We've fallen
for this intense colour saturated look — that luscious pink is irresistible.
Moved by an enthusiasm
for intense colour and bold expressive gestures, Thomas Olbricht has spent the last 30 years collecting abstract art in a wide variety of styles.
Not exact matches
The intersections of harassment get even more
intense for women of
colour, queer women, indigenous women, and women living with disabilities.
I get pretty
intense results with Wilton gel
colours, and in my experience powder
colours are not nearly as strong so are best used
for more subtle shades.
When adding the
colour, you should go
for a shade roughly twice as
intense as you want
for the final result, because you will dilute the
colour when you mix the meringue into the almond mixture — I add the
colour to the almond mixture and my rule of thumb is to add enough to get it to the
colour I want, then add about as much again.
Art galleries around the world ban flash photography
for fear that the
intense light could wash the
colour out of their old masters.
Here are the products I used
for this particular face: Face: MAC Prep + Prime Skin Primer MAC Studio Fix Fluid Foundation in NW10 Anastasia Beverly Hills Clear Brow Gel Anastasia Beverly Hills Beauty Express Brow Powder in Brunette Korres Zea Mays blush in Pink MAC powder blush in Taupe Benefit High Beam illuminator NYX Long Lasting Makeup Setting Spray in Matte Finish Eyes: MAC Longwear Paint Pot in Painterly NYX Jumbo Eye Pencil in Black Bean ipsy + NYX neutrals trio palette (all shades) Sonia Kashuk eyeshadow quad in Queen of the Blues (glitter shade, frosty blue shade) Urban Decay 24/7 Glide - on Eyeliner in Zero NYX Big and Loud lash primer Clarins Be Long mascara in
Intense Black Lips: MAC Prep + Prime lip primer Obsessive - Compulsive Cosmetics Cosmetic
Colour pencil in Anti-Feathered MAC Amplified lipstick in Saint Germain MAC Mineralizeglass lip gloss in Beautiful Moves
It delivers opaque
colour in single swipe but
for intense finish you need to layer it and good thing is that even on layering it does not feel heavy on eyes.
If the all black look is a little
intense then it's easy to change up the look of your hoodie, going
for a lighter grey or a subdued
colour instead.
For a custom
colour look and a lasting, more
intense result, layer over OMBRE PREMIÈRE Longwear Cream Eyeshadow.
Easy to build and blend
colour for a more
intense finish.
The Eye Smudger Brush is great
for applying
colour to add definition in the eye socket area, or
for a more
intense smokey eye.
The thin formula is so easy to apply and builds more
colour for a more
intense look.
She lacquered model Julia Van Os's lips with Chanel Rouge Allure Luminous
Intense Lip
Colour in a rich brick hue called Ultraberry, then dusted her lids with a similarly - toned blush
for maximum impact.
Lighter
colours can be just as versatile if you choose wisely, and can give you a less
intense, more relaxed finish that's great
for a range of looks.
In any case, these
colours are divine to play with — absolutely night - worthy set's — and perfect
for the day too if you want some
intense shimmer!
It's quite an
intense colour so it needs balancing out and the best shade
for that is brunette.
Finally, to top if all off I use a Clinique Chubby Stick
Intense Moisturizing Lip
Colour Balm in Fuller Fig to my lips for a boost to my natural lip c
Colour Balm in Fuller Fig to my lips
for a boost to my natural lip
colourcolour.
I think I've been subconsciously trying out different bridal makeup options
for myself without realizing it and this is one that I really love — it's more
intense and smokey and has a bit more
colour than most brides would go
for.
Ed Gonzalez over at SLANT noted some digital schmutz on areas of
intense colour, but, not
for lack of trying, I couldn't get our review copy to produce this artifact.
While I noticed some moiré patterns that may or may not originate at the source, any artifacts are surely compensated
for by the
colours, which are
intense yet precise — when not draped in a veil of increasingly arbitrary blue tint, that is.
Chassis Number: SCFDAM1C2NBL60026 Engine Number: 89 / 60026 / A UK Registration Number: TBA Date of first reg: 8th June 1993 Exterior
colour: Black Hood: Black Mohair Interior
colour: Tan leather Current Odometer reading: 41400 Mileage Warranty: Steering: Left Transmission: Automatic Options: GPS and 10 CD system, Alarm and Immobiliser Background Background: Following three years of
intense development, Aston Martin choose to unveil their new car
for the nineties and beyond, at the International Motor Show in England on the 18th of October 1988.
For Havanese, the time when a puppy is new born to a few weeks of age is when the
colours tend to be most
intense and the patterns are most easily discernible.
To achieve this, Gauguin and Van Gogh went
for very
intense contrasts of
colour temperature, painting the scene in the hottest
colours possible, and then using icy lemon yellow or cold white to contrast.
In the 1980s his work became less figurative, and his vibrant
colour palette and
intense brushstrokes laid the groundwork
for the completely abstracted works that followed.
A drawing such as Study
for Black Curvesmay, indeed, have given rise to the painting Black Curves, but in other instances a curve, a panel, a
colour palette or a relief will have gone through
intense rethinking and reshaping before emerging on a canvas or in a shape of steel.
In the work of William Eggleston,
for instance, the vernacular interiors and ordinary landscapes of Tennessee and Mississippi are rendered luminous by the eye of an American master of
intense colour and skewed composition.
The city's own Centro de Edicion might seem dark on the surface, the Steadman - eqsue scribbles of Luis Felipe Noé are
intense and inky, but fighting
for space between these lines are an array of
colours; smears of reds, blues and greens.
The three monochromatic wall paintings created
for the Jean - Michel Wilmotte - designed gallery space are rendered in
intense colour and each form is a subtly distorted geometric shape that activates the wall, disorientates the viewer, and almost seems to waver like a pool of water.
While Eggleston historically chose to work with the dye transfer process
for the
intense saturation of
colour it provided, the technique is no longer available, so the artist has turned to printing with pigment - based inks, which allows
for larger formats.
His dissatisfaction spread to his work, and he reached the point of having to decide whether to continue to make paintings in the manner
for which he was now well known - on multiple panels of canvas, initially in muted tones and subsequently in rich, more
intense colours - or whether to break away and adopt new forms and interests.
The
intense colours are also specific to the medium, which is manufactured from a surprisingly small range of pigments (typically those used
for oil paints) and different amounts of filler.
Giorgio Griffa is an abstract painter who is known
for his
intense paintings which are reduced to their essential components: canvas,
colours and brushstrokes.
Calder's friend Joan Miró was known
for both his paintings and his sculptures, the former demonstrating his reliance on flat,
intense areas of primary
colour and playful black outlines.
Dickinson will exhibit paintings by artists inspired by these principles, including those artists directly influenced by Mondrian such as Charmion von Wiegand and César Domela; Yves Klein, who devised and patented the most
intense shade of blue he could conceive of
for his IKB series; and members of Arte Povera and ZERO groups, including Agostino Bonalumi, Turi Simetti, Enrico Castellani and most notably Lucio Fontana, whose Tagli in primary
colours are his most desirable and sought - after works.
The exhibition focusses on the artist's recent White Paintings, which represent a counterbalance to the large - scale vibrant canvases of
intense colour for which he is known throughout the world.
German street artist (check out the Widewalls list of 10 German street and urban artists) 1010 (take a look at the 1010 Print Release: Abyss 49) has become well known
for his eye catching «portal» designs that play on the eye and the mind, creating optical illusions on a grand scale (read the Bridget Riley: The Stripe Paintings article about one of the masters of creating optical art, Bridget Riley or check the work of Levalet in this Levalet: Bagages article that uses optical illusions in a different way) that turn the sides of flat buildings into an abyss that one could simply walk into as the layers of
colour and carefully constructed shadows vanish into a dark centre that hypnotically draw you in (explore the mind blowing optical illusions of Julie Oppermann in this The
Intense Afterimage article).
Perfect
for a small but sunny room where the light can make deeper
colours too
intense, while boosting its feeling of space.
You have an affinity
for neutrals and
intense colour, but what's the key to successfully using both?