Sentences with phrase «for secession by»

According to Salis, whose position follows a recent quit notice order given to Igbos living in the North by a coalition of Arewa youths, the agitation for secession by the Indigenous Peoples of Biafra and other ethnic nationalities in Nigeria will reduce drastically once equity and justice take precedent over ethnic domination.

Not exact matches

By: Ryan McMaken In a court battle that has apparently been working itself out for 17 years, the Quebec High Court this week affirmed that a law establishing a simple majority as key in triggering secession talks with the Canadian government — known... [Read More]

Read the ferociously anti-slavery Orestes Brownson, who remarked that the issue of secession was not clearly enough resolved by the Constitution of 1787 for us to say that there's no place for seeing a legitimate difference of opinion that would one day have to be resolved on the battlefield.

This expanding revelation of Deity went on for more than three hundred thousand years until it was suddenly terminated by the planetary secession and the disruption of the teaching regime.

In the package of the intangible, we have state anthem, flag and beautiful crest adopted from old Western region superintended by the late sage, Chief Obafemi Awolowo, but the opposition flares up, faulting the cowries in the flag, accusing the governor of being fetish and argued that the crest was designed for secession, and the implied meaning of the cowries which symbolize medium of exchange before colonial rule, and the strength and service which depict the meaning of the crest are ignored.

This, it said, could not be said of the APC - led administration given its alleged lopsided appointments, which it argued had aggravated the agitations for self - determination and secession by some sections of the country.

Jim Crow was a localized form of state - sponsored oppression that was, at the time illegal based on federal law but allowed to continue by apathetic and politically expedient federal authorities under the guise of furthering a doctrine of «states rights»; the same euphemism for slavery the southern plantation owning oligarchs used to rationalize secession and trick the poor white southerners to fight a war and die in the millions.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

January 1908: attends exhibition of works on paper by Auguste Rodin at The Little Galleries of the Photo - Secession (291), operated by Alfred Stieglitz; sits for portrait by fellow student Eugene Speicher.

[12] The following listing indicates by curator the group and solo exhibitions in which Cai participated that were curated or cocurated by the leading émigré Chinese critics and curators — Fei Dawei: Art Chinois 1990: Chine demain pour hier, Pourrières, Aix - en Provence, 1990, and Cai Guo - Qiang, Fondation Cartier pour l'art contemporain, Paris, 2000; Hou Hanru: Cities on the Move, which opened at Secession, Exhibition Hall for Contemporary Art, Vienna, 1997 - 98, and traveled to Bordeaux, New York, Helsinki, Humlebaek, and London; Gao Minglu: Inside Out: New Chinese Art, which opened at P.S. 1 Contemporary Art Center and Asia Society, 1998 - 99, and traveled to San Francisco, Monterrey, Tacoma, Seattle, and Canberra, and The Wall: Reshaping Contemporary Chinese Art, which opened at the Millennium Monument Art Museum, Beijing, 2005, and traveled to Buffalo; and Wu Hung: The First Guangzhou Triennial.

Two of her sculptures were copied by Christoph for a «book of plinths» in his exhibition at the Vienna Secession in 2011.

Two photography dealers have teamed up for an exhibition dedicated to the Photo - Secession, the group founded by Alfred Stieglitz in 1902 to promote photography as an art form in the United States.

On the occasion of her exhibition at Secession, Vija Celmins will be joined by Robert Storr for a conversation on Tuesday, November 17 at 7 PM.

Solo shows have been devoted to him by some of the leading international museums such as the Museum Kurhaus Kleve (2016); Kunst Halle Sankt Gallen (2015); LACMA - Los Angeles County Museum of Art (2013); Wiener Secession, Vienna (2001); Kölnischer Kunstverein, Cologne (2011 and 2009); Contemporary Art Museum St. Louis (2010); Centro Andaluz de Arte Contemporaeno, Seville and Bergen Kunsthall (2009); Staatliche Kunsthalle Baden - Baden (2008); Carpenter Center for the Visual Arts - Harvard University, Cambridge and Cubitt, London (2004); The Art Institute, Chicago (2001); Museum für Gegenwart, Berlin, Frankfurter Kunstverein, Frankfurt and Art Pace, San Antonio (2000); MAMCO - Musée d'Art Moderne et Contemporain, Geneva (1998); Museum Boijmans - van Beuningen, Rotterdam (1992); The Power Plant, Toronto (1991); The Renaissance Society, Chicago, Los Angeles Municipal Art Gallery and P.S. 1, New York (1989).

The Tunnel 269 11th Avenue New York City October 26 - 29, 2017 Kiki Smith: Mortal Dallas Contemporary 161 Glass Street Dallas Texas 75207 September 29 - December 17, 2017 Nicole Eisenman: Dark Light Secession Friedrichstraße 12 1010 Vienna, Austria September 14 - November 5, 2017 Kiki Smith: From the Creek Thomas Cole National Historic Site 218 Spring Street Catskill, NY August 12 - October 29, 2017 Skulptur Projekte Münster 2017 Included Sketch for a Fountain [Skizze für einen Brunnen] by Nicole Eisenman Münster, Germany June 10 — October 1, 2017 Nicole Eisenman Faces: Painted Reliefs Anton Kern Gallery 16 East 55th Street New York City June 1 - July 7, 2017 Richard Artschwager Martin Kippenberger: Objects and Drawings David Nolan Gallery 527 West 29th Street New York City May 11 - June 17, 2017 AMERICAN INTERIOR included t, w, m, d, r, b, 2003 by Richard Artschwager, printed and published by Harlan & Weaver Carriage Trade 277 Grand Street, 2nd Fl New York City April 27 - June 3, 2017 Joanne Greenbaum: Everything is Perfect in All Ways VAN HORN Ackerstraße 99 Düsseldorf, Germany March 18 - May 12, 2017 Kiki Smith: Portraits, Celestial Bodies and Fairy Tales (Prints from 1990 through now) Mary Ryan Gallery 515 West 26th Street New York City February 23 - April 8, 2017 Steve DiBenedetto: Novelty Mapping Picnic Cherry and Martin, 2732 Space 2712 S. La Cienega Boulevard Los Angeles, CA January 24 - March 4, 2017 (Article) Thickly Layered Paintings that Glow with Their Own Light by Daniel Gerwin on Hyperallergic Bound by Paper Included hand - made books by Joanne Greenbaum LMAK Gallery 298 Grand Street New York City January 19 - March 5, 2017

Solo exhibitions 2018 «Alterity Line», Metro Pictures, New York 2017 «David Malikovic», Dvir Gallery, Tel Aviv 2016 «Vignettes», Annet Gelink Gallery, Amsterdam 2016 «Again and Again», Museum of Contemporary Art Metelkova, Ljubljana 2016 «AAASSEMBLAGE», Dvir Gallery, Brussels 2016 «All Day All Year», T293, Rome 2016 «The Exhibition is Becoming», VOX Centre de l'image contemporaine, Montreal 2015 «A Retrospective by Appointment», Gallery Nova, David Maljković's studio, Gallery of Croatian Designers» Association, Cinema Tuškanac and Croatian Film Association, Zagreb 2015 «With the gallery», Galleria Massimo Minini, Brescia 2015 «David Maljković», Metro Pictures, New York 2015 «David Maljković», Sprüth Magers, London 2015 «New Collection», Blondeau & CIE, Geneve 2015 «Negatives, with Konstantin Grcic, Centre d'édition contemporaine, Geneve 2014 «In Low Resolution», Palais de Tokyo, Paris 2014 «David Maljković», Georg Kargl Fine Arts, Vienna 2014 «David Maljković», Leal Rios Foundation, Lisbon 2014 «David Maljković», Kunstmuseum St.Gallen 2013 «Afterform», Annet Gelink Gallery, Amsterdam 2013 «New Reproductions», CAC Contemporary Art Centre, Vilnius 2013 «Sources in the Air», GAMeC, Bergamo 2013 Metro Pictures, New York 2013 «Sources in the Air», BALTIC Centre for Contemporary Art, Gateshead 2012 «Sources in the Air», Van Abbemuseum, Eindhoven 2012 «A Long Day for the Form», T293, Rome 2012 «A Long Day for the Form», Sprueth Magers, Berlin 2012 «Morgenlied» (w / Latifa Echakhch), Kunsthalle Basel 2012 «Scene, Hold, Ballast» (w / Lucy Skaer), Sculpture Center, New York 2011 «Recalling Frames», Metro Pictures, New York 2011 «La Casa Mila» (w / Rosa Barba), Loop Festival, Barcelona 2011 «Temporary Projections», Georg Kargl Fine Arts, Vienna 2011 «Images with their own shadows», Vjenceslav Richter Collection, Museum of Contemporary Art, Zagreb 2011 «Exhibitions for Secession», Wiener Secession, Vienna 2010 «Images with Their Own Shadows», Moderna Galerija, Ljubljana 2010 «Images with Their Own Shadows», International Festival of Contemporary Visual Art, Glasgow 2010 «Out of Projection», Art Unlimited, Art 41 Basel, Basel 2010 «Lost Cabinet», Nogueras Blanchard, Barcelona 2010 «Missing Colours», Annet Gelink, Amsterdam 2010 «Recalling Frames», Sprueth Magers, London 2010 «Retired Forms», Massimo Minini, Brescia 2009 «Retired Compositions», Metro Pictures, New York 2009 «Nothing Disappears without a Trace», ARCO, Madrid 2009 «After the Fair», Georg Kargl BOX, Vienna 2009 «David Maljković», Museo Nacional Centro de Arte Reina Sofia, Madrid 2009 «David Maljković», Fondazione Morra Greco, Naples 2009 «David Maljković», Sprueth Magers, Berlin 2008 «Handed Over» (w / Rosa Barba), Project Art Centre, Dublin 2008 «Lost Memories from These Days», Annet Gelink Gallery, Amsterdam 2008 «Lost Review», Le Plateau, Paris 2008 «David Maljković», Kunstverein Nurnberg, Nurnberg 2008 «Parallel Compositions», Bergen Kunsthall, Bergen 2008 «Shadow Should Not Exceed» (w / Jan St Werner), Pinksummer Contemporary Art, Genova 2007 «These Days», Present Future, Artissima 14, Turin 2007 «Almost Here», Kunstverein Hamburg, Hamburg 2007 «Scene for New Heritage III», Art Unlimited, Art 38 Basel, Basel 2007 «David Maljković», P.S. 1 Contemporary Art Center, New York 2007 «Scene for New Heritage Trilogy», Whitechapel Art Gallery, London 2007 «Days Below Memory», CAPC, Musee d'Art Contemporain, Bordeaux 2007 «Scene for New Heritage Trilogy», The Physics Room, Christchurch 2006 «David Maljković», Salon of Museum of Contemporary Art, Belgrade 2006 «David Maljković», Museum of Modern and Contemporary Art, Rijeka 2006 «These Days» (w / Yael Bartana), Gallery Nova, Zagreb 2006 «It's gonna happen» (w / Rosa Barba), Croy Nielsen, Berlin 2006 «Scene for New Heritage II», Centre de Creation Contemporaine, Tours 2005 «Waiting Tomorrow», Annet Gelink Gallery, Amsterdam 2005 «90s without 90s», MMC Palach, Rijeka 2005 «Scene for New Heritage», Van Abbemuseum, Eindhoven

Jugendstil The name for Art Nouveau - type styles in Germany, popularized by the Munich Secession.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Mostre Personali 2018 «Alterity Line», Metro Pictures, New York 2017 «David Malikovic», Dvir Gallery, Tel Aviv 2016 «Vignettes», Annet Gelink Gallery, Amsterdam 2016 «Again and Again», Museum of Contemporary Art Metelkova, Lubiana 2016 «AAASSEMBLAGE», Dvir Gallery, Bruxelles 2016 «All Day All Year», T293, Roma 2016 «The Exhibition is Becoming», VOX Centre de l'image contemporaine, Montreal 2015 «A Retrospective by Appointment», Gallery Nova, David Maljković's studio, Gallery of Croatian Designers» Association, Cinema Tuškanac e Croatian Film Association, Zagabria 2015 «With the gallery», Galleria Massimo Minini, Brescia 2015 «David Maljković», Metro Pictures, New York 2015 «David Maljković», Sprüth Magers, Londra 2015 «New Collection», Blondeau & CIE, Ginevra 2015 «Negatives», with Konstantin Grcic, Centre d'édition contemporaine, Ginevra 2014 «In Low Resolution», Palais de Tokyo, Parigi 2014 «David Maljković», Georg Kargl Fine Arts, Vienna 2014 «David Maljković», Leal Rios Foundation, Lisbona 2014 «David Maljković», Kunstmuseum St.Gallen 2013 «Afterform», Annet Gelink Gallery, Amsterdam 2013 «New Reproductions», CAC Contemporary Art Centre, Vilnius 2013 «Sources in the Air», GAMeC, Bergamo 2013 Metro Pictures, New York 2013 «Sources in the Air», BALTIC Centre for Contemporary Art, Gateshead 2012 «Sources in the Air», Van Abbemuseum, Eindhoven 2012 «A Long Day for the Form», T293, Roma 2012 «A Long Day for the Form», Sprueth Magers, Berlino 2012 «Morgenlied» (con Latifa Echakhch), Kunsthalle Basilea 2012 «Scene, Hold, Ballast» (con Lucy Skaer), Sculpture Center, New York 2011 «Recalling Frames», Metro Pictures, New York 2011 «La Casa Mila» (con Rosa Barba), Loop Festival, Barcellona 2011 «Temporary Projections», Georg Kargl Fine Arts, Vienna 2011 «Images with their own shadows», Vjenceslav Richter Collection, Museum of Contemporary Art, Zagabria 2011 «Exhibitions for Secession», Wiener Secession, Vienna 2010 «Images with Their Own Shadows», Moderna Galerija, Lubiana 2010 «Images with Their Own Shadows», International Festival of Contemporary Visual Art, Glasgow 2010 «Out of Projection», Art Unlimited, Art 41 Basel, Basilea 2010 «Lost Cabinet», Nogueras Blanchard, Barcellona 2010 «Missing Colours», Annet Gelink, Amsterdam 2010 «Recalling Frames», Sprueth Magers, Londra 2010 «Retired Forms», Massimo Minini, Brescia 2009 «Retired Compositions», Metro Pictures, New York 2009 «Nothing Disappears without a Trace», ARCO, Madrid 2009 «After the Fair», Georg Kargl BOX, Vienna 2009 «David Maljković», Museo Nacional Centro de Arte Reina Sofia, Madrid 2009 «David Maljković», Fondazione Morra Greco, Napoli 2009 «David Maljković», Sprueth Magers, Berlino 2008 «Handed Over» (con Rosa Barba), Project Art Centre, Dublino 2008 «Lost Memories from These Days», Annet Gelink Gallery, Amsterdam 2008 «Lost Review», Le Plateau, Parigi 2008 «David Maljković», Kunstverein Nurnberg, Nurnberg 2008 «Parallel Compositions», Bergen Kunsthall, Bergen 2008 «Shadow Should Not Exceed» (con Jan St Werner), Pinksummer Contemporary Art, Genova 2007 «These Days», Present Future, Artissima 14, Torino 2007 «Almost Here», Kunstverein Hamburg, Amburgo 2007 «Scene for New Heritage III», Art Unlimited, Art 38 Basel, Basilea 2007 «David Maljković», P.S. 1 Contemporary Art Center, New York 2007 «Scene for New Heritage Trilogy», Whitechapel Art Gallery, Londra 2007 «Days Below Memory», CAPC, Musee d'Art Contemporain, Bordeaux 2007 «Scene for New Heritage Trilogy», The Physics Room, Christchurch 2006 «David Maljković», Salon of Museum of Contemporary Art, Belgrado 2006 «David Maljković», Museum of Modern and Contemporary Art, Rijeka 2006 «These Days» (con Yael Bartana), Gallery Nova, Zagabria 2006 «It's gonna happen» (con Rosa Barba), Croy Nielsen, Berlino 2006 «Scene for New Heritage II», Centre de Creation Contemporaine, Tours 2005 «Waiting Tomorrow», Annet Gelink Gallery, Amsterdam 2005 «90s without 90s», MMC Palach, Rijeka 2005 «Scene for New Heritage», Van Abbemuseum, Eindhoven

For example, in 1998, the SCC was asked by the federal government to opine on whether it was legal, under either Canadian or international law, for Québec to unilaterally secede from Canada (Reference re Secession of Québec, [1998] 2 SCR 21For example, in 1998, the SCC was asked by the federal government to opine on whether it was legal, under either Canadian or international law, for Québec to unilaterally secede from Canada (Reference re Secession of Québec, [1998] 2 SCR 21for Québec to unilaterally secede from Canada (Reference re Secession of Québec, [1998] 2 SCR 217).

There are no examples of aspirations for secession being expressed by Indigenous Australians.