Sentences with phrase «for poetic words»

Not exact matches

Offred also creates her own subversive counter-texts and continually practices the mental acts of poetic synthesis and analysis, remaking distinctions that the State elides and reviving the language for which she hungers in this famine of the Word.

She once said, «Punk rock is just another word for freedom,» but her best work, including «Mercy Is,» her lullaby for director Darren Aronofsky's Noah, is immersed in the poetic tradition of Blake and Rimbaud as well as the language of the Bible.

Oh, and the French word for nutmeg was too poetic not to provide you a translation of the full title: Des sablés à la noix de muscade avec des meringues au sirop d'érable.

Throughout «Paterson,» Jarmusch breaks the traditional form of the film for a poetic interlude, capturing a poem that Paterson is working on by literally putting words that look handwritten up on the screen as Driver reads them in a manner that makes it sound like he's coming up with them for the first time.

Those prophetic and poetic words, spoken by Guillermo del Toro, resonated loudly with the Hollywood heavyweights and cinema aficionados gathered inside the Palm Springs Convention Center Tuesday eve for the 29th annual Palm Springs Film Festival opening night gala, considered a plum stop on the Oscar season trail.

His passion is for storytelling that allows the most outrageous characters to reveal their feelings in long takes and torrents of words, poetic and profane.

Long out of print, Whispering Pines became the first in a long line of poetry books that Blair published — not for commercial success, but for the pure love of the poetic word.

Woodson's poetic memoir reflects her dual upbringing in her extended family in South Carolina and in New York City, growing up African American in the 1960s and»70s, experiencing difficulty with reading but a passion for words, stories, and writing.

And while sometimes that material was radically different from one to the other, I was overwhelmed to find commonality, for instance, the same book in both places, «The Poetics of The New American Poetry,» 1973... Which is emblematic of so much that each think about: America, place, politics, the creativity and fluidity of language, how the same words can to be constantly reconstructed to describe anew... While language is essential to both practices, they share an incredible ability to transform language or imagery with equal grace into the poetics of a purely visual yet rigorously embedded experience... The work is saturated with cPoetics of The New American Poetry,» 1973... Which is emblematic of so much that each think about: America, place, politics, the creativity and fluidity of language, how the same words can to be constantly reconstructed to describe anew... While language is essential to both practices, they share an incredible ability to transform language or imagery with equal grace into the poetics of a purely visual yet rigorously embedded experience... The work is saturated with cpoetics of a purely visual yet rigorously embedded experience... The work is saturated with content.

This exhibition pushes the boundaries for viewers accustomed to finding meaning in visual images and for artists who use words as inspiration, commentary, design and poetic dialogue.

With this in mind, let me evoke the American noir sensibility through the contemporary notion of key words (here grouped for poetic effect): Contorted Narrative Alienation / Distant Blue Darkness / Dramatic Adjectival Allure / Visceral Black & Blue Bruises / Pleasureless Expressionist Stiletto / Awkward Lone Gothic / Unforgiven Repressed Revulsion / Strangled Outsider Vernacular.

«Strange Days,» Museum of Contemporary Art, Chicago, IL, September 20, 2003 — July 4, 2004 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 — March 8, 2003 «For the Record: Drawing Contemporary Life,» Vancouver Art Gallery, June 28 — September 28, 2003 «Colleccíon MACBA,» Museu d'Art Contemporani de Barcelona,» July17 — September 28, 2003 «Cruel and Unusual: an Exhibition to Benefit the West Memphis Three,» sixspace, Los Angeles, September 6 — September 20, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, April 25 — November 16, 2003 «Phantom of Desire: Visions of Masochism in Art,» Neue Galerie Graz und Stadtmuseum Graz, Graz, Austria.

The group exhibition «More Than Just Words [On the Poetic]» is taking the idea of the poetic function of communication as a point of departure for ways of expressing thoughts and ideas beyond semantic unambiPoetic]» is taking the idea of the poetic function of communication as a point of departure for ways of expressing thoughts and ideas beyond semantic unambipoetic function of communication as a point of departure for ways of expressing thoughts and ideas beyond semantic unambiguity.

ROM Speaks Art Keynote Presentation: Isaac Julien in His Own Words Known for his poetic and visually encompassing narratives, renowned British contemporary artist Isaac Julien addresses issues of globalization, movements of peoples, displacement, and the aesthetics of geography through his work.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

Performances straddle philosphy lecutres and poetics becoming myth theory for talks about silence, interation, or word / langauge ontology.

While the justice system is rarely (if ever) poetic, Andrew's skill with the word, written and oral, combined with a painstaking attention to detail and creative approach to the law, gets results for his clients.