My paper concerns a relatively simple model
for vegetation patterning, and I have been able to exploit this simplicity to obtain detailed mathematical predictions,» explains Sherratt.
Not exact matches
«There is not enough water to sustain a complete coverage with continuous grass
vegetation, which leads to the gap
pattern,» explains Stephan Getzin, an ecologist at the Helmholtz Centre
for Environmental Research in Leipzig, Germany, who was not involved with the new work.
The scientific literature contains two different mechanisms
for a similar
pattern — one stems from
vegetation self - organizing in response to limited rainfall, and the other results from bustling termite mounds improving the lives of nearby plants.
-- 7) Forest models
for Montana that account
for changes in both climate and resulting
vegetation distribution and
patterns; 8) Models that account
for interactions and feedbacks in climate - related impacts to forests (e.g., changes in mortality from both direct increases in warming and increased fire risk as a result of warming); 9) Systems thinking and modeling regarding climate effects on understory
vegetation and interactions with forest trees; 10) Discussion of climate effects on urban forests and impacts to cityscapes and livability; 11) Monitoring and time - series data to inform adaptive management efforts (i.e., to determine outcome of a management action and, based on that outcome, chart future course of action); 12) Detailed decision support systems to provide guidance
for managing
for adaptation.
The highest potential
for a causal mechanism of fairy circles probably lies in some form of landscape scale, self - organizing process similar to those proposed by Rietkerk et al., Couteron and LeJeune, and Tlidi et al. [11]--[16] as
patterning vegetation in a range of landscapes, especially arid ones.
When you look at works such as Sobel's untitled 1944 painting shown, the temptation is not to see the
vegetation like drip
pattern blending with the figure as much as to see the dripped paint obscuring the figure — just as circumstances conspired to obscure the figure of Janet Sobel
for more than half a century.
The paintings refer to
patterns and colors found in nature: yellow
for light; blue to water; and the mixing of the two creates green, the color of
vegetation; circles are cycles of the moon and sun; triangles are trees and mountains.
The cascading flurry of paper
patterns emerging from origami pipes suspended from the gallery ceiling will tell the story of a community ensnared in a five - year drought, but is still hopeful
for a reemergence of
vegetation.
Using pollen, phytolith, and charcoal records to identify the distribution and composition of tropical
vegetation and fire
patterns over the past 11,000 years, Dolores R. Piperno of the Smithsonian Tropical Research Institute in Panama and National Museum of Natural History in Washington, DC, found evidence of widespread fire use
for land - clearing by pre-Colombian populations in Latin America.