Sentences with phrase «for objects in my photos»

Tapping the ruler icon allowed me to use the measurement tool to get real - world dimensions for objects in my photos, either by drawing a line between two points or drawing a box with four points.

Not exact matches

At the same time, as people increasingly consume magazine content online on their phones or on social media sites while out in public, Playboy readers objected to pornographic photos considered NSFW: Not Suitable For Work.

Expect to scour the internet for eye - catching, original photos and illustrations, and write about everything from trending optical illusions and puzzles that stump the internet to viral hidden objects in photos and Photoshop controversies.

It all started in 2011, when Chirayath — a photo enthusiast whose subjects have included astronomical objects, marine and natural subjects, and nonprofit work he did in Kenya — was looking for ways to combine his love of fashion photography, laboratory - grade optical effects, and scientific topics.

In a photo recognition application, for example, low - level neurons might recognize light from dark or the edges of objects.

This is common in the search for fainter objects; they appeared in earlier photos or drawings, but hadn't been noticed.

The blue object in the photo is urethane cushion material for protection.

Even the posters for the film (which I know Garland would not necessarily be involved in designing) display Ava as an object, either with just her torso (no brain to think with or arms and legs to for independent movement), or the standard photo - from - behind with torso twisted towards the front, so that both buttocks and breasts are on display.

As finding the right resources with the appropriate educational quality can sometimes be difficult for teachers, the lesson editor in Wand.education ™ includes an extensive library of illustrations, animations, videos, audios, photos and 3D objects.

Pietromarchi, who both wrote and illustrated the book, uses collages, photos, and found objects in nature to lay it all out, and with an infectious passion for art, she invites readers to make connections and create art meaningful to them.

It would be difficult for the game to recognize a shape when a shadow darker than the object appears in the photo.

This colourful neon vision of an undersea environment is the result of a photo shoot at the studio of designer Roman Ermakov, who's famous for his avant - garde costumes, and which became the central objects in the images.

I know Massimiliano curates three shows 10x this size each day before breakfast, but it's still a BFD for me, and after writing and thinking about the objects and photos in the show for so long online, it really is a completely different thing to see them in person.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reObjects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

At Headlands, Soto will relocate 24 Hours into Headlands» Project Space, producing an exhibition that includes architectural interventions, continued photo documentation, and a workshop for exhibition visitors to produce objects to be placed in the space.

To illuminate these objects, Loebs has lit Ludlow 38 by installing cleanroom lighting typically used in labs for manufacturing and photo developing.

But this one nails it, in no small part because the scattered objects are bagged up in plastic like evidence from a crime scene, perhaps a heist of some sort (the security grille, the Maglite, the bricks) or a photo shoot for a food magazine that has somehow gone awry (the fake limes and bread, the candied fennel).

For Loomer, his first solo show in Los Angeles, the artist will be presenting a number of photo - based collages, Perspex sculptures, heat - shrink - wrap objects, videos and websites, many of which span the past five years.

In Ross - Ho's hands, the plaza is transformed into an enormous photo studio, with objects on display for the purpose of being photographed by the public, while the sun provides a shifting source of light, affecting both our perception of how the objects look in real life and how they appear in our photographIn Ross - Ho's hands, the plaza is transformed into an enormous photo studio, with objects on display for the purpose of being photographed by the public, while the sun provides a shifting source of light, affecting both our perception of how the objects look in real life and how they appear in our photographin real life and how they appear in our photographin our photographs.

Johalla Projects, Chicago, IL, The Enigmatic Object, curated by: Kyohei Abe of the DCCP and Caroline Picard 2013 Center for the Arts Gallery, Towson University - Towson, MD, American Photography x2 C. Grimaldis Gallery, Baltimore, MD, Summer «13 Photo Center NW, Seattle, WA Nepalese Academy of Fine Arts, Kathmandu, Nepal Newah Organization of American Convention in Silver Spring, MD 2012 FotoDC, Washington, D.C. Case [werks] Gallery, Baltimore, MD Meyerhoff Gallery, Maryland Institute College of Art, Baltimore MD, Sondheim Semi-Finalists 2011 FotoDC, Washington, D.C. Meyerhoff Gallery, Maryland Institute College of Art, Baltimore MD, Sondheim Semi-Finalists 2010 Meyerhoff Gallery, Maryland Institute College of Art, Baltimore MD, Sondheim Semi-Finalists Center For Fine Art Photography, Fort Collins, CO BCC - Dundalk,for the Arts Gallery, Towson University - Towson, MD, American Photography x2 C. Grimaldis Gallery, Baltimore, MD, Summer «13 Photo Center NW, Seattle, WA Nepalese Academy of Fine Arts, Kathmandu, Nepal Newah Organization of American Convention in Silver Spring, MD 2012 FotoDC, Washington, D.C. Case [werks] Gallery, Baltimore, MD Meyerhoff Gallery, Maryland Institute College of Art, Baltimore MD, Sondheim Semi-Finalists 2011 FotoDC, Washington, D.C. Meyerhoff Gallery, Maryland Institute College of Art, Baltimore MD, Sondheim Semi-Finalists 2010 Meyerhoff Gallery, Maryland Institute College of Art, Baltimore MD, Sondheim Semi-Finalists Center For Fine Art Photography, Fort Collins, CO BCC - Dundalk,For Fine Art Photography, Fort Collins, CO BCC - Dundalk, MD

Three prints that restage historical moments of social conflict are on display in the Linda and Lawrence Perlman Gallery (368) for the «Then» section; three recent «straight» photos of accumulated objects and an artist studio are juxtaposed with artworks in the MIA's permanent collection in the «Now» section.

In Photo Under Water (1971), William Wegman stages a scenario for the camera as he uses an existing self - portrait photograph as his object.

Alongside images of punk rock icons and nude models, Prince's re-use of Namuth's photos of Pollock, who was himself ultimately performing for the camera, suggests that the modernist invention of forms — art objects, artistic gestures, and artistic personas — has always been infused with certain requisite signifiers that operate wholly in the realm of mass production and mass consumption.

The exhibition will also feature pieces by John Baldessari, whose works would often draw viewer's attention to minor details, absences or the spaces between things; Alfredo Jaar, multidisciplinary artists best known for his installation works; John McCracken, whose monochromatic sculptures explore the relationship between objects and their surrounding spaces; Bruce Nauman, whose conceptual works conceptual works that explore space, language, and the body; Lorna Simpson, whose photo - conceptualist works investigate the relationship between image and text; and Vassilakis Takis, a kinetic artist who uses electromagnetism to suspend human beings and objects in space.

From illustrations in mass - produced publications to maquettes for projects that have never been shown, this show will feature over 400 objects and include drawings, paintings, prints, photos, even film, in addition to unpublished materials.

In all of Collier's works emotions initially appear to be withheld, where her approach to the photographic image seemingly echoes earlier manifestations of photo - conceptualism in both style and emotional detachment, presenting the object of investigation as if ready for analysis and deconstructioIn all of Collier's works emotions initially appear to be withheld, where her approach to the photographic image seemingly echoes earlier manifestations of photo - conceptualism in both style and emotional detachment, presenting the object of investigation as if ready for analysis and deconstructioin both style and emotional detachment, presenting the object of investigation as if ready for analysis and deconstruction.

One of the most influential young artists working in the Filipino art scene, Nona Garcia is perhaps best known for her elaborate, large - scale paintings characterized by an intense, photo - realistic approach and for her series of X-ray installations — illuminated films of found objects encased in light - boxes.

However, IR photos are generally taken fairly close to 10μ (FLIR video, looking for objects whose temperatures range around the blackbody temperature of the surface of the Earth to, for example, expose people walking across a field) where there is a window in the H2O absorption spectrum, or sometimes around 4μ (detection of vehicles with hot engines or tires) where there is another window.

Google Drive borrows from Google's powerful search algorithm to allow searches of not only file names, but also text in scanned documents and objects in images (a neat trick for those with years of vacation photos).

The app's features are similar to those found in something like Google Photos — it also can de-duplicate photos, for example, as well as categorize the people, places and objects it finds in your iPhotos — it also can de-duplicate photos, for example, as well as categorize the people, places and objects it finds in your iphotos, for example, as well as categorize the people, places and objects it finds in your images.

There is also an image tracker which lets you select a focal point that the camera will then track, no matter how the object moves, which can come in useful for taking photos of kids or animals.

Also, it's the first phone to support Google Lens the company's new system for object recognition in photos.

Now you can isolate an object in a photo and shop for it.

Google Lens wasn't much more than a party trick when it first launched on the Pixel 2 as a part of Google Photos, but now that Google's visual search service is integrated right within the Google Assistant, it's quickly become a truly functional tool for finding more information on objects around you in the real world.

The Pixel 2 will also be the first phone to fully support Google Lens, the company's new system for recognizing objects in photos.

For example, there is a Clone mode, that will overlap several photos to make it appear as though there are multiples of a person or object in a single shot.

Highlights Computer graphic design Digital illustration Print and electronic publishing Brand development Client relations Strategic planning Education Southern New Hampshire University 2016 Bachelor of Arts: Graphic Design and Media Arts Manchester, NH Relevant Coursework: Graphics and Layout in Print Media, Desktop Publishing, Basic Design and Color Theory, Digital Graphic Design for the Web, Typography, and Advanced Digital Imaging Graphic Design Training Computer Graphic Design Used bitmap raster and object - oriented vectoring software and photo imaging to create and manipulate digital images.

Position a table in an alcove rather than adding built - in cupboards or shelving and use the tabletop for practical as well as decorative objects, such as lighting, ornaments and photo frames.