Sentences with phrase «for objects in the room»

The resulting video and audio recordings revealed that babies whose caregivers used more nouns for objects in the room were better at the word task in the lab.

Not exact matches

For instance, he'll look at the objects on display in people's «perception room,» i.e., the room in which they entertain visitors.

Normally many of the object - oriented programming languages clean up for you because they notice when you are running low on memory and haven't used a bit of code in a while, but in the case of these terascale systems, it would be like having a kitchen the size of a football field, so by the time you ran out of room, it would take weeks to clean it up.

So, it's really keeping them out of those areas and setting up the areas for your older children that they can play in, with those toys like the Lego's or you know the dolls or the clips and stuff that have little objects and then they have other areas where the older child can play with the younger child for age appropriate toys, so that they can play together by keeping the non - age appropriate toys either in a separate room or in that older child's room so that you can keep them separated and not necessarily have to baby proof that older child's room, because It's gonna be nearly impossible to do.

This method can help spot what objects, for example plants or wires, need to be removed from that particular room as they are in easy reach of a child's curious hand.

Elana — first — you are doing a good job second — at 9 months your bubba is learning about object permanence — if he fusses when you leave the room — he is developmentally right on track don't worry — it doesn't last — and is actually a good sign — it signals that he is well attached to you — which is highly desirable in terms of raising happy well adjusted children that are willing to explore their world He isn't to young for independent play — It just might be for a little while that it happens while he can see you As he chooses to — allow him to move himself out of your sight (somewhere safe of course) i.e around the edge of a couch, through a door way etc — playing disappearing and reappearing games like peek - a-boo and hiding things under boxes / blankets for him to «find» etc is good too as time goes on — he will learn that things re-appear when they disappear

Tzivoni strongly objected to the conditions in the maternity ward, where he and his wife had asked for full rooming - in (where the mother and baby stay together day and night).

Along with being a surefire way to calm your child before bedtime, the book is also great for teaching about various objects in a room.

Diarist and former Labour politician Chris Mullin was sceptical about MPs producing their own literature covering what they've been doing in office, telling the room that his successor (MP for Sunderland Central Julie Elliott), «publishes a brochure, from party funds» but this kind of thing is «vanity publishing» and «doesn't advance your knowledge very much... [but] I wouldn't object to anything pretty basic and bland.»

A music track, for instance, could be assigned to an object in the room such as a vase.

For example, a person with autism who is viewing a movie of people in a room will spend a relatively large amount of time looking at non-social objects — such as chairs — and is more likely to look at the mouths or bodies of the characters than their eyes.

However, a dark room in which a person can see only the object removes many of the brain's tools for judging distance.

Glow - in - the - dark objects seem magical when you're a kid — they can brighten up a dark room without the need for electricity, batteries or a light bulb.

The team also noticed something perhaps not as surprising: Volunteers tended to search for objects in the darkest areas of the room, and they avoided locations close to windows when hiding objects.

Events for the younger set included a tour of «the fourth dimension» — a room full of hypercubes and other higher dimensional objects that gave me a touch of vertigo; a chamber of robots that you could teach to play football; a demonstration of forensic science involving (real) guns and a (fake) cadaver in a staged crime scene; a live cooking show in which physicists, chemists, and anthropologists explained the science and origins of food; and a walking tour through the natural history of excrement featuring — you guessed it — a dizzying array of animal feces.

For example, students can turn household objects, like measuring cups, into a set of customized drums or combine LEDs with a piece of art so that it will light up when the light in a room dims.

Begin by looking for five things in the room, then touch four objects, smell three things, listen for two sounds, and finally taste one.

Whether you are working with a space slightly larger than a mat or the most expansive room in your house, making physical space at home for your mediation, yoga practice — or simply honoring objects that have deep meaning — can have a profound effect...

Ridiculously conceived, one can only laugh at how the film is set - up, with gratuitous car chases chock full of spontaneous explosions, muscle - bound pretty boys, and rooms in deserted buildings which seem to be used for little more than storage for dangerous objects for Seagal to use in hand - to - hand combat.

Resource Title S.T.E.M Activity Pack Age / Year Group Key Stage 1 and Key Stage 2 Total Pages in download ❤ 46 (25 printable NO - PREP worksheets / tasks and activities) File Type PDF Resource Content A whole variety of S.T.E.M Activities covering the following areas of learning - ❂ Plants ❂ Fingerprints ❂ Fun Hand and Feet Measurement Worksheets ❂ Reuse and Recycle ❂ Remodel the Room ❂ Mathematical Geniuses ❂ Robot Home Task ❂ Robot Classroom Task ❂ Raving Raisins Experiment and Prediction Template ❂ Krafty Keyboard - Identify the keys ❂ Inventors ❂ Sink or Float ❂ Magnetic Objects ADDED BONUS Awards for Thriving Engineer, Mathematical Genius, Star Scientist and more.

For example, you can easily remember your room, where everything is familiar to you, and place certain objects in certain places.

ft. of cargo space, 60/40 Split Fold - Down Rear Seats and a trunk pass - through for longer objects, you have plenty of room to pack it all in and head on out.

The bench seats can be folded flat and the four - way adjustable passenger seats allow room in the trunk for a variety of large objects.

Its short wheelbase, the size of its cargo bed, and the high entry of its bed might pose packaging issues if it is to be competitive in the marketplace — Volkswagen already offers spacious Transporter - based cargo vans with much more room for carrying bulky objects.

If your pet is sedated, please keep them confined in a climate controlled room and away from stairs or high objects to prevent falls for the remainder of the day.

Most homes have a grassy enclosed exercise area where a dog can be let off the lead for a free run, if not use a different room in your house to hide objects.

Luminous Viet Hotel is a three - star hotel with an unassuming exterior that offers 35 highly comfortable, modern rooms with elements of traditional Hanoi design.Interior decor includes objects like Vietnamese gongs, oil paintings, and smoothly polished hardwood floors.Rooms are ranging in price and size from deluxe, family, suite and superior.Balconies are available for some.Room amenities include welcome drinks of tea, coffee, or water, air conditioning, in - room safes, Wi - Fi access, single, double, or twin beds, 32â $ flat - screen TVs with satellite channels, separate shower and bathtubs, refrigerators and mini-bars, writing desks and reading lamps, and hairdryers.

Guest rooms and suites at Wickaninnish Inn generally contain: • Comfy king beds with high - denier Egyptian cotton linens • Gas fireplace • Multiple closets with robes, ironing board, slippers, and a safe • A Douglas fir writing desk, a cedar coffee table, and driftwood art objects • An interesting minibar with local treats and British Columbia wines • Complimentary in - room tea and coffee •... MORE Fruit basket • His - and - hers stainless Thermos bottles, filtered water pitcher, and umbrellas • Helly Hansen rainwear for Vancouver Island rain • Bushnell binoculars for birdwatching and nature - gazing • iPhone / iPod dock • Free wifi

Exploration is only meaningful if rewarded with discovery, and when you do stumble upon an object with which your girl can interact — like an old building facade littered with spent rifle shells — you are granted not just an item to collect for your basket and potential rooms to unlock in Grandmother's house, but a short line of pop - up text that gives insight into your chosen avatar's thoughts, feelings and personality.

Thankfully objects that you need to use later in a different room are stored in your inventory, while ones you need in the immediate area you pick up and place somewhere (a cog in a machine, for example).

This is perfect for the puzzles and especially the hidden object ones because everything fits in as opposed to a room full of random illogical items.

- each vacuum handle is equipped with two main buttons - the top button is for charging your flashlight blast - the bottom is for sucking up ghosts - a special button located apart from the controller lets you throw a stun bomb - starts with a tutorial from Professor E. Gadd - use flashlight blasts to stun ghosts and destroy small enemies - use the vacuum to collect coins / objects nearby and suck in ghosts - on - rails FPS - when you charge your flashlight you can feel the controller's vibrations building up and die out with the flash - when you grab a ghost in your vacuum stream you feel the pull when he switches directions or break free - when you suck up coins, a mechanism inside the controller pounds the inside - game gives you options as to which room you would like to investigate next - sometimes you have to clear certain rooms before moving on

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

The audio consists of different sound effects and soundtracks for each time period comprising of sound effects including selection of powers, objects being possessed, overturned and thrown across rooms, banging, scratching, squeaking, beastly growls, ghostly growls and people screaming in horror, alongside atmospheric music in the classic and eighties eras and comedic elevator music in the office era.

Players will navigate tight corridors, small rooms, long and dark tunnels, gritty and dirty marketplaces and more, killing zombies and mutated monsters, looking for skill points (which come in the form of chess pieces), ammo and health, flipping switches and pushing objects along the way.

There isn't much room for fancy design in an auto - scrolling game with three lanes and only three objects, though.

[43][44] In all but two of the series» games, one of these endings is a joke ending in which the main protagonist comes in contact with unidentified flying objects: there is no joke ending in Silent Hill 4: The Room, and the only joke ending in Downpour is a surprise party for the player featuring characters from previous instalments of the franchisIn all but two of the series» games, one of these endings is a joke ending in which the main protagonist comes in contact with unidentified flying objects: there is no joke ending in Silent Hill 4: The Room, and the only joke ending in Downpour is a surprise party for the player featuring characters from previous instalments of the franchisin which the main protagonist comes in contact with unidentified flying objects: there is no joke ending in Silent Hill 4: The Room, and the only joke ending in Downpour is a surprise party for the player featuring characters from previous instalments of the franchisin contact with unidentified flying objects: there is no joke ending in Silent Hill 4: The Room, and the only joke ending in Downpour is a surprise party for the player featuring characters from previous instalments of the franchisin Silent Hill 4: The Room, and the only joke ending in Downpour is a surprise party for the player featuring characters from previous instalments of the franchisin Downpour is a surprise party for the player featuring characters from previous instalments of the franchise.

There is no PlayStation Move compatibility, although there are two control schemes with the free mode allowing players to move using the DualShock 4's analogue sticks, while comfort mode projects a transparent Lara Croft to show where in your surroundings you are about to transport to, alongside the ability in both control schemes to utilise the DualShock 4's gyroscopic motion sensing functionality to manipulate objects such as documents to search for clues as to the location of the mastery key to open up more rooms and find the safe combination.

These works, like «Providence Spirits (Gold)» (2017), are the most lovely objects in the show and are meant to stand out as carry horses for the metaphor of wealth and the gap between the lives these heavily aestheticized and finely crafted paintings represent and the lives (alluded to in other rooms) that are deemed worth significantly less.

Recent exhibitions include System of Objects, The Dakis Joannou Collection Reloaded by Andreas Angelidakis at DESTE Foundation in Athens (co-curator and exhibition architecture), 2013; DO - IT Moscow at Garage, 2014 (exhibition architecture); Crash Pad, A preliminary statement for the 8th Berlin Biennial, 2014 (artist); Every End is A Beginning at National Museum of Contemporary Art Athens, 2014 (artist, co-curator); Fin de Siècle at Swiss Institute / Contemporary Art, New York, 2014 (curator, exhibition architecture); and 1:1 Period Rooms at Het Nieuwe Instituut, Rotterdam, 2015 (artist, curator).

By 2007 the collection had grown to 888 objects, making the room no longer enterable.12 Since that year, the objects have been shipped and reinstalled for exhibitions at Gagosian New York and at Tate Britain, which now owns the work in partnership with the National Galleries of Scotland.

Richard Hughes is known for his exceptional skill to turn ordinary, sometimes slightly repulsive objects that might be found in a hovel of a rooming house or unceremoniously dumped by the side of the road «'' bleak monuments to abused domestic or public spaces «'' into narrative sculptures.

For instance, in a small side room, US artist Dario Robleto's Setlists for a Setting Sun (The Crystal Palace)(2014) and The Sky, Once Choked with Stars, Will Slowly Darken (2011) are comprised of, among other minerals and objects, sea urchin teeth, homemade crystals, glass domes, audio recordings and mica flakes (which can be found in the mountains of New MexicFor instance, in a small side room, US artist Dario Robleto's Setlists for a Setting Sun (The Crystal Palace)(2014) and The Sky, Once Choked with Stars, Will Slowly Darken (2011) are comprised of, among other minerals and objects, sea urchin teeth, homemade crystals, glass domes, audio recordings and mica flakes (which can be found in the mountains of New Mexicfor a Setting Sun (The Crystal Palace)(2014) and The Sky, Once Choked with Stars, Will Slowly Darken (2011) are comprised of, among other minerals and objects, sea urchin teeth, homemade crystals, glass domes, audio recordings and mica flakes (which can be found in the mountains of New Mexico).

Twenty - eight - year - old Mack recently relocated his studio from a room within the Studio Museum in Harlem, which he occupied as part of a yearlong residency, to a sprawling space in the Bronx, scattered with paint, peg boards, packing blankets, umbrellas, and other sundry objects, all fodder for his visceral sculptures and wall - hangings.

The storage facilities, print room, and galleries have all been designed with ease of use for study and presentation of collection objects in mind.

With over two centuries of objects that have been kept in boxes and in rooms, stacked and passed down without regard for usefulness or beauty yet marked with names and dates and data only for posterity's sake.

Katarzyna Przezwanska «s work is both playful and serious: riotous colors precisely define spaces for objects on a desk or in a room, or grace the facade of a dour old concrete building.

Rauschenberg's exhibition at Betty Parsons Gallery opened on May 14, 1951, and, as was standard for the time, remained on view for just three short weeks.36 The presentation consisted of thirteen easel - size oils in the smaller gallery while the larger main room featured works by Walter Tandy Murch, an artist known for his realistic depictions of mechanical objects and illustrations for such magazines as Forbes and Scientific American.

FOMO at Friche Belle de Mai, Marseille Aldo Mondino: Rules for Illusion at Eden Eden, Berlin; Rules for Illusions, Part 2 at Galerie Isabella Bortolozzi, Berlin Bill Lynch at Tanya Leighton, Berlin Ametria at Benaki Museum, Athens Aleksandra Domanović at Art Space Pythagorion, Samos Fiamma Montezemolo at Maggazzino Arte Moderna, Roma Lofoten International Art Festival at Jern & Bygg, Svolvoer, Norway Under the Clouds: From Paranoia to the Digital Sublime at Serralves Museum of Contemporary Art, Porto Here We LTTR at Tensta Konsthall, Stockholm Variations on «An Andalusian Dog» at X-ist, Istanbul Europe: The Future of History at Kunsthaus Zürich Jennet Thomas at Grundy Art Gallery, Blackpool No Shadows in Hell at Pilar Corrias, London Parallel Oaxaca at Supplement, London e-studio Luanda at Tiwani Contemporary, London Magali Reus at The Calder, Hepworth Wakefield Beatrice Gibson at Collective, Edinburgh Tony Lewis at Shane Campbell Gallery, Chicago Drew Heitzler at Blum & Poe, Los Angeles Madison East: Elbow Room in Paradise; Quintessa Matranga: Peasant, at Chin's Push, Los Angeles Eirik Sæther at Jenny's @ 47 Canal, New York Nikolay Bakharev at Julie Saul Gallery, New York Yoko Ono at MoMA, New York JJ PEET at On Stellar Rays, New York Objects Food Rooms at Tanya Bonakdar Gallery, New York Stewart Uoo at Mendes Wood DM, São Paulo Portia Zvavahera at Stevenson, Cape Town Dor Guez at Centre for Contemporary Art, Tel Aviv

Its once - lived - in rooms, with their ornamental flourishes, offer the perfect setting for an artist preoccupied with the psychological, imaginative dimensions of domestic spaces, objects, and rituals.