Sentences with phrase «for real dialogue»

There is not really any room for real dialogue or conversation without getting into a power struggle because things always have to go your partner's way

In my view, the time for a real dialogue on the future of the legal publishing in Canada has come again.

«That isn't to say that there isn't a burning need for a real dialogue with business will be over the nitty - gritty of Brexit.

The UK launch at London's Dorchester Hotel on November 15th aimed to start defining the deficiencies and potential for real dialogue between the West and the Middle East.

Not exact matches

For example, a dialogue that goes, «I will own the largest real estate firm in Massachusetts that will help 20,000 families a year buy and sell real estate» is different from one that affirms, «I own the largest real estate firm in Massachusetts helping 20,000 families a year buy and sell real estate.»

Lead nurturing best practice # 1: Understand and segment lists The two - way dialogues enabled by an AI persona with a human touch are great for real - time engagement with new leads, lead nurturing, engaging leads your sales team can't reach by phone and re-engaging stale or gone - quiet leads in your database.

That's the whole point of this dialogue and I think it worth looking into with some real depth — and not just for some «routine answers» to the question — there aren't any good ones.

I envisaged a society of friends for whom ideas are captured from the world of real experience, and brought to the place of dialogue, there to be the source and object of our shared interest.

For this dialogue to be real, one must not only mean the other, but also bring oneself, and that means say at times what one really thinks about the matter in question.

The lamentable polarisation and confusion which has developed as a consequence of these conflicting interpretations of our present situation is only too familiar to anyone involved in the life of the Church and has led all too often into destructive polemic rather than real dialogue about the best way forward for Catholic Christianity in the third millennium.

This is the real reason for dialogue.14

In the Lenten Gospel readings the church will make its progress by means of a series of dialogues — on temptation (with the devil), on perplexity (Nicodemus), on longing for what is real (the Samaritan woman), and on the true identity of Jesus (the man formerly blind).

Lear reads Plato's dialogues as attempts to explain, by the articulation of a psychology, how irony is possible: «why it is that we are creatures who, for the most part, do not grasp the real situation we are in; and how it is that on occasion an individual is able to break free of appearances and engage in genuine acts of pretense - transcending aspiring.»

In any case, both the interfaith dialogue and the search for the real Jesus are gaining in intensity, and they promise to have repercussions in the churches not unlike the impact (in an earlier time) of the Darwinian controversy.

He thinks the growing movement to defend human rights and religious liberty, and the Christian - Islamic dialogue in particular, can produce something of real value, as the Christian - Jewish dialogue has: «Just as Christianity has evolved, then, there are reasonable grounds for thinking that Islam will do so, too.

I think that it is a real advantage that Whitehead also allows for intercultural dialogue.

The real struggle in all religious communities is for spiritual reformation opening themselves to enter into dialogue with other religions and with secular humanist ideologies regarding the nature and rights of the human person and the meaning of social justice enabling to build together a new spiritually - oriented humanism and a more humane society.

For example, in the very Christianity Today issue where Miroslav Volf discusses that Christians and Muslims worship the same god, I wrote the cover story and said that they don't — and also expressed that believing such is unhelpful to real multi-faith dialogue.

To a degree that would have been unimaginable years ago, it is possible for Jews and Christians to have meaningful dialogue with real possibilities for mutual understanding and accord.

«But following dialogue with Real Madrid, Bale was sent for a scan and results confirmed that he wouldn't be fit to feature,» the Football Association of Wales (FAW) said on Tuesday in a statement.

«My hope is that this lawsuit will further push Police Commissioner Bratton, Mayor De Blasio and Council Speaker Mark - Viverito to be accountable for their policies and actions, and help further a real debate and dialogue about how to best police and govern New York City,» he told The Post.

He wouldn't weigh in on whether tenant advocates were right to be angry with Mr. Cuomo over rent regulations --» that issue is still being debated right now» — nor on how he thinks a straight extender on 421a for six months will affect his affordable housing plan, again insisting there was «real dialogue» going on and that his focus was on increasing the amount of affordable housing requiring through the tax break.

The IWHI Community has the benefits of real time dialogue opportunities, good reference material for reviewing and an active social media group.

Keeps you interested all the way through, great dialogue, actors were «real» for their parts, and music was perfect.

Critic Consensus: Southside With You looks back on a fateful real - life date with strong performances and engaging dialogue, adding up to a romance that makes for a pretty good date movie in its own right.

It doesn't try to show some drastic change, but it does attempt to convince others that change can indeed happen, it also never puts blame on one person, because obviously with marriage it is a joint effort, there will be trials and on other occasions it simply won't work, but time and commitment can change that, rarely can a simple film like this address so much in such limited issues, but sharp, often improvisational dialogue and strong performances create a very real and insightful piece that underplays everything for maximum effect, which works.

Outside of Vinson and some choice scoring / music selection that, along with its story, evokes some of the memorable 1970s work from John Carpenter (Assault on Precinct 13 and The Fog come to mind), You're Next is a fairly dreadful choice for a scare flick, with ineffective acting choices, a laughable premise, and no real surprises offered to anyone who actually pays attention to the poorly written dialogue that occurs between scenes of violence.

When Roger saw Green's second film, «All the Real Girls» (2003), at Sundance, he was struck by the director's «gift for moments of acute observation, for dialogue both naturalistic and uninflected, for mood over plot, for poetry over prose.»

Sorkin's script, which is based on the real - life Molly's memoir, has way too much dialogue and too many voice - overs for the genre.

For as much as fans of Tarantino love his scene - chewing dialogue (even if people don't really talk like that in real life), there's almost too much in «Death Proof.»

«Halloween» laid the groundwork for the future of horror, with its steadicam point - of - view shots, its menacing keyboard riff (composed by Carpenter), its Hitchcockian ratcheting of tension, its jolting shocks (false and real), its naturalistic dialogue, its ominous atmosphere, its resourceful heroine and unstoppable killer.

There's no denying Whedon's talent for dialogue, and for once, it feels less like scripted dialogue and more like real conversation.

Far from staid, the picture illustrates nothing but Brownian motion — shaking shit up real good and filming the results for two long hours to a parade of ironic pop songs and barely - heard snatches of dialogue written by someone I'd like to see do better than this, Donnie Darko creator Richard Kelly.

A 5.1 Dolby Digital track is somewhat underutilized and a little quiet, but there is also a lack of any real need for bombastic five - channel audio pyrotechnics in the film; all that you need know is the dialogue sounds clear and the indie soundtrack is appropriately evocative of the Chelsea underground nightlife.

But the film's real pleasure lies in McDonagh's verbal felicity — the naturalistic dialogue is a breath of fresh air — and while Farrell struggles to juggle his humorous «thick» persona with romantic pathos, Gleeson excels in his role as the weary gangster pondering the possibilities for his own shot at redemption.

You can see the Tarantino touch in his pop - culture references, entertaining dialogue digressions, and inspired celeb guest spots (Tony Curtis, Frank Gorshin, John Saxon), but his real contribution is the way he connects to the characters and draws on their backstories while they search for their kidnapped colleague (George Eads).

From the classic Tarantino - style dialogue to the beautiful cinematography, audience members are in for a real treat.

And kudos to the actors for making the characters flawed and funny with their dialogue delivery and facial expressions; all three characters feel real throughout, even when the film becomes more obvious towards its finish.

It's a gritty, viscerally engaging crime drama with a very good eye for the vernacular of the street, with the main players often changing the dialogue to match the phrases and slang they heard when on the beat with real - life police detectives.

«Given the environment right now socially, you'd think [academy voters] would be more conscious,» said Gil Robertson IV of Los Angeles» African American Film Critics Assn. «There seems to be little thought or consideration on how «Selma» in particular really does provide an opportunity for people to have some real dialogue about race relations.

A real - time exercise in witty dialogue, cartoonish violence and aim just bad enough to leave its protagonists bloodied but alive through most of its swift duration, «Free Fire» feels like a left - handed project from a filmmaker whose gifts for staging, framing and pacing are on full display but feel ultimately wasted in a glib, down - and - dirty bagatelle.

It's undeniable that Cloverfield is, at its core, a metaphor for the terror and uncertainty of the real world, from its aforementioned iconic poster and DVD cover image and willfully vague tagline («Some thing has found us»), which makes no mention of a CGI monster on which millions of dollars was spent, to specific dialogue of choking despondency («I don't know why this is happening»).

But, in achieving his realism sans much dialogue, McQueen also shows that he is, in a sense, the anti-Cassavetes, for where Cassavetes achieved such realism with dialogue, in great films like Faces and The Killing of a Chinese Bookie, by letting characters speak as in real life, McQueen allows characters to react and brood, as in real life.

No matter how much Bay is being criticized for his lack of maturity, basic dialogue styling including flat jokes and an obvious discomfort with homosexuality, the entire story initially stemmed from some real life douche bags back in the early 90's that dedicated all their time to fitness and exercise and spent all their time at the gym and took hmb supplement to improve their perfomance.

Artful for a Christian film and refreshingly popular for something driven by characters and dialogue, Heaven Is for Real narrowly earns a passing grade.

Why do his characters have such a knack for heightened dialogue that no person in the real world would ever use?

All of the dialogue from the film appears word for word in speech bubbles, and the 16 - bit version of John Williams» score is as emotionally - stirring as its real - life counterpart.

The opportunities for dialogue with teens about online behaviors emerge when schools engage in one - to - one programs, and the sometimes thorny situations teens find themselves in are authentic and real.

«This is a unique opportunity for transnational dialogue to make real progress in the task of advancing the intellectual foundations to educate the children in this hemisphere to be knowledgeable, engaged, and caring citizens.»

Public engagement — To find better ways to reach out to the public, listen to what people are saying, and engage them in a real dialogue about the goals for education and how they should be achieved.