Sentences with phrase «for other art institutions»

In addition to my curatorial work at Wave Hill, sometimes I organize exhibitions as a guest curator for other art institutions.

Not exact matches

The financial institution won't be dealing with blockchain - based bitcoin or any other altcoin, instead, it intends to launch its own virtual coin for speeding up the processing time of a transaction and facilitating the profit from art objects.

From the rise of the institution of the university in the Middle Ages onward, because of its base in divine revelation theology had been the highest and dominant faculty, superior to the faculties of arts and sciences and to the faculties of law and medicine, for theology was the «queen of the sciences» whom all other inquiries ultimately served.

(2) There is division of labor, defined relative to work: the one gives birth, the other tills, (3) There is the coming of the arts and crafts: no more just picking fruit and gathering nuts, but agriculture — the artful cultivation of the soil, the harvesting of grain, its transformation into flour, the making of bread, and, eventually, also astronomy (to know the seasons and to plan for sowing), metallurgy (to make the tools), the institution of property (to secure the fruits of one's labor), and religious sacrifices (to placate the powers above and to encourage rain).

«Money that was used for other things, like the arts, like culture, like Kleinhans, like the Zoo, all those institutions that all of the residents of this region, including the county and the suburbs enjoy.

NEW YORK, July 11, 2017 / PRNewswire / — In a study published today in the July 11, 2017 issue of Neurology ® Genetics, an official journal of the American Academy of Neurology, researchers at the New York Genome Center (NYGC), The Rockefeller University and other NYGC member institutions, and IBM (NYSE: IBM) have illustrated the potential of IBM Watson for Genomics to analyze complex genomic data from state - of - the - art DNA sequencing of whole genomes.

And once the program takes hold at Harvard, the aspiration is that other higher education institutions will offer similar fellowships for their most talented students, not unlike the Master of Arts in Teaching Programs, which started at the Ed School in 1936 and is now offered nationwide.

Parents must sign an agreement that says they will use at least a portion of the ESA funds to provide an education in, at a minimum, English language arts, mathematics, social studies and science, use the scholarship funds only for qualifying educational expenses, and not use funds to purchase nonallowable computer hardware, other technology or consumable educational supplies or on tuition at a higher education institution or a noneligible nonpublic school.

Other institutions which have previously hosted solo shows include the Kunsthalle Wien, Vienna; REDCAT, Los Angeles (both 2012); Kunstsammlung Nordrhein - Westfalen, Düsseldorf (2011); CCA Wattis Institute for Contemporary Arts, San Francisco (2009); Swiss Institute of Contemporary Art, New York (2008); Galleria d'Arte Moderna e Contemporanea di Bergamo, Italy (2007); and the Kunsthalle Zürich (2004).

He has had individual exhibitions at the following institutions: Modern Art Museum of Fort Worth, Texas, United States (2014); Yerba Buena Center for the Arts, San Francisco, United States (2013); Tate Modern, London, United Kingdom (2013); Singapore Art Museum, Singapore (2012); Centre Pompidou, Paris, France, (2012); MoMA (Museum of Modern Art), New York, United States (2012); Bonnierskonsthall, Stockholm, Sweden (2011); Mildred Lane Kemper Art Museum, St. Louis, United States (2009); Drawing Center, New York, United States (2008), among others.

Other prominent institutions which have presented recent solo shows include the National Gallery of Art, Washington, D.C. (2013); Secession, Vienna (2012); Vancouver Art Gallery (2010); San Francisco Museum of Modern Art (2009); and the Wexner Center for the Arts, Columbus, Ohio (2008).

MOCA (formally the Contemporary Art Center of Virginia) publications serve as academic record for our institution which, unlike many other Museums, does not have a permanent collection to document its institutional growth.

Before joining the Foundation, Neckles - Ortiz worked as an Art Education consultant and Adjunct Professor for Pratt Institute and other leading NYC art institutions and organizatioArt Education consultant and Adjunct Professor for Pratt Institute and other leading NYC art institutions and organizatioart institutions and organizations.

She is the founder and curator of Lunch Bytes (www.lunch-bytes.com)-- a project on digital art and culture which includes talks, discussions and an online platform for which she collaborated with institutions such as Art Basel; CCA, Glasgow; ICA, London; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. among otheart and culture which includes talks, discussions and an online platform for which she collaborated with institutions such as Art Basel; CCA, Glasgow; ICA, London; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. among otheArt Basel; CCA, Glasgow; ICA, London; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. among others.

Campbell adds, «As a leading alternative arts center in the United States, this is the mission, and therefore the role, I see for 18th Street Arts Center: to question, probe, reflect on tough subjects that other cultural institutions or market driven venues will not address.&raarts center in the United States, this is the mission, and therefore the role, I see for 18th Street Arts Center: to question, probe, reflect on tough subjects that other cultural institutions or market driven venues will not address.&raArts Center: to question, probe, reflect on tough subjects that other cultural institutions or market driven venues will not address.»

The North Carolina Museum of Art only reviews unsolicited proposals for temporary exhibitions from North Carolina artists or representatives, as well as other art institutioArt only reviews unsolicited proposals for temporary exhibitions from North Carolina artists or representatives, as well as other art institutioart institutions.

Hutchins has exhibited her work at institutions including The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, Hepworth Wakefield Museum, West Yorkshire, United Kingdom, Atlanta Center for Contemporary Art, Georgia, Portland Institute of Contemporary Art, Oregon, Museum of Contemporary Art Cleveland, Ohio, Seattle Art Museum, Washington, the Weatherspoon Art Museum, Greensboro, North Carolina, Walker Art Center, Minneapolis, Minnesota, and the Institute of Contemporary Art, Philadelphia, among others.

All participating artists share an ambition and courage to venture out into the world and carve a name for themselves; some have already won important art prizes, others have been picked up by influential galleries or admitted to prestigious postgraduate institutions.

While studio space is something that will always be one of the most necessary ingredients for artists in the NYC area, there are other factors that I personally consider just as important and integral to successful residency programs and arts institutions.

She has realized commissions for The Menil Collection, Seattle Art Museum and The New York Times, and her works have been shown at the Pulitzer Foundation, Moderna Museet, Stevenson Gallery and Goodman Gallery, among other institutions.

His work has been included in group exhibitions at Ullens Center for Contemporary Art in Bejing, Witte de With Center for Contemporary Art in Rotterdam, Birmingham Museum and Art Gallery, The National Art Museum of China in Bejing, Royal Academy of Art in London, and Kunsthaus Wien in Vienna, among many other institutions.

Its other prongs include an artist residency at her home in Sonoma, California, for living artists in her collection, as well as scholars and curators whose work extends the canon and relates to the artists in her collection; sitting on the boards of museums like the Art Institute of Chicago; publishing critical scholarship, beginning with the 2016 book Four Generations: The Joyner Giuffrida Collection of Abstract Art; and collecting and gifting major works by black artists to institutions.

She has had recent solo and group exhibitions at institutions including The Surburban, Chicago, Contemporary Art Center, Cincinnati, Arken Museum for Moderne Kunst, Kopenhagen, Mori Art Museum, Tokyo, and Museu de Art de São Paulo, Brazil, among others.

The exhibition is part of NOW: a dialogue on female Chinese contemporary artists, a programme led by Manchester's Centre for Chinese Contemporary Art in collaboration with five other UK art institutioArt in collaboration with five other UK art institutioart institutions.

It is designed and developed in close collaboration, and over several years, by major European art institutions: Astrup Fearnley Museet in Oslo, Beyeler Foundation in Basel, LVHMs Foundation for Contemporary Art in Paris, and by the curator Hans Ulrich Obrist.The project «L'Europe des artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the worart institutions: Astrup Fearnley Museet in Oslo, Beyeler Foundation in Basel, LVHMs Foundation for Contemporary Art in Paris, and by the curator Hans Ulrich Obrist.The project «L'Europe des artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the worArt in Paris, and by the curator Hans Ulrich Obrist.The project «L'Europe des artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the world.

The requirements in this area are satisfied by courses offered by The Cooper Union Faculty of Humanities and Social Sciences or by transfer credit for liberal arts courses taken at other institutions.

Liu's work has been featured in group exhibitions at key institutions internationally, such as the Ullens Center for Contemporary Art, Beijing; K11 Art Foundation, Hong Kong; Pino Pascali Foundation Museum, Polignano; Foundation Louis Vuitton, Paris; Solomon R. Guggenheim Museum and Whitebox Art Center, New York; Dimensions Variable, Miami; Long Museum and Aurora Museum, Shanghai; OCT - Contemporary Art Terminal and He Xiangning Art Museum, Shenzhen; and Vermillion Sands, Copenhagen, among others.

Her recent solo exhibitions were held at the following institutions, among others: Kunsthaus Graz (2017/2018), KINDL — Centre for Contemporary Art, Berlin (2017); Centre Pompidou, Paris (2016); Serralves Museum of Contemporary Art, Porto (2016); Hamburger Kunsthalle (2016); Ullens Center for Contemporary Art, Beijing (2015); Leeum, Samsung Museum of Art, Seoul (2015); Bonner Kunstverein (2014); Aubette 1928 and Museum of Modern and Contemporary Art, Strasbourg (2013); Haus der Kunst, Munich (2012); Kunsthaus Bregenz (2011); New Museum, New York (2010); and Walker Art Center, Minneapolis (2009).

Karen Jenkins - Johnson, Ambassador for MoAD San Francisco, is committed to working with museums, private institutions, art collectors and other dealers to progress the careers of the artists it represents.

Her writing appears in Artforum, Art in America, Bomb, CURA, Interview, LA Weekly, and Mousse, among others, and she has written catalogue essays on for institutions including the New Museum, Moma PS1, Kunsthall Stavanger, Contemporary Art Museum Raleigh, and the Wattis Institute for Contemporary Arts.

Moreover, her work has been included in group exhibitions at institutions such as the, Museo Jumex, Mexico City Mexico (2013); Kunsthaus Bregenz, Bregenz, Austria (2013); Musée d'art moderne de la Ville de Paris (MAM / ARC), Paris, France (2012); MUAC Museo Universitario de Arte Contemporáneo, Mexico City, Mexico (2011); KW Institute for Contemporary Art, Berlin, Germany (2010); Centre Pompidou, Paris, France (2010) San Francisco Museum of Modern Art, San Francisco, United States (2008) among others.

We have also provided funds to cultural and educational institutions important to Frankenthaler's life, work, and interests, including the U.S. Pavilion at the Venice Biennale, Yaddo, the Center for Contemporary Printmaking, and The Rose Art Museum, among others.

No matter where you are, there's plenty to keep you busy until the end of the year: All around the world, from Alcatraz to Beijing, museums, galleries and other arts institutions are giving us good reason to fill our social calendars — even on the smaller scale (take the first ever showcase of all of artist Louise Bourgeois's famous hanging artworks, for example, or the limited - time, roving installation «You Belong Here,» currently afloat in neon on the Mississippi River in New Orleans).

She has exhibited her work at the Museum of Modern Art and the International Center for Photography in New York, the Museum of Contemporary Art in Los Angeles, the National Center for Contemporary Art in Grenoble, France, and at the Kunsthalle Basel in Switzerland, among other institutions.

Beirne has exhibited extensively and to great acclaim since the early 1970s at institutions including P.S. 1 Contemporary Art Center, New York; the National Center for Contemporary Art in Kaliningrad, Russia; TV Gallery, Moscow; MIT List Visual Arts Center, Cambridge; the Sculpture Center, New York; the International Center of Photography, New York; The Whitney Museum of American Art, New York; Anthology Film Archives, New York; the New Museum of Contemporary Art, New York; and Artists Space, New York among many others.

It is common practice for art museums to borrow works of art from other institutions and private collections when mounting major exhibitions like Heat Waves in the Swamp.

To broaden the audience for its artistic endeavors, the Council works with such institutions as Whitney Musuem, the PEN Literary organization, Guggenheim Museum, Lower Manhattan Cultural Council, New York Foundation for the Arts, and others.

A document entitled «J20 Art Strike Letter» has been published for circulation, signed by figures including Richard Serra, Barbara Kruger, and Cindy Sherman and is is addressed to museums, galleries, studios, art schools, and other cultural institutioArt Strike Letter» has been published for circulation, signed by figures including Richard Serra, Barbara Kruger, and Cindy Sherman and is is addressed to museums, galleries, studios, art schools, and other cultural institutioart schools, and other cultural institutions.

In the 1960s Buren, along with Hans Haacke and Michael Asher most notably, expanded the institutions under consideration to include a constellation of other components of the art world, from the artist's studio to the corporate sponsorship that helps pay for the mounting of an exhibition.

His work has been featured at such leading international institutions as Whitechapel Gallery (London), Tate Modern (London), Centre Pompidou (Paris), MoMA (New York), the Solomon R. Guggenheim Museum (New York), the Museum of Contemporary Art Australia (Sydney), the KW Institute for Contemporary Art (Berlin), and the Museum für Moderne Kunst (Frankfurt), among others.

Voorhies examines recent artistic and curatorial work by Liam Gillick, Thomas Hirschhorn, Carsten Höller, Maria Lind, Apolonija Šušteršič, and others, at such institutions as Documenta, e-flux, Manifesta, and Office for Contemporary Art Norway, and he considers the continued potential of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blArt Norway, and he considers the continued potential of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blart and entertainment increasingly blur.

Jones» work has been exhibited at major art institutions including The Studio Museum in Harlem, The Atlanta Contemporary Art Center, Yerba Buena Center for the Arts in San Francisco, and Urbis Art Center in Manchester, UK among otheart institutions including The Studio Museum in Harlem, The Atlanta Contemporary Art Center, Yerba Buena Center for the Arts in San Francisco, and Urbis Art Center in Manchester, UK among otheArt Center, Yerba Buena Center for the Arts in San Francisco, and Urbis Art Center in Manchester, UK among otheArt Center in Manchester, UK among others.

The Americans for the Arts Action Fund will use the funds to educate the US Congress and other decision makers about the value of the arts and arts education to all Americans in every part of our nation and urge them to fully fund the NEA for fiscal year 2018, plus all the other federal cultural agencies and efforts such as the Artist Museum Partnership Act which would allow artists the same tax benefits for donations of their own art as a collector currently gets when gifting a similar work to a museum or educational institution.&raArts Action Fund will use the funds to educate the US Congress and other decision makers about the value of the arts and arts education to all Americans in every part of our nation and urge them to fully fund the NEA for fiscal year 2018, plus all the other federal cultural agencies and efforts such as the Artist Museum Partnership Act which would allow artists the same tax benefits for donations of their own art as a collector currently gets when gifting a similar work to a museum or educational institution.&raarts and arts education to all Americans in every part of our nation and urge them to fully fund the NEA for fiscal year 2018, plus all the other federal cultural agencies and efforts such as the Artist Museum Partnership Act which would allow artists the same tax benefits for donations of their own art as a collector currently gets when gifting a similar work to a museum or educational institution.&raarts education to all Americans in every part of our nation and urge them to fully fund the NEA for fiscal year 2018, plus all the other federal cultural agencies and efforts such as the Artist Museum Partnership Act which would allow artists the same tax benefits for donations of their own art as a collector currently gets when gifting a similar work to a museum or educational institution.»

Significantly, Intense Proximity also reaches beyond the Palais de Tokyo through its collaborations with seven other institutions in Paris and the surrounding region, including Bétonsalon - Centre for art and research, Centre d'art contemporain d'Ivry - le Crédac, Galliera - musée de la Mode de la Ville de Paris, Grand Palais, Instants Chavirés, LesLaboratoires d'Aubervilliers, and the Musée du Louvre.

Kasten's work has been exhibited extensively since the 1970s, with shows at institutions such as the Museum of Modern Art, the Smithsonian American Art Museum, Los Angeles County Museum of Art, the Art Institute of Chicago, the Center for Creative Photography in Tucson, the Walker Art Center, and the International Center of Photography, among many others.

Supporting and advocating for the collection of ephemeral, time - based, and digital art works since its founding, bitforms gallery artists are in the collections of the Museum of Modern Art, New York; Tate Modern, London; the Solomon R. Guggenheim Museum, New York; the Smithsonian American Art Museum, Washington, D.C.; the National Portrait Gallery, Washington, D.C.; Center for Art and Media (ZKM), Karlsruhe; Centre Pompidou, Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; and Borusan Contemporary, Istanbul, among other institutions internationalart works since its founding, bitforms gallery artists are in the collections of the Museum of Modern Art, New York; Tate Modern, London; the Solomon R. Guggenheim Museum, New York; the Smithsonian American Art Museum, Washington, D.C.; the National Portrait Gallery, Washington, D.C.; Center for Art and Media (ZKM), Karlsruhe; Centre Pompidou, Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; and Borusan Contemporary, Istanbul, among other institutions internationalArt, New York; Tate Modern, London; the Solomon R. Guggenheim Museum, New York; the Smithsonian American Art Museum, Washington, D.C.; the National Portrait Gallery, Washington, D.C.; Center for Art and Media (ZKM), Karlsruhe; Centre Pompidou, Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; and Borusan Contemporary, Istanbul, among other institutions internationalArt Museum, Washington, D.C.; the National Portrait Gallery, Washington, D.C.; Center for Art and Media (ZKM), Karlsruhe; Centre Pompidou, Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; and Borusan Contemporary, Istanbul, among other institutions internationalArt and Media (ZKM), Karlsruhe; Centre Pompidou, Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; and Borusan Contemporary, Istanbul, among other institutions internationally.

No other institution of its scale and character has such a complex and exhilarating mission — complex because interrelating the differing purposes of an art museum and a center for research and higher education is so challenging, and exhilarating because the possibilities and implications of this combination are so dynamic.

She has assisted in building photography collections for prestigious European and American institutions including the Metropolitan Museum of Art, Library of Congress, the Museum of Modern Art and others.

For the project, the Tang will work with other institutions of higher education, such as the New York Six Liberal Arts Consortium and area community colleges, as well as area school districts and community groups that serve racially diverse populations in the region.

Her work has been exhibited internationally at institutions such as: The Stedelijk Museum, Amsterdam; MBAL Switzerland; The Xiangning Art Museum, Shenzhen China; The Center for Photography at Woodstock; Multimedia Art Museum in Moskow, Erarta Museum, St. Petersburg; Culture and Arts Center, Daegu Korea; Capitain - Petzel Gallery, Berlin: KIT (Kunst Im Tunnel) Düsseldorf; Temporare Kunsthalle, Berlin, Autocenter Berlin; ICP, New York; Capricious Gallery, New York, Higher Pictures Gallery, New York, Museum het Domein Sittard, the Netherlands; BoetzelaerINispen Amsterdam, FOAM Amsterdam; The Netherlands Fotomuseum, Rotterdam; MARCA museum Catanzaro, Italy; MAMAC (museum for modern and contemporary art) Liege, Belgium; among otheArt Museum, Shenzhen China; The Center for Photography at Woodstock; Multimedia Art Museum in Moskow, Erarta Museum, St. Petersburg; Culture and Arts Center, Daegu Korea; Capitain - Petzel Gallery, Berlin: KIT (Kunst Im Tunnel) Düsseldorf; Temporare Kunsthalle, Berlin, Autocenter Berlin; ICP, New York; Capricious Gallery, New York, Higher Pictures Gallery, New York, Museum het Domein Sittard, the Netherlands; BoetzelaerINispen Amsterdam, FOAM Amsterdam; The Netherlands Fotomuseum, Rotterdam; MARCA museum Catanzaro, Italy; MAMAC (museum for modern and contemporary art) Liege, Belgium; among otheArt Museum in Moskow, Erarta Museum, St. Petersburg; Culture and Arts Center, Daegu Korea; Capitain - Petzel Gallery, Berlin: KIT (Kunst Im Tunnel) Düsseldorf; Temporare Kunsthalle, Berlin, Autocenter Berlin; ICP, New York; Capricious Gallery, New York, Higher Pictures Gallery, New York, Museum het Domein Sittard, the Netherlands; BoetzelaerINispen Amsterdam, FOAM Amsterdam; The Netherlands Fotomuseum, Rotterdam; MARCA museum Catanzaro, Italy; MAMAC (museum for modern and contemporary art) Liege, Belgium; among otheart) Liege, Belgium; among others.