Sentences with phrase «for solo exhibitions of the work»

Although the award will be made to the exhibiting institution, the Kelly Award will be made in order to create an opportunity for a solo exhibition of the work of an emerging, mid-career, or under - recognized artist.

Not exact matches

For now, I'll just say that after I exhibit my «best off» photos at Cafe Rouge starting next Monday, I'll start preparing a new cycle of photos for the new solo exhibition which I've envisioned to be a «travelling» one so that my art can reach some new destinations and people that don't live in Helsinki or New York can see these works tFor now, I'll just say that after I exhibit my «best off» photos at Cafe Rouge starting next Monday, I'll start preparing a new cycle of photos for the new solo exhibition which I've envisioned to be a «travelling» one so that my art can reach some new destinations and people that don't live in Helsinki or New York can see these works tfor the new solo exhibition which I've envisioned to be a «travelling» one so that my art can reach some new destinations and people that don't live in Helsinki or New York can see these works too.

The first ever American artist to receive a solo exhibition invitation from H.R. Giger, the Oscar - winning artist behind the design of Alien, to his H.R. Giger Museum Gallery, Castiglia is bringing his work to his native city of New York for the solo exhibition Resurrection, opening at Sacred Gallery NYC on October 4th.

* A couple of really good galleries in premium places that invite you to have a solo exhibition or group showing once a year; * one or two pop up shows a year in a suitable spot in a town near you (empty shops in a main street are great and cheap); * an enthusiastic well networked agent (I asked a bright young girl who worked in visual merchandising / interior design / blogging to be my agent in a city 3,000 miles from home and she has been fantastic for me); * maybe one suitable art competition a year (I find art competitions expensive and often depressing); * and back it all up with the content marketing strategies for online sales and marketing.

For his second solo exhibition in New York, the Australian photographer presents three new large photographic works documenting interventions directly undertaken onto foreclose homes, which, from the outside, perfectly embody the ideal of the suburban dream.

Work of Art, which debuted in 2010 and ran for two seasons on Bravo, had up - and - coming artists compete for a solo exhibition at... Read More

I have FOUR solo exhibitions lined up so far for 2017 and a mountain of new (and now dry) work to get on Saatchi and Artstack.

«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work, images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).

Filling one of the galleries at David Zwirner (the 519 West 19th Street space) will be a large - scale work that Flavin originally created for his first solo museum exhibition.

Solo exhibitions of his work have taken place at CAPC Musée d'Art Contemporain de Bordeaux, France; the Rubell Family Collection, Miami; Lincoln Center for the Performing Arts, New York; and the High Museum of Art, Atlanta.

In two new film installations and a suite of photographs for his first New York solo exhibition, Akomfrah shifts his focus to the ill effects of displacement: One of the works looks at a 400 - year period of migration from Barbados, Mali, and Iraq; the other takes place at an abandoned airport outside Athens amid Greece's financial crisis.

In a solo, the artist is responsible for the exhibition philosophy, and it is the duty of the artist to perfectly articulate a singular concept through the power of his or her work.

For his first solo exhibition at Simon Lee Gallery Hong Kong, the artist will present a selection of new works from Looking Up in Osaka, a series comprising of over 300 photographs of utility poles and cables taken...

Impressionism is the artist's first solo museum presentation in the United States, and features a focused selection of extant pieces alongside new work made specifically for the exhibition.

For his first museum solo exhibition, Gavin Kenyon presents his largest sculpture to date and debuts a new series of textile - based works.

Solo exhibitions of her work have been held at Museo Tamayo (2016); Espace Louis Vuitton Munich (2016); Statens Museum for Kunst, Copenhagen, Denmark (2014); The Fabric Workshop and Museum, Philadelphia (2013); Australian Centre for Contemporary Art, Melbourne (2013); the Botín Foundation, Santander (2013); the New Museum, New York (2012); the Turbine Hall, Tate Modern, London (2011) and the Museum Moderner Kunst Stiftung Ludwig, Vienna (2011), among others.

Isenstein is currently preparing work for her third solo exhibition at Andrew Kreps Gallery, in New York City for the spring of 2015.

Solo exhibitions are a key factor in establishing both the reputation of an artist and also establishing a market for the artist's work.

Wave Hill commissions a diverse group of emerging New York - area artists to create a new body of work or site - specific project for a solo exhibition in the Sunroom Project Space.

For the artist's first solo exhibition in New York, C24 Gallery will present texts from billboards that appeared on the streets of Berlin, London, and Paris as well as major new light works, and a large - scale «Fire Poem.»

The gallery is planning a solo exhibition of Mitchell's work for 2019 in New York.

The solo exhibition will also showcase illusionistic drawings made with dry pastel and sculptures made of compressed jute, newspaper and old clothes — works that Nai is increasingly earning renown for.

LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial,works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial,Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.

Cammock was awarded the prize at London's Whitechapel Gallery last night, and as part of the prize, will take up a six - month residency in Italy next month, creating work for a solo exhibition at the gallery next year.

Blow by Blow Exhibition catalogue for Blow by Blow, a solo presentation of Arlene Shechet's work at the Tang Museum of Art in Saratoga Springs, NY, from Sept 26, 2009 - Jan 2, 2010.

This first solo presentation of Stevi's work in a public institution brings together recent paintings and drawings alongside a body of new work made especially for the exhibition.

He arrived in Europe around 1970, and after a period in Holland, settled in England where he became known for his conceptual work, with solo exhibitions in the 1970s at the Museum of Modern Art, Oxford; The Whitechapel Gallery, London; De Appel, Amsterdam; and the ICA, London.

Her solo exhibition «Carrie Mae Weems: Considered» is on view at the SCAD Museum of Art through June 12; She is directing «Grace Notes: Reflections for Now,» a special performance at Spoleta Festival USA in Charleston, S.C. (June 4 - 5); and her book «Carrie Mae Weems: Kitchen Table Series,» which explores one of her early and most acclaimed bodies of work, was published last month.

Best known for his vibrant but intimate ceramic sculptural work and part in the California Clay Movement of the 1960s, Ron Nagle's first solo exhibition on British soil opened...

Opie created new work for the Wexner Center's presentation of Hard Targets (2010) and her work was featured solo exhibitions at the Institute of Contemporary Art, Boston (2011) and the Los Angeles County Museum of Art (2010).

Now, for the first time, Esther Shipper's Berlin gallery has an exhibition that juxtaposes Bronson's solo work with that of General Idea.

With the completion of I Live now and associated works and two solo exhibitions with that underlying reference to high art history behind me, I was looking for something fresh, perhaps less academic, less reasoned, with more colour and more zip.

My main studio for oil painting is in Zhongshan, China, and at the moment I am working on a large batch of canvasses in preparation for my first solo exhibition, which will be held at the artist village compound where my studio is located.

«Mickalene Thomas: Origin of the Universe,» coincided with the artist's first solo museum exhibition and «Muse: Mickalene Thomas, Photographs» gathers her photography work for the first time.

Indeed, Liu, who will open a new solo exhibition on November 2 at the Lehmann Maupin gallery, in Manhattan, is known for working within a variety of mediums — painting, photography, video, sculpture, installation — and experimenting with all manner of materials, letting the concept dictate the form a piece will ultimately take.

The Artist Registry offers the opportunity for artists to submit digital images of their work to be included in the registry, which is regularly consulted for inclusion in group exhibitions in the gallery, or solo exhibitions in the Project Room.

It was the night before a few dozen of Ms. Dumas's new paintings would be shipped to New York for her first solo exhibition there in eight years, and the artist was drinking white wine and still contemplating which works would ultimately end up in the show.

Best known for his vibrant but intimate ceramic sculptural work and part in the California Clay Movement of the 1960s, Ron Nagle's first solo exhibition on British soil opened at Modern Art last week.

Other recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art in 2013; and Fred Wilson: Local Color, Studio Museum in Harlem in 2013.

Charles Mayton's first solo exhibition in Italy presents a series of new works conceived expressly for the American Academy in Rome interrogating the techniques and vocabulary of painting, as well as its historical muses and conventions.

Additional projects included solo exhibitions on the work of Robert Therrien, 2011, and Matt Saunders, 2013, and a distinctive group exhibition exploring experimentation by artists utilizing drawing throughout the 20th century entitled Tracing the Century: Drawing as a Catalyst for Change, 2013.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

He has had solo exhibitions in recent years at the Museum of Modern Art, Fort Worth, Texas (2012), Museum of Contemporary Art, Denver (2009) and at BALTIC Centre for Contemporary Art, Gateshead (2005), with work featured in group exhibitions at venues including the Albright - Knox Art Gallery, Buffalo, NY (2011), the Ullens Center, Beijing (2010), the Contemporary Arts Museum, Houston, Texas (2008), Deste Foundation, Athens (2007), Kunsthalle Wien (2007), Museum of Contemporary Art, Shanghai (2007), The Royal Academy of Arts, London (2006), and the Museum of Contemporary Art, Chicago (2003).

For example, two works both titled «Tori Tori» (2008), which were shown in her first solo exhibition at Tomio Koyama Gallery, were created from a chunk of one wood split in half.

A large portion of the exhibition features works already seen in past solo exhibitions worldwide, for example works such as Grapes (2011), Divina Proportione (2012), and Study of Perspective (2014)-- while this could potentially be perceived by trained audiences as a disappointment, the artist's engagement with the topical refugee issue, in particular his engagement with the group of local photographers, transforms Ai Weiwei at Cycladic into a riveting exhibition.

Her sustained painterly investigations into the way we read pictures, particularly those that take black subjects as their starting point, has gained her much attention: she was shortlisted for the Turner Prize in 2013 and the Serpentine staged a solo exhibition of her work in 2015.

Waiting for God is the South African artist's first large scale solo exhibition with a selection of works from the last 15 years.

For her solo exhibition «AFFINITES» at ART SPACE 98 the artist has created a new body of works.

In addition to a decade - long run of solo exhibitions, Ebtekar's work has been featured at galleries such as Whatcom Museum, Bellingham, WA; Waterhouse & Dodd, London, UK; The Third Line, Doha, UAE; Yerba Buena Center for the Arts, San Francisco, CA; ordiska Akvarellmuseet, Skarhamn, Sweden and the Chelsea Art Museum, New York, NY.

This is one of the scripts accompanying John Baldessari's latest works for his show at Marian Goodman Gallery in London, his first solo exhibition since Pure Beauty held at Tate Modern back in 2009.