Sentences with phrase «for peculiar places»

Italian photographer Stefano Cerio has an eye for peculiar places, shining a light most recently on China's off - season amusement parks and other entertainment constructions.
He is of interest here, nonetheless, for the peculiar place he allows for will in its relation to reason.

Not exact matches

As a new brand, I was in a peculiar place: My boutique orders were too big for sole proprietor seamstresses.
Your peculiar American Fundamentalist view, is not really the traditional Christian view, which, in fact, DID have a place for legitimate, good - faith non-belief.
In the first place, we must return to the peculiar situation in which Mascall finds himself in claiming rational necessity for a position that most rational people reject.
P.S. I do think my Songbook deserves to eventually win for itself a significant place among the works seeking to interpret the overall rock phenomena, but for now it remains a peculiar feature of Postmodern Conservative, and unknown to those who would most benefit from it, the handful of sane pop - culture theorists, and the more general class of intellectually open rock hipsters.
First, the American religious empiricists defend religion by placing it on a purely descriptive basis, using for this a radically empirical sensibility together with inductive generalization; but soon, as I have attempted to indicate, any circumspect reader can see the extent to which this description is loaded with temperamental and, possibly, contextual bias — and, further, by the specificity peculiar to Christianity and American turn - of - the - century neonaturalism.
There is a peculiar quality about water — perhaps its essential purity and its fundamental place in the economy of all life — which especially fits it for use as a symbol of the forgiveness of sin.
Cleveland is in a «peculiar» place, having modestly upgraded its roster in an attempt to battle a loaded Boston Celtics team for the East crown before challenging a goliath Golden State Warriors team for an NBA championship.
And then there are the peculiar standards in place in scientific journals for articles submitted by those who raise questions about accepted climate wisdom.
The Parts Of This Film That Don't Feel Like They're Made Entirely Of Poop: A rollicking penguins - sliding - on - their - bellies moment that takes place on the spiraling floor of the Guggenheim Museum and the presence of British actress Ophelia Lovibond as Jim Carrey's peculiar personal assistant with a particular penchant for pronouncing words that begin with the letter «P.»
Miss Peregrine's Home for Peculiar Children also reunites Burton behind the camera with his Dark Shadows and Big Eyes cinematographer Bruno Delbonnel, whose knack for creating glossy visuals through his film work (by utilizing soft shadows / focus shooting techniques) looks to serve Burton's upcoming film well - in particular, during those scenes that take place in the fantastical setting where Miss Peregrine and the «Peculiars» live.
Miss Peregrine's Home for Peculiar Children isn't the only place you'll find peculiarities among people.
Tim Burton's Miss Peregrine's Home for Peculiar Children dropped a spot to second place falling only 48.0 % to $ 15 million for a domestic total of $ 51.1 million for Fox.
Producers Khadija Alami — «Insoumise (Rebellious Girl),» «Itar El - Layl (Narrow Frame of Midnight)» Joshua Astrachan — «Paterson,» «Short Term 12» Fred Berger — «The Autopsy of Jane Doe,» «La La Land» Jason Michael Berman — «Burning Sands,» «The Birth of a Nation» Moritz Borman — «Snowden,» «W.» Karin Chien — «Circumstance,» «The Exploding Girl» Michael Costigan — «Ghost in the Shell,» «A Bigger Splash» Pablo Cruz — «Cesar Chavez,» «Miss Bala» Mel Eslyn — «Lamb,» «The One I Love» Howard Gertler — «How to Survive a Plague,» «Shortbus» Aaron L. Gilbert — «Beatriz at Dinner,» «The Birth of a Nation» Mindy Goldberg — «Low Down,» «Junebug» Carla Hacken * — «The Book of Henry,» «Hell or High Water» Jordan Horowitz — «La La Land,» «The Kids Are All Right» Lars Knudsen — «American Honey,» «Beginners» Juan de Dios Larraín — «Jackie,» «No» Sophia Lin — «Z for Zachariah,» «Take Shelter» Michel Merkt — «Elle,» «Toni Erdmann» Bertha Navarro — «Pan's Labyrinth,» «The Devil's Backbone» Alex Orlovsky — «The Place beyond the Pines,» «Blue Valentine» Adele Romanski — «Moonlight,» «Morris from America» Robert Salerno — «Nocturnal Animals,» «We Need to Talk about Kevin» Jeffrey Sharp — «The Yellow Birds,» «You Can Count on Me» Nansun Shi — «Flying Swords of Dragon Gate,» «A Simple Life» Gabrielle Tana — «Philomena,» «The Invisible Woman» Jenno Topping — «Hidden Figures,» «Miss Peregrine's Home for Peculiar Children» Frida Torresblanco — «Rudo y Cursi,» «Pan's Labyrinth» Jay Van Hoy — «Complete Unknown,» «Ain't Them Bodies Saints» Julie Yorn — «Hell or High Water,» «The Other Woman» Public Relations Clive Baillie Michael Brown Matt Cowal Tomy Drissi Sonya Y. Ede - Williams Lynne Frank Jonathan Garson Peter Giannascoli Marvin Gray Simon Hewlett Melissa Holloway Angela Johnson Wellington Love Michelle Marks Bill Neil Douglas Neil Angela Paura Heather Johnson Phillips Tom Piechura Pamela Rodi Ivette Rodriguez Jeff Sanderson Jerry Schmitz Lauren Schwartz Carol Sewell Michael Singer Afrat Spalding Kristin Stark Maggie Todd Norman Wang Bumble Ward Joe Whitmore Lea Yardum Kevin Allen Yoder
FIRST PLACE / NARRATIVE The Peculiar Abilities of Mr. Mahler, Paul Philipp, director FIRST PLACE / ANIMATION Negative Space, Max Porter & Ru Kuwahata, co-directors FIRST PLACE / NONFICTION Breaking the Cycle, Josephine Jackson & Vincent Augusto, co-directors FIRST PLACE / EXPERIMENTAL Gray Umbrella, Mohammad Poustindouz, director STUDENT AWARD It's Just a Gun, Brian Robau, director TEXAS AWARD Bodies of Water, David Lykes Keenan, director Jury Prize — Guan Xi, Dora Wu, director Jury Prize — The Driver is Red, Randall Christopher, director Jury Prize — The Modern Lives, Bill Plympton, director Performance Award — Michael Laskin, A Real Adventure Cinematography Award — Wasteland, Jakub Michnikowski, director Honorable Mention, Narrative — Counterfeit Kunkoo, Reema Sengupta, director Honorable Mention, Narrative — Mrs McCutcheon, John Sheedy, director Honorable Mention, Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack, director
Khadija Alami — «Insoumise (Rebellious Girl),» «Itar El - Layl (Narrow Frame of Midnight)» Joshua Astrachan — «Paterson,» «Short Term 12» Fred Berger — «The Autopsy of Jane Doe,» «La La Land» Jason Michael Berman — «Burning Sands,» «The Birth of a Nation» Moritz Borman — «Snowden,» «W.» Karin Chien — «Circumstance,» «The Exploding Girl» Michael Costigan — «Ghost in the Shell,» «A Bigger Splash» Pablo Cruz — «Cesar Chavez,» «Miss Bala» Mel Eslyn — «Lamb,» «The One I Love» Howard Gertler — «How to Survive a Plague,» «Shortbus» Aaron L. Gilbert — «Beatriz at Dinner,» «The Birth of a Nation» Mindy Goldberg — «Low Down,» «Junebug» Carla Hacken * — «The Book of Henry,» «Hell or High Water» Jordan Horowitz — «La La Land,» «The Kids Are All Right» Lars Knudsen — «American Honey,» «Beginners» Juan de Dios Larraín — «Jackie,» «No» Sophia Lin — «Z for Zachariah,» «Take Shelter» Michel Merkt — «Elle,» «Toni Erdmann» Bertha Navarro — «Pan's Labyrinth,» «The Devil's Backbone» Alex Orlovsky — «The Place beyond the Pines,» «Blue Valentine» Adele Romanski — «Moonlight,» «Morris from America» Robert Salerno — «Nocturnal Animals,» «We Need to Talk about Kevin» Jeffrey Sharp — «The Yellow Birds,» «You Can Count on Me» Nansun Shi — «Flying Swords of Dragon Gate,» «A Simple Life» Gabrielle Tana — «Philomena,» «The Invisible Woman» Jenno Topping — «Hidden Figures,» «Miss Peregrine's Home for Peculiar Children» Frida Torresblanco — «Rudo y Cursi,» «Pan's Labyrinth» Jay Van Hoy — «Complete Unknown,» «Ain't Them Bodies Saints» Julie Yorn — «Hell or High Water,» «The Other Woman»
Always at his best as a character involved in the process of defining his place in a broken family dynamic (a plight closest to his own peculiar family experience), Nicholson's turn as Schmidt is as affecting an everyman for the aging new millennium as his disaffected Robert Dupea was for roughly the same generation about thirty - two years ago.
After all, dogs like to lick themselves in the most peculiar of places, and they seem to have a penchant for jumping up on you or even random strangers.
But, for a people to fight so hard and for so long to hold onto a miserable piece of swamp and inhospitable jungle there must have been some particular and peculiar advantage in this place.
... The emergence of ecology has placed the economic biologist in a peculiar dilemma: with one hand he points out the accumulated findings of his search for utility, or lack of utility, in this or that species; with the other he lifts the veil from a biota so complex, so conditioned by interwoven cooperating and competitions, that no man can say where utility begins or ends.
In other words, Michler is arguing For a Contingent Architecture, one produced as people respond to the peculiar physical and cultural needs and opportunities of their place.
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