Sentences with phrase «for reactions to the film»

In walking back from the theater, Detweiler talked to some of his students asking for their reaction to the film.

After the premiere, Marvel Studios lifted the embargo at 10 PM PT for reactions to the film to hit social media.

Not exact matches

Reaction to the letter from some adult film stars - and even from some advocates for removing porn from hotels - was negative.

Salah's reaction from the bench was also caught on film that night, and this time he arguably looked even angrier at Liverpool for failing to stay strong at the back once again.

The research team developed, for the first time in the world, a new technology that combines porous stainless steel, which is thermally and mechanically strong and highly stable to oxidation / reduction reactions, with thin - film electrolyte and electrodes of minimal heat capacity.

We have transformed the way we use TEM — from taking still images to a tool for filming and stimulating chemical reactions.

He also says the system might be useful for gauging emotional reactions to film clips and adverts.

Here, respectfully, Glazer raises more questions about male reactions to sexualised femininity than anyone could be entirely comfortable answering and his film is more potent in its message for this.

If you've caught any of the media blitz for the film you've seen the episode in which Ferrell's character swings at Galifianakis» and accidentally slugs a baby, but it's still funny to watch the characters» horrified reactions, smartly played in slow motion while we hear «My Country «Tis of Thee.»

As for that key moment that sets up the final act, I thought the film established the character motivation adequately with the earlier scenes showing us Schultz's reaction to some of the violence against slaves.

As for the story, it has potential but fails to follow through; writes the Guardian in a two - star review typical of the overall reaction, «Byzantium starts to introduce issues that you'd seldom find in most vampire films, before cutting of the blood and leaving them to die.»

Unfortunately for Oliver Stone, there is no magical screenwriter in the sky that can pen the perfect audience reaction to his latest film.

(My Ratings posts are a quick way for me to share my reaction to a film.

As an avid film fan for many years, my reaction to any film — either positively or negatively — is always based upon my Christian worldview, one that I can not be divorced from.

There's the potential for some fine performances here, but these characters exist only as an extension of the males in the film and their actions are merely reactions to the men in their lives.

I appreciate that the film has quite a cult following and that I surely would have had a different reaction if I'd seen it back in the day, but I'm sorry to say it did nothing for me.

Caffeine, the drug, is known as a stimulant, usually taken in order to to perk up its consumer and keep him awake and alert for a period of time, or sometimes to alleviate headaches — effects this film seems to produce the opposite reaction of in abundance Highly addictive, withdrawal symptoms include fatigue, drowsiness, irritability, and in some cases, vomiting.

But upon further reflection, I'm not sure how much of that reaction was due to the fact that I could still recite almost all of the film in my head (much of the dialogue is the same), that I will always love its songs (except for the new ones, which added nothing), and that Condon knows his way around a lavish musical.

The first reactions for Ryan Reynolds «superhero film «Deadpool» are in, and people seem to love the Merc with a Mouth.

Watch Clarisse give her reaction to the film below and subscribe to the LWLies YouTube channel for more.

While the first reviews from the world premiere in Venice showed a quite divided reaction to the film itself, the love for the first trailer for Jonathan Glazer's «Under The Skin» has been near unanimous.The film boasts a premise...

While the first reviews from the world premiere in Venice showed a quite divided reaction to the film itself, the love for the first trailer for Jonathan Glazer's «Under The Skin» has been near unanimous.

Fans of Jason Statham will no doubt have some fun with Killer Elite and there's one show - stopping moment in the first Statham / Owen brawl that will certainly get a reaction from audiences, but for anyone looking for either an over-the-top action flick or a smart - witted political thriller, the film fails to live up to the sum of its respective parts.

Adults may squirm a bit in reaction to the film's whole - hearted embrace of its themes of love everlasting and life eternal, but the content seems just right for their less - disillusioned youngsters.

Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic in Hollywood filmmaking are brilliantly apparent in The Errand Boy, including the foregrounding of sound manipulation (most blatant in the sequence involving the post-synchronisation of the song «Lover» for a musical film, and in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver in the back seat of a convertible receiving a car wash) and the placement of actors in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra in a film - within - the - film cocktail - party scene, keeps looking at the camera from the background of a shot in which other extras, in their roles as party guests, intermittently block him from the camera).

They talked about the positive reaction to the film, whether the project changed during development, the making of the film, getting it ready for Sundance, and more.

We talked about what it was like to walk on the yellow brick road for the first time, her reaction to the finished film, 3D, doing so much press, and does she get to visit Disneyland for free after being in a huge Disney movie.

But when we showed the film to the studio for the first time, they had an interesting reaction — they said «we don't want to be distracted by wondering who is a surrogate and who isn't, and what the rules of the world are.»

Various Collider staff members, personalities, and experts weigh in with their thoughts on those honorable mentions and each of our Top 10 selections, share their initial reaction to seeing the movie for the first time, if they think that film belongs at its assigned place on the list, and if it still holds up for them to this day.

For a rare minority, that depiction of torture is inexcusable, leading to a negative reaction to the film.

I think the critical reaction to it is largely because of nostalgia for the noir films it tries to recreate.

He also talked about returning for the Avatar sequels and his reaction to the scripts for the four films.

There are Twilight references that don't at all mock the film, there's a hilarious rivalry between our vampires and a group of werewolves that they stumble across, and in one of my favorite bits of the whole movie, seeing a vampires reaction to an attempt at consuming something that isn't blood might be a little much for the squeamish.

A film once destined for greatness was dealt a blown after the departure of director and fan favorite Edgar Wright from the project, but despite the negative reaction to the news, Read More →

Somewhat similarly, the new trailer for Project X is suffering from a bit of an identity crisis, the beginning putting a heavy focus on the reactions from test screenings, but then that issue completely gives way to absolutely raucous footage from the film.

The determined absence of dialogue for large swathes of the film — superbly shouldered by Blair's array of facial tics, if laboured a little when left too long — is paramount to its streamlined structure, which focuses firmly on actions and reactions, and the incitement to both.

In a film that does this much to expose the ugly undercurrent of homophobia, racism, and xenophobia in this country, it's no great surprise when New York subway riders threaten to kill Borat for kissing them on the lips in exuberantly misguided greeting — and the reactions of these Big Apple commuters strike me as refreshingly honest.

And for further proof of how lit this film is about to be, below are just a few social media reactions:

On the negative side of things, Matt Damon was doubly dinged in Toronto, where Venice holdovers Downsizing and Suburbicon played to muted - to - negative reactions, effectively killing Damon's chances for either film.

Academy - award winning director William Friedkin discusses his early career — including making documentaries for David L. Wolper, working for Alfred Hitchcock and what he learned from studying his films, and directing his first movie Good Times (1967), starring Sonny and Cher; how his career path led to making The Exorcist, his initial reaction to reading the source material, the story's theme of Good versus Evil, and the role his own faith played in his approach to making the movie; the techniques he used to generate suspense and fear in the audience, his use of subliminal imagery, and his reasons for recently restoring deleted footage to the film.

Much of the film's comedy is drawn from their scenes together and Willie's reactions to Lou's vicious methods for disposing of criminals (the practical gore in this film is AWESOME).

Pop over to Guardian film in the next hour or so for our full report on this year's winners, as well as Peter Bradshaw's reaction to the awards.

But the fortunes for the film seemed to turn with the unusually bad critical reaction.

Your reaction to this story will be directly related to how you feel about comedian / actor Sacha Baron Cohen, who for a couple years has been attached to play late Queen singer Freddie Mercury in a film about the band.

Millennium Films, despite mixed reactions to the «Fading Gigolo» premiere at Toronto, committed to a high - end New York / Los Angeles debut for the John Turturro film starring (but not directed by) Woody Allen, along with a wide advance screening program and significant marketing expenditures.

As the spring launch on App Store and Google Play of Harry Potter: Hogwarts Mystery, Jam City has released a video that showcases not only the game but also real - time reactions to the game from Harry Potter fans (including film talent) at the A Celebration of Harry Potter event in Orlando showing their excitement for the game's premise of creating a student character and attending Hogwarts.

But his latest film has provoked mixed reactions internationally, from admiration for his vision to dismissal for artsy stylistic pretensions supposedly cultivated with an eye to Cannes.

At the film's recent press day, Moretz, Blackley, Leonard, Cutler, Forman and Cross discussed bringing the emotional experience of the book to the screen, the challenge of finding the right cast, Blackley and Leonard's preparation for their musical roles, creating the onscreen chemistry in the relationship between Adam and Mia, Stacy Keach's heartfelt portrayal of Gramps, Forman's reaction to seeing her novel adapted to film, and Cutler's desire to recreate the roller coaster experience of the book but tell a story that's ultimately life affirming and has a positive message.

At first teasing that it will address — or at the very least acknowledge — some of the widespread negative reaction to the film, «Hitting it Hard» quickly settles into cutesy shots of Penélope Cruz dozing off and Crowe imitating aggressive journalists, though it closes with an indiscreet answering - machine message Cruise left for Crowe that's a fascinating glimpse beneath the veil of Cruise's public persona.

This especially comes into focus as Amanda and Lily rope in a local low - level drug dealer (the last role for the late Anton Yelchin) to assist in their scheme, whose righteously shocked reactions to their callousness serve as a grounding influence in a film drowning in surreal perspectives.