Sentences with phrase «for sleepwalkers»

For the Sleepwalkers series, Murphy continues this engagement with the history of The Hugh Lane, now focusing on its collection, its acquisitions and its exhibitions, and the changing role of the museum.

This ability may translate into a multi-tasking advantage for sleepwalkers while awake.

Before you go to bed, take the same precautions you would for a sleepwalker because children who have night terrors might also sleepwalk or tumble out of bed in the grip of a night terror.

Not exact matches

The whole thing has happened to him so quickly that Ollen still speaks of it in rather bemused tones — something like a sleepwalker who has just been awakened and informed that he holds the world record for swallowing goldfish.

The study might eventually enable a test for genuine sleepwalkers.

They found that sounding a buzzer during «slow wave» sleep triggered sleepwalking in three of the sleepwalkers under normal circumstances, and all 10 sleepwalkers when they had been kept awake for 25 hours prior to sleeping.

Results show that sleepwalkers were nearly 4 times more likely than controls to report a history of headaches (odds ratio = 3.80) and 10 times more likely to report experiencing migraines (OR = 10.04), after adjusting for potential confounders such as insomnia and depression.

Tanya (Mädchen Amick) is a sexually curious virgin who falls for Charles (Brian Krause), the new boy in school, only to learn too late that he's a life - sucking sleepwalker.

Somewhere along the line, it might have been funny for director Cosgrove (The Sleepwalker Killing, Victim of Love) to actually have his characters do and say funny things other than to spotlight their fanciful sexual indiscretions, but alas, he must have thought the mere depiction of these fetishes would be enough to garner snickers from the audience.

«Sleepwalkers» was also one of the first movie to use CGI in order to create a morphing effect for the creatures faces.

Employing the services of cinematographer Zack Galler (The Sleepwalker) for what should be another distinctly distinguishable looking film, noteworthy creative folk in Filmmaker Magazine 25 New Faces» Sofía Subercaseaux (Dina) and Art Director Naomi Munro (It Comes at Night) are part of the fold.

The actor's already proven himself to have a eye for smart indie fare («Martha Marcy May Marlene,» «Hello I Must Be Going,» and «The Sleepwalker»), and the way he made the most of a very small role in «A Most Violent Year» indicates a hunger inside for more.

There's the matter of legal ethics, whereby a sleepwalker who killed his father - in - law was acquitted of wrongdoing; the irony of sleeping pills whose effectiveness stems from their inducing short - term amnesia, thus helping you forget how much you actually tossed and turned all night; or the inventor of a highly successful treatment for sleep apnea, now patiently waiting for the Westernization of China to manifest itself in a king's ransom of obesity - related sleep disorders.

The developers, Marek Ziemak and Maciej Szczesnik, went to the Warsaw - based studio known for the mobile games Anomaly 2 and Sleepwalker's Journey.

Widely known for innovative installations such as Sleepwalkers, presented at the Museum of Modern Art, New York, in 2007, Doug Aitken utilizes a wide array of media and artistic approaches, leading us into a world where time, space, and memory are fluid concepts.

Major projects Creative Time undertook while Pasternak was director include Tribute in Light, the twin beacons of light that illuminated the sky above the former World Trade Center site after 9/11; Paul Chan's production of Samuel Beckett's Waiting for Godot in New Orleans's Lower 9th Ward; Nick Cave's Heard NY in Grand Central Terminal; Doug Aitken's Sleepwalkers at The Museum of Modern Art; Jenny Holzer's For New York at Rockefeller Center; Kara Walker's A Subtlety in the former Domino Sugar warehouse in Williamsburg, Brooklyn; and the recent joint project Funk, God, Jazz & Medicine: Black Radical Brooklyn at the Weeksville Heritage Center and its surrounding neighborhood in Brooklfor Godot in New Orleans's Lower 9th Ward; Nick Cave's Heard NY in Grand Central Terminal; Doug Aitken's Sleepwalkers at The Museum of Modern Art; Jenny Holzer's For New York at Rockefeller Center; Kara Walker's A Subtlety in the former Domino Sugar warehouse in Williamsburg, Brooklyn; and the recent joint project Funk, God, Jazz & Medicine: Black Radical Brooklyn at the Weeksville Heritage Center and its surrounding neighborhood in BrooklFor New York at Rockefeller Center; Kara Walker's A Subtlety in the former Domino Sugar warehouse in Williamsburg, Brooklyn; and the recent joint project Funk, God, Jazz & Medicine: Black Radical Brooklyn at the Weeksville Heritage Center and its surrounding neighborhood in Brooklyn.

Sleepwalkers is an ongoing project where six artists (Clodagh Emoe, Jim Ricks, Sean Lynch, Linda Quinlan, Lee Welch and Gavin Murphy) collectively used the gallery as a space for research.

Sleepwalkers is an ongoing project in which six artists — Clodagh Emoe, Jim Ricks, Sean Lynch, Linda Quinlan, Lee Welch and Gavin Murphy — have collectively used the gallery as a place for research.

Sleepwalkers is the title for an investigational programming format based on «exhibition making» where one's non-specific expectations of museums can be stretched out.

Dacey has produced exhibitions for various spaces throughout Canada including the Morris and Helen Belkin Art Gallery, Gallery Atsui, InterAccess Media Arts Centre, and Sleepwalker Projects.

Using the space of a public gallery as a field for reflection and debate, this volume extends the process of six artists that make up the «Sleepwalkers» project.

An authentication card signed by Doug Aitken indicating the edition number is included along with: A 23» x 36» double - sided poster with original artwork by Doug Aitken; A 12» vinyl picture disc contains unreleased tracks by Broadcast and a live recording of Doug Aitken's original opera the handle comes up, the hammer comes down; A 96 - page visual diary of the making of the film including sketches, production photos, film stills, script fragments, and inspirational found images; Two flipbooks with motion sequences excerpted from the film and the film's projection of the MoMA facade; A triptych gatefold case contains a CD soundtrack that features the tracks on the picture disc plus tracks by Bibio, Ranphorynchus, Steve Roden, Tim Hecker, and Canyon Country; A DVD includes an edit of Sleepwalkers cut specifically for this box set and a street level walkthrough as installed at the MoMA in NYC

Tony Matelli's «Sleepwalker» was a big Instagram hit at the Deitch / Gagosian «Unrealism» show in Miami last year, so be sure to look for it on the High Line.

It concerns itself with all those visual and sound installations not intended for formal, theater - style viewing, like Doug Aitken's new façade creeper, Sleepwalkers.

For Wanderlust, Matelli presents Sleepwalker, a hyper - realistic painted bronze sculpture of a somnambulant man lost and adrift in the world, meandering about in a deep sleep.

Neo-expressionist painter Eric Fischl achieved recognition in the 1980s for his figurative paintings exploring suburban adolescent sexuality, as in Sleepwalker (1979), which depicts a boy hunched over in a plastic pool, masturbating.