Not exact matches
«(Cannes) wants to reiterate its support to the
traditional mode of
exhibition of cinema in France and in the world,» it continued, adding that from next year its rules would explicitly state any film entered
for competition would have to «commit itself to being distributed in French movie theatres».
Tu also received numerous awards nationally which include «Award
for Progress in Anti-malarial Research Achieved by Project 523 Scientific Team» honored by China National Congress of Science and Technology (1978); «National Scientific Discovery Award»
for Anti-malaria Drug - Qinghaosu by the China Ministry of Science and Technology (1979); «Invention Award» (as the first inventor) by China National Congress
for Awards in Science and Technology (1982); «Award of Young and Middle - aged Experts with Outstanding Contribution» by the Chinese Government (1984); «The Top Honorary Award» by China Academy of
Traditional Chinese Medicine (1992); «The Top Ten National Achievements
for Progress in Science and Technology» by China National Committee of Science and Technology (1992); «First - Class Award of National Achievements in Science and Technology» by China National Award Committee
for Advances in Science and Technology (1992); «National Model» by China State Council (1995); «Award
for Outstanding Achievement in
Traditional Chinese Medicine» by Guangzhou Zhongjing Award Foundation
for Traditional Chinese Medicine (1995); «Outstanding Scientific Achievement Award» by Qiu Shi Science and Technologies Foundation of Hong Kong (1996); «Top Ten Health Achievements in New China» by China Ministry of Health (1997); «Female Inventor of the New Century» by China National Bureau of Intellectual Property (2002); «Golden Medal of the 14th National Invention
Exhibition» by China National Bureau of Intellectual Property (2003); «Award
for Development of Chinese Materia Medica» by Cyrus Chung Ying Tang Foundation, (2009).
Registration fees include: Access to the scientific sessions and
exhibition area of the Summer School, accommodation
for the entire duration of the event (4 nights), meals (breakfast, coffee breaks, refreshments, lunches, dinners, welcome reception and farewell
traditional party), guided tour and educational material.
The extensive programme planned
for the competition arena will culminate in the
traditional Scuderia Ferrari salute with an
exhibition of the F10, the single - seater with which Ferrari competed in the 2010 Formula 1 season.
Prof. Berndt's lecture will focus on three aspects: 1) the ir / relevance of
traditional Japanese painting
for contemporary manga; 2) manga museums compared to recent manga
exhibitions in Japanese art museums; and 3) the unilateral interest in manga by contemporary artists such as Murakami Takashi and Aida Makoto.
Situated in a prime location close to the downtown area, the
exhibition centre and Yas Island, Rocco Forte Hotel Abu Dhabi offers 281 spacious, well - considered bedrooms and suites, as well as a dedicated executive floor and lounge, seven diverse and compelling options
for dining and recreation, a generous spa,
traditional Hammam and wellness centre and some of the UAE's most sophisticated meeting and events spaces.
The topic of online versus
traditional booking channels will once again be a key focus at the 2013 Arabian Travel Market technology seminar sessions as organiser, Reed Travel
Exhibitions, highlights the dramatic shift in consumer mindset over the last 12 months as travellers log on to technology
for convenient airline and hotel bookings.
Today, the Academy of Interactive Arts & Sciences (AIAS) and the Entertainment Software Association (ESA) announced the winners
for the 2011 Into The Pixel collection, the only juried art
exhibition that brings together experts from the
traditional fine art world and the interactive entertainment industry to display and discuss the art of video games.
We're also seeing
exhibition and fan spaces liberated from
traditional and expensive events like PAX or GDC [
for example, we previously visited Lost Levels here at Offworld].
Curators Patricia Spergel and Shazzi Thomas selected artists
for this
exhibition who reference garden and landscape in their work in a variety of ways —
traditional observational painting, works with subtle satirical and political commentary and paintings that lean towards abstraction.
Art Sonje's institutional desire to keep alive, but not historicize its past is mirrored outside, where Jun Yang has renovated a hanok (a
traditional Korean house) into a café and bookshop, freeing up their respective spaces on the art center's ground floor
for the
exhibitions.
Pauline has exhibited her work annually in Boston since 1998 and has also continued to exhibit in Australia where she was the recipient of a coveted prize
for oil painting in the prestigious national juried
exhibition, The A.M.E. Bale Art Awards, known as Australia's premier awards
for traditional realism and figurative art.
Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes
traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that,
for their associations with high - modernist seriousness, are appropriate to a politically engaged
exhibition.
Although I have been painting using a wide variety of
traditional media
for over 50 years, I decided this year (2017) to take my art out into the world via this web site and enter national and international
exhibitions that accepted digital art.
Although several sculptures employ crackle glaze and other nods to
traditional pottery, the works in this
exhibition are notable
for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.
Unlimited: Presenting 78 ambitious and large - scale artworks from five generations of artists Unlimited, Art Basel's unique
exhibition platform
for artworks that transcend the
traditional art fair stand, will this year present 78 projects from galleries participating in the show.
Timed to celebrate Black History Month, Grenning Gallery has assembled a group show of contemporary African - American artists working in the realist mode
for an
exhibition that is long on the
traditional portraiture
for which the gallery is renowned.
«I chose work that specifically challenged the
traditional expectation of experiencing art,» said Cynthia Connolly, Arlington County's special projects curator and juror
for the
exhibition.
The design of it though is a bit more complex — it draws on the
traditional idea of the art fair
for the ground floor and first floor of the Saatchi Gallery but then the second floor is a series of curator - lead projects including solo
exhibitions, a group
exhibition and solo artist presentations.
For her section of the
exhibition, Jongerius experiments with
traditional paint recipes and industrially produced colour samples.
In reference to
traditional (char) coal making, ongoing
for many days, the
exhibition is planned as a non-stop process.
Riley's early curve paintings from the 1960s, which open the
exhibition, shook
traditional conceptions of art almost literally: their disorientating contour lines are too much
for the eyes and brain to process, so that they genuinely seem to vibrate and undulate on the wall.
However, if your taste err towards the more
traditional, don't book your ticket to Hull
for the
exhibition, which opens on September 26, quite yet.
Sim Smith Gallery works closely with collaborators to inspire multidisciplinary projects aiming to engage new audiences
for the work and changing the viewer experience through
exhibition design, curation and by taking art outside of the
traditional gallery setting.
Looking back ten years ago you would be hard pressed to find a painting
exhibition in Chelsea, NYC or any «
traditional» medium»
for that matter.
The interactive nature of many of the works in this show, and his bold irreverence to the
traditional art scene, make
for a wild
exhibition and simply put, it's FUN.
For this
exhibition, the Rio de Janeiro - based Nepomuceno expands her characteristically dynamic approach to form, using
traditional methods of rope weaving and straw braiding as well as techniques of her own design.
Curtis said that the
exhibition was another «step change»
for the artist, whose works «look conventional and even
traditional».
The
exhibition will include works from 1999 to the present which are being shown in New York
for the first time., Casebere's latest works are inspired by Thomas Jefferson's utopian Monticello, the indigenous architecture of the Caribbean island of Nevis,
traditional Japanese architecture and an imagined gallery space.
Like its name implies, the shows will last
for just one evening, displaying a limited number of works by a specific artist, upending the
traditional six - week
exhibition schedule to which most galleries subscribe.
For his first solo
exhibition with Sean Kelly, McCloud has created eleven new, abstract works, mixing unconventional industrial materials — aluminum sheeting, silver aluminum butane paint, and black liquid tar — with
traditional pigment and woodblock printing techniques.
Please take a look at our website
for further details: http://www.momentaart.org/momenta-art-past-projects-2015.html Reviews of our
exhibitions or events in a
traditional sense are welcome, but we also encourage cross-disciplinary approaches that expand and engage with the themes explored by artists and other participants through our programs, possibly addressing broader socio - political phenomena of the year.
You have created a myriad of different modes of display
for your ceramic sculptures —
traditional plinths of different shapes and sizes, floor - based displays and purpose - built tables, each of them responding to their architectural surroundings and producing a different texture and atmosphere to the
exhibition.
About to present his first solo
exhibition at CHG, Tsai is famed
for designing compelling art pieces using carved lacquer ware, a rapidly disappearing
traditional craft.
In addition to a long career of
exhibition in
traditional museums and galleries, he is a respected innovator and pioneer
for his projects engaging with public space, which can now be found in over fourteen countries around the world.
Torrance Art Museum invites you to attend the Opening Reception
for Dae - Bak Super Cool, an
exhibition presenting Korean and Korean - American contemporary artists that relate to
traditional, modern, and pop vernacular idioms.
A widely exhibited artist known
for large mixed - media prints that combine digital and
traditional processes, Carmon Colangelo's work has been featured in more than 20 solo shows and dozens of group
exhibitions in Argentina, Canada, England, Italy, Korea, Mexico, Puerto Rico, and across the United States.
Founded in 2010 in partnership with Hunter College, The Artist's Institute is an
exhibition space and research institute in New York City that dedicates seasons to artists twice a year, providing a platform
for sustained inquiries outside the confines and rhythms of
traditional galleries and
exhibition spaces.
In addition to participating in numerous international biennales and important group shows, he has held solo
exhibitions at Capsule Gallery, Tokyo (2014); a site specific
exhibition entitled «House Lives with Time» in a
traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center
for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).
Works by students of the Estonian Academy of Arts 01.06. - 10.06.2007 The Great hall The
exhibition is part of the
traditional Estonian Academy of Arts springtime event, which
for the first time reaches four main
exhibition spots in Tallinn: Estonian Museum of Applied Art and Design, Design and Architecture Gallery, Estonian Academy of Arts Gallery, and Kumu Art Museum.
The
exhibition opens on January 10th and continues until February 12 2011 Ebru Uygun's work can be seen as a semaphore
for the deconstruction of
traditional artistic practice.
Hahn,
for the
exhibition, continues her investigation with
traditional concerns in her figurative painting practices while creating environments of psychological landscapes in the female mind and body.
Situated on the fair's 250,000 square feet of
exhibition space, Platform offers an opportunity
for galleries to showcase artworks that extend beyond the
traditional booth context.
By drawing attention to the multiplicity of artists who used abstraction
for an array of purposes, this
exhibition pushes the
traditional boundaries of Abstract Expressionism and showcases the wide reaches of its legacy.
Usvitsky in Major Museum
Exhibition on Fiber Art Noysky Projects is pleased to announce the exhibition of Katya Usvitsky's sculptures in «Women's Work» — an international exhibition that calls for a reexamination of traditional gender stereotypes, curated by San Diego Art Institute's Executive Director Ginger Shulick
Exhibition on Fiber Art Noysky Projects is pleased to announce the
exhibition of Katya Usvitsky's sculptures in «Women's Work» — an international exhibition that calls for a reexamination of traditional gender stereotypes, curated by San Diego Art Institute's Executive Director Ginger Shulick
exhibition of Katya Usvitsky's sculptures in «Women's Work» — an international
exhibition that calls for a reexamination of traditional gender stereotypes, curated by San Diego Art Institute's Executive Director Ginger Shulick
exhibition that calls
for a reexamination of
traditional gender stereotypes, curated by San Diego Art Institute's Executive Director Ginger Shulick Porcella.
Prior to joining the ICA, Esseiva developed both
traditional exhibitions and experimental program formats
for cultural institutions and commercial galleries.
The
exhibition highlights the interblending of
traditional and figurative abstraction as the foundation
for more fluid and inclusive expressions of identity, engendering a new visual pronoun.
New research undertaken
for the Guggenheim
exhibition will show how well versed Burri was in the construction of painting, and his use of
traditional layers of gesso, bole and gold.
In this video, Rebecca Salter RA explains the
traditional tools and techniques used by the Sato Woodblock Workshop in Kyoto when creating her print
for the Summer
Exhibition 2016.
These international curators will discuss their individual experiences organizing the
exhibition for such varied institutions, as well as how this presentation differs from a
traditional retrospective with its multitude of influences and affinities that have shaped Trockel's work to create an
exhibition as artist portrait.