Sentences with phrase «for sheer entertainment»

5.5 inch is for sheer entertainment guys.

I am represented by counsel, but I don't entirely rule out cross-examining Michael Mann for the sheer entertainment value.

With Chelsea hot, the 2000 Whitney Biennial sought out emerging artists, and the 2004 Whitney Biennial went for sheer entertainment value.

It's difficult to give up Porsche's brilliant PDK automatic, but for sheer entertainment, we'd have to equip the no - cost manual gearbox.

Then, for sheer entertainment value, we have the teachers unions» responses to the ruling and its aftermath, bloviating about the turn of events every time a microphone is within harrumphing range.

For sheer entertainment value, though, little in Cannes could best Michel Hazanavicius's The Artist, a black - and - white silent movie about the end of silent movies, starring the rubber - faced Jean Dujardin (a veteran of Hazanavicius's hilarious OSS 117 spy - movie send - ups) as a vain Hollywood matinee idol who digs in his heels and refuses to adapt to talking pictures.

Kathryn Bigelow, whose «The Hurt Locker» focused on an elite bomb squad who in the midst of the chaos of war had to ply their dangerous trade, deserved the accolades she received for the tension she provided the audience and for sheer entertainment value.

This movie allowed for some sheer entertainment.

With that being said, I only look to these theories for sheer entertainment and don't actually believe in them.

Giggs probably earns it for his long service and success, but for sheer entertainment it seems wrong not to give it to The King.

Really, the only reason to do something criminal in Grand Theft Auto is for the sheer entertainment of it.

Not exact matches

After you've gotten your fill from the delicious brunch buffet, prepare to be wowed by the sheer number of stations; from hair and makeup for kids to cookie - decorating (courtesy of the beloved Sweet Mandy B's peeps) to entertainment throughout the day, including the Jesse White Tumblers and characters galore.

Perfect entertainment for five - year olds and sheer torture for the unlucky parent (s) accompanying them to the theater.

Watching Drowning Mona is like watching one of those cheesy FOX television specials on what happens When Good Animals Attack: every bit of it is played out for the sheer sake of entertainment, but can not entertain.

A punch to the face by Freeman might not seem realistic and Mirren trotting rather than running for her life from enemy agents looks a little absurd, but for the sake of sheer entertainment, it's passable.

Whoever loses, we win for sheer awkward entertainment value.

The good news, however, is what Fuqua's The Magnificent Seven lacks in originality it more than makes up for in sheer entertainment, for those wondering if this one is worth seeing.

Though the effects are obviously dated, it doesn't matter, the performances and sheer thrills as we accompany this group on their trips to the afterlife and beyond still make for great edge - of - your - seat entertainment.

This sheer abundance of space also makes room for a rooftop terrace, ideal for outdoor dining during the cooler months, state of the art Bose home entertainment system and an indoor Jacuzzi and sunroom.

For sheer options, Xbox One is the superior entertainment machine.

While not graphically impressive, it makes up for it in sheer entertainment.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

Some people use them for work while other enjoy them for the sheer adventure and entertainment they provide.

For sheer options, Xbox One is the superior entertainment machine.

The remote has more than paid for itself in the sheer entertainment value of trolling the kids in our house by talking to them through the Alexa in the kitchen.