And I wanted it to be a movie that indulged in my own affection
for slow cinema.
Not exact matches
Temperatures may be dipping but the crop top trend shows no signs of
slowing down, as proved by Katie Aselton on the red carpet at ArcLight
Cinemas in Hollywood, California
for the «Drinking Buddies» screening yesterday evening.
An emotive and pragmatic slice - of - life that's strictly
for lovers of
slow moving
cinema.
Your first feature film
Slow West gets its UK
cinema release on 26 June; can you tell us what we can expect and where the inspiration
for the film came from?
Next up: Adventurous «
slow -
cinema» master Michelangelo Antonioni heads to Swinging London
for his English - language debut, Blow - Up (1966).
As an offering of «
slow cinema,» Vandendriessche is no Nuri Bilge Ceylan, and though this film's strength ironically resides in its digital photography, Vandendriessche lacks the natural intuitiveness
for his images to leave any lasting impact beyond their aesthetic assuredness.
The visual splendor of Zack Snyder is on full display, and what a magnificent looking piece of
cinema it is, as the director does well playing somber and
slow during the first hour - plus of build - up, only to finally get a chance to let it all rip in grand fashion
for a lengthy showdown between godlike beings battling it out on Earth
for the fate of two separate races.
Between Moonlight and the upcoming Call Me By Your Name, some are calling this the golden age of gay coming - of - age
cinema; Beach Rats»
slow pacing and dreamy verité style doesn't feel made
for quite that level of mainstream appeal.
Years from now, director Ava DuVernay will continually be referenced
for a dizzying amount of incredible firsts (many of which unfortunately serve as a reflection of the tiresome and
slow progression allowing
for varied perspectives in popular English language
cinema).
Slowly but surely,
cinema and reality begin to blur
for Jones, and Strickland — an up - and - comer with a flair
for slow burns — traces his descent into madness.
In the case of
cinema,
slow motion has been widely used as a poetic device to accentuate and invigorate moments that need to be highlighted, whether
for storytelling or purely aesthetic... Read more»
Legendary documentary filmmaker Patricio Guzmán (Nostalgia
for the Light, The Battle of Chile) discusses memory, the poetic qualities of
cinema, and why
slow pacing returns us to the rhythm of life.
When a film's opening shot is of a snail oozing across the screen in its own sweet time, you know you're in
for some seriously
slow cinema.
Sieranevada (Cristi Puiu, 2016)
Slow - burning drama seems to float my boat I've decided at 53, and Romanian
cinema is a pretty reliable place to go
for this style.
THE BLU - RAY DISC by Walter Chaw Where zombies in American
cinema seem to have risen with televangelism and its
slow - moving white people promising salvation in the life of a sheep (in that sense, they're really just another iteration of the Body Snatcher archetype), in Italy they transmogrified, following the success of Romero's Dawn of the Dead there, into analogies
for romance - gone - sour.
Indeed, movies and the wonder they inspire, «like seeing dreams in the middle of the day,» are central to the story, and Selznick expresses an obvious passion
for cinema in ways both visual (successive pictures, set against black frames as if projected on a darkened screen, mimic
slow zooms and dramatic cuts) and thematic (the convoluted plot involves director Georges Méliès, particularly his fanciful 1902 masterpiece, A Trip to the Moon.)