Sentences with phrase «for important international exhibitions»

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NMNA is a U.S. subsidiary of Germany - based NürnbergMesse GmbH, one of the 20 largest trade show companies in the world with a portfolio covering 120 national and international exhibitions and congresses, including Brau Beviale, which is this year's most important capital goods exhibition for the beverage industry worldwide.

The Holden Design Studio is an important part of General Motors global design network, as one of only three facilities in the world with the capability to design and build prototype concept vehicles for exhibitions and international auto shows.

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju, South Korea (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Vancouver Contemporary Art Gallery, Canada; Sympathy for the Devil, Museum of Contemporary Art, Chicago, IL (2007); Istanbul Biennial, Istanbul, Turkey (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian, Spain (2004); Fast Forward.

Rome's new - kid - on - the - block Damiano Quaranta pays homage to Alberto Burri with a solo exhibition at Galleria Acquario, one of the most important places in Rome for national and international artists.

Over the next decade, Judd worked as a critic for ARTnews, Arts Magazine, and Art International; his subsequent theoretical writings on art and exhibition practices would prove to be some of his most important and lasting legacies.

Most Notable Exhibition: In Enwezor's case, it's a tie: As the artistic director of the second (and final) Johannesburg Biennale, Enwezor's «Trade Routes: History and Geography» is largely credited as an important moment for African art on an international scale.

During this period the Pavilion has hosted exhibitions by many of the most significant artists of the day, providing successive generations with one of the most important platforms for the showcasing of contemporary art to an international audience.

The six institutions were selected for their established interest in studying and featuring contemporary art from Latin America; the regional influence of their art collections, exhibitions, and programs; and for serving as important references for an international artistic community.

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).

The New Museum Triennial is the only recurring international exhibition in New York City devoted to emerging artists from around the world, providing an important platform for a new generation of artists who are shaping the current discourse of contemporary art and the future of culture.

Jensen has been featured in numerous important international group exhibitions including Documenta (1964, 1968, 1972), the Venice Biennale (1964), Biennial of São Paulo (1977), and Post Painterly Abstraction, a landmark travelling exhibition curated by Clement Greenberg for the Los Angeles County Museum of Art (1964).

It is the only recurring international exhibition in New York City devoted to emerging artists from around the world, providing an important platform for a new generation of artists who are shaping the current discourse of contemporary art and the future of culture.

Over the next decade, Judd worked as a critic for artnews, Arts Magazine, and Art International; his subsequent theoretical writings on art and exhibition practices would prove to be some of his most important and lasting legacies.

The multi-storied space became a centre for international art gatherings and exhibitions, including an important installation of works by Paul McCarthy, the first in Britain.

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Contemporary Art Gallery, Vancouver (2009); Sympathy for the Devil, Museum of Contemporary Art, Chicago (2007); Istanbul Biennial, 9th Istanbul Biennial, Istanbul (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian (2004); Institute of Contemporary Art, London (1999), among others.

«In my opinion, both cities are still vital centres for the commerce of art and they still host some of the most important international exhibitions.

A symbol of all that is new and modern in sculpture, Anthony Caro is present in all the most important international events: it is worth recalling his first personal show at André Emmerich in New York in 1964, his participation, as the only sculptor, at the British pavilion of the 1966 edition of the Venice Biennale, the retrospective at the MoMA in New York in 1975, the 1984 exhibition at the Serpentine Gallery in London, and, finally, his work with Normal Foster for the Millennium Bridge.

During the early 1910s, as well as teaching himself photography on a five dollar Brownie camera, and undertaking photographic commissions for local architects, he also showed his paintings at important group shows, including the International Exhibition of Modern Art (Armory Show)(1913), the Forum Exhibition (1916), and the Society of Independent Artist's Exhibition (1917).

Curated by Alys Williams (VITRINE London / Basel), this exhibition brings about an opportunity for international artistic dialogue and exchange; important qualities in the ethos of both organisations.

Now, many of those same artists are in very high demand for international exhibitions and important collections.

ABOUT THE TRIENNIAL The New Museum Triennial is the only recurring international exhibition in New York City devoted to emerging artists from around the world, providing an important platform for a new generation of artists who are shaping the current discourse of contemporary art and the future of culture.

Last sold at auction in 1973 at Sotheby's in London, Femme assise has remained in a private collection for over forty years, during which time it has featured in some of the most important international exhibitions of Picasso's work, including key exhibitions on Cubism: Picasso and Braque: Pioneering Cubism at The Museum of Modern Art, New York, in 1989; Picasso: Sculptor / Painter at Tate Gallery, London, in 1994; and Picasso: The Cubist Portraits of Fernande Olivier at the National Gallery of Art, Washington in 2003 - 04.

Frumkin's advent was especially important to the growth of Chicago art, «because his exhibition program reflected the same international outlook and commitment to advanced modernist idioms that the Chicago artists of the late 1940s had been looking for.

Many Chicago artists participated in important annual exhibitions beyond Chicago; indexes have been compiled for only a few of the most prominent: the Carnegie International at the Carnegie Museum in Pittsburgh and the annual exhibitions of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia.

For some of the emerging artists at the time who have since become an integral part of the scene, this was their first exhibition abroad and represented an extremely important step in their international careers.

Called «sharp and witty» and «long overdue» for major recognition by The New York Times» Holland Cotter, Kilimnik is an important international artist with an extensive publication and exhibition history.

The Vero Beach Museum of Art provides cultural leadership and enrichment for the public through a wide variety of educational, studio art and humanities programs; a diversity of quality exhibitions; and the collection, preservation and presentation of important American and international works of art.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

Plans for 2011 also include solo exhibitions by leading Irish and international artists such as Gerard Byrne, Barrie Cooke, Romuald Hazoumè and Philip Taaffe; a large - scale exhibition from an important American photographic collection, which is being donated to IMMA, and a display of works from the Museum's collection of Old Master Prints.

Versions of the sculpture have been included in traveling museum solo exhibitions as well as important international group exhibitions, including the Asia Pacific Triennial of Contemporary Art at the Queensland Art Gallery, Gallery of Modern Art, Brisbane (2002); Whitney Biennial in Central Park, New York (2004); and Louvre's Sculpture Programme for FIAC in the Jardin des Tuileries, Paris (2010); among others.

His work has also been included in a number of important international group exhibitions, including: «The Encyclopedic Palace,» 55th Venice Biennale (2013); «10,000 Lives,» Gwangju Biennial, South Korea (2010); «21 artists for the 21st century,» Fondazione Sandretto Re Rebaudengo, Turin (2010); «Making Worlds,» 53rd Venice Biennale (2009); «Italics: Italian Art between Tradition and Revolution, 1968 - 2008,» Palazzo Grassi, Venice, and the Museum of Contemporary Art, Chicago (2008 — 10); «After Nature,» New Museum, New York (2008); «Fractured Figure: Works from the Dakis Joannou Collection,» DESTE Foundation for Contemporary Art, Athens (2007); and «Of Mice and Men,» 4th Berlin Biennial (2006).

It will tell you where to find the most important events for each topic, what expert presentations you can attend at the Intersolar Europe Conference, and which innovations from the international solar industry you can find in which exhibition hall.