Sentences with phrase «for subsequent exhibitions»

This is «Wallspaper,» first made to cover most of a large wall at 112 Greene Street in 1972 and reprinted for subsequent exhibitions.

Not exact matches

The Home Run Derby is as good as an exhibition before an exhibition can get — and while it's fun to watch players like Fielder and Ortiz hit 500 - footers, there should always be a spot for a totally random player just to amuse us in subsequent decades.

Daniel's recent solo exhibition entitled, «Into the Unknown,» at the Media One Hotel in Dubai was met with critical acclaim and now talks are underway for the subsequent UK edition.

Her 2009 exhibition at the Guggenheim Museum, Material for a Filmtold the story of the eleven Israeli athletes and coaches killed by Palestinian terrorists in the 1972 Olympics in Munich and the subsequent murder of Wael Zuaiter, who was killed in retribution for the attacks.

It is through this catalog of and subsequent gallery exhibition that we hope to once again bring Weiss's photography to the forefront, but hopefully for good this time.

The exhibition considers drawing in Europe and the United States throughout time, observing how artists advanced the role of drawing in artist's creative processes — from a primary tool to record the visual world to a medium distinguished for its expressive qualities and immediacy in the advent of photography and subsequent technological advances in the digital age, ultimatelyunderscoring what makes drawing different from other forms of notation.

Over the next decade, Judd worked as a critic for ARTnews, Arts Magazine, and Art International; his subsequent theoretical writings on art and exhibition practices would prove to be some of his most important and lasting legacies.

By submission for jurying, artists whose submissions are chosen for the exhibition grant The Center for Fine Art Photography the right to use their images for the purpose of promoting the artist, promoting the Center's programs, promoting exhibitions and subsequent display on the Center's website of current and past exhibitions.

Her subsequent exhibition at the Serpentine Gallery in 1988 — the year she was nominated for the Turner Prize — produced a stream of ecstatic media coverage.

By submission for jurying, artists whose submissions are chosen for the exhibition grant The Center for Fine Art Photography the right to use their images for the purpose of promoting exhibitions, promoting the Center's programs, promoting the artist and subsequent display on the Center's website of current and past exhibitions.

At Blaffer, Sánchez Martínez will work with director and chief curator Claudia Schmuckli on the organization of exhibitions and publications for presentation at the Museum and subsequent circulation to other venues.

In 2008 he was a recipient of an ACE grant for the arts, supporting his first international solo exhibition at the CCA Warsaw and subsequent publication.

Deller's animation is based on one of the works he presented at the British Pavilion at last year's Venice Biennale (the subsequent touring exhibition, «English Magic» is moving from Bristol to Margate's Turner Contemporary for its final leg on 11 October).

Curated in partnership with Art Licks, a platform for emerging artists, the subsequent exhibition, On the heights, presents both indoor and open - air pieces, making full use of the Bothy Gallery and natural backdrop.

His first solo museum exhibition was held at the Pasadena Art Museum, California (1970); subsequent solo museum shows have been held at the Stedelijk Museum, Amsterdam (1977); The Museum of Modern Art, New York (1986); Dia Center for the Arts, New York (1997); and The Pulitzer Foundation for the Arts, St. Louis (2003); among other venues.

Over the next decade, Judd worked as a critic for artnews, Arts Magazine, and Art International; his subsequent theoretical writings on art and exhibition practices would prove to be some of his most important and lasting legacies.

With the subsequent confiscation of the artist's passport by Chinese authorities in 2011, Weiwei's artistic vision for this solo - exhibition has thus been restricted to a virtual navigation of the RA's Main Galleries from his studio in Beijing.

Subsequent artist talks and panels will take place in May, following the opening exhibition, to help inform an ongoing discourse (Check grunt.ca for more details).

The exhibition takes us beyond the pioneers of Pop and to the work of subsequent generations of artists for whom Pop art has been an inspiration or a vehicle for critique.

Grants of # 500 have been given to the shortlisted artists, with a single cash prize of # 5,000 awarded at a prize ceremony on Thursday 5 October, together with an offer to the winner to be involved in both the selection process for AWARD 2019 and the subsequent BCB 2019 exhibition programme.

Building on the success of his first museum exhibition in Chemnitz, Germany in 2007 and several subsequent exhibitions, Mood Swings will show iron works by Bob Dylan for the first time, alongside original works on canvas and signed limited editions, all of which will be for sale.

Her work for the exhibition is a series of pieces made from vellum, which is calf skin parchment, examining the cellular morphology of lymphoma, personally significant after the illness and subsequent death of her partner.

Ranging across Jasper Johns's entire career — from his breakthrough paintings of the 1950's, which paved the way for the subsequent development of pop art and minimalism, Jasper Johns has had numerous museum retrospectives throughout his career, including paintings, drawings, prints as well as a host of other themes; recent highlights include the landmark 1997 exhibition» «Jasper Johns: A Retrospective» at the Museum of Modern Art, curated by Kirk Varnedoe and the breathtaking 2008 «Jasper Johns: Gray» at the Art Institute of Chicago and The Metropolitan Museum of Art.

Then Krugier details the evolving path of his postwar career in art, beginning with his own paintings and moving on to the opening of his own galleries in Geneva in 1962 and New York in 1966, and his subsequent work mounting exhibitions for such artists as Alberto Giacometti, Giorgio Morandi, and Oscar Schlemmer.

His first solo museum exhibition was held at The Pasadena Art Museum in 1970; subsequent solo museum shows have been held at the Stedelijk Museum, Amsterdam, 1977; The Museum of Modern Art, New York, 1986; Dia Center for the Arts, New York, 1997; and the Pulitzer Foundation for the Arts, St. Louis, 2003.

The museum's contemporary collection consists of over 5,500 works and is defined as holdings dating from 1970 to the present, although some earlier pieces which would have set the stage for artists working in the subsequent decades are also included in this exhibition, including a 1967 ink drawing by Eva Hesse and a 1959 Robert Ryman painting.

Patty Chang, Fiona Tan, and Aernout Mik are awarded the first cycle of commissions; their subsequent individual exhibitions at all three venues represent the first major museum exhibitions in the US for each of these artists.

Subsequent presentations of his work include a survey of watercolors at the Tate Gallery, Liverpool (1991), a one - man show at the Musée national d'art moderne - Centre Georges Pompidou, Paris (1993), an exhibition organized by Fundación «La Caixa,» Madrid, which traveled to the Astrup Fearnley Museet for Moderne Kunst, Oslo (1995 - 96), and a retrospective at The Hayward Gallery, London (2001).

She cited a 1978 Mark Rothko show, «that showed the museum itself could look exquisitely beautiful,» and a subsequent show featuring work by Joseph Beuys, the German sculptor and installation artist, «who took the place over and used it as a venue for almost a site - specific exhibition.»

She recently organized the exhibition The Ocean After Nature and its subsequent catalogue, which will debut at Yerba Buena Center for the Arts in San Francisco (June 2016) followed by an international tour.

Returning to Dublin in 1996, Walton had his first sell - out solo exhibition in 1999 at Jorgensen Fine Art Gallery, the venue for several subsequent solo shows including his exhibition «Philosophical Paintings» in June 2006, which included his evocative history paintings.

The 1986 solo exhibition «Black Males» and the subsequent book The Black Book sparked controversy for their depiction of black men.

The Nam June Paik Art Center prize was inaugurated in 2009 and carries two honors: an award that will be given during years ending in an even number, and an exhibition for the artist during the subsequent year.

The exhibition encapsulated the idea further developed in subsequent years: The copier came to be recognized as an instrument for mechanized seriality.

The work for this exhibition has been produced alongside writing about the notion of continued production in a post-industrial landscape, where the former workers return to their now abandoned experimental factory to revisit the progressive models of production that led to their subsequent redundancy.

While the massive «Zen - Kei 1955 - 2006» exhibition in 2006 filled all three floors of the Museum of Contemporary Art, Tokyo, with a radically obsessive, chronological overview of Ohtake's artistic development from childhood to the present, subsequent exhibitions have found no shortage of possibilities for reinterpreting his practice.

Though his talent as a photographer was recognized early in his career, it was his solo exhibition at The Victoria and Albert Museum in 1986 and the subsequent use of his images on album covers and concert backdrops for the musician Morrissey in the 1990s that renewed interest in his work.

First shown in 1998 at the Toyko's Sagacho Exhibition Space, and in New York's Lehmann Maupin gallery the subsequent year, My Bed became best know through an exhibition at Tate Modern in 1999 as one of the shortlisted works for the TurExhibition Space, and in New York's Lehmann Maupin gallery the subsequent year, My Bed became best know through an exhibition at Tate Modern in 1999 as one of the shortlisted works for the Turexhibition at Tate Modern in 1999 as one of the shortlisted works for the Turner Prize.

Subsequent exhibitions include Saatchi New Sensations (2011), V&A Museum (2011), Zabludowicz Collection (2012), Nassauischer Kunstverein Wiesbaden (2012) and a commission for London's SouthBank Centre (2011).

Since his first solo exhibition 50 years ago, Mangold's work has been the subject of numerous one artist and retrospective exhibitions throughout the United States and abroad, including Robert Mangold at the Guggenheim Museum, New York (1971); Robert Mangold: Paintings 1971 — 1984, organized by the Akron Art Museum with subsequent venues in New York, Texas and California (1984 — 86); Robert Mangold: The Oberlin Window at the Allen Memorial Art Museum, Oberlin College (1992), which coincided with the unveiling of a stained glass window designed by the artist for Oberlin's historic Finney Chapel by architect Cass Gilbert, Robert Mangold: Painting as Wall, Werke von 1964 bis 1993, organized by the Hallen für neue Kunst with subsequent venues in Paris, Münster and Lisbon (1993 — 95); Robert Mangold: X, Plus and Frame Paintings, Works from the 1980s at the Parasol Unit Foundation for Contemporary Art, London (2009); Robert Mangold, Beyond the Line: Paintings and Project 2000 — 2008 at the Albright - Knox Art Gallery, Buffalo, presented in 2009 in anticipation of commissioned glass windows at the Federal Courthouse Building in Buffalo, unveiled in 2012; and Robert Mangold: Continuity and Discontinuity, Cleveland Institute of Art, Ohio (2011).

Following this final exhibition, PeaRoeFoam continued to be appropriated for subsequent works, but the majority of the leftovers and objects from all three «PeaRoeFormances» found a new place in Rhoades's studio.

For a subsequent untitled exhibition at Milan's co-operative space Armada, Madere installed a tableau depicting two mischievous young boys, made from stuffed clothes of Jared's own design that appear like a cross between Renaissance court dress and high - end streetwear, sitting on a bed and pouring whiskey into a pot.

Monumental because of the very special place the Nasher Museum holds for me since the creative collaboration that became the Barkley L. Hendricks: Birth of the Cool exhibition, its accompanying programs and my subsequent artist residency at Duke.

Shapiro has been the subject of numerous one - artist exhibitions throughout the United States and abroad including Joel Shapiro: Sculpture and Drawing at Whitechapel Art Gallery, London (1980) which traveled to and Moderna Museet, Stockholm; Joel Shapiro at the Whitney Museum of American Art, New York (1982) with subsequent venues in Dallas, Toronto and La Jolla; Joel Shapiro at the Stedelijk Museum, Amsterdam with subsequent venues in Düsseldorf and Baden - Baden (1985 — 1986); Joel Shapiro at Louisiana Museum for Moderne Kunst, Humlebæk, Denmark, which traveled to IVAM Centre Julio González, Valencia, Spain, Kunsthalle Zürich and Musée des Beaux - Arts, Calais (1990 — 1991); Joel Shapiro: Outdoors at the Walker Arts Center / Minneapolis Sculpture Garden (1995 — 1996), which traveled to The Nelson - Atkins Museum of Art / Kansas City Sculpture Park; Joel Shapiro: Skulpturen 1993 — 1997 at the Haus der Kunst, Munich (1997), which traveled to the Barlach HALLE K, Hamburg; Joel Shapiro Sculpture 1974 — 1999 at Yorkshire Sculpture Park, Wakefield, Yorkshire, England, and Joel Shapiro on the Roof at The Metropolitan Museum of Art, Gerald B. Cantor Rooftop Galleries, New York (2001).