Sentences with phrase «for numerous international exhibitions»

From 1998 to 2003 she served as curator of the Kunsthalle Wien and from 2005 to 2008 she was director of the Society for Contemporary Art (GAK) Bremen, where she was responsible for numerous international exhibitions.

Not exact matches

The exhibition will encompass numerous activities, culminating in a live qualifying event for the 2014 SCORE International Baja 1000 on a specially constructed dirt loop.

He created a large floor installation for the Venice Biennale in 2009, and in recent years has been included in numerous international exhibitions and biennials.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Her work has been featured in numerous exhibitions at the Wexner Center for the Arts, Columbus; Rose Art Museum, Brandies University; Blanton Museum of Art, University of Texas; Institute of Contemporary Art, Philadelphia: Yale University Art Gallery, New Haven; ZKM Museum of Contemporary Art, Karlsruhe, Germany; and the SITE Santa Fe Eighth International Biennial, Santa Fe.

Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, and the Solomon Guggenheim Museum in New York.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

As curator of this university contemporary art gallery for over four years, Blackson initiated a public art program, international publishing house, and numerous solo exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.

From 1994 to 1996 Bauer was guest curator for NowHere at the Louisiana Museum of Modern Art, Humlebæk (1996), and was Artistic Director at Künstlerhaus Stuttgart e.V. from 1990 to 1994, she has also been responsible for numerous exhibitions, lectures and international conferences such as Radical Chic (1993) and A New Spirit in Curating «(1992).

He exhibited regularly at the prestigious Willard Gallery in New York from 1949 to 1965, and he was included in numerous museum exhibitions during his lifetime, among them the «Pittsburgh International Exhibition of Contemporary Painting» (now called the «Carnegie «International») in 1955, and received the Popularity Prize for a 1953 painting called «Migrating Birds.»

Her work has been the subject of numerous international presentations, including exhibitions at the New Museum of Contemporary Art, New York; the Museum of Arts and Design, New York; the DeutscheBank Kunsthalle, Berlin; The Contemporary, Baltimore; Ronald Feldman Fine Arts, New York; the Museum of Fine Arts, Split; the Bemis Center for Contemporary Arts, Omaha; the Himalayas Museum, Shanghai; and the Beall Center for Art + Technology, Irvine.

She has been responsible for numerous exhibitions including: Ceramix: Georgia's Creative Claymakers, E-Merge Contemporary Atlanta Artists at Hartsfield - Jackson Atlanta International Airport; SCORE: Sports + Art at MOCA GA..

Charles Esche has curated or co-curated numerous international exhibitions, including the 9th Muslim Mulliqi Prize Exhibition, It Doesn't always have to be Beautiful Unless it's Beautiful at National Gallery of Kosovo, Prishtinë, 2012; the sixth U3 Triennial for Contemporary Art in Slovenia, An Idea for Living, Moderna Galerija, Ljubljana, 2011; the 9th International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, international exhibitions, including the 9th Muslim Mulliqi Prize Exhibition, It Doesn't always have to be Beautiful Unless it's Beautiful at National Gallery of Kosovo, Prishtinë, 2012; the sixth U3 Triennial for Contemporary Art in Slovenia, An Idea for Living, Moderna Galerija, Ljubljana, 2011; the 9th International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, London, 2000.

Simon's photographs and writing have been featured in numerous international publications and her work has been the subject of monograph exhibitions at institutions including the Tate Modern, London; Museum für Moderne Kunst, Frankfurt; Kunst - Werke Institute for Contemporary Art and Neue Nationalgalerie, both in Berlin; and the Whitney Museum of American Art and MoMA PS1, both in New York.

He recently had solo - exhibitions at Centre for Contemporary Art (Derry, 2016); Walker Gallery (Liverpool, 2016) and Art on the Underground (London, 2015) and has participated in numerous group exhibitions: British Art Show 8 (Leeds, Edinburgh, Norwich and Southampton, 2015 - 2016); Institute of Contemporary Arts (London, 2015), Jerwood Space (London, 2015); Baltic 39 (Newcastle, 2014); Adelaide International 2014 (Adelaide, 2014), and Museum of Arts and Design (New York, 2013).

Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.

Dijsktra's work has appeared in numerous international exhibitions, including the 1997 and 2001 Venice Biennales, the 1998 Bienal de Sao Paulo, Turin's Biennale Internationale di Fotografia in 1999, and the 2003 International Center for Photography's Triennial of Photography and Videointernational exhibitions, including the 1997 and 2001 Venice Biennales, the 1998 Bienal de Sao Paulo, Turin's Biennale Internationale di Fotografia in 1999, and the 2003 International Center for Photography's Triennial of Photography and VideoInternational Center for Photography's Triennial of Photography and Video in New York.

He has also exhibited in numerous group exhibitions including Paper and Process 2, Art Projects International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York IL LEE is best known for his pioneering work with ballpoint pen that he began 30 years ago and continues today.

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

Beginning in the 1920s, Kertész's work would go on to be shown in numerous exhibitions such as the Brooklyn Museum, New York; Royal Photographic Society of Great Britain, London; International Center for Photography, New York; National Gallery of Art, Washington D.C.; Museum of Modern Art, New York; Art Institute of Chicago; Bibliothèque National, Paris; Hungarian National Gallery, Budapest; Musée National d'Art Moderne du Centre George Pompidou, Paris; The Getty Center, Los Angeles; and the Metropolitan Museum of Art, New York.

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions, including at the Museo de Arte Contemporáneo de Castilla y Léon, Léon (2009); Sculpture Center, New York (2008); Hamburger Bahnhof, Berlin (2008); Palais de Tokyo, Paris (2007); Kunstmuseum Wolfsburg, Wolfsburg (2007); Whitechapel Gallery, London (2006); Witte de With — Center for Contemporary Art, Rotterdam (2006); Museum of Contemporary Art, Chicago (2005), Australian Centre for Contemporary Art, Melbourne (2004); Musée des Beaux - Arts du Canada, Ottawa (2004); Centre Georges Pompidou, Paris (2003); Museum für neue Kunst / ZKM, Karlsruhe (2002); Swiss Institute, New York (2002); Museum of Modern Art, New York (2002); Kunsthalle Wien, Vienna (2002); Palazzo delle Esposizioni, Rome (2001); P.S. 1.

Since its first exhibition entitled What, How & for Whom, on the occasion of 152nd anniversary of the Communist Manifesto, which took place in HDLU in Zagreb in 2000, WHW curated numerous international projects, among which are 11th Istanbul Biennial What Keeps Mankind Alive?

Jensen has been featured in numerous important international group exhibitions including Documenta (1964, 1968, 1972), the Venice Biennale (1964), Biennial of São Paulo (1977), and Post Painterly Abstraction, a landmark travelling exhibition curated by Clement Greenberg for the Los Angeles County Museum of Art (1964).

Her work has been included in numerous national and international exhibitions including Zarouhie Abdalian / MATRIX 249 at the Berkeley Art Museum (2013), the 9th Shanghai Biennial (2012), the 3rd Moscow International Biennale for Young Art (2012), and the 12th Istanbul Bieinternational exhibitions including Zarouhie Abdalian / MATRIX 249 at the Berkeley Art Museum (2013), the 9th Shanghai Biennial (2012), the 3rd Moscow International Biennale for Young Art (2012), and the 12th Istanbul BieInternational Biennale for Young Art (2012), and the 12th Istanbul Biennial (2011).

A 2001 recipient of CCF's Fellowship for Visual Artists, over the years she has had numerous group and solo exhibitions throughout the world including the California African American Museum, Japanese American National Museum, the Craft and Folk Art Museum, the International Assemblage Artists Exhibition (Berlin, Germany), National Museum of Mexican Art (Chicago, Illinois) and international Assemblage Artist Award Exhibition (New YorInternational Assemblage Artists Exhibition (Berlin, Germany), National Museum of Mexican Art (Chicago, Illinois) and international Assemblage Artist Award Exhibition (New Yorinternational Assemblage Artist Award Exhibition (New York, New York).

Her work has been exhibited in numerous international solo and group exhibitions, including Galleria AMA, Helsinki, Finland (2014); Time Waits for Us, Galleri Magnus Karlsson, Stockholm, Sweden (2013); Nordic Cool 2013: New Nordic — Architecture and Identity, The Kennedy Center, Washington D.C. (2013); and New Nordic, Louisiana, Copenhagen, Denmark (2013).

She has curated numerous contemporary art exhibitions by Japanese, Canadian, and international artists for over 20 years in Japan and Canada.

In addition to numerous successful international exhibitions across Africa, Europe and the Middle East, Abebe has also worked with charities such as UNICEF to hold workshops for street children in Arba Minch, Jinka and Addis Ababa.

Numerous significant works from the International exhibitions have been acquired for the museums» permanent collection including Winslow Homer's The Wreck (1896) and James A. McNeill Whistler's Arrangement in Black: Portrait of Señor Pablo de Sarasate (1884).

He is responsible for numerous solo exhibitions and has written extensively for international exhibition catalogues and art journals.

Together they have had numerous international exhibitions including The Museum of Modern Art, Tate Britain, Tate Liverpool, The Gwagnju Biennale, the Stedelijk Museum, the International Center of Photography, KW Institute for Contemporary Art, The Photographers Gallery, Mathaf Arab Museum of Modern Art andinternational exhibitions including The Museum of Modern Art, Tate Britain, Tate Liverpool, The Gwagnju Biennale, the Stedelijk Museum, the International Center of Photography, KW Institute for Contemporary Art, The Photographers Gallery, Mathaf Arab Museum of Modern Art andInternational Center of Photography, KW Institute for Contemporary Art, The Photographers Gallery, Mathaf Arab Museum of Modern Art and Museo Jumex.

Between 2016 and 2017, her work has been featured in numerous international exhibitions including «Moving Kate,» curated by Nick Knight for SHOWStudio in London and The Mass in Tokyo; «The Vulgar» at The Barbican in London, curated by Judith Clark and Adam Phillips; «Red Hot Wicked» at Studio C Gallery in Los Angeles; as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Together they have published nine monographs and have had numerous international exhibitions including The Gwagnju Biennale, the Stedelijk Museum, the International Center of Photography, KW Institute for Contemporary Art, The Photographers Gallery and are currently showing at Mathaf Arab Museum ointernational exhibitions including The Gwagnju Biennale, the Stedelijk Museum, the International Center of Photography, KW Institute for Contemporary Art, The Photographers Gallery and are currently showing at Mathaf Arab Museum oInternational Center of Photography, KW Institute for Contemporary Art, The Photographers Gallery and are currently showing at Mathaf Arab Museum of Modern Art.

Anahita Razmi studied at the Pratt Institute (NY) and Academy of Fine Arts (Stuttgart) prior to her institution - laden exhibition history of her video and performance works, including the 55th Venice Biennale, Kunstmuseum Stuttgart and MAK Center for Art and Architecture amongst numerous others, has received several international art grants and is in the permanent collections of several Internationalinternational art grants and is in the permanent collections of several InternationalInternational collections.

He has participated in numerous exhibitions including the Contemporary International Art Fair Miami; the Royal Academy of Art, London; the 4th Beijing International Art Biennale; the Kimmel Center for the Performing Arts, Philadelphia; the National Art Museum, Beijing; the 3rd Chengdu Biennale and the Shenzhen Art Museum.

Since the late 1990s video and multi media art works of Chinese artists have been selected for numerous international video festivals and have been presented at high - profile exhibitions, such as the documenta X in Kassel in 1997 (Feng Mengbo, Wang Jianwei) or the documenta XI (2002)(Feng Mengbo, Yang Fudong) or again the 50th Venice Biennial (2003)(Cao Fei, Chen Shaoxiong, Gu Dexin, Jiang Zhi, Liang Juhui, Yang Fudong, Yang Zhenzhong, Zhang Peili, Zhu Jia).

He has exhibited globally since 1993 and participated in numerous exhibitions including Documenta, the Carnegie International, Havana Biennial, Istanbul Biennial, Kwang Ju Biennial, Taipei Biennial, Gwangju Biennale, Lyon Biennial, Glasstress at the Venice Biennale, as well as presented solo exhibitions in the CCA Cincinnati, Stedelijk Museum voor Actuele Kunst Gent, Baltic Centre for Contemporary Art, [13] Aspen Art Museum, MOCA in Rome, Migros Museum, Palais de Tokyo, the CAC in Lyon and Haus der Kunst in Munich.

A recipient of numerous grants and awards from organizations such as the National Endowment for the Arts and the Franco - American Foundation for Contemporary Art, Thater has had more than 30 solo exhibitions in a variety of national and international venues since 1991, among them the Museum of Modern Art in New York, the Walker Art Center in Minneapolis, the Vienna Secession, and the Kunsthalle Basel in Switzerland.

Salter has had numerous solo and group exhibitions recently including: Paintings, Drawings, Prints, Beardsmore Gallery, London (2016); First Light, Howard Scott Gallery, New York (2015); New Works on Paper (with Gianfranco Foschino) Galerie Michael Sturm, Stuttgart (2014); Beyond, Beardsmore Gallery, London (2013); International Print Exhibition UK / Japan, Kyoto, Kita Kyushu (2012); into the light of things: Rebecca Salter 1981 - 2010, Yale Center for British Art, Connecticut (2011); Rebecca Salter and Japan, Yale University Art Gallery (2011); 40 Artists: 80 Drawings, Burton Art Gallery and Museum, Bideford, Devon (2011); Pale Remembered, Beardsmore Gallery, London (2009); 40 Artists - 40 Drawings, Victoria and Albert Museum (2009); Drawing into Painting into Drawing, The Drawing Gallery, UK (2008).

The Rose Mandala series was originally created to be presented to the Dalai Lama in 2006 for his visit at the University of Buffalo; the Mandalas have been featured in numerous international exhibitions such as AA Bronson's Garden of Earthly Delights, Kunstverein Salzburg, 2015; Sacre du Printemps, Kunstverein Graz, 2015; The Temptation of AA Bronson, Witte de With Centre for Contemporary Art, Rotterdam, 2013 and will also be included in AA Bronson's upcoming exhibition at KW Institute of Contemporary Art Berlin in 2018.

Although most of Moore's output was destined for these shows he also participated in numerous group exhibitions during the decade, most notably the International Surrealist Exhibition in London and Cubism and Abstract Art at the Museum of Modern Art, New York, both in 1936.

Numerous international solo exhibitions were dedicated to his work: in 2002 a retrospective in the New Museum, New York was a tribute to his work, and in 2004 he received the Skowhegan Medal for Distinction in Painting.

Yael Bartana represented Poland for the 54th International Art Exhibition in Venice (2011) and has had numerous solo - exhibitions including at Sommer Contemporary Art, Tel - Aviv (2015); Stedelijk Museum, Amsterdam (2015); Petzel Gallery, New York (2015); Capitain Petzel, Berlin (2015); IHME Festival, Helsinki (2014); Van Abbemuseum, Eindhoven (2012); Secession, Vienna (2012); Tel Aviv Museum of Art (2012); Van Abbemuseum, Eindhoven (2012); Moderna Museet, Malmö (2010); Contemporary Jewish Museum, San Francisco (2010); Moma PS1, New York (2008); Kunstverein, Hamburg (2007); and the Van Abbemuseum, Eindhoven (2006).

Apart from participation in numerous international group shows, Nara has had solo exhibitions at the Chicago Museum of Contemporary Art and the Santa Monica Museum of Art, and he is preparing for a retrospective in 2002, which will travel throughout Japan.

Their exhibitions and performances have been shown at numerous international institutions and galleries, including ICA Boston, Museum Ludwig, De Appel Centre For Contemporary Art, and Performa 05.

Following numerous international solo exhibitions (Kunsthalle Basel, MOCA / Los Angeles, ICA / London...) Ernesto Neto (born 1964 in Rio de Janeiro) for the first time presents his work at the Galerie Bob van Orsouw.

In 2013 she was awarded the Golden Lion for Lifetime Achievement and her first major US show wasn't until 2014 taking place at MoMA PS1, Long Island City NY despite numerous well - attended international solo exhibitions at the Stedelijk Museum, Amsterdam (1994), Centrre Geroges Pompidou, Paris (1995), Serpentine Gallery, London (2008).

He has had numerous international solo exhibitions at such venues as the Los Angeles County Museum of Art, Los Angeles (2014); the Museum Ludwig, Cologne (2014); the Centre Pompidou, Paris (2013 - 2014); the Museo Tamayo Arte Contemporaneo, Mexico City, Mexico (2012); Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain and the Art Institute of Chicago, Chicago, IL (2010); Tate Modern, London, England (2006); Moderna Museet, Stockholm, Sweden and the Irish Museum of Modern Art, Dublin, Ireland (2005); Castello di Rivoli Museo d'Arte Contemporanea, Turin (2004); the Solomon R. Guggenheim Museum, New York and DIA Center for the Arts, New York (2003); the Van Abbemuseum, Eindhoven (2001); the Museum of Contemporary Art, Chicago (2000); and the Musée d'Art Moderne de la Ville de Paris (1998).

A participant in the 2013 Sofia International Paper Art Biennale and the Pittsburgh Biennial in 2008, Kang's work has been included in numerous solo and group exhibitions nationally and internationally at venues including the Susquehanna Art Museum, Queens Museum, Whatcom Museum, Pittsburgh Center for the Arts, and the Ganser Gallery at Millersville University.

Selldorf Architects has an international reputation for the specific demands of cultural and art - related projects, having completed numerous gallery, exhibition and studio spaces, as well as museums, art foundations and collectors» homes.