Sentences with phrase «for practicing visual artists»

Open Forum 2016 is a series of FREE events for practicing visual artists offering advice and support.

Not exact matches

Naturally, The Escape Artist evinces Deschanel's practiced, poetic eye for the visual image; production designer Dean Tavoularis (The Godfather) contributes and costume designer Gloria Gresham contribute to the film's «out of time» look.
As the idea for Iniva developed, it grew to encompass internationalism and the study of global artistic practice; the remit being that Iniva should seek out and champion artists from around the world whose work and ideas would provide new perspectives for Britain's then predominantly western - centric view of the visual arts.
Gail Swanlund is a designer whose professional practice includes work for art and design institutions and collaborative projects with visual artists such as Paul McCarthy, Jennifer Steinkamp, Laura Owens, and Benjamin Weissman.
The artist's studio practice is based on her feel for visual texture, a rich and adventurous palette, and a level of draftsmanship that takes full advantage of an expressive linear technique.
The MAKER Grant Program is an annual, unrestricted award opportunity for Chicago - based contemporary visual artists who demonstrate a commitment to a sustainable artistic practice and career development.
For several Gallery artists, in particular Jason Wallis - Johnson and Chris Kenny, the visual language of maps and map - making has become an integral part of their practice.
For the first time, the book's author, Miguel de Baca, joins the artist's daughter, Alexandra Truitt, in a conversation about the artist's early ambitions as a writer and visual artist, her gravitation toward the theme of memory that ultimately transformed her practice, and the resonances that her extraordinary body of work has for us todFor the first time, the book's author, Miguel de Baca, joins the artist's daughter, Alexandra Truitt, in a conversation about the artist's early ambitions as a writer and visual artist, her gravitation toward the theme of memory that ultimately transformed her practice, and the resonances that her extraordinary body of work has for us todfor us today.
This funding will support the development of a workbook detailing best - practices for managing collections of artwork, records, and archives in visual artist's studios.
2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..
CAC, OtherPeoplesPixels, and the Coney Family are enthusiastic to announce the recipients of the 2017 MAKER Grant, an award opportunity for three Chicago - based contemporary visual artists who demonstrate a commitment to a socially conscious, progressive, and sustainable artistic practice and career development.
I have been fascinated by wild states for some time and have recently been integrating my creative practice as a visual artist and recreational outdoor activities which have resulted in objects that function both as survival gear and as carriers of ideological positions.
I have ben a practicing visual artist in Canada for over 15 years having exhibited projects across North America.
Lauren Carter is a Chicago - based visual artist whose current studio practice incorporates anthropomorphized representational structures and objects as metaphors for the corporeal experience and notions of degeneration, nostalgia, and anxiety.
Taking this shift and the artist's penchant for experimentation across media as a point of departure, Winslow Homer and the Camera questions how new visual technology impacted the artist's production and engagement with subjects, and unveils how photography became increasingly a part of Homer's visual investigation and broader creative practice.
Internationally renowned her for her unique visual practice fusing fashion, art and architecture, the Crafts Council invited artist and curator Lucy Orta to select works which engage with patter...
On the occasion of her solo exhibition Lorraine O'Grady: Where Margins Become Centers at the Carpenter Center for the Visual Arts, the artist discusses her rich and critically engaged practice.
For this residency, the Museum is looking to award one visual artist whose artistic practice will resonate with children ages 3 to 8 and their families, and reflect a relationship to the demographics, location or history of Sugar Hill.
Crosstown Arts» Open Crit series, organized in partnership with ArtsMemphis, is a monthly critique event where visual artists are invited to bring new and / or in - progress studio work for critical feedback and group discussion particular to each artist's practice.
She also regularly contributes to The Studio Visit (TSV), a non-profit web journal dedicated to focusing on the importance of studio practice and process for contemporary visual artists.
CAC and OtherPeoplesPixels are proud to announce the recipients of the 2013 Maker Grant, an award opportunity for two Chicago - based contemporary visual artists who demonstrate a commitment to a sustainable artistic practice and career development.
Whitechapel Gallery's Writer in Residence programme seeks to engage with practices for which writing is an important element, yet one that might get eclipsed by the more visual aspects of an artist's work.
Artists take a step back from their everyday studio practice to create new artwork that serve as visual metaphors for the routine of art - making in the group exhibition In Bringing Forth.
CAC and OtherPeoplesPixels are thrilled to announce the recipients of the 2015 MAKER Grant, an award opportunity for two Chicago - based contemporary visual artists who demonstrate a commitment to a sustainable artistic practice and career development.
'' «MARK» is the New York Foundation for the Arts (NYFA) statewide program for visual artists based in New York State, living outside of New York City, from all disciplines who want a unique opportunity for individualized focus on the professional and business side of their creative practice.
We are offering an 11 - month residency for one visual artist whose artistic practice will resonate with children ages 3 to 8 and their families, and reflect a relationship to the demographics, location or history of Sugar Hill.
The Charlatan Ink Art Prize for the Visual Arts is open to all artists practicing VISUAL ART: painters (in any medium & stylistic expression from classical painting to collages to illustrations to graffiti to drawing to print); photographers (film / digital); sculptors... Continue reaVisual Arts is open to all artists practicing VISUAL ART: painters (in any medium & stylistic expression from classical painting to collages to illustrations to graffiti to drawing to print); photographers (film / digital); sculptors... Continue reaVISUAL ART: painters (in any medium & stylistic expression from classical painting to collages to illustrations to graffiti to drawing to print); photographers (film / digital); sculptors... Continue reading →
As DC's premiere non-profit visual arts organization supporting emerging artists & experimental artistic practice in the contemporary visual arts, Transformer is continually working to develop new opportunities to advance artists» careers and build audiences for emergent artistic expression.
By enabling artistic production, critical debate and dissemination of contemporary visual art in the three dimensional form, we help to develop the careers and reputation of artists and an understanding of their artistic practice on a local, national and international level, making GSS a vital platform for all who wish to understand, participate in and embrace contemporary three - dimensional artistic practice.
With titles like Blue Moments, Bastard Blues, and Blues in C Sharp Minor (for Teddy Wilson)(all 2015), the artist delves into the meaning, both visual and audible, of the «blues» continuing her exploration into the intersections of sound, politics, history, and the practice of minimalist painting.
These presentations highlight the range of the artist's practice, in which a tendency for visual play contrasts with a devotion to community and self - examination.
I'm inspired by so many different aspects of people's artistic practices - not only visual artists but choreographers, musicians, textile / fashion designers, writers — the different creative processes are what often sparks inspiration for me, and those who are passionate about their practice.
This volume offers a compelling examination of the surprising conceptual and visual correspondences between the works of these two pivotal artists known for their innovative practices.
An active member of Portland - based artist collective Appendix, which is known as much for intellectual engagement as physical practice, his current research explores the resonance of new visual technologies with deep - rooted neurological processes.
Internationally renowned her for her unique visual practice fusing fashion, art and architecture, the Crafts Council invited artist and curator Lucy Orta to select works which engage with pattern - cutting on a variety of levels.
Steinwald is a board member of the Visual Artists Network / National Performance Network and Movement Research and is a graduate of the Institute for Curatorial Practice in Performance at Wesleyan University.
MFA Art Practice at the School of Visual Arts invites emerging and mid-career artists working in all disciplines to apply for the Art Practice Artist - in - Residence program.
School of Visual Arts (NY), Call for Applicants: Art Practice Artist - in - Residence Program, Summer 2018, with stipend Deadline: January 15th, 2018 MFA Art Practice at the School of Visual Arts invites emerging and mid-career artists working in all disciplines to apply... Continue reading →
Asian Arts Initiative provides a lab for contemporary visual arts practice that includes a diversity of artists and communities in Philadelphia and beyond.
Press to Exit project space was established in September 2004 by Yane Calovski and Hristina Ivanoska as a special program - based artist initiative for research and production in the field of visual arts and curatorial practices.
on School of Visual Arts (NY), Call for Applicants: Art Practice Artist - in - Residence Program, Summer 2018, with stipend
School of Visual Arts (NY), Call for Applicants: Art Practice Artist - in - Residence Program, Summer 2018, with stipend
YC: Press to Exit project space is a special program - based artist initiative for research and production in the field of visual arts and curatorial practices.
Mizuik brings over a decade of experience creating opportunities for visual artists to develop new work and build their careers, establishing industry relationships in technology and media to support innovations in artistic practice and exploring new ways to engage audiences in visual arts.
ArtTable — a leadership organization for professional women in the visual arts — is celebrating their anniversary in April with a Gala Benefit and Conference, and honoring thirty influential women in various aspects of the field of visual arts as well as artists who have made an impact beyond studio practice.
Presenting the radio broadcast for the first time publicly in the Freud Museum, and using visual materials, the artist will give a performative talk followed by an in conversation with Dr Caterina Albano which fill focus on Harasymowicz's art practice and methodology.
This year's panel of experts commended each winning artist for their progressive artistic practice and distinctive visual language.
Bureau works internationally with represented and invited artists at varying career stages to provide a platform and context for dynamic and innovative contemporary visual practice.
Visual artist Leroy Johnson (2014) was featured on WHYY's television show «Articulate with Jim Cotter,» where he discussed his decades - long artistic practice and recent commission for the Philadelphia International Airport.
On these hills, the artist creates lighting situations and searches for visual instincts while playing with forms of delusion and deceit in the tradition of the «Trompe - l'œil «-- terms that are transferable to deceptive buisness practices.
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