The two - disc Batman 25th Anniversary Blu - ray set will include a featurette that shows how Tim Burton's movie paved the way
for modern blockbusters.
It's Ground Zero
for the modern blockbuster, logo and all.
Not exact matches
In retrospect, it's clear Lord of the Rings played a big part in paving the way
for modern, serial
blockbuster movies.
The
modern noir — about the search
for a missing child — shows that Ben Affleck isn't just a
blockbuster movie star; he's also one of his generation's most notable filmmakers.
In a nod to flying creatures of our
modern age, the new species has been dubbed Ikrandraco avatar — draco is Latin
for «dragon,» and Ikran are the pterosaurlike flying beasts depicted in the 2009
blockbuster Avatar.
Here Whedon and Goddard look like they're abandoning their convictions
for what their film should be, and pandering to
modern blockbuster viewers and their incessant craving
for elaborate action sequences and expensive special effects.
Even with the enormous success of Christopher Nolan's Gotham trilogy, the
modern approach to the comic book
blockbuster is
for each film to form a mere link in a seemingly infinite chain.
It's fashionable, of course, to praise
modern blockbusters for going «dark,» as if that by itself is genuine evidence of challenging an audience.
Just as they did with «21 Jump Street» and «Cloudy With a Chance of Meatballs» before this most ambitious undertaking, co-helmers Phil Lord and Christopher Miller irreverently deconstruct the state of the
modern blockbuster and deliver a smarter, more satisfying experience in its place, emerging with a fresh franchise
for others to build upon.
It makes
for populist dystopian SF fare, and serves well as a provocative
modern - day
blockbuster film on reality TV shows that reflects in a mild subtle way on these diabolical hard times and how gross the public's entertainment tastes have become.
A
blockbuster with heart, a horror movie with bite, a child's - eye view of poverty and a romance
for modern times are among the year's best movies.
A leviathan that has temporarily ducked back under the surface after pulverizing multiplexes all summer long, Christopher Nolan's symphonic
blockbuster is not only one of the biggest studio films of the year ($ 523.7 million worldwide
for a historical epic about one of
modern history's greatest non-events), it's also one of the best.
As is becoming increasingly common in our
modern blockbuster era, superhero comedy Deadpool 2 got sent back
for reshoots earlier this year.
In comparison with your average
modern blockbuster, in which the story grinds to a halt every 15 minutes to make room
for another eye - scorching set piece, there's very little action in the first Star Wars movie: an extended chase through the Death Star corridors, a perfunctory sword fight between two knightly codgers and a pair of space dogfights, and that's pretty much it.
Scott also noted the most troubling factor of Avengers, and indeed, the whole
modern blockbuster genre: The sense that Avengers is not so much a movie as it is an annual product launch
for a major corporation, featuring characters that are all «dutiful corporate citizens, serving a conveniently vague set of principles.»
As someone who always enjoyed the overly dramatic popcorn summer
blockbuster stories of the
Modern Combat campaigns, this is a bummer, but I also can't blame Gameloft as the online multiplayer is always the thing that brings players coming back
for years in most first - person shooters anyway.
Emmerich made a name
for himself with Universal Soldier in 1992, but became a staple and helped usher in the
modern summer
blockbuster with Independence Day.
Before Hollywood adapted Blade, Spawn, and Steel from their respective Marvel and DC Comics franchises, the black superhero tradition in TV and film was decidedly less mainstream, even as Hollywood adapted the white comic heroes Superman and Batman into
blockbusters for decades before the
modern superhero movie boom began in earnest.
Makin» wookiee In comparison with your average
modern blockbuster, in which the story grinds to a halt every 15 minutes to make room
for another eye - scorching set piece, there's very little action in the first Star Wars movie: an extended chase through the Death Star corridors, a perfunctory sword fight between two knightly codgers and a pair of space dogfights, and that's pretty much it.
It seems the film industry is finally warming to the idea of videogames as legitimate (read: not Uwe Boll directed) source material
for Hollywood
blockbusters, according to
Modern Warfare 2 director Keith Aram.
«Video game releases such as the Call of Duty series have outperformed the launches of major Hollywood
blockbusters for several years and the day - one sales
for Call of Duty:
Modern Warfare 2 proved once again that video games have become cultural events in their own right,» said Guinness World Records Gamer's Edition Editor, Gaz Deaves.
Modern Warfare was a loud, bombastic spectacle with visual and auditory sensations typically reserved
for big budget Michael Bay
blockbusters.
Released to rival Sega's Sonic the Hedgehog, the game was met with critical acclaim and has been credited with laying the foundations
for some of the
modern blockbusters out today.
Video games, especially
modern games, could be a great source
for future
blockbusters.
It also referenced
blockbuster releases such as
Modern Warfare 3, Skyrim and Battlefield 3 as key
for the market showing strong growth.
«The Responsive Eye» was a
blockbuster hit
for the Museum of
Modern Art, where it debuted.
For an institution with a reputation for blockbuster exhibitions and kid - friendly programming, the Gallery of Modern Art made an unusual choice when it decided to mount a Gerhard Richter retrospective — his first in Austral
For an institution with a reputation
for blockbuster exhibitions and kid - friendly programming, the Gallery of Modern Art made an unusual choice when it decided to mount a Gerhard Richter retrospective — his first in Austral
for blockbuster exhibitions and kid - friendly programming, the Gallery of
Modern Art made an unusual choice when it decided to mount a Gerhard Richter retrospective — his first in Australia.
Tate
Modern's third year was a bumper one
for blockbusters: the excellent Andy Warhol retrospective was followed by a sublime exhibition that brought together two titans of 20th - century modernism, Picasso and Matisse.
After fooling everyone — including the art world itself — it was dubbed the first «Instagram masterpiece» and featured in two
blockbuster shows last year in London — Electronic Superhighway at the Whitechapel Gallery and Performing
for the Camera at the Tate
Modern.
He also knows Tate well, having worked as a curator at Tate
Modern for six years and co-curating the
blockbuster Matisse cutouts exhibition with Serota.