisfying ending, Almost There has provided enough
human drama for a season of soap operas, plus insights into mental illness, aging in America, and the redemptive power of art.
Though far from being the first to broach the subject, Garland fleshed out his
drama through nuanced explorations of the
human psyche, relying upon established scientific techniques like the Turing Test — a method
for measuring a computer's intelligence and awareness.
The unconscionable exclusion of Amy Adams
for her work in the impossibly
human drama Arrival (about aliens) has managed to annoy everyone.
I'd also like to compare it to
dramas like TV's The Walking Dead or War of the Worlds starring Tom Cruise in how a father has to fight
for his family's survival in an almost apocalyptic environment against all odds and with his fellow
humans being a bigger threat than just the situation itself.
A wannabe - Sturm und Drang relationship
drama between characters barely recognisable as
human, The Room became a cult phenomenon
for obvious reasons, because there's no possible doubt in the matter: it's obliviously terrible in ways just about anyone could see, save
for its notorious creator, who poured $ 6 million of his own mysteriously - gotten savings into the project.
Language: English Genre:
Drama / Action MPAA rating: R Director: Alfonso Cuarón Actors: Clive Owen, Julianne Moore, Claire - Hope Ashitey Plot: In 2027 hope
for the
human race is running thin.
What emerges more than just a typical individual - training -
for - sport movie is an interesting
human drama, one with an effectiveness that is hard to pinpoint and a magnetism that is undeniable.
Still, this is ultimately a mature
human drama and so few of those are made that it is easy to appreciate
for its depictions and emotional complexities.