(The complementarian version is often «This began when liberals threw out God's word
for modern feminism,» but I'm guessing there's a lot more to it than that.)
Not exact matches
To expect 16th century people to be at home,
for example, with
modern interfaith relations or
feminism is unrealistic and anachronistic.
His topic was typical
for the kind of analytic liberal theory he practiced: how best to interpret, and implement, equality, particularly when faced with the demands of
modern feminism.
But Somebody's Darling is a very
modern story about toxic masculinity, betraying an anxiety about the fading of the traditional male archetype (
for the frat pack, vulnerability is equated with weakness), combined with the vile backlash against new - wave
feminism, which in the real world we witness in the abuse apologist and the normalizing of misogyny.
The notion of a woman who is famous
for backing out of her weddings meeting a sexy journalist who saves her from her fears of commitment isn't just bizarre; it feels achingly regressive by today's
modern standards of
feminism, and Gere and Roberts haven't appeared in a film together since.
Frankenthaler did not try to be a spokeswoman
for feminism, but her very success was an inspiration, says Ann Temkin, chief curator at the Museum of
Modern Art in New York.
2000 Michael Rosenfeld Gallery: The First Decade, Michael Rosenfeld Gallery, New York, NY Anatomically Incorrect, Museum of
Modern Art, New York, NY True Grit: Seven Female Visionaries before
Feminism, Michael Rosenfeld Gallery, New York, NY; Mills College Art Gallery, Oakland, CA; Boise Museum of Art, Boise, ID; Marsh Art Gallery, University of Richmond, Richmond, VA; Farnsworth Art Museum, Rockland, ME; El Paso Museum of Art, El Paso, TX; Newcomb Art Gallery, Tulane University, New Orleans, LA; Center
for the Visual Arts, Metropolitan State College, Denver, CO The Mills College Art Museum Permanent Collection: 75th Anniversary Exhibition, Mills College Art Museum, Oakland, CA Made in California: Art, Image and Identity, 1900 - 2000, Los Angeles County Museum of Art, Los Angeles, CA Celebrating
Modern Art: The Anderson Collection, San Francisco Museum of
Modern Art, San Francisco, CA 2000 Collector's Show, Arkansas Art Center, Little Rock, AR
Mabey is a co-founder of Art +
Feminism, an international, activist curatorial platform based out of The Museum of
Modern Art, New York, with satellites at the Los Angeles County Museum of Art; Tate, London; Banff Center
for the Arts; MAXXI, Rome; Archives nationales de France, Paris; Smithsonian American Art Museum, Washington, DC; MoCA Detroit, amongst many others.
Georgia O'Keeffe: Living
Modern is part of A Year of Yes: Reimagining
Feminism at the Brooklyn Museum, a yearlong series of exhibitions celebrating the 10th anniversary of the Elizabeth A. Sackler Center
for Feminist Art.
She has exhibited widely in museums, galleries and film festivals including, Asian Triennial Manchester, Cornerhouse, Manchester, 2008; New Delhi New Wave, Primo Marella Gallery, Milan, 2007; Global
Feminisms — the inaugural show at the Elizabeth Sackler Center
for Feminist Art, Brooklyn Museum, NY, 2007; Saturday Live, Tate
Modern, London, 2006; Sub-Contingent, Fondazione Sandretto Re Rebaudengo, Turin, 2006; Indian Summer, Ecole Nationale des Beaux Arts, Paris, 2005.
Building on this critique, Speth goes on to conclude in his book that: (1) «today's system of political economy, referred to here as
modern capitalism, is destructive of the environment, and not in a minor way but in a way that profoundly threatens the planet» (2) «the affluent societies have reached or soon will reach the point where, as Keynes put it, the economic problem has been solved... there is enough to go around» (3) «in the more affluent societies,
modern capitalism is no longer enhancing human well - being» (4) «the international social movement
for change — which refers to itself as «the irresistible rise of global anti-capitalism» — is stronger than many imagine and will grow stronger; there is a coalescing of forces: peace, social justice, community, ecology,
feminism — a movement of movements» (5) «people and groups are busily planting the seeds of change through a host of alternative arrangements, and still other attractive directions
for upgrading to a new operating system have been identified» (6) «the end of the Cold War... opens the door...
for the questioning of today's capitalism.»
But
for modern mothers, raised in the afterglow and subsequent backlash of
feminism, asking
for help doesn't come naturally.