Sentences with phrase «for television audiences»

Quentin Tarantino has 90 - minutes of never - before - seen footage from Django Unchained that he wants to re-edit for television audiences.

Once the Rev. Al Sharpton halved himself and mellowed for television audiences, the Buffalo businessman snatched the mantle.

The Hunger Games Suzanne Collins, 2008 In the future nation of Panem, teens from the twelve districts annually battle to the death for a television audience.

Not exact matches

Often billed as China's answer to YouTube, Youku is actually closer to Netflix; it's a streaming video site that relies on a vast library of licensed movies and television to draw in a growing audience hungry for the best western and Asian content.

The audience for the television broadcast on Fox will be larger.

Football games are the most dependable ratings - grabbers in television, with viewership increasing as the audience gets smaller for traditional network fare.

A traditional television offshoot may not seem like the most obvious move for Vice, considering the success of its online offerings and the indifference of its young audience to terrestrial TV.

The Rational Group, based in the low - tax Isle of Man off the coast of Britain, is also a producer of live poker events and poker programming for television and online audiences.

So when a major television network repurposes a classic, chilling tale for a modern audience, it has the makings of TV gold.

The 2015 Victoria's Secret Fashion Show is ready for broadcast on Tuesday, with the Angels set to give the mid-tier lingerie brand its biggest PR push of the year to a television audience of millions.

The earliest programs in central Canada air at 6 a.m. and Atlantic Canada at 7 a.m. Numbers from the Television Bureau of Canada show that consistently for the past six years, the 4 a.m. to 5 a.m. slot has had the fewest viewers, with an audience size about one - fifth of the peak time between 9 p.m. to 10 p.m. Still, Canadian broadcasters aren't overlooking the value of starting early.

Once again, a television series is proving that American audiences have a thirst for stories revolving around real people and actual crimes.

In an era of dwindling ad revenues and splintering audiences, Glee represents an emerging revenue model for broadcast television, where a show does not need to be in the Top 10 — or even the Top 25 — to make money.

Writes the Viacom spokesperson: «Philippe has doubled the amount of investment in creative programming over his tenure to more than $ 6 billion annually, and has grown Viacom to be the # 1 family of cable networks and the # 1 destination on all of television for reaching younger audiences.

«You have audiences leaving ad - supported television for non-ad-supported television, and I don't think that they are coming back.»

Along the way, it helped create new ways for advertisers and corporations to reach audiences, from a «promoted tweets» model now replicated by Facebook and other Internet platforms, to its «second screen» approach to encouraging real - time debate around television programs.

Primed by science fiction, magazine articles, and appearances by Wernher von Braun on the «Tomorrowland» segments of the Disneyland prime time television show, Americans were a receptive audience for NASA's pioneering «brand journalism» and «content marketing.»

It is renowned for its unsurpassed Olympic heritage, award - winning production, and ability to aggregate the largest audiences in U.S. television history.

From there, advertisers are able to reach people who might be underexposed through television, or buyers can up the frequency for TV - exposed audiences on digital channels.

Boustead's Dan McClory, Head of Equity Capital Markets and China, designated Expert by CCGN - China Central Television's international English - language network for a 100 - million global audience

There is consolation in the fact that the Times is bought by less than one out of twenty people in the New York area, and the audience for television networks and movies has been declining for years.

With the development of radio and television, which became mass media in a one - way mode, the message interaction on telephones became overshadowed in the mind of the public by the scintillation of media focusing largely on entertainment for mass audiences.

Moyers's people had swarmed over the Indiana University campus in successive waves of producers, executive producers, directors and associate directors; of lighting people, camera people, sound people and questions - from - the - audience people; had added a participant (Nicholas von Hoffman) to be sure the affair would be telegenic; had phoned the panelists before the event with their own list of topics and ideas; had thrown together a wooden platform just for their cameras, which cameras prevented many in the actual audience from seeing the panelists; had shifted the meeting rooms to meet the exacting requirements for the paraphernalia of television; had fed questions to members of the audience, and instructions «from the truck» to the moderator («move on»); and then had fashioned from 12 hours of tape one hour that might have been made in a New York city hotel room.

Television does not attempt to provide a variety of programs for a variety of audiences, to arrange for a mix of programs over a period of several hours would provide what many different «audiences» want.

So for audiences used to 2014 big budget television, it can be hard to get past that.

While the audiences for paid - time programs have grown in the past decade, the programs do not attract a large audience within the relative terms of the television industry.

It was recently nominated for three Emmy awards and has already aired in 10 other countries, with a record 40 % audience share in Portugal (Diogo Morgado who plays Jesus is a television star there).

First in the United States, but now more and more in Europe, Japan, and elsewhere, television is being used essentially for one purpose only: to deliver an audience to an advertiser (or to a government).

«The audience for religious programs on television is not an essentially new, or young, or varied audience.

Taking into account viewing duplication and correcting for the fact that the diaries may underreport by as much as 15 per cent, the study says that the number of people who have watched at least one - quarter hour of religious television per week is about 13.3 million, or 6.2 per cent of the national television audience.

On the surface, television seems to be a highly developed mechanism for delivering particular audiences to advertisers.

Steve Hayward's cookin» with gas over at Powerline: «But the prize for this week's liberal obtuseness about the Constitution goes to Supreme Court Justice Ruth Bader Ginsburg, who told an Egyptian television audience that «I would not look to the U.S. Constitution if I....

Hymns continue to be popular, as is shown by the large audience in Britain for the television programme Songs of Praise.

To prepare Fox viewers for the Two Minutes Hate, where they put up a picture of Obama and encourage the audience to scream obscenities at their televisions.

Since the basic purpose of American commercial television is to attract an audience, it has cultivated a taste and expectation for instant gratification and simple answers.

David Clark and Paul Virts, «Religious Television Audience: A New Development in Measuring Audience Size,» paper presented at The Society for the Scientific Study of Religion, Savannah, 1985.

According to the diaries, there is a total duplicated national religious television audience of 24.7 million weekly for religious television programs.

At least some of her audience appreciated that aspect of her music; I, for one, will forever remember her Christmas television specials in particular.

I saw a cultural Christianity with preachers who often gained audiences, locally in church meetings or globally on television, by saying crazy and buffoonish things, simply to stir up the base and to gain attention from the world, whether that was claiming to know why God sent hurricanes and terrorist attacks or claiming that American founders, one of whom possibly impregnated his own human slaves and literally cut the New Testament apart, were orthodox, Evangelical Christians who, like us, stood up for traditional family values.

This practice is what makes so much television programming look the same: it has to be the same, to deliver the largest possible audience — which is the «product» the networks sell to the sponsors — for the smallest amount of dollars per viewer.

To be dependent on one's audience for support, particularly in a fickle selective medium such as television, means that the gospel must not only be proclaimed, but it must be proclaimed in such a way that it meets with the approval of a large share of one's audience.

This was true even for Robert Schuller, even though it is claimed of Schuller that he frequently encourages his television audience to attend a local church.

For example, in the presence of the advantage held by the paid - time religious programmers, several denominations which had previously cooperated with others in the common production of religious programs have now decided to compete on their own through the purchase of their own television stations, the production of their own programs, and the cultivation of their own audiences.

Buddenbaum found that the regular audience for religious television programs comprised mainly blue - collar workers and «others,» which included housewives and non-classifiable employed persons.

These figures certainly do not tally with other research, such as the Nielsen surveys which list the combined audience for all syndicated religious programs on television in November 1980 as 19.1 million adults and children.

While the broadcast evangelists envisage television as a God - given tool by which to reach «the world» with their message, research on religious television programs indicates that the actual audience of most religious programs is highly segmented and that those who watch usually do so for very specific reasons.

What functions do Christian television programs serve for the different segments of their audiences and in what way do these programs fulfill these functions in comparison with the local church?

The dominant functions of television, combined with the pressure on stations to maximize their audience, has shaped television programming in America in several characteristic ways: it has led away from in - depth, demanding analyses to an oversimplification of issues and their solutions; it has fed the desire for instant gratification of needs rather than disciplined resolution; and it has tended toward the sensationalization of events and experiences.

Audience figures presented in detail in the next chapter suggest that these syndicated programs have displaced higher - rating network programs, which may also result in a smaller audience for religious programming on telAudience figures presented in detail in the next chapter suggest that these syndicated programs have displaced higher - rating network programs, which may also result in a smaller audience for religious programming on telaudience for religious programming on television.

The adoption of purchasing of air - time and audience solicitation as the basis for religious programming on television does not necessarily result in the breaking out of the religious ghetto, but has mainly resulted in religion's becoming more firmly ensconced in it.