Sentences with phrase «for theatrical lighting»

Not exact matches

Further, the illustration of the contemporary region of «grey» may be due to quite other efficacious historic routes — for example, to lighting effects arranged by theatrical producers — and in such a case, the term «stone» may suggest an even more violent error than In the former example.

So this summer's big - screen debut of Judy Moody - the spirited, red - haired third - grade heroine of Megan McDonald's wildly popular tween - lit series - brings on a wave of nostalgia accompanied, unfortunately, by a great big yawn that will surely be experienced by parents hoping for a spark of irreverence à la Pippi or the broad comic appeal found in most theatrical family fare these days.

Indeed, the odds against Hoop Dreams ever seeing the light of day were overwhelming, for it is a documentary, and the term itself carries such a commercial stigma that only a few are lucky enough to get a theatrical release.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration detaiFor the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration detaifor the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

And sate it does, at least from a technical standpoint: The 2.35:1 anamorphic widescreen transfer * is the finest for one of the film's theatrical cuts — a remarkable feat considering it's the longest instalment of the trilogy (and thus harder to squeeze onto a single - sided, dual - layered platter), though perhaps not so astonishing in light of two years having passed since The Fellowship of the Ring debuted on the format.

That would be enough to tide over fans anticipating the upcoming definitive release, but there are also shorter featurettes on costume design, theatrical lighting, and film editing; a selection of auditions and screen tests (though, it must be noted, not including Jennifer Hudson's — I guess some things had to be saved for later); an extensive still gallery; and, most intriguingly, pre-visualization sequences for the musical numbers shot with dancer stand - ins.

I'm rooting for Spike Jonze and his pet project Her, but its weak buzz has me worried that it might not see the light of theatrical day in 2013.

Light film grain is present for a natural, moderate, theatrical look, and a deep black level and perfectly tuned contrast complete the film's intended effect, never disrupted by digital artifacting.

Finally, the theatrical trailer (1:56) is thankfully included along with previews for Iron Man, Shine a Light, and The Kite Runner.

Picture quality handily recreates the film's 2D theatrical presentation, with deep blacks and good shadow detail, which is especially important for a film with a generally dim look and a number of low - lit interiors and nighttime exteriors.

Some of the theatrical devices of Cocks and Winkler work like gangbusters, since theatre was Porter's primary milieu: lighting transitions, live production audio for the musical numbers, and a freedom from film's typical realistic restraints.

The teaser trailer for John Carter was light on pretty much everything but this full theatrical trailer for the movie released by Disney yesterday has got much more meat on its bones.

WE THE PARTY — Specifications Running Time: 104 Minutes Rated: R Street Date: July 31, 2012 Sound: Dolby Digital 5.1 SRP: $ 20.99 for the DVD and $ 26.99 for the DVD / Blu - Ray Combo Aspect Ratio: 16 × 9 1.79 Special Features: Feature - length commentary by writer - director Mario Van Peebles and actors Mandela Van Peebles and Makaylo Van Peebles, 4 music videos from the film («Truth,» «She's a Vegan,» «A Light at the End of the Tunnel,» and «Forever»), and the theatrical trailer.

DVD Release Date: 18 October 2005 If you didn't get to trip - the - light - fantastic with this dance sensation when it made its limited theatrical d0xE9but, you might want to take the DVD release for a spin.

It features: — 3D real - time sandbox game built with Unity game engine — metallic shader, lighting, particle effects, lens flare, explosions, fx — space combat RPG with extensive skill tree — open and living universe where 600 + ships fly around autonomously — epic story with dialogue system that allows real choices — recruit 6 wingmen and 2 can fly with you at a time — even discover romance with another wing pilot — recruit 5 corporate pilots who can fly trade routes on your behalf — trade, fight, mine, pirate, scan for derelict ships and wormholes — many mission types: epic, freelance, dynamic, wingman acquisition, faction loyalty — deep combat mechanics, AI, and faction standings — 20 + ships, 180 + modules, 33 solar systems with a unique follow - through - warp mechanic — 15 + factions to vie favor or destroy — cinematic camera shows you the action when it happens — fly manually with or without Newtonian physics or use autopilots exclusively — 22 track theatrical - quality award - winning soundtrack by renown composer, Sean Beeson — cloud save lets you continue your game at home or on the go MEMORY: Dangerous uses a lot of memory during play, so if you have an older device, please close extraneous programs and reboot prior to playing.

Akdogan often utilizes objects counter to their intended use — traditionally, colored gels for cinematic and theatrical lighting create distinct light conditions while remaining hidden from view; the artist extracts and edits the atmospheric and surface properties of these materials, often directly in the exhibition space — manipulating layers of color pigments, print, and light sources.

In his first solo show since the stunning three - hour theatrical work The Humans (2014), Singh offers «The School for Objects Criticized,» a witty light - and - sound installation in which a slinky, an abstract sculpture, and a bottle of bleach are among seven protagonists that critique the artist's latest exhibition; the work takes cues from Molière's The School for Wives Criticized (1663).

James Casebere first came to notice as a member of the famed «Pictures Generation,» standing out from fellow artists like Cindy Sherman and Richard Prince for his uncanny take on appropriation: instead of lifting images from popular culture, Casebere created tabletop models of architectural settings out of modest materials and photographed them in eerily flat, theatrical light.

She has placed inanimate dolls, ventriloquist dummies, and household objects and furnishings in intricately staged sets with theatrical lighting with the reverence typically reserved for precious materials or human subjects.

«The Haunted Art of T. Jefferson Carey» showcases thirty years of Carey's work in the most theatrical, dramatic, and comprehensive way, exhibiting many of the qualities of a haunted house, including a black light installation created expressly for the exhibition.

Through close collaboration with a theatrical lighting designer, Kerbel developed a cue script for a configuration of theatre lights that conjures images of a journey of struggle and triumph.

Canada - born Kerbel masters a new craft for every new artwork - in the past she has told stories using theatrical lighting, sports commentary and a radio play.

Responsible for the safe operation and training in technical theatrical systems including lighting, audio, and rigging.

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Special effects include a water mist screen that displays film images, colorful laser light movements, stunning spouts of gas flames, theatrical and fiber optic lighting, animated water fountains, and a high - powered sound system for music and narration.

My name is Austin Lange Im 24 years yrs old, I currently work full - time at Theatrical Lighting company that works along side local 2 in Chicago to set up concerts around the city, I've been in it for about a year now and Its a great job but I dream of one day becoming my own boss and that assuredly is not the path.

Pale aqua makes a wonderful backdrop for vibrant accents of red that have been given a light - hearted, theatrical note using stripes and checks.

A modern update of the lighting used to illuminate Hollywood or theatrical - style make - up mirrors, their subtle glow is ideal for bathrooms, dressing areas or snug rooms around the house.