Sentences with phrase «for modern galleries»

I think it's a very very good venue for modern galleries,» he said.

Not exact matches

This understanding of art, now of the gallery and simply open to view rather than created with a purpose, seems to symbolise our modern era: at once a loss of God, purpose and meaning, yet at the same time a search for deeper and more lasting realities.

Fair Work's investigation into systemic underpayment of wages, the role of head office, and a decision last week by the Fair Work Commission to terminate 26 enterprise bargaining agreements (EBAs) between Domino's and the Shop, Distributive & Allied Employees Association sets the scene for a colourful annual general meeting on November 8, at the Gallery of Modern Art in Brisbane's cultural precinct.

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Ancient cave bears, which roamed from the United Kingdom to Russia for hundreds of thousands of years, made a strong impression on Stone Age artists, who included them in a 30,000 - year - old gallery of animals lining the walls of Chauvet cave in modern France.

IT TOOK just seconds for self - styled art anarchist Wlodzimierz Umaniec to calmly step up to the giant Mark Rothko canvas hanging in London's Tate Modern gallery and graffiti his signature and a slogan across one corner in permanent ink.

Weissman - Unni's images took first place in a 2006 contest sponsored by the Barcelona Science Museum and have been featured everywhere from an online photo gallery for the journal Cell to the Web site of the Museum of Modern Art.

Other large - scale projects for rehousing the Tōhoku people are in the pipeline, such as one by renowned architect Toyo Ito — designer of the 2002 Serpentine Gallery Pavilion in London — that employs a modern take on traditional architecture but built on higher ground.

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I was at the gallery for about a year before moving on, but learned so much about curating, lighting, and modern art in that short time and that knowledge helps me still today.

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Whether your perfect day involves riding and roping, roaming the galleries at The Modern, or finding the best haunts for mariachi music and dancing, all of those things are more enjoyable with the right companion to share them with.

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There are also a plethora of museums and galleries for culture vultures, with the irish museum of modern art being a particular standout.

There are lots of ways to guesstimate ages, and Sydney Modern: High - risk move fails to pay off for Art Gallery of NSW

Jason Schwartzman, playing a bitterly sarcastic modern art gallery owner, and the formidable Terence Stamp, an art critic who savagely pans a special painting commissioned for the 1964 World's Fair, get perhaps a total of ten lines between the two of them, lighting up the screen with even the smallest sense of conflict that exists beyond the Keane household.

Grades: Pre-K-2 This is the Web site for the exhibit (January 28 - May 7, 2006) at the National Gallery of Art and includes images of more than thirty paintings and drawings by Paul Cezanne, often seen as the father of modern art.

Miss a beat and you could easily mistake the Velar's cabin for a modern art gallery.

A heritage town transformed into a modern Maui hot spot, Lahaina offers a variety of unique art galleries, shops and restaurants for you to explore.

Modern artworks created especially for the hotel by locally born artist Marco Lanza have been added to the ground - floor entrance hall, the gallery and the lounge bar, depicting details of original paintings of Caterina de» Medici that now hang in the Uffizi Ggallery and the lounge bar, depicting details of original paintings of Caterina de» Medici that now hang in the Uffizi GalleryGallery.

Other local artists to look for include painter and sculptor Michael Tieman at Haystack Gallery, contemporary painter David Marshall at Modern Villa Gallery and ceramicist Jay Stewart at House of the Potter.

If you're looking for an alternative to classical art and you'd prefer to see what type of modern art London has to offer, be sure to check out the Serpentine Gallery.

The picturesque Lovedale area of the Hunter Valley is renowned for its award winning wines from the local modern boutique wineries, and for fine restaurants, galleries, and tourist accommodation.

For modern art work, the Matisse Gallery displays work from local emerging artists.

Nestled in the very heart of Stellenbosch, walking distance to restaurant, shops, art galleries and museums, The Vibe Guest Studios offers modern and contemporary bed and breakfast accommodation for the discerning t...

Nestled in the very heart of Stellenbosch, walking distance to restaurant, shops, art galleries and museums, The Vibe Guest Studios offers modern and contemporary bed and breakfast accommodation for the discerning traveller.

This private Palm Springs vacation home for rent is located just 5 minutes to downtown Palm Springs near Palm Springs restaurants, golf courses, shopping, art galleries, antique stores, midcentury modern shops, theatres, supermarkets, the Palm Springs Convention Center and other popular Palm Springs attractions.

(In May 2015, Gagosian Gallery had purchased the sculpture, a star of the 2015 «Picasso Sculpture» exhibition at the Museum of Modern Art, for about $ 106 million from Picasso's daughter Maya Widmaier - Picasso, and subsequently sold it to Leon.

The National Gallery of Art in Washington, D.C., paid $ 4.5 million in 2001 for Serra's massive steel sculpture Five Plates, Two Poles (1971), according to sources, and New York's Museum of Modern Art spent around $ 12 million in 1999 for Rauschenberg's combine painting Factum II (1957).

As Director, he managed over 20 galleries in California, Colorado and Hawaii and quickly developed a passion for modern and contemporary art, selling Warhol, Rosenquist, Rauschenberg, Oldenburg and Keith Haring.

For over a century the Whitechapel Gallery has premiered world - class artists from modern masters such as Pablo Picasso, Jackson Pollock, Mark Rothko and Frida Kahlo to contemporaries such as Sophie Calle, Lucian Freud, Gilbert & George and Mark Wallinger.

1996 «Modern Masters», Salander - O'Reilly Galleries, New York, NY 1988 «Art for All», Edmonton Art Gallery, Edmonton, Alberta 1988 «Studio Watch», Edmonton Art Gallery, Edmonton, Alberta 1987 «Modern Masters», Salander - O'Reilly Galleries, New York, NY 1986 «Gender & Gesture», Women's Studies Symposia, Picker Art Gallery, Colgate University, Hamilton, NY 1986 «The Mid Year Show», Butler Art Institute, Youngstown, OH 1985 «Pre Post Modern», curated by John Link, Richard R. Brush Art Gallery, St. Lawrence University, Canton, NY 1985 «Two Americans», an exhibition with Keiko Saito, Nicola Jacobs Gallery, London, Eng 1982 «10 Years of Acquisitions», The Hirshhorn Museum and Sculpture Garden, Washington, DC 1983 «Selection from the Collection», The Hirshhorn Museum and Sculpture Garden, Washington, DC 1982 «The Syracuse Show» juried by Lawrence Alloway, Everson Museum of Art, Syracuse, NY 1978 «New Acquisitions», Boston Museum of Fine Arts, Boston, MA 1977 «The Syracuse Show», juried by Clement Greenberg, Everson Museum of Art, Syracuse, NY 1976

Moore recently wrote, directed and recorded a performance 10 voices and two drummers commissioned by Wysing Polyphonic 2016, recorded live punk record at Tate Modern, ran an educational performance space in an occupied firestation in Norway, and has performed at Serpentine Gallery, BFI London with Jarvis Cocker, Block Universe Performance Festival, London; Metaphonica, Central Saint Martins; The Barbican with This is Not This Heat, and made a series of live interventions for Late at Tate Britain.

And because it's by Caro, and because he's now dead (R.I.P.), and because it's a piece of art history merchandising already, and because it's the prestigious Pace Gallery; because of all this and more, and for no reason due to its inherent value, since it transparently has none, unless you view it through a thick haze of sentimental regret for simpler and more certain times in abstract art; this pathetic little piece of twaddle has become a luxury commodity, imbued with all the myths of modernism, reflecting back at us our own «good - housekeeping - modern - but - weren't - we - ever - so - radical - back - in - the - sixties» taste.

Traveled to: Musée National d'Histoire et d'Art, Luxembourg; Istanbul Greater City Municipality Taksim Art Gallery; Ankara State Fine Arts Gallery; Izfas Gallery, Izmur, Turkey; Museo de Belles Artes, Bilbao; Santa Monica Contemporary Art Centre, Barcelona; Centro Cultural Galileo, Madrid; Veronicas, Sala des Exposiciones, Murcia, Spain; Pescaderia Vieja, Sala de Arte, Jerez, Spain, Kulturhistorisches Museum, Magdeburg, Germany; Natonal Theatre Galleriesm, Bucharest, Art halls of the Cultural Centre of the Municipality of Athens; Cultural Centre for the National Bank, Thessaloniki, Greece; The Russian Museum, St. Petersburg; Kremlin Museum, Nizhny Novgorod, Russia; Mirbachov Palzce, Bratislava, Slovakia; Cultural Centre for the National Bank, Thessaloniki, Greece; Museum of Modern Art, Skopje, Macedonia.

by Jens Hoffmann and Adriano Pedrosa, Istanbul, Turkey 2010 «Restless empathy», Aspen Art Museum, Aspen, USA «The traveling show», Fundación / Colección Jumex, México D.F. 2009 «Making Worlds / Fare Mondi», 53rd Venice Biennial, Venezia, Italy «Provisions for the future», 9th Sharjah Biennial, Sharjah, UAE SELECTED PUBLIC COLLECTIONS Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli (Torino), Italy MAXXI, Museo Nazionale Della Arti del XXI Secolo, Roma, Italy FRAC Languedoc - Roussillon, Montpellier, France MUSAC, Museo De Arte Contemporaneo De Castilla Y León, Spain Deutsche Bank Collection, Milan, Italy MAMbo, Museo d'Arte Moderna di Bologna, Italy Collezione Maramotti, Reggio Emilia, Italy Rennie Collection, Vancouver, Canada Queensland Art Gallery & Gallery of Modern Art, South Brisbane, Australia Walker Art Center, Minneapolis, USA SELECTED BIBLIOGRAPHY 2018 «Lara Favaretto» by Adam Carr, «Lara Favaretto: Post-Arte Povera» by Courtney J. Martin Published by Rennie Collection 2016 «Lara Favaretto: Ageing Process», Edited by Lara Favaretto.

, curated by Anne Umland, Museum of Modern Art, New York Someone else with my fingerprints, Galerie Chantal Crousel, Paris Overtake: The Reinterpretation of Modern Art, curated by René Zechlin and Matt Parker, Lewis Gluckman Gallery, University College Cork, Cork Degree Zero, Richard Telles Fine Art, Los Angeles Introvert, extrovert, Makes no Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence The Lath Picture Show, Friedrich Petzel Gallery, New York Uncertain States of America: American Art in the 3rd Millenium, (Guyton \ Walker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New Yfor Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New Yfor Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New Yfor Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New YFor the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New York

CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.

She has worked at the Museum of Modern Art, in commercial galleries, as Robert Motherwell's secretary - cum - curator, and as a freelancer for Harry N. Abrams, Inc., Publishers and the Metropolitan Museum of Art.

Call me only if you are in the gutter., Grice Bench, Los Angeles, CA The Great Figure Two, The Journal Gallery, Brooklyn, NY Shout for Tomorrow, Hirschl & Adler Modern, New York, NY Colliding Alien Bodies, Marlborough Chelsea, New York, NY

2018 Tacita Dean: PORTRAIT, National Portrait Gallery, London Tacita Dean: STILL LIFE, National Gallery, London 2017 Tacita Dean: LA Exuberance, Frith Street Gallery, London 2016 Tacita Dean, Museo Tamayo, Mexico City Tacita Dean, Espace Louis Vuitton, Munich 2014 Print Projects, Statens Museum For Kunst, Copenhagen 2013 JG, Arcadia University Art Gallery, Philadelphia Tacita Dean, Frith Street Gallery, London The Measure of Things, Instituto Moreira Salles, Rio de Janeiro De Mar en Mar, Fundation Botin, Santander Tacita Dean, The Fabric Workshop and Museum, Philadelphia 2012 Five Americans, New Museum, New York Tacita Dean, Norton Museum of Art, Florida 2011 Film, Tate Modern, London Line of Fate, MUMOK, Vienna 2010 Common Guild, Glasgow Craneway Event, Frith Street Gallery, London 2009 Australian Centre for Contemporary Art, Melbourne, Australia Sprengel Museum, Hanover Museum of Contemporary Art, Montreal 2008 In My Manor, Villa Oppenheim Galerie für Gegenwartskunst, Berlin Amadeus, Marian Goodman, Paris DIA, Beacon 2007 Wandermüde, Frith Street Gallery Hugh Lane Gallery, Dublin Tacita Dean, Guggenheim Museum, New York Tacita Dean: Film works, Miami Art CentFor Kunst, Copenhagen 2013 JG, Arcadia University Art Gallery, Philadelphia Tacita Dean, Frith Street Gallery, London The Measure of Things, Instituto Moreira Salles, Rio de Janeiro De Mar en Mar, Fundation Botin, Santander Tacita Dean, The Fabric Workshop and Museum, Philadelphia 2012 Five Americans, New Museum, New York Tacita Dean, Norton Museum of Art, Florida 2011 Film, Tate Modern, London Line of Fate, MUMOK, Vienna 2010 Common Guild, Glasgow Craneway Event, Frith Street Gallery, London 2009 Australian Centre for Contemporary Art, Melbourne, Australia Sprengel Museum, Hanover Museum of Contemporary Art, Montreal 2008 In My Manor, Villa Oppenheim Galerie für Gegenwartskunst, Berlin Amadeus, Marian Goodman, Paris DIA, Beacon 2007 Wandermüde, Frith Street Gallery Hugh Lane Gallery, Dublin Tacita Dean, Guggenheim Museum, New York Tacita Dean: Film works, Miami Art Centfor Contemporary Art, Melbourne, Australia Sprengel Museum, Hanover Museum of Contemporary Art, Montreal 2008 In My Manor, Villa Oppenheim Galerie für Gegenwartskunst, Berlin Amadeus, Marian Goodman, Paris DIA, Beacon 2007 Wandermüde, Frith Street Gallery Hugh Lane Gallery, Dublin Tacita Dean, Guggenheim Museum, New York Tacita Dean: Film works, Miami Art Central

For example, The Modern Procession (2002), chronicles the movement of artworks from MoMA to Queens before the remodeling and expansion of their Manhattan galleries.

The gallery specialises in Modern British Painting and Sculpture and has a high reputation for the quality of its exhibitions and publications.