Sentences with phrase «for individual exhibition»

We offer a co-production for individual exhibitions, workshops,... + more

Not exact matches

Inside Fintech will serve as a platform for attendees to meet and connect with key individuals and forward - thinking companies leading in this sector, with opportunities in both the conference as well as the exhibition hall.

LOS ANGELES, April 24, 2017 — The Japanese American National Museum has developed a series of lesson plans for teachers to complement its Instructions to All Persons: Reflections on Executive Order 9066 exhibition and enhance student learning of the 75th anniversary of President Franklin Roosevelt's signing of the order that led to the tragic and unlawful incarceration of 120,000 individuals of Japanese ancestry during World War II.

Focusing on artifacts and activities based on the Museum's current special exhibition, The Pelican State Goes to War: Louisiana in World War II, discover the key themes that cross Louisiana's geographic and cultural diversity, review important individuals and events, and learn how the war changed the state for decades to come.

The grand finale ball and exhibition show is slated for Nov. 8 from 6 p.m. to 8:30 p.m. Individual dance classes are $ 15 per person and the finale show is $ 30 per person.

Once a year, the leading art galleries join together for a sprinting festivity, curating individual exhibitions around a common theme.

Thanks to some individuals over on The Lifestream Forums, we now have a closer and higher quality look at some of the concept art for Final Fantasy VII Remake on display at the special «Farewell Stories» exhibition.

The haunting power of the works in the exhibition at C24 Gallery find thematic similarities to the work of William Blake and Francisco Goya, artists both known for their attraction to the inner workings of the individual.

All Collector's Circle Member benefits, plus: • Private collections» tours at the homes of New York's top collectors • Artist Studio visits led by the Executive Director • Conversations with Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships to share

If you haven't attended, and only have time to visit one gallery this week, you might try this three - for - one - special where discrete exhibitions by Mark Bradford, Geta Brătescu and Louise Bourgeois are loosely united by themes of societal ills, cultural lore and individual pain.

He has had individual exhibitions at the following institutions: Modern Art Museum of Fort Worth, Texas, United States (2014); Yerba Buena Center for the Arts, San Francisco, United States (2013); Tate Modern, London, United Kingdom (2013); Singapore Art Museum, Singapore (2012); Centre Pompidou, Paris, France, (2012); MoMA (Museum of Modern Art), New York, United States (2012); Bonnierskonsthall, Stockholm, Sweden (2011); Mildred Lane Kemper Art Museum, St. Louis, United States (2009); Drawing Center, New York, United States (2008), among others.

As a contemporary art exhibition, «Viva Arte Viva» almost exclusively features works made by individuals for display rather than collective use, but it's permeated by an impulse to integrate art into the social fabric.

If the temporal simultaneity and historical comprehensiveness implied in the title «EVERYTHING AT ONCE» are impossible themes for any group show, so the exhibition attempts to examine the multiple ambiguities, contradictions, references and readings contained in individual works.

NORTH ADAMS, MASSACHUSETTS — In an ambitious exhibition featuring two new installation - based commissions, artist Taryn Simon activates the rituals of applause and the cold water plunge, examining individuals» campaigns for public admiration, the status of physical community spaces in the digital age, and our persistent desire for a quick fix.

For the month of September, Governors Island becomes a huge exhibition space, with artists taking over individual buildings and barracks to show work.

We also have audio files for kids about the individual art works in the exhibition #AlexIsrael.

2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA

He has exhibited extensively across Texas and elsewhere in the United States, in individual and group exhibitions, and has also contributed design for film and television.

For the works in the exhibition Teresa Margolles has focused on transgender sex workers, bringing their individual stories in the spotlight.

The exhibition «Louise Bourgeois: Structures of Existence: The Cells» presents 28 emotionally charged architectural spaces, each an individual microcosm separating the internal from the external world, the exhibition also reunites Cells I to VI for the first time since 1991, when they were first shown at the Carnegie International in Pittsburgh.

They allow the exhibition to start with Bartlett, flow into an arc of rooms for the main event, and slip off into side chambers for a few individuals in depth.

Tate Britain presented «Kenneth Clark: Looking for Civilisation», an unusual exhibition for concentrating on the public life and the collecting of an individual.

With «theanyspacewhatever», the Guggenheim Museum New York presents a group exhibition of individual installations for the Rotunda of Frank Lloyd...

These exhibitions are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council Member Stephen Levin, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and with generous support from The Andy Warhol Foundation for the Visual Arts, The Robert Lehman Foundation, Iorio Charitable Foundation, Select Equity Group Foundation, many individuals and Smack Mellon's Members.

The aim of the Royal Arts Prize Exhibition and Award is to search out for and showcase artworks by artists that have embraced their individual exegesis in art, artworks that are a product of an inner balance in a world full of diversity and often chaos.

Marianne Boesky Gallery and Marlborough Chelsea would like to express their gratitude to the many individuals and institutions whose generous loans made this exhibition possible, including Cranbrook Academy of Art, Detroit Historical Society, Detroit Institute of Arts, The Henry Ford Museum, Mike Kelley Foundation for the Arts, New York Historical Society, Pewabic Society, and Wayne State University.

Belying the precision and stakes of the obscure engineering principle for which it is titled, the artists» open - ended approaches and the loose associations in their works engage the viewers» individual experience of touch, making it a very personal — and subjective — exhibition.

Beyond being an individual achievement, the exhibitions were a boon for African American women artists as a whole, whose opportunities over the years at the city's big three museums have been few and far between.

MCASB offers tours through all exhibitions for individuals as well as groups.

Located in the former Associate Reformed Presbyterian Church in Uptown Charlotte, McColl Center houses nine individual artist studios, more than 5,000 square feet of exhibition space, and multiple common - use spaces, including a studio for large - scale sculpture fabrication.

Composed of works from the museum's collection made since 2000, including several recent acquisitions and works on view for the first time, the exhibition explores the prevailing correlations between the personal, the intimate, and the individual; constructions of identity, history, and culture; the instability of materials; and strategies to rediscover or recover the past.

The gallery does not pair individuals for exhibition.

Museum of Contemporary Art Santa Barbara (MCASB) exhibition and education programs are generously supported by the National Endowment for the Arts; Nordstrom; Towbes Foundation; Dedalus Foundation; Ann Jackson Family Foundation; Community Events & Festivals Grant Program using funds provided by the City of Santa Barbara in partnership with the Santa Barbara County Arts Commission; Mosher Foundation in honor of Barry Berkus, recommended by Dr. Bruce McFadden; Montecito Bank & Trust; High Tide Foundation; and contributions from our Board of Trustees and many generous individuals.

Museum of Contemporary Art Santa Barbara (MCASB) exhibition and education programs are generously supported by Paseo Nuevo Shopping Center, The Andy Warhol Foundation; the National Endowment for the Arts; Nordstrom; Ann Jackson Family Foundation; Towbes Foundation; Festivals Grant Program using funds provided by the City of Santa Barbara in partnership with the Santa Barbara County Arts Commission; Mosher Foundation in honor of Barry Berkus, recommended by Dr. Bruce McFadden, and contributions from our Board of Trustees and many generous individuals.

Taaffe has been participating in international exhibitions for several decades, including the Carnegie International, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dubexhibitions for several decades, including the Carnegie International, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, DubExhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dubexhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dublin (2011).

For example, while the press release presents «Proof» as «a three - person show featuring prints and artist's books made by master printers Ruth Lingen, Jennifer Melby and Leslie Miller,» the exhibition checklist does not credit individual works to particular printers but, as is conventional, credits only the «artists,» e.g. Elizabeth Murray, James Siena, Vija Celmins, Henrik Drescher (See the images above from Planthouse's website.

The collaborative works created for this exhibition is the outcome of four disparate painting practices, creating hybrid works which question notions of authorship and challenges each artist's individual practice.

Based on the premise that the cultures of role play, sexual play, and digital play have all flourished beyond the boundaries of art structures, this exhibition provides a gathering place and platform for the exploration of queer play created by individuals and groups from the worlds of game design and theory, performance, kink, and activism.

After individual aspects of the collection have been presented in various contexts in recent years, the two - part exhibition in the Kunstverein Hannover now offers for the first time the opportunity of a genuinely comprehensive survey.

Art Basel Film Library In a dedicated film viewing room within the Miami Beach Convention Center's exhibition halls, an extended selection of over 120 selected works, also curated by Gryn, will be presented for individual, viewer - directed private screening.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

No prior curatorial experience necessary; the program creates opportunities for individuals at all career stages to organize group exhibitions focused on strong ideas.

As a versatile individual, she has had the pleasure of managing an array of artistic projects for arts organizations, from youth art education, art exhibitions, and interdisciplinary artist showcases, to poetry, theater, and music programs.

The individual works for the exhibition were each chosen to focus on the singular contributions of each respective artist.

Future Shock is an appropriate name for the exhibition, which offers multiple artistic reflections on the past, present and future development of collective and individual experience.

The exhibition is supported by The Andy Warhol Foundation for the Visual Arts, Henry Luce Foundation, E. Rhodes and Leona B. Carpenter Foundation, Eric Diefenbach and JK Brown, Florence Wong Fie and the Martin Wong Foundation, Melva Bucksbaum and Raymond Learsy, Milton and Sally Avery Arts Foundation, National Endowment for the Arts, P.P.O.W Gallery, and other individuals.

The Torrance Art Museum does not accept proposals for solo shows although individual artists can send us a a link to an online portfolio or a package send to the museum for curatorial staff to review for potential inclusion in future exhibitions.

Henning Schaper, the new director of the museum in Baden - Baden, explained it was very important that the exhibition stimulated an exchange of thought on current issues «such as our attitudes to the truth and respect for the truth in both an individual and a global context.»

This nationally touring exhibition, appropriate for audiences of all ages, tells the gripping true story of the largest rescue action by a single individual during the Holocaust.

The selected paintings that make up this exhibition reveal Torok's incisive eye for each sitter's persona and individual characteristics.