Sentences with phrase «for kurimanzutto»

As a cross-disciplinary space open to critical research and social encounter, Signals London has long been a source of inspiration for kurimanzutto.
Referring to his project for kurimanzutto new york, Cruzvillegas said: «I try to approach specific issues related with my own circumstance, avoiding any biographic anecdote or narrative.
He came up with the concept for Kurimanzutto's inaugural show in 1999: a dozen artists taking over two stalls in the Mercado Medellín in Roma to sell artworks made with materials found in the market itself.

Not exact matches

Major support for A Poet * hical Wager is provided by Scott Mueller, with additional support from BakerHostetler, kurimanzutto, Mexico City and PÁRAMO.
For «Market Economy», kurimanzutto's first exhibition in 1999, the then - itinerant gallery installed works by 13 artists for 24 hours in a rented Mexico City market staFor «Market Economy», kurimanzutto's first exhibition in 1999, the then - itinerant gallery installed works by 13 artists for 24 hours in a rented Mexico City market stafor 24 hours in a rented Mexico City market stall.
Moving to New York, she added, «will bring us back to the fundamentals of Kurimanzutto when it first opened in Mexico City, where we'll look for spaces around the city according to the artists» ideas and projects.»
When Kurimanzutto New York debuts officially on May 3 at 22 East 65th Street (it's also open this Saturday) it will be something of a homecoming, since the idea for the original gallery was hatched here.
Her solo exhibitions include: Kunsthaus Graz, Austria (until 2 April); KINDL Centre for Contemporary Art, Berlin (until 13 May); kurimanzutto, Mexico City, Mexico; and Galerie Chantal Crousel, Paris, France (both 2017).
The prize of was awarded to kurimanzutto, Mexico City for their outstand - ing presentation of works by Leonor Antunes, Roman Ondak, and Gabriel Orozco.
Kurimanzutto said: «We are delighted and honoured to have received the prize for the best stand - Monica and Jose have decided to donate the prize money to a charity in Mexico, dealing with refugees.
Presented first in 2016 at Art en Valise, and then Scrap Metal Gallery in Toronto, for this installation at kurimanzutto new york, the works have been reassembled and Cruzvillegas has complemented them with locally sourced, perishable and organic elements, such as cheese, bread, turmeric, ginger, molasses, lemongrass, avocados and Italian ham, to name a few.
Situated on the Upper East Side on 22 East 65th Street, kurimanzutto new york represents an extension of kurimanzutto in Mexico City and will serve as a hub for a range of artist programs and projects both on - site and off, reinforcing the gallery's collaborative and nomadic nature.
For his current exhibition at Kurimanzutto Gallery in Mexico City, artist Gabriel Orozco decided to work with river stones.
For every exhibition that happened, another remained unrealized, a vital idea informing kurimanzutto's reimagining.
kurimanzutto artist, exhibition collaborator, and José Kuri's brother, Gabriel Kuri, articulates the role that founding artist David Medalla played in awakening his curiosity for Signals London:
The gallery gifted the four figure sum to SMR, the Scalabrinian Mission for Migrants and Refugees, which like kurimanzutto is based in Mexico City.
In 2008, kurimanzutto opened a permanent gallery space in Mexico City, yet the gallery continues to search for places outside the white - cube to carry forward its original vision.
Situated on the Upper East Side on 22 East 65th Street, kurimanzutto new york represents a satellite of kurimanzutto in Mexico City and will serve as a hub for a range of artist programs and projects both on - site and off, reinforcing the gallery's collaborative and nomadic nature.
In the following years, kurimanzutto has evolved as a forum for institutional exhibitions and international representation, while maintaining its profoundly collaborative approach with artists.
kurimanzutto new york will act as a catalyst for this broad international program across North America.
Presented first in 2016 at Art en Valise, and then Scrap Metal Gallery in Toronto, for this installation at kurimanzutto new york, the works have been reassembled and Cruzvillegas has complemented them with locally sourced, perishable and organic elements, such as manchego, bread, turmeric, ginger, molasses, lemongrass, avocados and prosciutto, to name a few.
Swiss Institute gratefully acknowledges Kurimanzutto for their support.
In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.
Sex in Hong Kong at Para Site and offsite venues, Hong Kong; Hans van Dijk: 5000 Names at Ullens Center for Contemporary Art, Beijing; Lu Yang: Kimokawa Cancer Baby at Ren Space, Shanghai; Rashid Johnson: Magic Numbers at George Economou Collection, Athens; Apichatpong Weerasethakul: Fireworks at Kurimanzutto, Mexico City; Hiroshi Sugimoto: Aujourd» hui, le Monde Est Mort [Lost Human Genetic Archive] at Palais de Tokyo, Paris; The Permeability of Certain Matters at Spring Workshop, Hong Kong; Meeting Points 7: Ten Thousand Wiles and a Hundred Thousand Tricks at Institute for African Studies, Moscow; The St. Petersburg Paradox at Swiss Institute, New York; Sapporo International Art Festival 2014 at various venues, Sapporo; Manifesta 10 at State Hermitage Museum, St Petersburg.
His selected group shows include: Museum Ritter, Germany (2010); Kurimanzutto, Mexico City (2010); 2nd San Juan Triennial, Puerto Rico (2009); Morsbroich Museum, Leverkusen (2009); Centro Cultural Banco de Brasil, Rio de Jeneiro (2008); Inhotim Centro de Arte Contemporanea, Brazil (2008); NAK, Aachen (2007); and CCA Wattis Institute for Contemporary Arts, San Francisco (2007).
For her first exhibition at kurimanzutto, Nairy Baghramian presents recent sculptures collectively titled Maintainers.
Abraham Cruzvillegas, «Autocontusión» Opening: 12 — 8 p.m., Kurimanzutto, 22 East 65th Street What you should know: If there can be such a thing as itinerant roots, major Mexico City gallery Kurimanzutto — launched 20 years ago as a nomadic project and partly known for mounting shows in places like an open - air market, a bar, or on billboards — is returning to that foundation by launching a Manhattan project space.
Besides international and well - known like Americans Gavin Brown, Gagosian, Sean Kelly and David Zwirner, or the Parisian Laurent Godin, this edition was characterized for the prevalence of Mexican galleries like, Luis Adelantado, Arredondo / Arozarena, Patricia Conde, Hilario Galguera, kurimanzutto, OMR and Proyectosmonclova from Mexico City; Curro, Páramo, Tiro al Blanco and Travesía Cuatro from Guadalajara; GE from Monterrey; and Yam Gallery from San Miguel de Allende.
, China Art Objects Galleries, Los Angeles, California, US Blickachsen 4 / Axes of View 4 (Sculpturen im Kurpark), Galerie Scheffel, Bad Homburg v.d. Höhe, DE Dia: Beacon, Dia, Beacon, New York, US Arttranspennine03, Arttranspenine, North of England, UK Corso Terracciano 56, Alfonso Artiaco, Naples, IT De Collectie, Luc Deleu, Museum of Contemporary Art Antwerp, BE The Snow Show: Venice, UNESCO Regional Bureau for Science in Europe (ROSTE), Venice, IT Utopia Station Lab / Museum in Progress, Venice Biennale, Venice, IT Sink or Swim, Premier La Ciudad Radiante (La Città Radiosa), Fundación Bancaja, Valencia, IT Dust Memories, Swiss Institute - Contemporary Art, IT Independence, South London Gallery, London, UK Look & Feel Art Landscape Nature, De Verbeelding, Zeevolde, NL Telling A Work Of Art, Andrew Jensen Gallery, Aukland; New Zealand: Dunnedin Public Art Gallery, Dunnedin, Otago Settlers Museum, Dunnedin, NZSAFN, SAFN, Reykjavík, IS Histoires Contemporaines, Institute d'Art Contemporain, Villeurbanne, FR Artists» Gifts, Museum of Contemporary Art, Los Angeles, California, US Definitely Provisional (a library), Whitechapel Project Space, London, UK Stop & Go, Frac Nord - Pas de Calais, Dunkerque, FR The Distance Between Me & You, Lisson Gallery, London, UK Nomades & Bibliophiles, Koldo Mixelena Kulturunea, San Sebastian, ES In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, UK
Not only are Gagosian, Zwirner, and White Cube springing for stands, but other less franchise - happy international dealers were there too, including first - timers Marian Goodman, Kurimanzutto, and Michael Werner.
Selected Group Exhibitions 2011 — Untitled --(12th Istanbul Biennial), Istanbul, Turquey 2011 — Iluminations — 54th Venice Biennial, Italy 2010 — Serpentine Gallery Map Marathon 2010, London, England 2010 — Panamericana — Kurimanzutto Art Gallery, Mexico City, Mexico 2010 — Zona MACO Project Room — Mexico City, Mexico 2010 — The return of the landscape — Akademie der Künst, Berlin, Germany 2010 — Frieze Art Fair — Luisa Strina Art Gallery, London, England 2010 — ART BASEL Miami Beach — Ruth Benzacar Art Gallery, Miami, USA 2010 — ART BASEL Miami Beach — Luisa Strina Art Gallery, Miami, USA 2009 — Moby Dick — CCA Wattis Institute for Contemporary Arts, San Francisco, USA 2009 — Panorama das Artes Brasileira — Sao Paulo Museum of Modern Art, Brazil 2009 — X Bienal de Cuenca — Cuenca, Ecuador 2009 — Intemperie — 2nd End of the World Biennal, Ushuaia, Argentina 2009 — 2nd Poligraphic Triennal — San Juan, Puerto Rico 2009 — ART BASEL Miami Beach — Luisa Strina Art Gallery, Miami, USA 2008 — Nuevas incorporaciones — MACRO — Juan B. Castagnino Fine Arts Museum, Rosario, Argentina 2008 — ART 39 BASEL International Art Fair — Ruth Benzacar Art Gallery, Basel, Switzerland
The traditions of the great Mexican muralists and graphic artists live on in kurimanzutto's nostalgia for the analogue, for books and printing, for handmade items, and for craft.
A G Foundation, ADAA Foundation, The Andy Warhol Foundation for the Visual Arts, Elizabeth Firestone Graham Foundation, Emily Tremaine Foundation, Evelyn Toll Family Foundation, FADA Foundation, Foundation To - Life, Ford Foundation, The French Institute, Fundación Alumnos47, Hartfield Foundation, The Joyce Foundation, Keller Family Foundation, kurimanzutto, New York City Department of Cultural Affairs in partnership with the City Council, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, Patronato de Arte Contemporáneo (PAC), SAHA, The Toby Lewis Foundation, Trust for Mutual Understanding, VIA Art Fund
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