Sentences with phrase «for image projection»

As it happens, thin air may be fine for breathing, but it's a lousy medium for image projection; there's very little to bounce light off, let alone a way to control how it bounces to make sure it finds its way into your eye.

Not exact matches

IMAX has said that its collaboration with ARRI on the revolutionary cameras will help filmmakers like the Russos «achieve the highest level of digital image capture for playback on IMAX's xenon and new laser projection systems.»

Researchers at the University of Guadalajara, in Mexico, in collaboration with the University of the Republic in Uruguay designed a program of digital processing of 3D image from the projection and digitization of binary data that allows three - dimensional reconstruction of various objects in order to reproduce parts of classic automobiles, prehispanic antiques, as well as serving as a tool for face recognition.

The software then tweaks its calculation of the camera positions for all the photos at once, so that when it projects the tie points onto a 3D model, points from different images match up to form a coherent projection of the corn plant.

Image was generated using a custom C program for handling the Blue Marble files, with orthographic projection formulas.

From the superimposed crease patterns and dim, degraded image during these shots, I have to assume they were captured by pointing a camera at or through a screen at an actual projection — perhaps of a workprint, which would account for the minor but consistent wear - and - tear on the print itself, as well as its obvious generational distance from the negative.

But with the dimness of images being a big problem with 3D projection, I'm afraid for the outcome here.

Gladly, that which we peak in on has little to do with politics, even if the central crux for all the lead characters deals with the projection of public image.

You'll have to prop the slate up in Tilt mode for optimal projection, or the image will be slanted.

The exterior will feature a projection of PAC - MAN among other images, while the inside will feature a «Centre Tree» to be used as the interface for the facility which will allow guests to interact with the building itself through touch.

Her recent exhibition at the Kustverein Hamburg uses the museum as a type of crucible for extraterrestrial images, where projections of rotating reptile creatures and digitally printed animals on aluminum cut outs coalesce with diagrammatic signage and the language of post-production.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

«BRUCE CONNER: IT»S ALL TRUE» (Museum of Modern Art, New York) MOMA delivered for Conner with this staggering retrospective that underscored the reciprocity between his moving - image and static work by giving seven films optimun projection within the 250 - piece exhibition.

For instance, when I am standing to the side in those performances and the video projection is dominating the space while I am working with the image on the table with a live camera, what I am really doing is manipulating and making images, and in a way I am performing with my hands.

Each image is shown for two seconds, which produces a peculiar temporal flow over the twenty - minute projection, where the pauses between photographs are as important as the images themselves.

SCREEN COMPOSITIONS 14 curated by Katherine Liberovskaya For the 14th year, Screen Compositions brings you, as every time, a collection of intersections of moving image with sonic art; a program of screen works representing dynamic two - way collaborations between video / film artists and sound / music artists specifically intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczynski -LSB-.For the 14th year, Screen Compositions brings you, as every time, a collection of intersections of moving image with sonic art; a program of screen works representing dynamic two - way collaborations between video / film artists and sound / music artists specifically intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczynski -LSB-.for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczynski -LSB-...]

The paintings in Sticky Pictures present elusive spaces in which images are eaten, torn, smeared, or pinned, becoming metaphors for our own sticky relationship to images, as sites of fascination and contempt, of ambivalence and fantastic projection.

If these fractures remedy transparent mediation with immediate obstruction, the various interference patterns and suprematist graphics populating the multiple screens and projections do the same: shapes open like curtains or obstruct a view of the video's narrative, making certain images more present through their «redaction» (Huffman's term for this effect).

«Resonance: Looking for Mr. McLuhan» October 21 — December 21, 2011 Pratt Manhattan Gallery 144 West 14th Street, Second Floor Gallery Hours: Tuesday — Saturday 11 a.m. — 6 p.m. Image captions clockwise from left: Google Earth Art, video animation still by Com & Com; Moonwalk, video projection by Martin Kohout; Mended Flying Letters, mixed media piece by Elena del Rivero; Content, video still by Chris Petit; His Master's Voice, photograph by Joan Rabascall; Reporter with Borders, video still by Rafael Lozano - Hemmer.

2014Commissioned Exhibition and Performance, Flashlight Filmstrip Projections, Portland Institute for Contemporary Art, TBA Festival, Portland Institute for Contemporary Art, Portland, OR, curated by Kristan Kennedy Tramway Artists» Moving Image Festival - «Colour» curated by Steve Cairns (ICA), Tramway 4, Glasgow

Her practice revolves around stock footage and digital image banks, pulling quotidian pictures to appropriate them for projections on multi-layered surfaces.

His work has been included in Open Network, Cirrus Gallery, Los Angeles; A Small Forest, Kunsthalle New, Chicago; BYOB MOCA LA, Museum of Contemporary Art, Los Angeles; Best of Fach & Asendorf Gallery, Museum of Moving Image, New York; Astral Projection Abduction Fantasy, Monstertruck Gallery, Dublin; USB show, Point Ephemere, Paris; QR / ART, Portland Museum of Art, Portland and Streetshow: The Things Between Us, Eyebeam Center for the Arts, New York.

An authentication card signed by Doug Aitken indicating the edition number is included along with: A 23» x 36» double - sided poster with original artwork by Doug Aitken; A 12» vinyl picture disc contains unreleased tracks by Broadcast and a live recording of Doug Aitken's original opera the handle comes up, the hammer comes down; A 96 - page visual diary of the making of the film including sketches, production photos, film stills, script fragments, and inspirational found images; Two flipbooks with motion sequences excerpted from the film and the film's projection of the MoMA facade; A triptych gatefold case contains a CD soundtrack that features the tracks on the picture disc plus tracks by Bibio, Ranphorynchus, Steve Roden, Tim Hecker, and Canyon Country; A DVD includes an edit of Sleepwalkers cut specifically for this box set and a street level walkthrough as installed at the MoMA in NYC

Currently, Bridget's research focuses on the status of the image in contemporary culture in a twofold manner — exploring the spaces for the projection of images and our interface with images through curatorial projects such as The Cinemas Project (2011 - 14, and ongoing), which explores the spectral spaces of cinema in regional Australia; and through a growing body of writing and research that seeks to understand the changing technologies of the image, and the convergences of the body and image in relation to political philosophy as well as art practice.

Inspired by film and moving images — their ineluctable materiality and capacity for projection and uncanny return — the artist debuts two new interrelated bodies of work: a multi-screen animated film and new «paintings» in the form of unique photographic prints.

★ Diana Thater: «Chernobyl» (closes on Saturday) In this four - walled video projection, the viewer is immersed in layered, shifting images of the decaying buildings, rusting rubble and overgrown fields in and around Prypiat, a Ukrainian city built in the early 1970s for workers at the Chernobyl reactor and hastily abandoned after the reactor's nuclear meltdown in 1986.

The projected imagery of the film is interrupted by automated shutters, while the voice - over runs independent from these projections allowing for chance correspondences and synchronicities to occur between image and sound.

Solo exhibitions 2018 «Alterity Line», Metro Pictures, New York 2017 «David Malikovic», Dvir Gallery, Tel Aviv 2016 «Vignettes», Annet Gelink Gallery, Amsterdam 2016 «Again and Again», Museum of Contemporary Art Metelkova, Ljubljana 2016 «AAASSEMBLAGE», Dvir Gallery, Brussels 2016 «All Day All Year», T293, Rome 2016 «The Exhibition is Becoming», VOX Centre de l'image contemporaine, Montreal 2015 «A Retrospective by Appointment», Gallery Nova, David Maljković's studio, Gallery of Croatian Designers» Association, Cinema Tuškanac and Croatian Film Association, Zagreb 2015 «With the gallery», Galleria Massimo Minini, Brescia 2015 «David Maljković», Metro Pictures, New York 2015 «David Maljković», Sprüth Magers, London 2015 «New Collection», Blondeau & CIE, Geneve 2015 «Negatives, with Konstantin Grcic, Centre d'édition contemporaine, Geneve 2014 «In Low Resolution», Palais de Tokyo, Paris 2014 «David Maljković», Georg Kargl Fine Arts, Vienna 2014 «David Maljković», Leal Rios Foundation, Lisbon 2014 «David Maljković», Kunstmuseum St.Gallen 2013 «Afterform», Annet Gelink Gallery, Amsterdam 2013 «New Reproductions», CAC Contemporary Art Centre, Vilnius 2013 «Sources in the Air», GAMeC, Bergamo 2013 Metro Pictures, New York 2013 «Sources in the Air», BALTIC Centre for Contemporary Art, Gateshead 2012 «Sources in the Air», Van Abbemuseum, Eindhoven 2012 «A Long Day for the Form», T293, Rome 2012 «A Long Day for the Form», Sprueth Magers, Berlin 2012 «Morgenlied» (w / Latifa Echakhch), Kunsthalle Basel 2012 «Scene, Hold, Ballast» (w / Lucy Skaer), Sculpture Center, New York 2011 «Recalling Frames», Metro Pictures, New York 2011 «La Casa Mila» (w / Rosa Barba), Loop Festival, Barcelona 2011 «Temporary Projections», Georg Kargl Fine Arts, Vienna 2011 «Images with their own shadows», Vjenceslav Richter Collection, Museum of Contemporary Art, Zagreb 2011 «Exhibitions for Secession», Wiener Secession, Vienna 2010 «Images with Their Own Shadows», Moderna Galerija, Ljubljana 2010 «Images with Their Own Shadows», International Festival of Contemporary Visual Art, Glasgow 2010 «Out of Projection», Art Unlimited, Art 41 Basel, Basel 2010 «Lost Cabinet», Nogueras Blanchard, Barcelona 2010 «Missing Colours», Annet Gelink, Amsterdam 2010 «Recalling Frames», Sprueth Magers, London 2010 «Retired Forms», Massimo Minini, Brescia 2009 «Retired Compositions», Metro Pictures, New York 2009 «Nothing Disappears without a Trace», ARCO, Madrid 2009 «After the Fair», Georg Kargl BOX, Vienna 2009 «David Maljković», Museo Nacional Centro de Arte Reina Sofia, Madrid 2009 «David Maljković», Fondazione Morra Greco, Naples 2009 «David Maljković», Sprueth Magers, Berlin 2008 «Handed Over» (w / Rosa Barba), Project Art Centre, Dublin 2008 «Lost Memories from These Days», Annet Gelink Gallery, Amsterdam 2008 «Lost Review», Le Plateau, Paris 2008 «David Maljković», Kunstverein Nurnberg, Nurnberg 2008 «Parallel Compositions», Bergen Kunsthall, Bergen 2008 «Shadow Should Not Exceed» (w / Jan St Werner), Pinksummer Contemporary Art, Genova 2007 «These Days», Present Future, Artissima 14, Turin 2007 «Almost Here», Kunstverein Hamburg, Hamburg 2007 «Scene for New Heritage III», Art Unlimited, Art 38 Basel, Basel 2007 «David Maljković», P.S. 1 Contemporary Art Center, New York 2007 «Scene for New Heritage Trilogy», Whitechapel Art Gallery, London 2007 «Days Below Memory», CAPC, Musee d'Art Contemporain, Bordeaux 2007 «Scene for New Heritage Trilogy», The Physics Room, Christchurch 2006 «David Maljković», Salon of Museum of Contemporary Art, Belgrade 2006 «David Maljković», Museum of Modern and Contemporary Art, Rijeka 2006 «These Days» (w / Yael Bartana), Gallery Nova, Zagreb 2006 «It's gonna happen» (w / Rosa Barba), Croy Nielsen, Berlin 2006 «Scene for New Heritage II», Centre de Creation Contemporaine, Tours 2005 «Waiting Tomorrow», Annet Gelink Gallery, Amsterdam 2005 «90s without 90s», MMC Palach, Rijeka 2005 «Scene for New Heritage», Van Abbemuseum, Eindhoven

PHOTO SREAM is an evolving, multi-image video projection incorporating hundreds of images continuously captured within a mile radius Miami Center for Architecture & Design.

Presented in the varied forms of photo collage, multi-channel video projections, a sound installation, and a CD mix, the exhibition subtly proposes new interpretative frameworks for historical images previously often relegated to a strictly socialist - realist reading as well as their contemporary variables whose «ode to infrastructure» are often left unnoticed.

Book for Architects is not a book design but a video installation, presented as a looped projection of still images on two walls.

Mostre Personali 2018 «Alterity Line», Metro Pictures, New York 2017 «David Malikovic», Dvir Gallery, Tel Aviv 2016 «Vignettes», Annet Gelink Gallery, Amsterdam 2016 «Again and Again», Museum of Contemporary Art Metelkova, Lubiana 2016 «AAASSEMBLAGE», Dvir Gallery, Bruxelles 2016 «All Day All Year», T293, Roma 2016 «The Exhibition is Becoming», VOX Centre de l'image contemporaine, Montreal 2015 «A Retrospective by Appointment», Gallery Nova, David Maljković's studio, Gallery of Croatian Designers» Association, Cinema Tuškanac e Croatian Film Association, Zagabria 2015 «With the gallery», Galleria Massimo Minini, Brescia 2015 «David Maljković», Metro Pictures, New York 2015 «David Maljković», Sprüth Magers, Londra 2015 «New Collection», Blondeau & CIE, Ginevra 2015 «Negatives», with Konstantin Grcic, Centre d'édition contemporaine, Ginevra 2014 «In Low Resolution», Palais de Tokyo, Parigi 2014 «David Maljković», Georg Kargl Fine Arts, Vienna 2014 «David Maljković», Leal Rios Foundation, Lisbona 2014 «David Maljković», Kunstmuseum St.Gallen 2013 «Afterform», Annet Gelink Gallery, Amsterdam 2013 «New Reproductions», CAC Contemporary Art Centre, Vilnius 2013 «Sources in the Air», GAMeC, Bergamo 2013 Metro Pictures, New York 2013 «Sources in the Air», BALTIC Centre for Contemporary Art, Gateshead 2012 «Sources in the Air», Van Abbemuseum, Eindhoven 2012 «A Long Day for the Form», T293, Roma 2012 «A Long Day for the Form», Sprueth Magers, Berlino 2012 «Morgenlied» (con Latifa Echakhch), Kunsthalle Basilea 2012 «Scene, Hold, Ballast» (con Lucy Skaer), Sculpture Center, New York 2011 «Recalling Frames», Metro Pictures, New York 2011 «La Casa Mila» (con Rosa Barba), Loop Festival, Barcellona 2011 «Temporary Projections», Georg Kargl Fine Arts, Vienna 2011 «Images with their own shadows», Vjenceslav Richter Collection, Museum of Contemporary Art, Zagabria 2011 «Exhibitions for Secession», Wiener Secession, Vienna 2010 «Images with Their Own Shadows», Moderna Galerija, Lubiana 2010 «Images with Their Own Shadows», International Festival of Contemporary Visual Art, Glasgow 2010 «Out of Projection», Art Unlimited, Art 41 Basel, Basilea 2010 «Lost Cabinet», Nogueras Blanchard, Barcellona 2010 «Missing Colours», Annet Gelink, Amsterdam 2010 «Recalling Frames», Sprueth Magers, Londra 2010 «Retired Forms», Massimo Minini, Brescia 2009 «Retired Compositions», Metro Pictures, New York 2009 «Nothing Disappears without a Trace», ARCO, Madrid 2009 «After the Fair», Georg Kargl BOX, Vienna 2009 «David Maljković», Museo Nacional Centro de Arte Reina Sofia, Madrid 2009 «David Maljković», Fondazione Morra Greco, Napoli 2009 «David Maljković», Sprueth Magers, Berlino 2008 «Handed Over» (con Rosa Barba), Project Art Centre, Dublino 2008 «Lost Memories from These Days», Annet Gelink Gallery, Amsterdam 2008 «Lost Review», Le Plateau, Parigi 2008 «David Maljković», Kunstverein Nurnberg, Nurnberg 2008 «Parallel Compositions», Bergen Kunsthall, Bergen 2008 «Shadow Should Not Exceed» (con Jan St Werner), Pinksummer Contemporary Art, Genova 2007 «These Days», Present Future, Artissima 14, Torino 2007 «Almost Here», Kunstverein Hamburg, Amburgo 2007 «Scene for New Heritage III», Art Unlimited, Art 38 Basel, Basilea 2007 «David Maljković», P.S. 1 Contemporary Art Center, New York 2007 «Scene for New Heritage Trilogy», Whitechapel Art Gallery, Londra 2007 «Days Below Memory», CAPC, Musee d'Art Contemporain, Bordeaux 2007 «Scene for New Heritage Trilogy», The Physics Room, Christchurch 2006 «David Maljković», Salon of Museum of Contemporary Art, Belgrado 2006 «David Maljković», Museum of Modern and Contemporary Art, Rijeka 2006 «These Days» (con Yael Bartana), Gallery Nova, Zagabria 2006 «It's gonna happen» (con Rosa Barba), Croy Nielsen, Berlino 2006 «Scene for New Heritage II», Centre de Creation Contemporaine, Tours 2005 «Waiting Tomorrow», Annet Gelink Gallery, Amsterdam 2005 «90s without 90s», MMC Palach, Rijeka 2005 «Scene for New Heritage», Van Abbemuseum, Eindhoven

IT»S IN THE GAME «17 or Mirror Gag for Vitrine and Projection, commissioned by the Henie Onstad Kunstsenter, Oslo (HOK) and the Institute of Contemporary Art (ICA), University of Pennsylvania, considers how open source 3D design sharing platforms and gaming both capitalize on the simulation of bodies and objects while creating alternatives for human agency and the circulation of images.

But, he also says: «teams offering projections say ice extent will remain well below the average for the last quarter century and a downward trend in summer ice around the North Pole has not abated,» and we readers are then linked to his October, 2007 article and an August, 2007 image of a «warmed over» Artic.

In the first image for each pair, we show projections of post-2100 sea level rise that could be locked in following 4 °C (7.2 °F) of warming from carbon pollution in the coming decades.

This image is the National Climate Assessment's projection for number of days per year over 90 degrees Fahrenheit relative to estimated trends in carbon emission levels.

Image above: A computer model projection of average daily maximum temperatures over the eastern United States for July 2085 (left) and July 1993 (right).

Setting up your business as its own entity, distinct from you, can provide many advantages, including liability protection, tax savings, and the projection of a professional image for your business.

As for projection surfaces, a dedicated screen is ideal for the best image, but a white sheet or light - colored wall will do.

Recognized for public image projection methodologies and activities.

Professional Experience Lansdowne - Moody Company, LP (Houston, TX) 05/2003 — Present Sales Manager • Managed sales of Kubota, New Holland, and Terex equipment while ensuring a positive company image • Consistently exceeded sales goals through effective marketing, customer service, and sales tactics • Recruited, trained, and managed 12 sales professionals in a fast paced environment • Designed and implemented new corporate website for an enhanced internet sales and marketing presence • Responsible for more than $ 30 million in inventory • Authored and presented sales projections, reports, and other pertinent data to senior leadership • Built and strengthened professional relationships with customers, suppliers, and business partners • Performed all duties with professionalism, integrity, and dedication to company objectives

We used the projection vectors that were estimated for each subject FA skeleton onto the mean FA skeleton to create MD, AD, RD.. The resulting individual skeletonised images were fed into voxel-wise statistical tests (Smith et al. 2007).