Sentences with phrase «for oral culture»

Just as the advent of literacy undermined the mnemonic skills needed for oral culture, digitization will undermine the skills needed to work «unplugged».

She lives in New York, where she co-founded oysi.org, a site for the oral cultures and poetries of the world.

Not exact matches

The result is a culture that discriminates against other animals, has disregard for the environment, created hatred against people of different beliefs and cultures, and has created constant sect oral wars from the day of its emergence.

It isn't all good quality, by a long shot, but then again, there is no reason to believe that in oral cultures all stories were created equal and for the ages.

It is for that reason that an old sermon or a sermon read from a book for an entirely different occasion is a particular offense to the oral culture.

For Walter Ong, a Jesuit theorist, of paramount importance in understanding the difference between oral and literate cultures are knowledge storage and retrieval devices.

Because much of the energy of the oral culture is spent remembering and passing on the Word through ritual, no one in such a culture would dream of introducing new worship materials every week for the sake of variety.

As in oral cultures, it is necessary for communal memory and attitudes to be cultivated and renewed more deliberately within the public sphere through repetition and ritual.

How can seminaries address the synergistic value of print, oral, electronic and digital culture for proclaiming the gospel, building the church community and educating the clergy and laity?

In oral culture, for example, language is sound; it is what is heard.

An oral drug used to treat an illness unrelated to HIV eradicated infectious HIV - producing cells in lab cultures while sparing uninfected cells — and suppressed the virus in patients during treatment and for at least eight weeks after the drug was stopped, according to results of a clinical pilot trial and researchers at Rutgers University and Dartmouth College.

He researched cultures around the world and their oral health and found the diets close to the land were exemplary for providing healthy mouth, teeth, bite.

«While more studies are needed to identify the most beneficial aspects of probiotics and determine whether topical or oral probiotics yield the best results, I think we can expect to see some cutting - edge probiotic products for acne and rosacea in the near future... Until then, I would recommend that patients with acne or rosacea see their dermatologist to talk about adding foods with live active cultures, such as yogurt, to their diets or taking an oral probiotic supplement daily.

QualityPoz Masculine, mature, educated, cultured and freaky oral, bttm guy here looking to connect with another quality guy for friendship, sexing, chilling or more.

Two thoughts I hope you can comment on: the Maori culture in the past would preserve the ritual tattooing of their chieftains by preserving their heads after death — the idea of a permanent archive and the furtherance of an oral storytelling tradition that film represents for us in modernity.

The app was designed to enable users to measure the listening and speaking skills of young learners, recognising the significance of the oral tradition in Indigenous cultures, and oral language as the foundation for the development of literacy skills and a strong indicator of later reading, writing and overall academic achievement.

These might include a culture of the ear canal, an ear flush with deep cleaning of the ear canal, as well as oral medications to supplement the ear drops that are formulated specifically for the «bugs» in their pet's ears.

The rainforest setting is the natural, authentic backdrop for this spiritual and mystical culture, a performance unique to flames of the forest, where you will learn about their timeless oral traditions in an intimate and personal setting.

Ireland is what some anthropologists call a «lived» culture — the most potent history is oral, storytelling is an art, and people will travel miles for the «craic,» the Irish term for a rousing good time.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Inszenierung / Mise en scene», Museum im Kulturspeicher, Würzburg 2008 «Bending the Word / MATRIX 226», BAM / PFA — UC Berkeley Art Museum, Berkeley 2008 «Time Crevasse», Yokohama Triennial 2008, Yokohama 2008 «ICA: 60 Past, Present and Future», performance at ICA — Institute of Contemporary Arts, London 2008 «Fia Backstrom: That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, London (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalle, Cologne

Vicuña's quipu transform this ancient practice into a visual metaphor for the collisions of two competing cultures and worldviews: the Andean universe of oral communication spatialized through an embodied, nonlinear encounter with time, and the Western mapping of time through the linear, teleological unfolding of the printed word.

Inszenierung / Mise en scene», Museum im Kulturspeicher, Würzburg 2008 «Bending the Word / MATRIX 226», BAM / PFA — UC Berkeley Art Museum, Berkeley 2008 «Time Crevasse», Yokohama Triennial 2008, Yokohama 2008 «ICA: 60 Past, Present and Future», performance at ICA — Institute of Contemporary Arts, Londra 2008 «Fia Backstrom: That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, Londra (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, Londra 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlino 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlino (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlino (performance) 2007 «Experiment Marathon», Serpentine Gallery, Londra (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul ed Atene (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlino 2007 «Köln Show2», European Kunsthalle, Colonia

Tufekci noted that those who are more familiar with oral cultures — users from Eastern Europe, for example, or African - American users — often seem more comfortable with the transient nature of social media, the inability to pin things down, the fact that information is constantly changing, and so on.

Dr. Wesch, for one, says he worries that the rise of secondary orality may have a paradoxical consequence: «It may be gobbling up what's left of our real oral culture.»

Tags for this Online Resume: Tissue Culture, Protein, Molecular, Cell, Pharmacology, Transduction, Assays, Antibody, Patent, Scientific writing, Oral communication, Protein purification, Group leader, Immunology, Inflamation

As it has been stated in many native title reports, providing such evidence generation by generation, while being subject to the strict rules of evidence, is a herculean task for people of an oral culture with a history of dispossession and generations of children that were removed from their parents.

Given the gravity of the consequences flowing from a finding that a claimant group is not who they claim (and perceive themselves) to be, and consistent with principles of equality and respect for culture, as well as the intention of the Parliament in enacting the NTA «to rectify past injustices» and establish a «special procedure... for the just and proper ascertainment of native title rights and interests... in a manner that has due regard to their unique character», the Court should, it is respectfully submitted, approach the admission of oral testimonies of native title claimants in ways which accommodate Aboriginal accounts of their histories [85] and are, where appropriate, sceptical in the receipt of written records of the past.

The app was designed to enable users to measure the listening and speaking skills of young learners, recognising the significance of the oral tradition in Indigenous cultures, and oral language as the foundation for the development of literacy skills and a strong indicator of later reading, writing and overall academic achievement.

These shortcomings include failure to protect artists for more than 70 years (when culture is ongoing), protection for individuals only, and not for communities, and failure to protect oral history, Indigenous ecological knowledge or sacred sites.

Oral storytelling is an important part of many First Nations and Aboriginal cultures and has been for thousands of years.

Culture, religion and language rights are contained in articles 11 - 13 of the Declaration: right to practice and revitalise their cultural traditions and customs, right to practice and develop their spiritual and religious traditions, customs and ceremonies; right to revitalise, use, develop, and transmit their histories, languages, oral traditions, philosophies, writing systems and literatures; and right to interpretation for political, legal and administrative proceedings where necessary.

In particular, new funding and programs have been introduced for organisations such as Link - Up; mental health counselling; family reunion services; parenting support programs; programs to preserve Indigenous languages and culture; oral history recordings; and for the archiving of records.

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