Sentences with phrase «for photographic technology»

«Shallow Sun» will be presented inside and adjacent to The Aldrich's camera obscura, a permanent architectural feature of the Museum building containing a device that formed the basis for all photographic technology.

It is a time for photographic technology to reproduce infidel identities, as in the works of Luis Gispert, Francie Bishop Good and Robert Melee.

Not exact matches

Kaspersky products have been removed from the U.S. General Services Administration's list of vendors for contracts that cover information technology services and digital photographic equipment, an agency spokeswoman said in a statement.

GigaPan, a revolutionary photographic technology, gives Masters lovers a panoramic look at iconic locations at Augusta National, plus the ability on the Web to zoom in for a crystal - clear, up - close examination of all the details in the pictures

In a monochromatic world where scientific advancement allows for optimization of life itself, a ruling class of scientists uses CRISPR technology to produce classes of civilians with singular purposes: farmers resistant to sunlight, doctors with photographic memories, and fearless police officers.

Developer Krystian Majewski, currently a student at Köln International School of Design, describes Trauma: «It builds upon this established formula by introducing a gesture - based interface, real - time 3D technology for dynamic level layouts, unique photographic visuals and a level design philosophy that focuses on creating a rich experience rather than an elaborate puzzle challenge.»

Such directness, this facility for reportage, is for many the promise of photographic technology.

A photographic journeyman, Shore has traveled through the widest range of camera technology, from a children's Mick - A-Matic through a Rollei 35 mm, an Arca Swiss 8 - by - 10, and an iPhone 5s, with stopovers at a Stereo Realist (for color 3 - D photographs), a Grafted Crown Graphic 4 - by - 5, a Deardorff 8 - by - 10, and any number of Leicas, Nikons, Canons, Olympuses, and Hasselblads.

Plensa creates these works by altering images of individuals to generalize their characteristics and then using 3D photographic technology to produce a model for the sculpture.

Hill has been experimenting with fine art digital image - making for ten years, pursuing ways to use photographic and digital technology as part of an intuitive creative process.

«While many contemporary artists employ the tools of digital technology to alter photographic images, Diggory stands out for using photography and Photoshop as the catalyst for painting.

Penelope Umbrico is known for her photographic works exploring the relationship between modern technology and professional photography, the widespread availability and consumption of internet images, and for repurposing images from catalogs and websites like Flickr to reflect the fluidity and mutability of photography in the digital age.

Rylan received an A.S. in Photographic Technology from the Southeastern Center for Photographic Studies at DBCC, a B.F.A. in Photography from Florida International University and a M.F.A in Photography from the University of Georgia.

For in her work, the new technology of photography became a vehicle for post-Romantic mythmaking — perhaps nowhere more so than in the enigmatic «photographic illustrations» she made for Tennyson's Idylls of the KiFor in her work, the new technology of photography became a vehicle for post-Romantic mythmaking — perhaps nowhere more so than in the enigmatic «photographic illustrations» she made for Tennyson's Idylls of the Kifor post-Romantic mythmaking — perhaps nowhere more so than in the enigmatic «photographic illustrations» she made for Tennyson's Idylls of the Kifor Tennyson's Idylls of the King.

In the third of this three - part podcast, produced on the occasion of the exhibition Richard Misrach: On the Beach, Misrach and Greenough delve into the impact of new photographic technology on his art and the inspiration for his series.

Founded in 1980 as a non-profit venue for photographic practices, TPW is committed to a media - specific but expanded mandate, addressing the vital role that images play in contemporary culture and exploring the exchange between photography, new technologies and time - based media.

He continues to serve the community as a mentor and for young artists and as a documentory of the history and lineage of photographic technology and the changing city itself.

He makes use of new and outdated technologies and borrows from Hollywood film genres and classic literary works to create contextual frameworks for his film and photographic projects.

Meatyard's last project before his death was The Family Album of Lucybelle Crater, a project based on the common snapshot album featuring friends and family all wearing masks.Photographs by Meatyard are in the collections of the Metropolitan Museum of Art and Museum of Modern Art in New York; George Eastman House International Museum of Photography and Film, Rochester, New York; Center for Creative Photography, University of Arizona, Tucson; Massachusetts Institute of Technology, Cambridge; Smithsonian Institution, Washington, D.C.; and University of Louisville Photographic Archives, Kentucky.

Jade Doskow (MFA 2008 Photography, Video and Related Media) Lost Utopias Front Room Gallery, 48 Hester Street Lost Utopias features Jade Doskow's decade - long photographic series documenting the remaining architectural wonders of the international World's Fairs that once symbolized hope for future technologies, design and global cooperation.

Works incorporating film and slide projection elements point to the continuing fascination for new technologies of representation and the photographic apparatus by 20th century artists.

And as they employ new photographic technologies, they subvert photography's indexical relationship to reality, calling into question what it means for something to be a «photograph.»

His pictures provide a valuable touchstone for understanding new trends in photographic art, and his ideas have become more relevant as photography embraces Photoshop and other computer technologies for altering and manipulating photographs.

For this exhibition, he will construct a space with photographic works about the responses and disconnects of technology and physical sensation.

1966 Benefit for E.A.T. — Experiments in Art and Technology, Leo Castelli Gallery, New York, USA Primary Structures, Jewish Museum, New York, USA From Arp to Artschwager — Annual Sculpture Show, Noah Goldowsky Gallery, New York, USA 1966 Whitney Annual Exhibition, Whitney Museum of American Art, New York, USA Sound, Light, Silence: Art that Performs, William Rockhill Nelson Gallery & Atkins Museum of Fine Arts, Kansas City, USA Contemporary American Sculpture and Prints, Whitney Museum of American Art, New York, USA The Photographic Image, Solomon R. Guggenheim Museum, New York, USA

Movement: Works by Muybridge, who is best known for creating photographic technologies to stop and record motion, anchor the opening section devoted to movement.

SELECTED GROUP EXHIBITIONS and SCREENINGS The Concordia Biennial: The Art of Teaching, Concordia Gallery, Concordia University, St. Paul, MN, 2016 It's so hard to live without you, Helsingborgs Dagblads Photo Salon, Landskrona Photo Festival, Landskrona, Sweden, 2016 The Golden Hour, See 18 Film Screening Room, MSP International Airport, Minneapolis, MN 2016 - 17 North of the 45th Parallel, DeVos Museum, Marquette, MI, 2016 Experimental Cinema: Pixels, Minneapolis International Film Festival, St. Anthony Main Theater, Minneapolis, MN, 2016 Society of Scottish Artists Annual Exhibition, RSA Gallery, National Galleries of Scotland, Edinburgh, 2015 This From There, Circa Gallery, Minneapolis, MN, 2015 Photography Since the Millennium, Louisville Photo Biennial, Carnegie Center for Art and History, New Albany, IN, 2015 SPE Combined Caucus Juried Exhibition, Ogden Museum of Southern Art, New Orleans, LA, 2015 SPE Combined Caucus Juried Exhibition, UCF Fine Arts Gallery, Orlando, FL, 2015 Perspectives, MN State Arts Board, St. Paul, MN, 2014 Faux / Real, Non-Fiction Gallery, Savannah, GA, 2014 Finders and Keepers, Duchesne Academy (participating Fotofest space), Houston, TX, 2014 Acquisitions and Debuts of the Hillstrom Museum of Art, St. Peter, MN, 2013 Art in the Age of Globalization: Outsourced, Minneapolis Institute of Art, MN, 2012 - 2013 What Can not Be Cured Must Be Endured, Paul Robeson Gallery, Newark, NJ, 2012 Terraforming: Contemporary discourse in landscape photography, King Street Gallery, Silver Spring, MD, 2012 Then + Now, Hillstrom Museum, St. Peter, MN, 2012 Intersections, Minneapolis College of Art and Design Gallery, Minneapolis, MN, 2012 EA$ T / WE $ T: A Global Look at Capitalism, New Harmony Gallery of Contemporary Art, New Harmony, IN, 2011 Faculty Exhibition, Schaeffer Gallery, Gustavus Adolphus College, St. Peter, MN, 2010 2008 McKnight Fellows Exhibition, Franklin Artworks, Minneapolis, MN, 2010 Re-Generate, Re-Image, Re-Focus: New Directions in Photography, Priscilla Payne Gallery, Bethlehem, PA, 2009 Yummy, Nexus Foundation, Philadelphia, PA, 2007 Visual Noise, UMC Art Gallery, University of Colorado, Boulder, CO, 2007 Imagining Namibia, The Art Center of St. Peter, St. Peter, MN, 2006 Soul Searching, Cyrus M. Running Gallery, Concordia College, Moorhead, MN, 2006 WCA International Video Shorts Festival, Boston, MA, 2006 Cuba Libre, The Art Center of St. Peter, St. Peter, MN, 2004 Faculty Exhibition, Carver Center for Arts and Technology, Baltimore, MD, 2003 SPE Regional Conference Exhibition, Manchester Craftsman's Guild, Pittsburgh, PA, 2002 True Confessions, Charles Theater, Baltimore, MD, 2000 On Sight, The School of Visual Arts, New York, NY, 2000 The Photographic Persona, Belknap Gallery, Univ. of Louisville, Louisville, KY, 1999 The Y2K Solution, Rutgers University, New Brunswick, NJ, 1999 AugenMusik (installation / performance), Peabody Conservatory, Baltimore, MD, 1999 Emerging Artists, Maryland Federation of Artists, Annapolis, MD, 1999 LaGrange National, LaGrange College, LaGrange, GA, 1998 Choice, Tate Gallery, University of Georgia, Athens, GA, 1998 Three Rivers Arts Festival, Wood Street Gallery, Pittsburgh, PA, 1997 She Defies Gravity, Ekhartsberga Gallery, McKees Rocks, PA, 1996 Exposures, Garfield Artworks, Pittsburgh, PA, 1996 Three Rivers Arts Festival, Wood Street Gallery, Pittsburgh, PA, 1995 Arts on Tour, Vine Street Gallery, Sharon, PA, 1994 Manchester Craftsman's Guild Staff Exhibition, Pittsburgh, PA, 1994

In my classes, I have also learned the latest photographic technologies, ranging from traditional darkroom techniques to using Lightroom and In Design for the enhancement of digital photographs.