Not exact matches
It may be early in the show's run, but Colbert is already setting a precedent
for booking guests beyond the
traditional circle of Hollywood elite pitching their
film and television projects.
The
film world was soon buzzing over the imminent introduction of a true cinema - quality digital video camera, not to mention one that would go
for maybe a 15th the cost of a
traditional camera.
«(Cannes) wants to reiterate its support to the
traditional mode of exhibition of cinema in France and in the world,» it continued, adding that from next year its rules would explicitly state any
film entered
for competition would have to «commit itself to being distributed in French movie theatres».
«Especially
for audiences who might have gotten tired of more
traditional popcorn
films and want something to sink their teeth into.»
Demand
for new independent
film and TV content is growing rapidly as both
traditional and non-
traditional distribution channels, such as over-the-top streaming and other video on demand applications, become more popular.
Foreign investors have acquired
traditional US
film «majors», such as Twentieth Century Fox (acquired in 1985 by Rupert Murdoch's News Corporation) and Columbia Pictures (purchased by Japanese Sony in 1989
for 3,4 billion US dollars).
The
film, made by Andrew Morgan, follows the American author and former pastor who has been heavily criticised
for suggesting Heaven is open to all, challenging the
traditional view of Hell and saying that humanity has twisted Jesus» words.
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This process of
film deposition is common
for traditional semiconductors like silicon or gallium arsenide — the basis of modern electronics — but Cornell scientists are pushing the limits
for how thin they can go.
While
filming the elusive Basilisk lizard, which can sprint on water
for up to 100 feet in moments of danger, photographers ventured deep into the Brazilian rain forest with a super-slow-motion camera shooting at 2,000 frames per second, 80 times as rapid as a
traditional camera.
The fourth video in the Beginner Series that I am in the process of
filming for the Weston A. Price Foundation involves going through the pantry of my friend Alma, to help her clear out any unhealthy foods and replace them with more nutrient dense,
traditional choices.
I
filmed the video below on
Traditional Fats and Sacred Foods
for the Weston A. Price Foundation (WAPF).
The advent of HD
film has put a greater emphasis on makeup and makeup
for film and fashion requires different techniques than
traditional makeup.
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The
film doesn't hold your hand, and while Cave may drop a first name here or there, or make mention of a band or hit single, there's nothing on screen spelling out
for you a
traditional Behind the Music - friendly history of Nick Cave.
Throughout the
film, compelling arguments are made
for how Western forms of music incorporated the rhythms and vocal stylings of
traditional Native American music.
Not a very good
film in the
traditional sense, but a very enjoyable guilty pleasure
for even this big Scooby - Doo fan.
When Braff couldn't secure
traditional financing
for the
film, he appealed to the fan base he'd built up over nine seasons of Scrubs, asking them to donate cash so he could make the movie exactly as he wanted it made.
For that first chunk of the
film, this
traditional, classicist director is flirting with a very experimental notion — the kind of «action as characterization» storytelling that The Hurt Locker went almost all the way with last summer.
The
film, which stars Smith and Joel Edgerton as a human - orc buddy cop duo, is the streaming giant's first attempt a major tentpole release, entering the kind of waters that are normally reserved
for traditional studios opening
films wide across hundreds of cinema screens.
A number of mainstream
film critics have hailed his work on the new
film — virtually unheard - of
for a
traditional, orchestral, «proper»
film score in the 21st century.
The act of audience deception here is brilliant — especially as the
film shifts gears from a
traditional but warm storytelling approach to a subversive and dramatically vibrant narrative as it deconstructs the family and allows room
for far more questions than what it seemingly starts with.
At around 2 am (sorry, I didn't keep track of the time
for this one like I usually do), we got our first break from his
traditional giallo with Suspiria, a
film that serves up the elaborate death scenes (and Goblin score!)
With the changing times and a shift from print to on - line media, the
traditional film critic writing
for a newspaper is slowly disappearing.
While never the most conventional screenwriter to begin with («Pulp Fiction» is a sprawling, ambitious jigsaw puzzle,
for one), in recent years Tarantino's screenplays have pushed the envelope further, eschewing most cinematic narrative conventions, with his movies becoming more like
filmed novels that don't bother with
traditional structure.
Both
films are about families with patriarchs who don't believe in a structured society and «
traditional» education
for their kids.
The
film looks great so far, and with winning efforts with
traditional tales and more contemporary offerings, perhaps Disney can truly challenge Pixar who seem to have settled on sequels
for far too long.
But, so long as you can follow the story well enough, and don't mind the rather lengthy takes that Soderbergh enjoys during scenes of running or driving, Haywire is worth seeking out
for a smart, stylish, and off - speed action
film that blends
traditional thrills with Soderbergh's independent experimentation with the process of genre filmmaking.
Under the category of adventure
films, we can include
traditional swashbucklers, serialized
films, and historical spectacles (similar to the epics
film genre), searches or expeditions
for lost continents, «jungle» and «desert» epics, treasure hunts and quests, disaster
films, and heroic journeys or searches
for the unknown.
He makes a movie that's unlike anything else in the MCU, and while certain beats and story points follow a
traditional pattern, the world Coogler has crafted as well as the people he has constructed to live within it are so uniquely three - dimensional I sat in mesmerized awe
for every single second of the
film's briskly paced 134 - minute running time.
Romero of course gave us the Dead series of
films starting in 1968 where he envisioned zombies not in the
traditional Haitian, plantation sense, but as the end of the world, and as a (possibly accidental) metaphor
for racism and the 1960s.
But I don't think that the
traditional mode of what we collectively recognize as «
film criticism» is satisfying
for me anymore, and that's informed my movie - going habits accordingly.
Like the
traditional fairy tales from which the
film takes its title, Once Upon a Time in Venice has a storyteller, in the form of John (Thomas Middleditch), a nerdy intern / protégé
for ex-LAPD cop Steve Ford (Willis), a not - very - successful private - eye sliding further into the underworld morass he mostly frequents.
With Coco, Pixar Animation Studios» take on the
traditional Mexican celebration Día de Muertos, audiences are given a
film that will become the standard - bearer of a positive example of what the Latino experience can look like on the big screen
for years to come.
My lingering problem is the amount of fluttering butterflies that the
film creates, it paints a picture that any wedding you wish to have is possible, which is untrue, but I don't believe the
film was about creating a realistic explanation, but more show the journey the parents make, but again, the journey only seems to consist of daddy, as esteemed actress Diane Keaton, who plays other Nina, plays a largely unimportant role, perhaps a
traditional scenario calls
for a father and his daughter, but the mother is as equally important.
It's in The Nutty Professor rather than The Patsy, however, that Lewis finds
for his personal obsessions with celebrity, performance and popularity a form palatable to a wide public — a success confirmed by the
traditional critical prejudice (in Anglo - American writing) that finds this to be Lewis» one acceptable
film.
The French New Wave directors were responsible
for taking a lot of rather experimental
film editing techniques, and using them in otherwise
traditional stories.
The thrust of this
film, though, is not the
traditional circus circuit but rather the Oddities, characters on the outskirts who show their humanity: the Bearded Lady (Keala Settle) and Tom Thumb (Sam Humphrey) in addition to the likes of the Strong Man, Dog Boy and a glorious trapeze artist named Anne Wheeler (Zendaya), who is a love interest
for Barnum's partner Phillip, played nicely by Zac Efron in his best screen outing in a long while.
And so it's difficult to remember that Weekend, the last remotely
traditional narrative feature he'd produce until the release of Every Man
for Himself, in 1980, isn't the
film of a man at the end of his artistic rope, but rather of a man intent on taking a match to it.
The
traditional royalty slot of the 7 pm premiere on the first Saturday is reserved this time
for French director Eva Husson's sophomore feature GIRLS OF THE SUN, while the first English - language competition
film doesn't screen until the second half of the festival.
The scrappy campaign — which is forgoing
traditional «
For Your Consideration» advertising — will officially kick off on Tuesday night, during an Academy conversation with the Duplass brothers, where Jay and Mark will show a clip from the
film.
Marc Abraham's
film is extremely
traditional in its formal outlook, and it's all the more interesting
for it.
Throughout «Paterson,» Jarmusch breaks the
traditional form of the
film for a poetic interlude, capturing a poem that Paterson is working on by literally putting words that look handwritten up on the screen as Driver reads them in a manner that makes it sound like he's coming up with them
for the first time.
The
film sees Kalu take on a community leadership role as
traditional Hawaian burial sites are disturbed; Kalu's status Kumu sees her teach her male high school students as they prepare
for a end of performance, accompanied by sixth grade tomboy Ho'onani, who is also «in the middle» like Kalu.
Shot on an ARRI Super 16 camera, the lack of
traditional film lighting made
for a grittier, darker, and more confined feeling.
The
traditional climbing of the steps was a political moment
for the cast and producer of the Russian
film Leto (Summer), in competition at the 71st Cannes
Film Festival: its director, Kirill Serebrennikov, has been under house arrest in Russia since August of last year, on charges of corruption.
Twenty - one years after becoming a cultural juggernaut, Danny Boyle has come out with a follow - up to his 1996
film Trainspotting, reassembling the cast
for a new look at the lads decades after Renton (Ewan McGregor) upped and stole the drug money and vowed to lead a «stable,
traditional life.»
Symbol - heavy but never pretentious or preachy, the
film follows a
traditional path — she is betrayed, she is underestimated, she repays her assailants
for their toxic masculinity.
In a 1995 essay
for Screen, Northwestern professor
film critic Jeffrey Sconce observed that «Wood is now seen, like Godard, as a unique talent improvising outside the constrictive environment of
traditional Hollywood.»